[TR24][OF] Tom Waits - The Black Rider [Remaster] - 1993 / 2023 (Blues, Rock, Cabaret)

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Belzik

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Belzik · 14-Июн-25 11:08 (1 год 1 месяц назад)

Tom Waits - The Black Rider [2023 Remaster]
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: нет
Год издания/переиздания диска: 1993 / 2023
Жанр: Blues, Rock, Cabaret
Издатель (лейбл): Island Records
Продолжительность: 00:55:21
Наличие сканов в содержимом раздачи: только обложка альбома
Источник (релизер): QOBUZ
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Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/192
Формат: WAV (flac.ape.wv)
Количество каналов: 2.0
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Треклист

01 - Lucky Day Overture
02 - The Black Rider
03 - November
04 - Just The Right Bullets
05 - Black Box Theme
06 - 'Tain't No Sin
07 - Flash Pan Hunter/Intro
08 - That's The Way
09 - The Briar And The Rose
10 - Russian Dance
11 - Gospel Train/Orchestra
12 - I'll Shoot The Moon
13 - Flash Pan Hunter
14 - Crossroads
15 - Gospel Train
16 - Interlude
17 - Oily Night
18 - Lucky Day
19 - The Last Rose Of The Summer
20 - Carnival
Лог проверки качества

foobar2000 v2.24.5 / DR Meter v1.0.1
log date: 2025-06-14 11:03:27
--------------------------------------------------------------------------------
Analyzed: Tom Waits / The Black Rider (2023 Remaster)
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR12 -0.20 dBFS -13.57 dBFS 2:27 01-Lucky Day Overture
DR12 -0.20 dBFS -14.09 dBFS 3:21 02-The Black Rider
DR13 -0.20 dBFS -16.56 dBFS 2:54 03-November
DR11 -0.20 dBFS -13.89 dBFS 3:35 04-Just The Right Bullets
DR11 -2.00 dBFS -16.53 dBFS 2:42 05-Black Box Theme
DR12 -3.33 dBFS -19.45 dBFS 2:25 06-'Tain't No Sin
DR9 -6.76 dBFS -22.80 dBFS 1:10 07-Flash Pan Hunter/Intro
DR16 -3.46 dBFS -26.71 dBFS 1:08 08-That's The Way
DR12 -5.34 dBFS -20.20 dBFS 3:50 09-The Briar And The Rose
DR10 -0.20 dBFS -12.88 dBFS 3:11 10-Russian Dance
DR12 -0.68 dBFS -14.91 dBFS 2:33 11-Gospel Train/Orchestra
DR13 -0.20 dBFS -16.09 dBFS 3:51 12-I'll Shoot The Moon
DR14 -0.20 dBFS -16.40 dBFS 3:10 13-Flash Pan Hunter
DR12 -0.54 dBFS -16.25 dBFS 2:43 14-Crossroads
DR11 -0.20 dBFS -13.20 dBFS 4:43 15-Gospel Train
DR7 -7.26 dBFS -19.73 dBFS 0:19 16-Interlude
DR11 -0.20 dBFS -13.38 dBFS 4:24 17-Oily Night
DR12 -0.20 dBFS -15.44 dBFS 3:43 18-Lucky Day
DR15 -1.47 dBFS -22.66 dBFS 2:07 19-The Last Rose Of The Summer
DR11 -0.20 dBFS -14.95 dBFS 1:17 20-Carnival
--------------------------------------------------------------------------------
Number of tracks: 20
Official DR value: DR12
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5570 kbps
Codec: FLAC
================================================================================
Скриншот спектра частот
Об альбоме

https://ru.wikipedia.org/wiki/The_Black_Rider
https://en.wikipedia.org/wiki/The_Black_Rider_(album)
Tom Waits collaborated with director Robert Wilson and librettist William Burroughs on the musical stage work The Black Rider in 1990. A variation on the Faust legend, the 19th century German story allowed Waits to indulge his affection for the music of Kurt Weill and address one of his favorite topics of recent years, the devil. Waits had proven an excellent collaborator when he worked with director Francis Ford Coppola on One from the Heart, making that score an integral part of the film. Here, the collaboration and the established story line served to focus Waits' often fragmented attention, lending coherence and consistency. He then had three years to adapt the score into a record album in which he did most of the singing and writing (though Burroughs contributed, singing one song and writing lyrics to three), and he used the time to come up with his best recording in a decade, a varied set of songs that work whether or not you know the show. (Seven of the 20 tracks were instrumentals.) Waits used the word "crude" to describe his working method several times in the liner notes, and a crude performing and recording style continued to appeal to him. But the kind of chaos that can sometimes result from that style was reined in by the bands he assembled in Germany and Los Angeles to record the score, so that the recordings were lively without being off-puttingly primitive.
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