Sharhabil Ahmed - The King of Sudanese Jazz Жанр: Arabic Jazz, Jazz-Funk Носитель: CD Страна-производитель диска (релиза): Германия Год издания: 2020 Издатель (лейбл): Habibi Funk Номер по каталогу: HABIBI013 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Продолжительность: 00:42:48 Источник: aphex80 Наличие сканов в содержимом раздачи: нет Треклист:
02. El Bambi (5:26)
03. Malak Ya Saly (6:35)
04. Kamar Dawa (5:18)
05. Zulum Aldunya (4:49)
06. Aziza (6:34)
07. Ya Shagini (9:27)
Лог создания рипа
X Lossless Decoder version 20250302 (157.2) XLD extraction logfile from 2026-04-23 19:18:10 +0200 Sharhabil Ahmed / The King of Sudanese Jazz Used drive : Apple SuperDrive (revision 2.00) Media type : Pressed CD Ripper mode : XLD Secure Ripper Disable audio cache : OK for the drive with a cache less than 1375KiB Make use of C2 pointers : NO Read offset correction : 6 Max retry count : 100 Gap status : Analyzed, Appended (except HTOA) TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 04:39:16 | 0 | 20940 2 | 04:39:16 | 05:26:08 | 20941 | 45398 3 | 10:05:24 | 06:34:65 | 45399 | 75013 4 | 16:40:14 | 05:18:28 | 75014 | 98891 5 | 21:58:42 | 04:49:18 | 98892 | 120584 6 | 26:47:60 | 06:34:11 | 120585 | 150145 7 | 33:21:71 | 09:26:48 | 150146 | 192643 AccurateRip Summary (DiscID: 000abc85-00416f18-380a0807) Track 01 : OK (v2, confidence 5/5) Track 02 : OK (v2, confidence 5/5) Track 03 : OK (v2, confidence 5/5) Track 04 : OK (v2, confidence 5/5) Track 05 : OK (v2, confidence 5/5) Track 06 : OK (v2, confidence 5/5) Track 07 : OK (v2, confidence 5/5) ->All tracks accurately ripped. All Tracks Album gain : -7.98 dB Peak : 0.999969 Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 01 Filename : /Users/Shared/Music/Sharhabil Ahmed - The King of Sudanese Jazz (2020) [FLAC]/01 Argos Farfish.flac Pre-gap length : 00:02:00 Track gain : -8.15 dB Peak : 0.999969 CRC32 hash (test run) : C263CFBD CRC32 hash : C263CFBD CRC32 hash (skip zero) : E93F5B7A AccurateRip v1 signature : 0F18E930 AccurateRip v2 signature : 13F83C82 ->Accurately ripped (v2, confidence 5/5) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 02 Filename : /Users/Shared/Music/Sharhabil Ahmed - The King of Sudanese Jazz (2020) [FLAC]/02 El Bambi.flac Pre-gap length : 00:00:72 Track gain : -8.44 dB Peak : 0.999969 CRC32 hash (test run) : 111569A5 CRC32 hash : 111569A5 CRC32 hash (skip zero) : 68EA0A1B AccurateRip v1 signature : 9EF383B7 AccurateRip v2 signature : BA868F94 ->Accurately ripped (v2, confidence 5/5) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 03 Filename : /Users/Shared/Music/Sharhabil Ahmed - The King of Sudanese Jazz (2020) [FLAC]/03 Malak Ya Saly.flac Pre-gap length : 00:00:72 Track gain : -7.24 dB Peak : 0.999969 CRC32 hash (test run) : BC06B9AB CRC32 hash : BC06B9AB CRC32 hash (skip zero) : 368F2F80 AccurateRip v1 signature : B671F6FA AccurateRip v2 signature : E7539D23 ->Accurately ripped (v2, confidence 5/5) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 04 Filename : /Users/Shared/Music/Sharhabil Ahmed - The King of Sudanese Jazz (2020) [FLAC]/04 Kamar Dawa.flac Pre-gap length : 00:00:72 Track gain : -8.67 dB Peak : 0.999969 CRC32 hash (test run) : 86A0FD13 CRC32 hash : 86A0FD13 CRC32 hash (skip zero) : B9AC064D AccurateRip v1 signature : FF2A58B8 AccurateRip v2 signature : 11306084 ->Accurately ripped (v2, confidence 5/5) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 05 Filename : /Users/Shared/Music/Sharhabil Ahmed - The King of Sudanese Jazz (2020) [FLAC]/05 Zulum Aldunya.flac Pre-gap length : 00:00:72 Track gain : -9.03 dB Peak : 0.999969 CRC32 hash (test run) : 3E3DB82B CRC32 hash : 3E3DB82B CRC32 hash (skip zero) : 18F42F9F AccurateRip v1 signature : 68867478 AccurateRip v2 signature : 9A0004FA ->Accurately ripped (v2, confidence 5/5) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 06 Filename : /Users/Shared/Music/Sharhabil Ahmed - The King of Sudanese Jazz (2020) [FLAC]/06 Aziza.flac Pre-gap length : 00:00:72 Track gain : -7.00 dB Peak : 0.999969 CRC32 hash (test run) : FB01B3B3 CRC32 hash : FB01B3B3 CRC32 hash (skip zero) : 7E0D54BC AccurateRip v1 signature : 1B6715BB AccurateRip v2 signature : C5B3CFAE ->Accurately ripped (v2, confidence 5/5) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 07 Filename : /Users/Shared/Music/Sharhabil Ahmed - The King of Sudanese Jazz (2020) [FLAC]/07 Ya Shagini.flac Pre-gap length : 00:00:72 Track gain : -7.68 dB Peak : 0.999969 CRC32 hash (test run) : 9ACD5130 CRC32 hash : 9ACD5130 CRC32 hash (skip zero) : D7991C12 AccurateRip v1 signature : B521374F AccurateRip v2 signature : 1652A99B ->Accurately ripped (v2, confidence 5/5) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 No errors occurred End of status report -----BEGIN XLD SIGNATURE----- _IUPX30G4C1wtFh6k9_cr9_C99VjX7AevXOkrRkSVeceWUzPY.X7.NiRxLN8PDfrGOdFe5GRNjBkBQlCmQue02Ph9DueqcDlgggw7ha -----END XLD SIGNATURE-----
Содержание индексной карты (.CUE)
TITLE "The King of Sudanese Jazz" PERFORMER "Sharhabil Ahmed" CATALOG 0673790035547 REM GENRE "Jazz" REM DATE "2020" REM DISCID 380A0807 REM REPLAYGAIN_ALBUM_GAIN -7.98 dB REM REPLAYGAIN_ALBUM_PEAK 0.999969 FILE "01 - Argos Farfish.flac" WAVE TRACK 01 AUDIO TITLE "Argos Farfish" ISRC DESY21401141 REM REPLAYGAIN_TRACK_GAIN -8.15 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "El Bambi" ISRC DESY21401142 REM REPLAYGAIN_TRACK_GAIN -8.44 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 04:38:19 FILE "02 - El Bambi.flac" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Malak Ya Saly" ISRC DESY21401143 REM REPLAYGAIN_TRACK_GAIN -7.24 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 05:25:11 FILE "03 - Malak Ya Saly.flac" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Kamar Dawa" ISRC DESY21401144 REM REPLAYGAIN_TRACK_GAIN -8.67 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 06:33:68 FILE "04 - Kamar Dawa.flac" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Zulum Aldunya" ISRC DESY21401145 REM REPLAYGAIN_TRACK_GAIN -9.03 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 05:17:31 FILE "05 - Zulum Aldunya.flac" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Aziza" ISRC DESY21401146 REM REPLAYGAIN_TRACK_GAIN -7.00 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 04:48:21 FILE "06 - Aziza.flac" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Ya Shagini" ISRC DESY21401147 REM REPLAYGAIN_TRACK_GAIN -7.68 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 06:33:14 FILE "07 - Ya Shagini.flac" WAVE INDEX 01 00:00:00
foobar2000 1.6.18 / Dynamic Range Meter 1.1.1 log date: 2026-07-13 16:45:43 -------------------------------------------------------------------------------- Analyzed: Sharhabil Ahmed / The King of Sudanese Jazz -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR9 0.00 dB -10.55 dB 4:39 01-Argos Farfish DR9 0.00 dB -9.97 dB 5:26 02-El Bambi DR10 0.00 dB -10.76 dB 6:35 03-Malak Ya Saly DR9 0.00 dB -10.06 dB 5:18 04-Kamar Dawa DR9 0.00 dB -9.40 dB 4:49 05-Zulum Aldunya DR10 0.00 dB -10.94 dB 6:34 06-Aziza DR9 0.00 dB -10.45 dB 9:27 07-Ya Shagini -------------------------------------------------------------------------------- Number of tracks: 7 Official DR value: DR9 Samplerate: 44100 Hz Channels: 2 Bits per sample: 16 Bitrate: 792 kbps Codec: FLAC ================================================================================
Об альбоме (сборнике)
Contemporary Sudanese music draws a lot of influences both from Arabic musical as well as subsaharan traditions. “[...]It is rooted in the madeeh (praising the Prophet Mohamed in song). The genre filled out into something quite irreverent in the 1930s and 1940s when haqiba music, the madeeh 's secular successor, caught on. Haqiba, a predominantly vocal art in which the musicians accompanying the lead singer use few instruments, spread like wildfire in the urban centres of Sudan. It was the music of weddings, family gatherings and wild impromptu parties.
Haqiba drew inspiration from indigenous Sudanese and other African musical traditions in which backing singers clapped along rhythmically and the audience joined in both song and dance. The lead singer's incantations induced a trance-like experience in which spectators swayed along to the rhythm of the beat“ as Gamal Nkrumah wrote in a 2004 article Al Ahram Weekly newspaper. One of the first singers we at Habibi Funk came across some years ago and who struck a chord with us was Sharhabil Ahmed. Sharhabil was born in 1935 and he is the founding father of the Sudanese Jazz scene. His aim was to modernize Sudanese music by bringing it together with western influences and instrumentation like he summarized it himself in a 2004 interview for „Al Ahram Weekly“:
“[...]Haqiba music, you know, was traditional vocal music with little accompaniment beyond a tambourine. When our generation came in the 1960s, we came with a new style. It was a time of worldwide revolution in music. In Europe, the rhythms of swing and tango were being replaced by jazz, samba, rock- and-roll. We were influenced by this rejuvenation in Sudan, too. I started out by learning to play the oud and traditional Sudanese music, and got a diploma from the music institute of Khartoum University. But my ambition was to develop something new. For this, the guitar seemed like the best instrument. Western instruments can approximate the scales of Sudanese music very well. After all, a lot of Western music is originally from Africa. I have absorbed different influences, from traditional Sudanese rhythms to calypso and jazz, and I hold them together in my music with no difficulty.”
Referring to its sonic apperance, Sudanese Jazz hasn’t too much in common with the western idea of Jazz. Sharhabil’s sound feels more like a unique combination of surf, rock n roll, funk, Congolese music and East African harmonies a.o. So it kind of made sense to me, while visiting him in Sudan, to see the records he kept over the years: 2 of his own and 2 by Mulatu Astatke signed to him, further proving the influence of Ethiopian and other neighboring countries. In fact, Sharhabil was not just one of many Sudanese Jazz artist. He is the king of Jazz, literally, since in he won a competion over other artists for that title.
Around the same time we first heard Sharhabil’s music we released a Hip Hop project on Habibi Funk’s sister label by a German producer called Pawcut and a Sudanese MC called Zen-Zin. The two had never met in person but connected over the internet and the result of the exchange was a demo we liked so much that we decided to release it. Zen-Zin was probably the first person we asked whether he knew anything about Sharhabil his answer was, “His son lives next door from me. We actually have a project together, his father and mine are old friends”. What might feel like a crazy coincidence actually turns out to be some kind of recurring serendipity. It’s only one of many stories, in which the stars align the paths in our favor and make projects possible. Be that as it may, Zen-Zin connected us with Mohamed, Sharhabil’s son, who at this point was in the process of moving to New York to pursue his own music career.
Mohamed was interested in the idea and shared it with his dad, who was fond of looking into it. We went back and forth to share ideas and suggestions. Finding Sharhabil’s music in a quality that it could be used as source for this release was a particular though task. It was easy to find a lot of songs on the internet but all of them in very bad quality. It took us years to find good source material, with occasional hick-ups like master tapes that also did not produce a satisfying quality.
In 2017, we visited Sudan for the first time personally and was lucky to meet Sharhabil in his house in Omdurman. Despite being in his mid 80s he’s still very active and mentally sharp with a vivid memory filled with artistic achievement from his musical work to his work as a comic artist, something he his equally known for in Sudan. The following year we featured his song “Argos Farfish” on our first compilation. And what a song it is! Driven by an an electric guitar, horns and Sharhabil’s energetic yet smooth voice it’s a personal favorite on this release. Why this release is only coming out now? I really can’t tell you! But at least finally here it is. The king of jazz is holding court.
