A Portuguesa: Iberian Concertos & Sonatas
Жанр: Classical, Concertos
Носитель: CD
Страна-производитель диска: Made in the EU
Год издания диска: 2018
Издатель (лейбл): Harmonia Mundi
Номер по каталогу: HMM 902337
Дата записи: 2018
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 01:04:41
Источник: релизер
сайт-источник/ник/другое: Bodtje
Наличие сканов в содержимом раздачи: да
Треклист:
À Portuguesa
IBERIAN CONCERTOS & SONATAS
WILLIAM CORBETT (1680-1748)
Concerto “Alla Portugesa” op. VIII no 7
B flat major / Si bémol majeur / B-Dur
Extr. : Le bizzarie universali
1 | I. Allegro 3’09
2 | II. Largo e pia[no] 4’16
3 | III. Allegro 2’03
JOSÉ ANTÓNIO CARLOS DE SEIXAS (1704-1742)
Concerto a 4 con vv. e cimbalo obligato
G minor / sol mineur / g-Moll
4 | I. Allegro 5’25
5 | II. Adagio 2’39
6 | III. Allegro assai 6’15
DOMENICO SCARLATTI (1685-1757)
7 | Sonata for harpsichord K 8 2’33
G minor / sol mineur / g-Moll
Allegro
8 | Sonata for harpsichord K 13 4’09
G major / Sol majeur / G-Dur
Presto
9 | Sonata for harpsichord K 173 4’44
B minor / si mineur / h-Moll
Allegro
JOSÉ ANTÓNIO CARLOS DE SEIXAS
Concerto a 4 con vv. e cimbalo obligato
A major / La majeur / A-Dur
10 | I. Allegro 1’52
11 | II. Adagio 1’07
12 | III. Giga. Allegro 2’16
CHARLES AVISON (1709-1770)
Concerto grosso no. 5
D minor / ré mineur / d-Moll
Extr. : 12 Concertos… Done from 2 Books of Lessons for the Harpsichord Composed by Sig. Domenico Scarlatti
13 | I. Largo 2’44
14 | II. Allegro 1’40
15 | III. Andante moderato 1’40
16 | IV. Allegro 2’02
LUIGI BOCCHERINI (1743-1805)
Quintettino “Musica notturna delle strade di Madrid” op. 30 no 6
D minor / ré mineur / d-Moll
Transcript. for string orchestra and harpsichords by Andreas Staier
17 | I. Ave Maria. Imitando il tocco dell’Ave Maria della Parrochia 1’01
18 | II. Minuetto 2’09
19 | III. Rosario. Largo assai 4’37
20 | IV. Los manolos. Passa Calle. Allegro 2’00
21 | V. Ritirata con variazioni. Tempo di Marcia 6’20
Исполнители:
ORQUESTRA BARROCA CASA DA MÚSICA PORTO
Laurence Cummings, principal conductor
Violins I: Huw Daniel, César Nogueira, Miriam Macaia, Cecília Falcão
Violins II: Reyes Gallardo, Bárbara Barros, Prisca Stalmarski, Ariana Dantas
Violas: Trevor Mctait, Raquel Massadas
Cellos: Filipe Quaresma, Vanessa Pires
Double Bass: José Fidalgo
Continuo harpsichord: Fernando Miguel Jalôto
Harpsichord and direction: ANDREAS STAIER
Enregistrement: février 2018, Casa da Música, Porto (Portugal)
Release date: 19th Oct 2018
Лог создания рипа
Exact Audio Copy V1.8 from 15. July 2024
EAC extraction logfile from 23. April 2025, 19:54
Andreas Staier And Orquestra Barocca Casa Da Música / À Portuguesa
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Содержание индексной карты (.CUE)
REM GENRE Classical
REM DATE 2018
REM DISCID 1E0F3515
REM COMMENT "ExactAudioCopy v1.8"
PERFORMER "Orquestra Barocca Casa da Musica Porto, Laurence Cummings (principal conductor), Andreas Staier (harpsichord, dir.)"
TITLE "А Portuguesa"
REM COMPOSER "William Corbett (1680-1748), Carlos de Seixas (1704-1742), Domenico Scarlatti (1685-1757), Charles Avison (1709-1770), Luigi Boccherini (1743-1805)"
FILE "Andreas Staier - А Portuguesa.flac" WAVE
TRACK 01 AUDIO
TITLE "Corbett: Concerto No. 7 'Alla Portugesa' in B-Flat major, Op. 7 - I. Allegro"
PERFORMER "Orquestra Barocca Casa da Musica Porto, Laurence Cummings, Andreas Staier"
REM COMPOSER "William Corbett"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "II. Largo e pia[no]"
PERFORMER "Orquestra Barocca Casa da Musica Porto, Laurence Cummings, Andreas Staier"
REM COMPOSER "William Corbett"
INDEX 01 03:09:72
TRACK 03 AUDIO
TITLE "III. Allegro"
PERFORMER "Orquestra Barocca Casa da Musica Porto, Laurence Cummings, Andreas Staier"
REM COMPOSER "William Corbett"
INDEX 01 07:26:55
TRACK 04 AUDIO
TITLE "de Seixas: Harpsichord Concerto in G Minor - I. Allegro"
PERFORMER "Andreas Staier And Orquestra Barocca Casa Da Mъsica"
REM COMPOSER "Carlos de Seixas"
INDEX 01 09:30:35
TRACK 05 AUDIO
TITLE "II. Adagio"
PERFORMER "Andreas Staier And Orquestra Barocca Casa Da Mъsica"
REM COMPOSER "Carlos de Seixas"
INDEX 01 14:55:57
TRACK 06 AUDIO
TITLE "III. Allegro assai"
PERFORMER "Andreas Staier And Orquestra Barocca Casa Da Mъsica"
REM COMPOSER "Carlos de Seixas"
INDEX 01 17:35:23
TRACK 07 AUDIO
TITLE "Scarlatti: Harpsichord Sonata in G Minor, K. 8: Allegro"
PERFORMER "Andreas Staier"
REM COMPOSER "Domenico Scarlatti"
INDEX 01 23:50:74
TRACK 08 AUDIO
TITLE "Scarlatti: Harpsichord Sonata in G Major, K. 13: Presto"
PERFORMER "Andreas Staier"
REM COMPOSER "Domenico Scarlatti"
INDEX 01 26:24:44
TRACK 09 AUDIO
TITLE "Scarlatti: Harpsichord Sonata in B Minor, K. 173: Allegro"
PERFORMER "Andreas Staier"
REM COMPOSER "Domenico Scarlatti"
INDEX 01 30:34:22
TRACK 10 AUDIO
TITLE "de Seixas: Concerto a 4 con vv. e cimbalo obligato in A major - I. Allegro"
PERFORMER "Orquestra Barocca Casa da Musica Porto, Laurence Cummings, Andreas Staier"
REM COMPOSER "Carlos de Seixas"
INDEX 01 35:18:49
TRACK 11 AUDIO
TITLE "II. Adagio"
PERFORMER "Orquestra Barocca Casa da Musica Porto, Laurence Cummings, Andreas Staier"
REM COMPOSER "Carlos de Seixas"
INDEX 01 37:11:47
TRACK 12 AUDIO
TITLE "III. Giga. Allegro"
PERFORMER "Orquestra Barocca Casa da Musica Porto, Laurence Cummings, Andreas Staier"
REM COMPOSER "Carlos de Seixas"
INDEX 01 38:19:14
TRACK 13 AUDIO
TITLE "Avison: Concerto Grosso No. 5 in D minor - I. Largo"
PERFORMER "Orquestra Barocca Casa da Musica Porto, Laurence Cummings, Andreas Staier"
REM COMPOSER "Charles Avison"
INDEX 01 40:35:62
TRACK 14 AUDIO
TITLE "II. Allegro"
PERFORMER "Orquestra Barocca Casa da Musica Porto, Laurence Cummings, Andreas Staier"
REM COMPOSER "Charles Avison"
INDEX 01 43:20:12
TRACK 15 AUDIO
TITLE "III. Andante moderato"
PERFORMER "Orquestra Barocca Casa da Musica Porto, Laurence Cummings, Andreas Staier"
REM COMPOSER "Charles Avison"
INDEX 01 45:00:46
TRACK 16 AUDIO
TITLE "IV. Allegro"
PERFORMER "Orquestra Barocca Casa da Musica Porto, Laurence Cummings, Andreas Staier"
REM COMPOSER "Charles Avison"
INDEX 01 46:40:46
TRACK 17 AUDIO
TITLE "Boccherini: Quintettino 'Musica notturna delle strade di Madrid' Op. 30 No. 6 in D minor (Transcription for String Orchestra and Harpsichords by Andreas Staier) - I. Ave Maria. Imitando il tocco dell’Ave Maria della Parrochia"
PERFORMER "Orquestra Barocca Casa da Musica Porto, Laurence Cummings, Andreas Staier"
REM COMPOSER "Luigi Boccherini"
INDEX 01 48:43:41
TRACK 18 AUDIO
TITLE "II. Minuetto"
PERFORMER "Orquestra Barocca Casa da Musica Porto, Laurence Cummings, Andreas Staier"
REM COMPOSER "Luigi Boccherini"
INDEX 01 49:45:12
TRACK 19 AUDIO
TITLE "III. Rosario. Largo assai"
PERFORMER "Orquestra Barocca Casa da Musica Porto, Laurence Cummings, Andreas Staier"
REM COMPOSER "Luigi Boccherini"
INDEX 01 51:54:65
TRACK 20 AUDIO
TITLE "IV. Los Manolos. Passa Calle. Allegro"
PERFORMER "Orquestra Barocca Casa da Musica Porto, Laurence Cummings, Andreas Staier"
REM COMPOSER "Luigi Boccherini"
INDEX 01 56:32:48
TRACK 21 AUDIO
TITLE "V. Ritirata con variazioni. Tempo di marcia"
PERFORMER "Orquestra Barocca Casa da Musica Porto, Laurence Cummings, Andreas Staier"
REM COMPOSER "Luigi Boccherini"
INDEX 01 58:32:51
About
Iberian exoticism with a difference.
This musical journey takes its title from one of William Corbett’s Bizzarie universali, a set of concertos which, in truth, owe much more to the Italian tradition than to the Iberian peninsula.
In the Age of Enlightenment, Portuguese music shared the favours of certain English publishers with its Spanish neighbour; drinking at the inexhaustible source of the Scarlatti sonatas, Charles Avison conceived sumptuous concertos that sound extraordinarily like their contemporary equivalents written at Coimbra by Seixas.
This constant exchange between Iberian chamber music and the eighteenth-century orchestra culminates in an orchestral arrangement of Boccherini’s famous Musica notturna, presented by Andreas Staier in total complicity with the Baroque orchestra of the Casa da Música de Porto.
Моё мнение о записи
Очередная провальная запись от Штайера. Нет, к музыке у меня претензий нет, она отличная, но клависинист он ужасный.
Диск не настолько плох, как с баховскими клавирными концертами, кторые я недавно выкладывал. Там он превзошёл сам себя.
У меня у одного ощущение иногда возникает, что он куламаки или даже локтями играет?
