[TR16][OF] Green Day - American Idiot - 2004 (Alternative) [Dolby Atmos]

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daftvichg8

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daftvichg8 · 02-Апр-25 17:57 (1 год 3 месяца назад, ред. 02-Апр-25 17:58)

Green Day / American Idiot
Формат записи/Источник записи: [TR16][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2004
Жанр: Alternative
Издатель (лейбл): Reprise
Продолжительность: 00:57:12
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. American Idiot
02. Jesus Of Suburbia
03. Holiday
04. Boulevard Of Broken Dreams
05. Are We The Waiting
06. St. Jimmy
07. Give Me Novacaine
08. She’s A Rebel
09. Extraordinary Girl
10. Letterbomb
11. Wake Me Up When September Ends
12. Homecoming
13. Whatsername
Контейнер: *.m4a
Тип рипа: tracks
Разрядность: 16/48
Формат: Dolby Digital Plus with Dolby Atmos
Количество каналов: 5.1
Лог проверки качества
MI
General
Complete name : E:\Music\Green Day - American Idiot (2004) [Dolby Atmos]\01. Green Day - American Idiot [E].m4a
Format : MPEG-4
Format profile : Base Media / Version 2
Codec ID : mp42 (mp42/dby1)
File size : 16.2 MiB
Duration : 2 min 54 s
Overall bit rate mode : Constant
Overall bit rate : 779 kb/s
Album : American Idiot
Album/Performer : Green Day
Part/Position : 1
Part/Total : 1
Track name : American Idiot
Track name/Position : 1
Track name/Total : 13
Performer : Green Day
Composer : Billie Joe Armstrong, Mike Dirnt & Tré Cool
Producer : Tré Cool / Rob Cavallo / Mike Dirnt / Billie Joe Armstrong
Genre : Alternative
ContentType : Music
Description : Sometime in 2002, Green Day went into the studio to work on a new album they were tentatively calling <i>Cigarettes and Valentines</i>. The band was tired, cranky, low on ideas and morale. They’d already sold a zillion records, crisscrossed the world, and put out a greatest hits album (<i>International Superhits!</i>), something they’d never dreamed of in the days of playing warehouse shows in Berkeley—and arguably something no self-respecting punk band should do anyway. They talked about breaking up. And just like that, the masters for the album—which none of the members had felt all that strongly about to begin with—were stolen from the studio: Bad fortune, good opportunity.<br /> / Released in 2004, <i>American Idiot</i> wasn’t quite a reincarnation for the band, but it was close. They’d been experimenting with polka music, salsa, dirty versions of Christmas songs, and, maybe most radically of all, not sounding angry all the time. In place of the compression that made their early albums so indelible came a strange new dream: Billie Joe Armstrong wanted to write something big and operatic. He wanted to write “Bohemian Rhapsody.”<br /> / Weird as it sounds, it was more or less a logical next step. After all, the band was already playing the arenas—why not act like an arena-rock band? Anchored by two sprawling nine-minute song-suites (“Jesus of Suburbia,” “Homecoming”) and a loose unifying story, <i>American Idiot</i> wasn’t just their most musically varied album (it upped their quotient of military marches, glockenspiel, and Celtic-sounding ballads by 100%), but their most emotionally varied one, too, by turns bratty (“American Idiot”), anthemic (“Boulevard of Broken Dreams”), goofy (“She’s a Rebel”), and reflective (“Wake Me Up When September Ends”), sometimes all in the space of the same song.<br /> / And where they’d always been political in a casual, lowercase way, here they made their message bolder, channeling their frustrations toward a host of American infirmities, from widening class inequality to the ascendance of religious evangelism to the country’s looping preoccupation with war. In case it wasn’t clear where the band was coming from, Armstrong often performed the title track wearing a novelty mask of George W. Bush.<br /> / Most of all, <i>American Idiot</i> marked the moment when Green Day truly embraced their status as old-fashioned rock stars: ambitious, anthemic, a little clunky, but committed to the big ideas. The album became their best-selling since <i>Dookie</i> and was famously adapted for the distinctly un-punk setting of Broadway—a leap no band of their distinctly subcultural origins had ever really made before. In other words, here was a band by and for losers, finally accepting that they’d won.
Recorded date : 2004-09-21
Encoded date : 2024-09-19 04:24:05 UTC
Tagged date : 2024-09-19 04:24:05 UTC
ISRC : USRE11200334
Copyright : ℗ 2004 Reprise Records
Cover : Yes
Rating : Explicit
Bass Guitar : Mike Dirnt
Mastering Engineer : Ted Jensen
UPC : 093624947301
Mixing Engineer : Chris Lord-Alge
Drums : Tré Cool
Guitar : Billie Joe Armstrong
Lead Vocals : Billie Joe Armstrong
ripped by : Restless Mind / SoundScape
Engineer : Doug McKean / Chris Dugan
Background Vocals : Tré Cool / Mike Dirnt
Songwriter : Michael Pritchard / Billie Joe Armstrong / Frank Edwin III Wright
Assistant Engineer : Greg Burns / Joe Brown / Brian "Dr. Vibb" Vibberts / Reto Peter / Dmitar "Dim-E" Krnjaic / Jimmy Hoyson
GenreID : 20
AppleStoreCountry : United States
AlbumTitleID : 954266
cmID : 1831542
pub : Reprise
PlayListID : 1161539183
AppleStoreCatalogID : 1161539471
Vendor : Warner:isrc:USRE11200334
Audio
ID : 1
Format : E-AC-3 JOC
Format/Info : Enhanced AC-3 with Joint Object Coding
Commercial name : Dolby Digital Plus with Dolby Atmos
Codec ID : ec-3
Duration : 2 min 54 s
Duration_LastFrame : -31 ms
Bit rate mode : Constant
Bit rate : 768 kb/s
Channel(s) : 6 channels
Channel layout : L R C LFE Ls Rs
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Compression mode : Lossy
Stream size : 16.0 MiB (99%)
Title : Core Media Audio
Service kind : Complete Main
Encoded date : 2024-09-19 04:24:05 UTC
Tagged date : 2024-09-19 04:24:05 UTC
Complexity index : 16
Number of dynamic objects : 15
Bed channel count : 1 channel
Bed channel configuration : LFE
Dialog Normalization : -19 dB
compr : -0.28 dB
dmixmod : Lo/Ro
ltrtcmixlev : -3.0 dB
ltrtsurmixlev : -3.0 dB
lorocmixlev : -3.0 dB
lorosurmixlev : -3.0 dB
dialnorm_Average : -19 dB
dialnorm_Minimum : -19 dB
dialnorm_Maximum : -19 dB
DR Meter

foobar2000 v2.24.1 / DR Meter v0.9
log date: 2025-04-02 17:49:02
--------------------------------------------------------------------------------
Analyzed: Green Day / American Idiot
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR12 -5.31 dBFS -24.21 dBFS 2:55 01-American Idiot
DR14 -3.27 dBFS -23.54 dBFS 9:09 02-Jesus of Suburbia
DR13 -3.70 dBFS -23.68 dBFS 3:53 03-Holiday
DR13 -4.58 dBFS -24.71 dBFS 4:21 04-Boulevard of Broken Dreams
DR13 -4.41 dBFS -25.28 dBFS 2:43 05-Are We the Waiting
DR13 -3.25 dBFS -23.39 dBFS 2:56 06-St. Jimmy
DR13 -4.80 dBFS -24.20 dBFS 3:26 07-Give Me Novacaine
DR13 -4.73 dBFS -22.71 dBFS 2:01 08-She's a Rebel
DR15 -2.57 dBFS -24.96 dBFS 3:34 09-Extraordinary Girl
DR14 -3.30 dBFS -24.10 dBFS 4:07 10-Letterbomb
DR14 -4.06 dBFS -26.82 dBFS 4:46 11-Wake Me Up When September Ends
DR15 -2.40 dBFS -23.63 dBFS 9:19 12-Homecoming
DR14 -2.33 dBFS -25.98 dBFS 4:14 13-Whatsername
--------------------------------------------------------------------------------
Number of tracks: 13
Official DR value: DR14
Samplerate: 48000 Hz
Channels: 6
Bitrate: 768 kbps
Codec: E-AC3
================================================================================
Скриншот спектра частот
Источник (релизер): https://music.apple.com/us/album/american-idiot/1161539183
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