[TR24][OF] Cal Tjader - Cal Tjader Sounds out Burt Bacharach (Remastered) - 1968/2019 (Pop Jazz)

Lossless Audio Checker 2.0.7 logfile from Sunday 15 December 2024 12:35:04 PM
File:   E:\Downloads\Music\Jazz\Cal Tjader - Cal Tjader Sounds out Burt Bacharach - 1968-2019 (24-44)\01. Cal Tjader - Moneypenny.flac
Result: Clean
File:   E:\Downloads\Music\Jazz\Cal Tjader - Cal Tjader Sounds out Burt Bacharach - 1968-2019 (24-44)\02. Cal Tjader - What the World Needs Now is Love.flac
Result: Clean
File:   E:\Downloads\Music\Jazz\Cal Tjader - Cal Tjader Sounds out Burt Bacharach - 1968-2019 (24-44)\03. Cal Tjader - Anyone Who Had a Heart.flac
Result: Transcoded
File:   E:\Downloads\Music\Jazz\Cal Tjader - Cal Tjader Sounds out Burt Bacharach - 1968-2019 (24-44)\04. Cal Tjader - Don't Make Me Over.flac
Result: Clean
File:   E:\Downloads\Music\Jazz\Cal Tjader - Cal Tjader Sounds out Burt Bacharach - 1968-2019 (24-44)\05. Cal Tjader - A Message to Michael.flac
Result: Transcoded
File:   E:\Downloads\Music\Jazz\Cal Tjader - Cal Tjader Sounds out Burt Bacharach - 1968-2019 (24-44)\06. Cal Tjader - My Little Red Book.flac
Result: Clean
File:   E:\Downloads\Music\Jazz\Cal Tjader - Cal Tjader Sounds out Burt Bacharach - 1968-2019 (24-44)\07. Cal Tjader - I Say a Little Prayer.flac
Result: Transcoded
File:   E:\Downloads\Music\Jazz\Cal Tjader - Cal Tjader Sounds out Burt Bacharach - 1968-2019 (24-44)\08. Cal Tjader - Walk on By.flac
Result: Transcoded
File:   E:\Downloads\Music\Jazz\Cal Tjader - Cal Tjader Sounds out Burt Bacharach - 1968-2019 (24-44)\09. Cal Tjader - You'll Never Get to Heaven (If You Break My Heart).flac
Result: Transcoded

foobar2000 2.0 / Dynamic Range Meter 1.1.1
log date: 2024-12-15 12:36:06
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Analyzed: Cal Tjader / Cal Tjader Sounds out Burt Bacharach
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DR         Peak         RMS     Duration Track
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DR11      -1.24 dB   -15.33 dB      3:01 01-Moneypenny
DR11      -1.17 dB   -14.74 dB      4:22 02-What the World Needs Now is Love
DR10      -1.17 dB   -14.57 dB      3:14 03-Anyone Who Had a Heart
DR10      -1.20 dB   -14.91 dB      3:15 04-Don't Make Me Over
DR11      -1.24 dB   -14.65 dB      4:54 05-A Message to Michael
DR9       -1.17 dB   -12.36 dB      3:22 06-My Little Red Book
DR11      -1.17 dB   -13.75 dB      3:31 07-I Say a Little Prayer
DR9       -1.20 dB   -12.34 dB      3:19 08-Walk on By
DR9       -1.20 dB   -11.84 dB      3:13 09-You'll Never Get to Heaven (If You Break My Heart)
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Number of tracks:  9
Official DR value: DR10
Samplerate:        44100 Hz
Channels:          2
Bits per sample:   24
Bitrate:           1505 kbps
Codec:             FLAC
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Bassoon – George Berg, Joseph Grinaldi
Drums – Jim Keltner
Electric Bass [Fender] – Harvey Newmark
Flugelhorn – Marvin Stamm
French Horn – Ray Alonge
Guitar – James Helms
Oboe – Lew Del Gatto
Organ – Mike Melvoin
Reeds – George Marge, Jerome Richardson, Jerry Dodgion, Walter Kane
Trombone – Garnett Brown
Vibraphone – Cal Tjader
Violin – Albert Wagner, Henri Aubert

Cal Tjader, born July 16, 1925, in St. Louis, Missouri, Cal Tjader was originally a drummer and played with George Shearing. He came to prominence, however, as a vibraphonist. I remember Mongo Santamaria accompanying him on congas at the "Village Gate" in 1961. I never heard anything as exciting in my life! My career was beginning to take shape--even if I didn't realize it at the time.
Cal Tjader had studied music in San Francisco and had come up through the ranks with Dave Brubeck, Alvino Rey, Willie Bobo, Vince Guaraldi, and Mongo Santamaria. His discography is enormous and includes close to one hundred albums as leader and many as "sideman"--with the likes of Duke Ellington, Antonio Carlos Jobim, Rosemary Clooney, Tania Maria, Anita O'Day, and Carmen McRae. As a songwriter, his work appears on albums by Poncho Sanchez, Bobby Shew, Clare Fischer, Jerry Gonzales, and Stan Getz.
In 1963 Creed Taylor signed him with Verve, and Tjader worked with Klaus Ogermann and other producers to create some of the hippest albums of the 1960s. His single of "Soul Sauce" ("Guachi Guara") briefly entered the Top Forty charts.
Although Tjader was often slammed by jazz critics for pandering to popular tastes, he was well-respected among the Latin musicians with whom he worked, including Candido, Armando Peraza, Eddie Palmieri, and Tito Puente. In his later years, he came to be recognized as one of the fathers of acid jazz. His concord album "La Onda Va Bien" won a Grammy award in 1979.

Fantastic – and about as great as you’d imagine! The cool Latiny vibes of Cal Tjader meet the great compositions of Burt Bacharach, and the result is a shimmering set of tracks that forever defines the sound of groovy 60s! While the idea of vibraphonist Cal Tjader playing a set of Burt Bacharach tunes has very little potential in the first place, a disappointingly low level of achievement is reached on this rather sad set. Clearly recorded due to the influence of the commercial success of Wes Montgomery’s A&M recordings, this date, originally made for Skye, is quite a dud. Tjader plays well in spots but the material, and particularly the arrangements of Gary McFarland, Mike Abene and Alan Foust are so insipid as to make the vibist sound silly. Not only is Latin jazz absent from the set, but so is the spirit of jazz altogether. Even at the time, this weak pop music which includes inferior versions of such numbers as “What the World Needs Now Is Love,” “I Say a Little Prayer” and “Walk On By” must have sounded instantly dated.
Review by Scott Yanow
While the idea of vibraphonist Cal Tjader playing a set of Burt Bacharach tunes has very little potential in the first place, a disappointingly low level of achievement is reached on this rather sad set. Clearly recorded due to the influence of the commercial success of Wes Montgomery's A&M recordings, this date, originally made for Skye, is quite a dud. Tjader plays well in spots but the material, and particularly the arrangements of Gary McFarland, Mike Abene and Alan Foust are so insipid as to make the vibist sound silly. Not only is Latin jazz absent from the set, but so is the spirit of jazz altogether. Even at the time, this weak pop music -- which includes inferior versions of such numbers as "What the World Needs Now Is Love," "I Say a Little Prayer" and "Walk On By" -- must have sounded instantly dated.