Vladimir Strelnikoff · 16-Май-26 19:43(2 месяца 3 дня назад)
Kinact – Kinshasa in Action . Kinact [formed]: 2015, Democratic Republic of Congo Жанры: Central African Music, Industrial, Tradi-moderne congolais Издатель: Nyege Nyege Tapes (Uganda) Номер по каталогу: NNT079 Дата релиза: 27.03.2026 Аудиокодек: FLAC (*.flac) Тип рипа: tracks Носитель: web Источник: Deezer . Треклист[00:35:16] 01. Musique du Congo(01:02)
02. Cercle de tambour Kinact avec Manza(01:31)
03. Atelier Kinact(04:20)
04. Cercle de tamour Kinact avec Ikembe(01:45)
05. Gaingai(04:49)
06. La marche inévitable(04:30)
07. Cercle de tambour Kinact(03:08)
08. Cercle de tambour Kinact avec Manza et Ikembe(02:40)
09. Kinshasa la nuit(03:57)
10. Femme électronique(04:45)
11. Les cloches (Spiritus' Invocation)(02:51)
Лог проверки качества:
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) ———————————————————————————————————————————————————————————————————————— --- / Kinshasa in Action Folder: Kinact - 2026 - Kinshasa in Action (web) Audio files: 01. Musique du Congo.flac [01:02.000; FLAC • 657 kbps • 16 bit \ 44100 Hz • stereo; 4.86 MB (5 093 883 B)] 02. Cercle de tambour Kinact avec Manza.flac [01:30.333; FLAC • 936 kbps • 16 bit \ 44100 Hz • stereo; 10.08 MB (10 572 672 B)] 03. Atelier Kinact.flac [04:20.000; FLAC • 985 kbps • 16 bit \ 44100 Hz • stereo; 30.54 MB (32 023 437 B)] 04. Cercle de tamour Kinact avec Ikembe.flac [01:45.000; FLAC • 759 kbps • 16 bit \ 44100 Hz • stereo; 9.51 MB (9 971 084 B)] 05. Gaingai.flac [04:49.000; FLAC • 977 kbps • 16 bit \ 44100 Hz • stereo; 33.67 MB (35 307 369 B)] 06. La marche inévitable.flac [04:30.000; FLAC • 877 kbps • 16 bit \ 44100 Hz • stereo; 28.25 MB (29 618 497 B)] 07. Cercle de tambour Kinact.flac [03:07.167; FLAC • 814 kbps • 16 bit \ 44100 Hz • stereo; 18.18 MB (19 066 105 B)] 08. Cercle de tambour Kinact avec Manza et Ikembe.flac [02:40.000; FLAC • 744 kbps • 16 bit \ 44100 Hz • stereo; 14.20 MB (14 890 483 B)] 09. Kinshasa la nuit.flac [03:57.000; FLAC • 890 kbps • 16 bit \ 44100 Hz • stereo; 25.15 MB (26 368 354 B)] 10. Femme électronique.flac [04:45.000; FLAC • 996 kbps • 16 bit \ 44100 Hz • stereo; 33.84 MB (35 488 722 B)] 11. Les cloches (Spiritus' Invocation).flac [02:50.115; FLAC • 870 kbps • 16 bit \ 44100 Hz • stereo; 17.66 MB (18 518 715 B)] Accuracy: -m0 File 01. Musique du Congo - 100% CDDA [01:02:00] File 02. Cercle de tambour Kinact avec Manza - 100% CDDA [01:30:25] File 03. Atelier Kinact - 100% CDDA [04:20:00] File 04. Cercle de tamour Kinact avec Ikembe - 100% CDDA [01:45:00] File 05. Gaingai - 100% CDDA [04:49:00] File 06. La marche inévitable - 100% CDDA [04:30:00] File 07. Cercle de tambour Kinact - 100% CDDA [03:07:13] File 08. Cercle de tambour Kinact avec Manza et Ikembe - 100% CDDA [02:40:00] File 09. Kinshasa la nuit - 100% CDDA [03:57:00] File 10. Femme électronique - 100% CDDA [04:45:00] File 11. Les cloches (Spiritus' Invocation) - 43% CDDA [02:50:09] ————— Summary: ————— These tracks looks like CDDA with probability 100%. ———————————————————————————————————————————————————————————————————————— ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. Time elapsed: 1 m 02 s Log created at May 15, 2026 10:32:26 === 6C2DA8D62EE597E3DBE93927E14AE6DACBEE1091929AB827E95E4DFB12903A9A ===
Динамический отчет (DR):
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) log date: 2026-05-15 10:31:19 -------------------------------------------------------------------------------- Album : Kinshasa in Action Year : 2026 -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR11 -1.08 dB -15.12 dB 1:02 01 - Musique du Congo / Kinact DR8 -1.13 dB -10.22 dB 1:30 02 - Cercle de tambour Kinact avec Manza / Kinact DR5 -0.78 dB -8.26 dB 4:20 03 - Atelier Kinact / Kinact DR6 -1.06 dB -8.90 dB 1:45 04 - Cercle de tamour Kinact avec Ikembe / Kinact DR4 -0.70 dB -9.34 dB 4:49 05 - Gaingai / Kinact DR3 -1.80 dB -6.17 dB 4:30 06 - La marche inévitable / Kinact DR6 -0.77 dB -7.74 dB 3:07 07 - Cercle de tambour Kinact / Kinact DR7 -1.05 dB -10.53 dB 2:40 08 - Cercle de tambour Kinact avec Manza et Ikembe / Kinact DR5 -1.27 dB -8.68 dB 3:57 09 - Kinshasa la nuit / Kinact DR3 -2.49 dB -7.31 dB 4:45 10 - Femme électronique / Kinact DR4 -2.16 dB -9.44 dB 2:50 11 - Les cloches (Spiritus' Invocation) / Kinact -------------------------------------------------------------------------------- Number of tracks : 11 Official DR Value: DR6 Samplerate : 44100 Hz Channels : 2 Bits per sample : 16 Average bitrate : 895 kbps Codec : FLAC ================================================================================
Скриншоты спектров частот:
Об альбоме
Operating at the intersection of sound, movement and sculpture, Kinshasa based street art collective Kinact collapse performance and ritual into music on their debut LP: "Kinshasa in Action". Founded in 2015 by Eddy Ekete, Kinact have transformed Kinshasa's public space into a living theatre, where refuse becomes regalia and street processions bear witness to pollution, superstition, gendered violence and postcolonial scars. Known for elaborate costumes fashioned from bottles, wires, tyres, dolls and detritus, their work bridges sculpture, activism and ancestor invocation., with costumes doubling as instruments, and tools of making reimagined as weapons of rhythm. In 2022, led by Ekete, a core group of members travelled to Nyege Nyege HQ in Kampala for a two-month residency, entering the studio for the first time. Primarily a street performance collective, Kinact transformed the Nyege studio into a makeshift workshop, converting costumes into instruments and using drills, motorcycle parts, saws, hammers and nails to augment homemade xylophones and improvised drums. The result is a body of work welded into the Congolese landscape, shockingly contemporary yet politically resonant, questioning the future of not only the DRC but the continent at large. Performers appear as mythic avatars: Falonne Mambu as La femme électrique; Athou Molimo Bongonda (Spiritus) as ancestral bell-ringer; Pape Noire as L'Homme Pneu; Dudamwanza as L'Homme Poubelle; Patrick Kitete as L'Homme Miroir; Bestaguy Bayoka as Coco Man / Sachet Man; and Eddy Ekete himself as Homme Cannette. Each embodies a sculpture-being; each contributes sonic matter to the whole. After a short, haunting introduction from Mambu, chanting 'Musique du Congo' over swirling synths, Kinact pull the listener deeper on 'Cercle de tambour Kinact avec Manza', where industrial-strength staccato rhythms collide with undulating xenharmonic flute blasts and snapping percussion. Power drills whirr over hollow, plasticky drums on 'Atelier Kinact', while the collective's circular saw becomes a driving rhythmic force on 'Gaingai', spiralling around a jerky, percussive thump. Elsewhere, 'Cercle de Tambour Kinact' spins rusted polyrhythms into psychedelic spirals, corrupting syncopated sub-bass pulses with sheet-metal cracks, explosive knocks and hoarse incantations. Existing somewhere between the street, the dancefloor and the factory, this music captures contemporary Kinshasa in motion, its noise, its urgency and its contradictions. Across 11 tracks, a new chapter of industrial Congolese street sound takes shape, interlocking drills, hammers, saws, motorcycle engines, discarded pill packets, plastic bags, bamboo sticks and a homemade xylophone with raw chants, spectral invocations and communal drum circles. It sits somewhere between Einstürzende Neubauten's industrial clang, Konono No.1's distorted amplification and African Head Charge's dread-soaked voodoo minimalism, yet remains grounded in Kinshasa's street heat and night air. What emerges is a scorched suite of industrial Congolese percussion, equal parts scrapyard theatre and nocturnal trance.
