rjhlb777 · 30-Июн-26 03:05(16 дней назад, ред. 30-Июн-26 03:07)
Время сирени / Сезон сирени
Любовь никогда не умирает
Lilac Time / Love Never Dies
[Немое Кино]Страна: США Студия: First National Pictures Жанр: драма, мелодрама, военный Год выпуска: 1928 Продолжительность: 01:32:09 Перевод: Субтитры Субтитры: английские Оригинальная аудиодорожка: Isolated Score Режиссер: Джордж Фицморис / George Fitzmaurice, Фрэнк Ллойд / Frank Lloyd В ролях: Коллин Мур, Гэри Купер, Юджин Бессерер, Барр МакИнтош, Кэтрин МакГуайр, Клеве Мур, Артур Лейк, Ричард Джарвис, Джек Стоуни, Дэн Даулинг... Описание: Все эти красивые молодые люди в своих летательных аппаратах размещены в поле рядом с фермой вдовы Бертело во Франции. Ее дочь Жаннин интересуется молодыми людьми, сражавшимися за Англию в Первой мировой войне, и их самолетами. Затем один из летчиков погибает. Его заменяет капитан Филип Блайт, который не может не заметить Жаннин: когда он впервые приземляется, она стоит посреди его «взлетной полосы». Позже, когда он видит ее у сирени, она производит на него более благоприятное впечатление. Когда все молодые люди отправляются на задание, Блайт обещает вернуться. —Дейл О'Коннор Доп. информация: Исходник из сети.
nfo
Lilac Time (1928) http://www.imdb.com/title/tt0019098/ Video Format.........: NTSC D1 DVD5 VOB (720x480) Bitrate..............: 5100/9800 VBR Encoder..............: HC023 Hardware.............: N/A Capture Codec........: N/A Audio................: 192 kbps Stereo AC3 Source...............: DVDr Archive Size.........: 3.47 GB Redundancy...........: 5% PAR2 Frame Rate...........: 23.976 w/pulldown Color................: B&W Logos................: No Chapter Stops........: Yes, relative Chapter Menus........: No Extras...............: None Posted To............: alt.binaries.multimedia.vintage-film Colleen Moore and Gary Cooper star in this WWI story of British fliers and romance. Unfortunately, the original soundtrack is not part of this print. That is too bad, as it included sound efects that I suspect went beyond what is present here. This film is the origin of "Jeannine, I Dream of Lilac Time", which has been recorded by such artists as Louis Armsrtrong, Bix Biederbeck, Paul Whiteman, That Platters, and on and on. The quality of the print is not the greatest. It is quite dark and an obvious dub. The cinematography is quite good and it would be nice to see it in something closer to its original condition. Perhaps someone has a better copy. There are quite a few votes for it on IMDB, so someone has seen it. Enjoy! -- NNON - 5/31/09 Contemporary Review =========================================================== Movie Review August 4, 1928 THE SCREEN Published: August 4, 1928 Ten years after the close of the World War the moving picture producers are still fighting its battles. "Lilac Time" is the First National contribution to the archives of movie war history and it chooses as its particular branch of service the Royal Air Force. Ten years is a long time for memories to hold the hatred which is the adjunct of war; yet if the hatred goes so does much of the vim of a picture on the subject. "Lilac Time," rather than being a war picture, has made the element of fighting less important than the love theme which runs through it. Comparisons are odious, true, but "Wings" with its more than 700 performances naturally springs to mind. "Lilac Time" has a more complete story, but it is told in half-shades where "Wings" is inclined to gamble all on boldness. The aviation portions are about the same in each of the pictures, although there are some excellent views of crashes in "Lilac Time." On the other hand, there if not quite so much airplane fighting. The chief asset of "Lilac Time" seems to be the good direction on the part of George Fitzmaurice. He has paid very careful attention to minute details, and if he has occasionally added too many lilacs, he presumably could be excused on the ground that it is that kind of a story. There is some excellent photography in the film, not so much the scenes in the air as those on the ground. A group of seven planes taking off is well done, and many of the shots in the flight command's headquarters are good. Miss Moore, the leading lady, made her chief reputatin as a comedienne, but in "Lilac Time" she has been called upon to play something different. She acts her part well save in one or two instances when the sentiment of the situation gets a little the better of her. Gary Cooper, as the young man with whom Jeannine falls in love, is passable but not much more. The trouble with the picture lies in its sentiment. War has been made a vehicle for love, and hatred has turned into a pathetic combination of all the virtues. An example of it is when the "Red Ace" and the hero have shot each other down. The hero goes to the hospital, and while walking along a road, Jeannine sees the "Red Ace" lying on the ground. She picks up a stone—a natural thing to do—but when the dying man asks her to give a picture to "Fraulein," she immediately drops down beside him, realizing, apparently, that he, too, is in love. Along with the sentiment is the fact that, as it has been said, there are too many lilacs. Most of the scenes are too pretty, in a half-tone, ephemeral way, and they are not quite real. The lilac is the theme, of course, but when there are whole banks and clusters of them, and when they are the deus ex machina for a happy ending, it goes a little too far. All in all, "Lilac Time" can be called a good picture. It is not excellent, neither is it the comparative of "good." It will likely be a box-office success, however, because of the sentiment—and the lilacs—but it is not of the type which starts heartfelt discussion either pro or con. The story is built around a young French girl named Jeannine, at whose home seven aviators are quartered. When one of their number is killed. Captain Philip Blythe arrives as a replacement. He smashes his plane trying to avoid striking Jeannine, a situation which is not a good introduction. They fall in love, however, after sundry attempts to hurt one another's feelings. Eventually the flight goes out, all seven of the members being shot down in action. Jeannine has promised that she will wait for Blythe and she does so even through a bombardment. He finally crashes almost at her feet. After he has been taken to the hospital, Jeannine tries to visit him but is told by his father that he has just died. She buys lilacs, sends them in, and then starts away, but Blythe, realizing that she is near, calls her back. LILAC TIME, with Colleen Moore, Gary Cooper, Burr McIntosh, George Cooper, Cleve Moore, Kathryn McGuire, Eugenie Besserar, Emile Chautard, Jack Stone and Edward Dillon; directed by George Fitzmaurice, from the play by Jane Cowl and Jane Murfin. At the Central.
100 00:44:45,441 --> 00:44:50,780 Вернитесь в свои расположения! Будьте готовы к немедленному вылету. 101 00:45:06,878 --> 00:45:11,800 Джентльмены, началось большое наступление! Враг продвигается вперёд. 102 00:45:14,212 --> 00:45:18,883 На рассвете каждый самолёт союзников будет в воздухе, чтобы удержать линию обороны! 103 00:45:24,556 --> 00:45:31,813 Враг не должен пройти! Ваш приказ - сражаться, пока вас не собьют. 104 00:45:34,906 --> 00:45:39,578 Вы имеете в виду, сэр... нам не суждено вернуться? 105 00:45:42,073 --> 00:45:46,744 Никому, пока в воздухе остаётся хоть один вражеский самолёт! 106 00:46:04,012 --> 00:46:08,349 Англия ждёт, что каждый выполнит свой долг. 107 00:46:26,302 --> 00:46:30,806 За нас - летящих в небесах в пять утра... 108 00:46:33,679 --> 00:46:36,765 - и жарящихся в аду в шесть. 109 00:47:37,445 --> 00:47:41,950 Жанин! Я не могу этого вынести! Я не хочу умирать. 110 00:47:47,865 --> 00:47:52,120 Там, в Англии... она ждёт тебя? 111 00:48:03,298 --> 00:48:07,468 Думаешь о храбром капитане Филипе? 112 00:48:13,641 --> 00:48:18,062 ...его ведь тоже ждёт прекрасная английская леди. 113 00:49:21,626 --> 00:49:25,070 Жанна, у Милостивого Бога завтра будет тяжёлый день. 114 00:49:25,249 --> 00:49:27,965 Не мог бы Он сотворить одно маленькое чудо сегодня ночью? 115 00:49:39,811 --> 00:49:45,483 Пожалуйста, хотя бы маленькое чудо - чтобы он обнял меня... ещё хотя бы раз. 116 00:50:16,264 --> 00:50:19,444 Это чудо, Святая покровительница! 117 00:50:19,468 --> 00:50:23,020 Я чувствую его руки, будто он действительно обнимает меня. 118 00:51:01,392 --> 00:51:05,980 Любимая, я никогда не любил ту английскую леди - и никогда не полюблю... 119 00:51:43,302 --> 00:51:47,628 Юная дева семнадцати лет, свободны ли твои вечера? 120 00:51:47,652 --> 00:51:51,977 Если я возьму курс на Париж, снимешь ли ты всё ради меня? 121 00:52:35,069 --> 00:52:39,073 Какою ужасной кажется теперь мысль о смерти. 122 00:52:49,425 --> 00:52:53,429 Филип, любимый, посмотри... прочитай эти слова. 123 00:52:57,008 --> 00:52:59,677 Видишь - по-вашему, по-английски, это значит «любовь». 124 00:53:35,522 --> 00:53:38,619 Враг - лавина цвета «фельдграу», прорывающаяся сквозь ночь. 125 00:53:38,644 --> 00:53:41,182 («фельдграу» - серый цвет с преобладанием зелёного пигмента) 126 00:54:04,150 --> 00:54:10,740 Звук горна разносится по предрассветному ветру - зов Англии и вечности. 127 00:55:24,572 --> 00:55:29,243 Любимый мой... обними меня ещё один раз. 128 00:55:45,760 --> 00:55:50,514 Иди, любимый, и не оглядывайся - иначе я ни за что тебя не отпущу. 129 00:56:21,629 --> 00:56:26,300 У вас есть приказ - врезайтесь в них и деритесь, пока не упадёте. 130 00:56:39,655 --> 00:56:42,324 Счастливо! 131 00:57:10,094 --> 00:57:15,099 За дам Парижа и за ту красотку, что разделила со мной эту порцию. 132 00:57:24,191 --> 00:57:28,946 Счастливо, ребята, и пусть дьявол покажет нам большой палец! 133 00:57:34,368 --> 00:57:38,706 За дам из преисподней - потеснитесь, папочка идёт! 134 00:57:51,643 --> 00:57:54,313 И избави нас от лукавого, аминь! 135 00:58:13,157 --> 00:58:18,162 Я не могу отпустить тебя, мой Филип... я не могу отпустить. 136 00:58:25,502 --> 00:58:32,593 Жанин, я вернусь, что бы ни случилось. Я как-нибудь прорвусь назад. 137 00:58:36,263 --> 00:58:41,352 Я буду ждать тебя, мой Филип - всю свою жизнь я буду ждать тебя здесь. 138 00:58:45,364 --> 00:58:47,616 Поехали! От винта! 139 00:59:01,851 --> 00:59:05,335 Прощай, пора сирени, само сердце моё говорит: 140 00:59:05,359 --> 00:59:08,525 Je t'aime - Я люблю тебя, я люблю тебя.
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