Music Production in Logic Pro The Complete Course
Год выпуска: 2026
Производитель: Udemy
Сайт производителя:
https://www.udemy.com/course/thecompletelogicprox
Автор: Tomas George Digital Music Masters Ian Alexander
Продолжительность: 53ч
Тип раздаваемого материала: Видеоурок
Язык: Английский+русский (субтитры)
Просьба не уходить с раздачи,я не смогу поддерживать раздачу вечно.
Поделись халявой с другими людьми,не уходи с раздачи.
Призывай других людей переходить на рутрекер.
Курс на английском языке. Есть английские и русские субтитры. Русские субтитры получены путем перевода английских субтитров с помощью gemma 4 26b q6.
Описание: Начните создавать и продюсировать музыку с Logic Pro!
Этот курс посвящен созданию музыки в Logic Pro — программном обеспечении для композиции и продюсирования музыки для macOS.
Более 50 часов видеоматериалов — этот курс НАПОЛНЕН информацией, которая поможет вам изучить Logic Pro и улучшить свои навыки в создании музыки.
Logic Pro — ведущая цифровая звуковая рабочая станция для пользователей Apple Mac, используемая в профессиональных студиях и домашних мастерских по всему миру. Правильное использование DAW значительно улучшит качество вашей музыки и скорость ее создания.
ПРЕДСТАВЛЕНО АВТОРОМ И ПРЕПОДАВАТЕЛЕМ МУЗЫКАЛЬНОГО ПРОДЮСИРОВАНИЯ ТОМАСОМ ДЖОРДЖЕМ
Если вы ищете курс, который покажет вам, как создавать музыку в Logic Pro, то это курс для вас!
Что делает меня квалифицированным преподавателем?
Меня зовут Томас, у меня есть степень магистра музыки (MMus) в области музыкального продюсирования и степень бакалавра (с отличием) в области музыкальной композиции. Я также являюсь создателем одних из самых популярных в мире курсов по музыкальному продюсированию — у них более 400 000 студентов и тысячи пятизвездочных отзывов, подобных этим:
Быстро, эффективно, по существу. Информация представлена быстро. Отличная работа! - Марк С.
Это потрясающий курс, который дал столь необходимое разъяснение того, что такое музыкальное продюсирование. Инструкции были понятны, а Томас очень увлекательно объясняет материал. Спасибо! - Кэтрин П.
Томас объяснил все ясно и лаконично, это действительно полезная информация, которую я записала перед покупкой Logic Pro, поэтому теперь я чувствую себя гораздо менее скованно, когда завтра впервые открою Logic. - Саймон Б.
Очень понятно и лаконично, именно то, что я искала. Мне также нравится, что я могу наблюдать за процессом во время объяснения. - Никки Г.
Мое обещание вам
Я работаю музыкальным продюсером и преподавателем на полную ставку. Если у вас возникнут вопросы по содержанию курса или по созданию музыки в целом, я или кто-либо из команды Digital Music Masters свяжемся с вами в кратчайшие сроки.
ПРИМЕЧАНИЕ: Этот курс предназначен только для пользователей Mac, и для его использования вам потребуется Logic Pro 12, 11 или 10 и компьютер Apple Mac.
О чём этот курс по Logic Pro?
В этом курсе вы получите глубокое понимание Logic Pro и научитесь использовать его для создания собственной музыки. Вы узнаете о красоте и мощи этого программного обеспечения, которое сегодня используют профессиональные продюсеры.
Этот курс охватывает такие темы, как:
• Настройка Logic Pro
• Создание музыки с помощью Apple Loops
• Как использовать новые инструменты Session Player и Chord Track (Logic Pro 11 и 12)
• Создание музыки с помощью Live Loops (Logic Pro 10.5 и выше)
• Создание музыки с помощью MIDI и программных инструментов
• Как писать собственные биты в Logic Pro
• Как использовать пошаговый секвенсор (Logic Pro 10.5 и выше)
• Как использовать различные синтезаторы и сэмплеры, такие как Alchemy, Ultrabeat, Sculpture, Retro Synth и ES2
• Flex Time и Pitch
• Запись аудио
• AI Mastering с помощью Mastering Assistant в Logic Pro (Logic Pro 10.8 и выше)
• Как использовать инструменты Sampler и Quick Sampler (Logic Pro) (10.5 и выше)
• Лучшие бесплатные сторонние плагины и как их использовать
• Мастер-классы по записи вокала за кулисами
• Интервью с профессионалами музыкальной индустрии
• и многое другое.
Мы подробно рассмотрим микширование, включая:
Использование автоматизации, эквалайзера каналов, компрессии, реверберации Space Designer, посылов и групп Aux, Delay Designer, эхо, Amp Designer, педалборда, плагинов модуляции, Flex Time, Flex Pitch и Bouncing.
Вы можете пройти этот курс в версиях Logic Pro 12, 11 или 10.
Этот курс также включает новые видеообзоры обновления Logic Pro 12 для всех, кто обновил Logic Pro до версии 12.
Наконец, вы изучите основы мастеринга собственного трека.
Знания, полученные на этом курсе, сделают вас лучшим музыкальным продюсером и улучшат ваши навыки написания песен в Logic Pro и всех других цифровых аудио рабочих станциях!
Start Creating and Producing Music with Logic Pro!
This course is all about Music Production in Logic Pro, which is software for music composition and production for macOS.
With over 50 hours of video, this music course is JAM PACKED with information to help you learn Logic Pro and help you improve at Music Production.
Logic Pro is the leading Digital Audio Workstation for Apple Mac users, and it's used across professional studios and bedrooms worldwide. Learning how to use your DAW correctly will dramatically improve the quality of your music and the speed you create it.
BROUGHT TO BY BEST-SELLING MUSIC PRODUCTION INSTRUCTOR TOMAS GEORGE
If you are looking for a course that will show you Music Production in Logic Pro then this is the course for you!
What makes me qualified to teach you?
My name is Tomas, and I have an MMus Masters Degree in Music Production and a BA(Hons) Degree in Music Composition. I’m also the creator of some of the world's most popular music production courses - with over 400,000 students and thousands of 5-star reviews like these ones:
Quick efficient, to the point. Solid information fed fast. Good work! - Mark C.
This is an amazing course that provided much-needed clarification on what production is all about. The instructions were clear and Tomas is very engaging. Thank you - Catherine P.
Tomas was clear and concise, really useful information for me to write down before I buy Logic Pro so now I feel a lot less intimidated when opening logic for the first time tomorrow - Simon B.
Very clear and concise, exactly what I was looking for. I also appreciate that I can watch things being done while they're being explained. - Nikki G.
My Promise to You
I am a full-time Music Producer and Educator. If you have any questions about the content or Music Production in general, then myself or a member of the Digital Music Masters team will get back to you as soon as possible.
NOTE: This course is for Mac users only, and you must have either Logic Pro 12, 11 or 10 and an Apple Mac to use it
What is this Logic Pro Course all about?
In this course, you will gain a deep understanding of Logic Pro and how to use it to create your own music. You'll learn the beauty and the power of this software that's used by professional producers today
This course will cover such topics as:
• Setting up Logic Pro
• Making music with Apple Loops
• How to use the New Session Player Instruments and Chord Track (Logic Pro 11 and 12)
• Making music with Live Loops (Logic Pro 10.5 and above)
• Making music with MIDI and software instruments
• How to write your own Beats in Logic Pro
• How to use the Step Sequencer (Logic Pro 10.5 and above)
• Learn how to use Different Synths and Samplers, such as Alchemy, Ultrabeat, Sculpture, Retro Synth and ES2
• Flex Time and Pitch
• Recording audio
• AI Mastering with Logic Pro's Mastering Assistant (Logic Pro 10.8 and above)
• How to use the Sampler and Quick Sampler Instrument (Logic Pro 10.5 and above)
• The Best Free 3rd Party Plugins and how to use them
• Behind the Scenes Vocal Recording Workshops
• Interviews with music industry professionals
• and much more.
We'll take a deep dive into mixing, such as:
Using Automation, Channel EQ, Compression, Space Designer Reverb, Aux Sends and Groups, Delay Designer, Echo, Amp Designer, Pedalboard, Modulation Plugins, Flex Time, Flex Pitch and Bouncing.
You can follow this course in Logic Pro versions 12, 11 or 10.
This course also includes new Logic Pro 12 update videos for anyone who's updated Logic Pro to version 12
Finally, you'll learn the foundations of how to master your own track.
What you'll learn in this course will make you a better music producer and improve your songwriting abilities in Logic Pro and all other Digital Audio Workstations!
Содержание
Chapter 1: Introduction
1. Introduction and Meet your Lead Instructor
2. Getting the Most from this Course
3. Before we get Started
Chapter 2: A Brief Overview of Logic Pro
4. Introduction to This Section
5. How to Create a New Project + Choosing a Track Type
6. A Brief Overview of the Interface in Logic Pro
7. Part 1: Recording Software Instruments
8. Part 2: A Brief Overview of Recording and Editing Synths
in Logic Pro
9. Part 3: Recording Audio + a Brief Overview of Audio
Preferences
10. Part 4: Apple Loops Brief Overview - Adding Drum Loops
to our Song
11. Part 5: A Brief Overview of Saving and Bouncing
Chapter 3: Setting Up and Getting Started
12. Introduction to This Section
13. How to Download the Sound Library in Logic Pro
14. Preferences - Part 1: Essential Audio Preferences
15. Preferences - Part 2: Startup Action
16. Control Bar - Part 1: Views
17. Control Bar - Part 2: Transport + Modes and Functions
18. LCD Display
19. Saving and Opening
20. Templates
21. Tracks
22. Musical Typing
23. Keyboard shortcuts and Key Commands
24. Screensets
25. Global Tracks and Markers - Brief Overview
Chapter 4: Making Music with Apple Loops
26. Introduction to This Section
27. Apple Loops - Part 1
28. Apple Loops - Part 2: Navigation
29. Apple Loops - Part 3: Importing
30. Apple Loops - Part 4: Create a Groove
Chapter 5: Live Loops (Logic Pro 10.5 and Above Only)
31. Introduction to This Section
32. Introduction and Overview of Live Loops
33. Navigation and Playing Back a Loop
34. Triggering Scenes and Quantize Start
35. Queuing and Dequeuing
36. Importing Content into a Cell - Part 1
37. Importing Content into a Cell - Part 2
38. Cell Inspector - Cell Length + Loop Length
39. Play Modes
40. Cell Editor
41. Recording and Copying the Live Loops to the Tracks Area
Chapter 6: Making Music with MIDI and Software instruments
42. Introduction to This Section
43. Software Instruments
44. Piano Roll Editor
45. Tool Bars for MIDI
46. Quantizing
47. Making a beat - The Drums
48. Making a beat - The Bass
49. Making a beat - The keyboard or keys
50. ES2 Synth Overview
51. Ultrabeat Part 1
52. Ultrabeat Part 2
53. Score Editor
Chapter 7: Session Player - Drummers and Percussionist (Logic
Pro 11 and 12 Only)
54. Overview of Session Players
55. Drummer Playing Styles
56. Complexity, Intensity and the Perform Again Button
57. Creating a New Session Player Region and Drum Selection
58. Drum Patterns
59. Fill and Swing
60. Details - Part 1
61. Details - Part 2
62. Converting to a MIDI Region
63. Electronic Drummer Session Player
64. Percussionist
Chapter 8: Session Bass Player (Logic Pro 11 and 12 Only)
65. Session Bass Player - Part 1: Main Tab
66. Session Bass Player - Part 2: Details and Manual Tab
Chapter 9: Session Keyboard Player (Logic Pro 11 and 12 Only)
67. Session Keyboard Player - Part 1: Playing Styles
68. Session Keyboard Player - Part 2: Main Controls
69. Session Keyboard Player - Part 3: Details and Manual Tab
Chapter 10: The Chord ID and Chord Track (Logic Pro 11 and 12
Only)
70. Chord ID (Logic Pro 12 Only)
71. Chord Track - Part 1: Basic Features
72. Chord Track - Part 2: Major and Minor Chords
73. Chord Track - Part 3: Sus, Augmented and Diminished
Chords
74. Chord Track - Part 4: 7th Chords
75. Chord Track - Part 5: Extended Chords
76. Chord Track - Part 6: Other Settings
Chapter 11: Synth Session Players (Logic Pro 12 Only)
77. Synth Session Players - Part 1
78. LFO - Part 1
79. LFO - Part 2
80. LFO - Part 3
81. Envelope Tab
82. Slide Tab
83. Details Tab
84. Convert to MIDI
Chapter 12: Recording Audio
85. Introduction to This Section
86. Settings up Recording Audio Preferences
87. Punch In Record
88. What type of microphone to use?
89. Recording performers to get the best out of them
90. Multitrack Recording
91. Recording External Synths
Chapter 13: Step Sequencer (Logic Pro 10.5 and Above Only)
92. Introduction to This Section
93. Introduction and Brief Overview of the Step Sequencer
94. Drum, Bass and Melodic Pattern Presets
95. Velocity Subrow
96. Gate and Tie Subrow
97. Note Repeat Subrow
98. Chance Subrow
99. Loops Start/End and Start Offset Subrows
100. Playback Modes and Octave + Skip Subrows
101. Step Rate, Pattern Length and Triplets
102. Scale Quantize, Templates and Swing
103. Step Automation - Part 1
104. Step Automation - Part 2
Chapter 14: Automation
105. Introduction to This Section
106. Automation
107. Multiple Automated Parameters
108. MIDI Draw and MIDI Automation
109. MIDI Sustain Pedal Automation
Chapter 15: Mixing Essentials - Levels, Panning, and EQ
110. Basic Mixing
111. Channel EQ
112. Panning
Chapter 16: Mixing Essentials - Compression and DeEsser
113. Compressor - Part 1: Main Interface
114. Compressor - Part 2: Different Circuit Types
115. De-Esser 2
116. Sidechain Compression
Chapter 17: Mixing Essentials - Aux Sends and Reverb
117. Using Aux Sends
118. Using Aux Groups
119. Space Designer Reverb
120. Space Designer - Part 2: Create your own Impulse
Responses
121. ChromaVerb Reverb - Part 1: Main Window
122. ChromaVerb Reverb - Part 2: Room Types
123. ChromaVerb Reverb - Part 3: Details Window
Chapter 18: More Mixing Essentials
124. Delay Designer
125. Echo
126. Amp Designer and Pedalboard
127. Modulation Plugins
128. Bouncing
129. Mastering
Chapter 19: Flex Time and Flex Pitch
130. Flex Time
131. Flex Pitch
Chapter 20: Mastering Assistant (Logic Pro 10.8 and Above
Only)
132. Part 1 - Bypass, Loudness Compensation and Reanalyze
133. Part 2 - EQ Section
134. Part 3 - Character
135. Part 4 - Dynamics Section
136. Part 5 - Spread Section
Chapter 21: More Advanced Mastering Techniques
137. Introduction to This Section
138. Introduction to this Section
139. Reference Tracks
140. Loudness Normalization
141. Loudness Units (LUFS)
142. True Peak
Chapter 22: ChromaGlow Saturation Effect (Logic Pro 11 Only)
143. Part 1 - An Introduction to Saturation
144. Part 2 - Let's Explore Some Presets
145. Part 3 - Drive, Model and Style
146. Part 4 - Bypass, Level and Mix
147. Part 5 - Low and High Cut Filters
Chapter 23: Vintage EQ (Version 10.4 and Above Only)
148. Vintage Console EQ
149. Vintage Tube EQ
150. Vintage Graphic EQ
Chapter 24: Studio Strings, Studio Horns, Effects, and Smart
Tempo
151. Studio Strings
152. Studio Horns
153. Vintage Mellotron
154. Phat FX
155. Step FX
156. Smart Tempo - Part 1: Overview
157. Smart Tempo - Part 2: The Editor and Recording Audio
Chapter 25: Logic Pro 10.7.5 Update Videos
158. How to use the Gain Tool
159. How to Record MIDI Effects
160. Free Tempo Recording - MIDI
161. Free Tempo Recording - Audio
162. Nested Track Stacks
163. How to use Individual Stompbox Effects
164. Preferences is Now Called Settings
Chapter 26: Logic Pro Update Videos - Effects
165. Space Designer FX
166. Arpeggiator
Chapter 27: Logic Pro Update Videos - Making a Beat
167. Apple Loops
168. Making a Beat - The Drums
169. Making a Beat - The Bass
170. Making a Beat - The Keyboards or Synths
Chapter 28: Sampler Instrument (Logic Pro 10.5 and Above Only)
171. Welcome to this Section
172. Sampler Introduction
173. Importing Audio into the Sampler
174. Mapping Window
175. Zone Tab
176. Synth Tab
177. Modulation - Part 1 : Amp Envelope
178. Modulation - Part 2 : Using Multiple Envelopes
179. Sampler LFO's
180. Modulation Matrix
Chapter 29: Quick Sampler Instrument (Logic Pro 10.5 and Above
Only)
181. Quick Sampler Introduction
182. Recorder Function
183. Classic + One Shot Modes
184. Slice Mode
185. Synth Controls and Envelopes
186. LFO's and Modulation Matrix
Chapter 30: Alchemy and Sculpture Synthesizers
187. Alchemy Part 1
188. Alchemy Part 2 - The Advanced Tab
189. Alchemy Part 3 - Envelopes, Modulation and Effects
190. Alchemy Part 4 - The MSEG Envelope
191. Alchemy Part 5 - Mod Map and Show Target
192. Alchemy Part 6 - The Arpeggiator
193. Alchemy Part 7 - Morph
194. Alchemy Part 8 - Sampling
195. Alchemy Part 9 - Custom Performance Controls
196. Alchemy Part 10 - Velocity Layers
197. Alchemy Part 11 - Round Robin
198. Sculpture Synth
Chapter 31: How to use the Vintage B3 Organ in Logic Pro
199. Vintage B3 Introduction
200. Brief Overview
201. Main Windows - Controls
202. Main Window - Presets
203. Main Window - Split
204. Rotor Cabinet Window
205. Options Window
206. Effects Window
207. Expert Window - Essentials
Chapter 32: How to use the Vintage Electric Piano in Logic Pro
208. Part 1 - Brief Overview
209. Part 2 - Effects
210. Part 3 - Details
Chapter 33: How to use the Vintage Clav in Logic Pro
211. Part 1 - Main Window
212. Part 2 - Effects Window
213. Part 3 - Details Window
Chapter 34: Logic Pro Update Videos - Recording Audio
214. Audio Interface
215. How to Mix a Voiceover Overview
Chapter 35: Mixing Audio - EQ + Compression
216. Welcome to the EQ + Compression Section of the Course
217. EQ Introduction
218. Graphic EQ Overview
219. Parametric EQ Overview
220. Compression Introduction
221. Threshold and Ratio
222. Make up Gain
223. Attack and Release
224. Knee
225. Limiter, Distortion + Parallel Compression
226. Sidechain Compression
Chapter 36: EQ + Compression Mixing Project
227. Introduction
228. EQ Introduction
229. EQing Vocals
230. EQ in More Detail
231. More EQ Examples
232. Compressing a Vocal
233. Guitar Compression and EQ
234. Attack and Release - Part 1
235. Attack and Release - Part 2
236. Ratio and Knee
237. Compressor Sidechain
Chapter 37: Advanced EQ + Compression Techniques
238. Introduction
239. Part 1
240. Part 2 - Dynamic EQ
241. Part 3 - Mixbus EQ
242. Part 4 - Parallel Drum Bus Compression
Chapter 38: Compression + EQ FAQs
243. EQ Before or After Compression
244. Parallel Compression and the Benefits of Using it
245. Additive or Subtractive EQ
Chapter 39: Sound Design and Synthesis
246. Introduction and an Overview of this Mini Course
Chapter 40: Retro Synth
247. Retro Synth - A Synth Primer
248. Retro Synth - Oscillator
249. Retro Synth - Vibrato
250. Retro Synth - LFO
251. Retro Synth - Filters
252. Retro Synth - Filter Modulation
253. Retro Synth - Envelopes
254. Retro Synth - Glide
255. Retro Synth - Amp Module
256. Retro Synth - Effects : Chorus and Flanger
257. Retro Synth - Global Settings
258. Retro Synth - Controller Parameters
259. Retro Synth - Sync
260. Retro Synth - Table
261. Retro Synth - Table (Create Your Own)
262. Retro Synth - FM
263. Retro Synth - Outro
Chapter 41: ES2 Synthesizer
264. ES2 Synth - Introduction
265. ES2 Synth - Part 1
266. ES2 Synth - Oscillators 1 and 2
267. ES2 Synth - Oscillator 3
268. ES2 Synth - CBD
269. ES2 Synth - Voicing
270. ES2 Synth - Glide (Portamento)
271. ES2 Synth - Filter
272. ES2 Synth - Amp Stage
273. ES2 Synth - Modulation 1 : LFO
274. ES2 Synth - Modulation 2 : Envelopes
275. ES2 Synth - Modulation : Vector Envelopes
276. ES2 Synth - Macros
277. ES2 Synth - MIDI Control
278. ES2 Synth - Outro
Chapter 42: Sound Design Theory and Terminology
279. Introduction
280. Waveform Analysis
281. Oscillator
282. Filters
283. Envelopes
284. Modulation
285. Distortion
286. Voices
287. Glide
288. MIDI
Chapter 43: ESM Synthesizer
289. ESM Synthesizer
Chapter 44: Waves and Tones
290. Tones, Overtones and Harmonics
291. Complex Tones
292. Subtractive and Additive Synthesis
293. What is Sound?
Chapter 45: FAQ (Frequently Asked Questions)
294. Welcome to This Section
295. FAQ Intro
296. FAQ Monitors
297. FAQ Drum Sample Packs
298. FAQ 3rd Party Synths
299. FAQ Should someone else master your music?
300. FAQ Which MIDI keyboard should I get?
301. FAQ Which Microphone Should I Get?
302. FAQ How to Download more Apple Loops
303. Which Headphones do you use and why?
Chapter 46: Logic Pro Quiz and AI Role Play
Chapter 47: EVOC 20 PolySynth - Logic Pro Vocoder
304. Vocoder - Part 1 (Setup)
305. Vocoder - Formant Filter
306. Vocoder - Formant Stretch
307. Vocoder - Attack and Release
308. Vocoder - Freeze
309. Vocoder - Outro
Chapter 48: MIDI Modulator
310. MIDI Modulator - Part 1
311. MIDI Modulator - Part 2
312. MIDI Modulator - Part 3
Chapter 49: Subtractive Synth, Wavetable, and Sound Synthesis
313. Sound Synthesis Introduction
314. Why Learn Sound Synthesis
315. Subtractive Synth - Part 1
316. Subtractive Synth - Part 2
317. Subtractive Synth - ADSR
318. Subtractive Synth - LFO
319. Subtractive Synth - Voices
320. Wavetable
321. FM Synthesis
322. Sync Synthesis
323. Tones and Harmonics
Chapter 50: Audio Mixing for Podcasts
324. Noise Gate
325. Equalizer
326. De-Esser
327. Compressor
328. Another De-Esser after the Compressor
329. Gain
330. Limiter and Loudness Meter
331. Automation
332. Export Settings
333. Before you Mix, you must have good Audio
334. The Plugins I'm using for my Voice right now (Stock +
3rd Party Plugins)
335. Outboard Gear - The DBX 286s
336. The Equipment I'm using for my Voice right now
Chapter 51: Free 3rd Party Plugins
337. macOS Catalina and Above Incompatibility with 32bit
Plugins
338. Introduction to this Section
339. How to get these plugins
340. Vintage Style Saturator
341. Analog Style EQ
342. Delay
343. Basic Compressor
344. Basic Algorithmic Reverb
345. Basic Compressor 2
346. Algorithmic Reverb
347. Dynamic EQ
348. Basic Chorus
349. Panning Effect
350. Tube Pre Amp Saturation
351. Digital Compressor
352. Basic Limiter
353. Limiter
354. Bitcrusher
355. Experimental Reverb
356. Advanced Chorus
357. Plugin Bundle - Brief Overview
Chapter 52: Mixing fundamentals with these Free 3rd Party
Plugins
358. REMINDER: macOS Catalina Incompatibility with 32bit
Plugins
359. Compression
360. EQ Introduction
Chapter 53: Mixing with Free 3rd Party Plugins - In-depth
tutorials
361. Vocal Mixing - Basic EQ
362. Mixing Vocals - Dynamics
363. Mixing Vocals - De-Esser and Saturator
364. Mixing Vocals - Reverb and Delay Sends
365. Backing Vocals - Effects and Sends
366. Bass and Drum Processing
367. Guitar FX
368. Synth Lead FX
369. Guitar Mixing and Effects
370. Mixing Synths - Part 1
371. Mixing Synths - Part 2
Chapter 54: The Mastering Chain - With Free 3rd Party Plugins
372. Mastering Free Plugins
Chapter 55: Installing the Free 3rd Party Plugins
373. Installing the Plugins from their Official Sites
374. Loading the Plugins in Logic Pro
375. Component Files and Folder
Chapter 56: Recording Vocals at Home Workshop
376. Introduction to this Recording Vocals Section
377. Part 1 - Microphones and Audio Interface
378. Part 2 - Polar Patterns and Mic Cables
379. Part 3 - Microphone Position
380. Part 4 - Reflection Filter
Chapter 57: Recording a Male Singer-Songwriter : James Cairns
381. Male Singer-Songwriter Introduction
382. Microphone Placement Techniques
383. Guitar and Vocal Levels
384. Take 1 and Challenges
385. Take 2 and Mic Positioning
386. Take 3 and Repositioning the Mic
387. Navigating Computer Fan Noise
388. Pitch Shifter for Singing Harmonies
389. Project Set Up : James Cairns - Out Of Mind
Chapter 58: Male Singer-Songwriter Post Production
390. Reducing Hum and Noise
391. Parallel Compression
392. Project Deconstruct
Chapter 59: Writing and Recording Vocals : Peter Darling
393. Peter Darling Introduction
394. Lyrical Themes
395. Microphones and Placement
396. Chorus Melody
397. Chorus Harmonies
398. Verse Melody
399. Writing and Recording Verse 1 and 2
400. Recording and Writing Verse 3 and 4 and Ad-libs
Chapter 60: Recording Female Pop Vocals : Jess Rose
401. Pop Vocals Introduction
402. Setting up Levels
403. Mic Placement
404. Fixing Latency Issues (Freezing Tracks)
405. Fixing Latency Issues (Plugins)
406. Recording the First Take
407. Recording Takes
408. Recording the First Chorus
409. Recording the Bridge and Last Chorus
410. Song 2 - Recording an Acoustic Guitar
411. Song 2 - Recording Vocals
Chapter 61: Female Pop Vocals Post Production
412. Flex Pitch Gain
413. Thickening Vocals
414. Project Deconstruct - Part 1
415. Project Deconstruct - Part 2
Chapter 62: Recording Rap Vocals : No Fixed IDentity
416. Rap Vocals Introduction
417. Headphone Monitoring
418. Setting Up the Headphone Mix
419. Fixing Latency Issues
420. Mic Placement and Distance
421. Singer Preferences
422. Recording Takes
423. Recording Rap Ad-Libs
Chapter 63: Rap Vocals Post Production
424. Flex Time - Vocal Timing Fixes
425. Bussed Mixing
426. Hiding Tracks
427. Varispeed
Chapter 64: Creative Harmonizing
428. Creative Harmonizing - Part 1
429. Creative Harmonizing - Part 2
430. Creative Harmonizing - Part 3
Chapter 65: Creative Harmonies and Choir
431. Creating Vocal Harmonies with Flex Pitch - Part 1
432. Creating Vocal Harmonies with Flex Pitch - Part 2
433. Choral Folk Vocals - Introduction
434. Choral Folk Vocals - Post Production
435. Choir Recording Introduction
436. Choir Mix Setup (Bussing)
437. Choir Bus Processing
Chapter 66: Mixing with Paid 3rd Party Plugins
438. How to Start Mixing a Vocal with Waves NS1, Channel EQ
Waves Doubler and More
Chapter 67: Audio Concepts + Engineering - Commonly used Terms
439. Introduction to the Audio Concepts + Engineering
Sections
440. Commonly used Terms
441. Technology
442. Processes
443. Digital Audio Formats
Chapter 68: Audio Concepts + Engineering - Technical
Demonstration of Concepts in Action
444. Decibels
445. Peak vs RMS
446. Gain - Part 1
447. Gain - Part 2
448. Dynamics - Part 1
449. Dynamics - Part 2
450. Dynamics - Part 3
451. Frequencies - Part 1
452. Frequencies - Part 2 (Distortion)
453. Frequencies - Part 3 (Noise)
454. Phase
455. Stereo - Part 1
456. Stereo - Part 2 : Phase Sum Difference
457. Stereo - Part 3 : Stereo vs Mono
458. Samples Rates
459. Bit Depths
Chapter 69: Audio Concepts + Engineering - Frequently Asked
Questions about Digital Audio
460. Introduction to FAQ
461. How Loud Should my Track be?
462. Should Frequencies be Flat?
463. Is it okay to Compress more than Once?
464. Outboard vs Plugins
465. What Sample Rates Should I Use?
466. What Bit Depth Should I Use?
467. What Formats Should I Export to?
468. When Should I Dither?
469. Do I Need To Treat My Room?
470. How Do I Get Wider Mixes?
Chapter 70: Audio Concepts + Engineering - Paul Baily Q&A
471. Paul Baily Introduction
472. What?s the difference between Analogue and Digital?
473. Do you need Analogue Gear?
474. Common Misconceptions about Analogue Audio
475. Exciting Developments around Audio
476. Has the role of Engineer changed and top tips for
getting hired
477. What are the Traits of a Good Audio Engineer?
478. Main Piece of Advice about Making a Career in Audio
Engineering
Chapter 71: Creating a Song Live in Logic Pro
479. Creating a Song Live in Logic Pro with Tomas George
Chapter 72: Interview and Talks with Industry Professionals
480. Paul Baily Interview Part 1
481. Paul Baily Interview Part 2
482. Paul Baily Interview Part 3
483. Sean Genockey Interview Part 1
484. Sean Genockey Interview Part 2
485. Sean Genockey Interview Part 3
486. Charlie Barnes Interview Part 1
487. Charlie Barnes Interview Part 2
488. Paul Statham Interview Part 1
489. Paul Statham Interview Part 2
490. Peter Darling Talks to Tomas George Part 1
491. Peter Darling Talks to Tomas George Part 2
492. Tomas George Interview
493. Andrew Potterton Interview Part 1
494. Andrew Potterton Interview Part 2
495. Andrew Potterton Interview Part 3
Chapter 73: Last Section
496. Thanks and Bye
497. BONUS: What's Next?
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