Strelnikoff Vladimir · 02-Окт-24 17:26(1 год 9 месяцев назад, ред. 02-Окт-24 17:31)
Meridian Brothers • Mi Latinoamérica sufre . Meridian Brothers [formed]: 1998, Colombia Жанры: Tropicanibalismo***, Cumbia colombiana Лэйбл: Bongo Joe (Switzerland) • Ansonia (USA) Номер по каталогу: BJR 105 • ANSW 4003 Дата релиза: 12.07.2024 Аудиокодек: FLAC (*flac) Тип рипа: tracks Носитель: WEB Источник: Deezer . Треклист.[00:47:53] 01.Sé que estoy cambiando.(03:43)
02.Es mi nueva era.(04:14)
03.Mandala.(04:32)
04.Mi pregunta.(06:01)
05.En el Caribe estoy triste.(05:05)
06.Quiero lo mejor para mi Huayno.(03:54)
07.Mi acompañante.(04:03)
08.Todo se me desvanece y debo mejorar.(04:03)
09.Los Latinos sufrimos.(03:44)
10.Mis soledades.(03:55)
11.Nazco bueno y la sociedad me corrompe.(04:44)
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auCDtect Task Manager
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) ———————————————————————————————————————————————————————————————————————— --- / Mi Latinoamérica sufre Folder: Meridian Brothers - 2024 - Mi Latinoamerica sufre (web) Audio files: 01. Sé que estoy cambiando.flac [03:42.644; FLAC • 792 kbps • 16 bit \ 44100 Hz • stereo; 21.02 MB (22 044 803 B)] 02. Es mi nueva era.flac [04:13.365; FLAC • 703 kbps • 16 bit \ 44100 Hz • stereo; 21.26 MB (22 288 911 B)] 03. Mandala.flac [04:31.998; FLAC • 747 kbps • 16 bit \ 44100 Hz • stereo; 24.23 MB (25 408 499 B)] 04. Mi pregunta.flac [06:00.356; FLAC • 771 kbps • 16 bit \ 44100 Hz • stereo; 33.13 MB (34 743 493 B)] 05. En el Caribe estoy triste.flac [05:04.074; FLAC • 714 kbps • 16 bit \ 44100 Hz • stereo; 25.89 MB (27 145 928 B)] 06. Quiero lo mejor para mi Huayno.flac [03:53.895; FLAC • 768 kbps • 16 bit \ 44100 Hz • stereo; 21.43 MB (22 467 023 B)] 07. Mi acompañante.flac [04:02.024; FLAC • 739 kbps • 16 bit \ 44100 Hz • stereo; 21.34 MB (22 375 542 B)] 08. Todo se me desvanece y debo mejorar.flac [04:02.613; FLAC • 780 kbps • 16 bit \ 44100 Hz • stereo; 22.58 MB (23 673 372 B)] 09. Los Latinos sufrimos.flac [03:43.097; FLAC • 859 kbps • 16 bit \ 44100 Hz • stereo; 22.85 MB (23 957 587 B)] 10. Mis soledades.flac [03:54.614; FLAC • 805 kbps • 16 bit \ 44100 Hz • stereo; 22.53 MB (23 624 093 B)] 11. Nazco bueno y la sociedad me corrompe.flac [04:43.473; FLAC • 684 kbps • 16 bit \ 44100 Hz • stereo; 23.14 MB (24 266 140 B)] Accuracy: -m0 File 01. Sé que estoy cambiando - 95% MPEG [03:42:48] File 02. Es mi nueva era - 95% MPEG [04:13:27] File 03. Mandala - 95% MPEG [04:32:00] File 04. Mi pregunta - 95% MPEG [06:00:27] File 05. En el Caribe estoy triste - 100% CDDA [05:04:06] File 06. Quiero lo mejor para mi Huayno - 95% MPEG [03:53:67] File 07. Mi acompañante - 95% MPEG [04:02:02] File 08. Todo se me desvanece y debo mejorar - 95% MPEG [04:02:46] File 09. Los Latinos sufrimos - 95% MPEG [03:43:07] File 10. Mis soledades - 95% MPEG [03:54:46] File 11. Nazco bueno y la sociedad me corrompe - 100% CDDA [04:43:35] ————— Summary: ————— These tracks looks like CDDA with probability 100%. ———————————————————————————————————————————————————————————————————————— ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. Time elapsed: 1 m 09 s Log created at October 02, 2024 02:52:31 === 9DEA37BB4D01A861752F0050625E41D58C123AF3D9AECF319E66A927F19847D6 ===
official DR value
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) log date: 2024-10-02 02:51:16 -------------------------------------------------------------------------------- Album : Mi Latinoamérica sufre Year : 2024 -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR9 0.00 dB -9.59 dB 3:43 01 - Sé que estoy cambiando / Meridian Brothers DR9 0.00 dB -10.47 dB 4:13 02 - Es mi nueva era / Meridian Brothers DR8 0.00 dB -9.11 dB 4:32 03 - Mandala / Meridian Brothers DR9 0.00 dB -9.89 dB 6:00 04 - Mi pregunta / Meridian Brothers DR8 0.00 dB -8.80 dB 5:04 05 - En el Caribe estoy triste / Meridian Brothers DR8 0.00 dB -9.55 dB 3:54 06 - Quiero lo mejor para mi Huayno / Meridian Brothers DR9 0.00 dB -10.12 dB 4:02 07 - Mi acompañante / Meridian Brothers DR8 0.00 dB -8.70 dB 4:03 08 - Todo se me desvanece y debo mejorar / Meridian Brothers DR9 0.00 dB -10.49 dB 3:43 09 - Los Latinos sufrimos / Meridian Brothers DR9 0.00 dB -10.20 dB 3:55 10 - Mis soledades / Meridian Brothers DR10 0.00 dB -11.72 dB 4:43 11 - Nazco bueno y la sociedad me corrompe / Meridian Brothers -------------------------------------------------------------------------------- Number of tracks : 11 Official DR Value: DR9 Samplerate : 44100 Hz Channels : 2 Bits per sample : 16 Average bitrate : 757 kbps Codec : FLAC ================================================================================
spectrogram
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Tropicanibalismo was born in Bogotá, with several university bands. It tends towards an electronic and experimental sound based on traditional Colombian tropical music. It was born from a group of students who formed Ensamble Polifónico Vallenato in 1999, mixing traditional genres with a dissonant interpretation, and laid the foundations of the scene with 'Fiesta, que viva la'. The movement was spearheaded by music students who would take inspiration in Colombia's folklore and participated in university concerts. There is an extensive use of synthesizers, and it is strongly influenced by Colombian Atlantic coast music like Cumbia, Vallenato, Salsa, and Champeta. Pioneers of the genre include artists such as Mario Galeano Toro, Eblis Álvarez, and Pedro Ojeda (all of whom were part of Ensamble Polifónico Vallenato), as well as several notable groups including Frente Cumbiero, Meridian Brothers, Chúpame el Dedo, and Los Pirañas. Tropicanibalismo generally emulates Colombian tropical music in its songwriting as well as its lyrics, which tend to describe modern problems in a mostly sarcastic tone. Purely instrumental works are also common. Usually, bands develop their own interpretations of Tropicanibalismo by mixing various musical genres to create their own sound which can range from traditional acoustic works to shrill electronic experiments.
