John Lee Hooker
Burning Hell
• Формат | Источник записи: [TR24][OF] • Водяных знаков: Нет
• Год издания: 1959/2024 • Жанр: Blues
• Страна: USA • Продолжительность:
00:42:15
• Источник:
• WEB релиз: ссылка
• Контейнер: FLAC (*.flac) • Тип рипа: tracks • Наличие сканов: front
• Разрядность: 24/192 • Количество каналов: 2.0 • Формат: PCM
• Треклист •
✧ 01 - Burnin' Hell (00:03:19)
✧ 02 - Graveyard Blues (00:03:40)
✧ 03 - Baby, Please Don't Go (00:04:51)
✧ 04 - Jackson, Tennessee (00:03:22)
✧ 05 - You Live Your Life And I'll Live Mine (00:03:22)
✧ 06 - Smokestack Lightnin' (00:03:25)
✧ 07 - How Can You Do It (00:03:03)
✧ 08 - I Don't Want No Woman If Her Hair Ain't No Longer Than Mine (Short Haired Woman) (00:03:18)
✧ 09 - I Rolled And Turned And Cried The Whole Night Long (00:03:49)
✧ 10 - Blues For My Baby (00:03:39)
✧ 11 - Key To The Highway (00:03:17)
✧ 12 - Natchez Fire (Burnin') (00:03:05)
• Лог DRM •
foobar2000 1.6.11 / Dynamic Range Meter 1.1.1
log date: 2024-06-06 20:08:09
--------------------------------------------------------------------------------
Analyzed: John Lee Hooker / Burning Hell (Remastered)
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DR Peak RMS Duration Track
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DR15 -0.24 dB -20.58 dB 3:20 01-Burnin' Hell
DR13 -1.02 dB -20.53 dB 3:41 02-Graveyard Blues
DR15 -0.55 dB -21.65 dB 4:51 03-Baby, Please Don't Go
DR14 -0.35 dB -19.04 dB 3:23 04-Jackson, Tennessee
DR14 -1.45 dB -22.00 dB 3:23 05-You Live Your Life And I'll Live Mine
DR14 -2.72 dB -21.63 dB 3:25 06-Smokestack Lightnin'
DR13 -6.98 dB -24.27 dB 3:03 07-How Can You Do It
DR15 -1.28 dB -23.34 dB 3:18 08-I Don't Want No Woman If Her Hair Ain't No Longer Than Mine (Short Haired Woman)
DR13 -5.68 dB -22.84 dB 3:49 09-I Rolled And Turned And Cried The Whole Night Long
DR16 -0.55 dB -23.47 dB 3:40 10-Blues For My Baby
DR17 -0.20 dB -23.27 dB 3:17 11-Key To The Highway
DR16 -1.83 dB -22.47 dB 3:05 12-Natchez Fire (Burnin')
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Number of tracks: 12
Official DR value: DR14
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5966 kbps
Codec: FLAC
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• John Lee Hooker •
Of the three albums John Lee Hooker made for Orrin Keepnews' Riverside label, Burning Hell was, at the time of its release, the least notable. Keepnews recorded Hooker twice—once in 1959 with only Hooker and his guitar, and again in 1960 with a full band. The second session (released as That's My Story) was far more reflective of Hooker's then-current approach to the blues. Ever since he topped the charts with "Boogie Chillen" in 1948, he was best known for the way he wrapped Delta blues in a more driving, boogie-woogie-oriented style. However, that first 1959 session—reliant on just voice, acoustic guitar, and a peculiar approach to tempo—was indicative of the core sound that Hooker would circle back to throughout his early career.
While he would often play with a full band, Hooker was at his most evocative on his own, especially when he was using an acoustic guitar. Keepnews' decision to focus on that sound yielded 1959's The Country Blues of John Lee Hooker, which met with only moderate success. After Hooker's breakthrough 1962 Vee-Jay album Burnin'—on which he was backed by the Funk Brothers and nailed another hit with "Boom Boom" smack in the middle of the "blues revival"—Keepnews figured he could coattail a little bit and compiled a dozen cuts from the 1959 solo sessions as a "new" release called Burning Hell. But with its spare approach, it wasn't exactly what 1964 Hooker crowds were looking for.
Over time, though, Burning Hell has come to be recognized as an essential entry in Hooker's catalog. Thanks to the high quality of the recording sessions, the haunting intensity of Hooker's singing and playing is unavoidable, and the entire record feels shockingly intimate and illustrative of his sophisticated musical approach. The inclusion of lesser-known Hooker compositions like "You Live Your Life & I'll Live Mine," the title track, and "Graveyard Blues" also makes the set special, while his iconoclastic performances of blues chestnuts like "Smokestack Lightnin'" and "Baby Please Don't Go" further illustrate Hooker's unique place in the blues pantheon. © Jason Ferguson/Qobuz
