(Jazzy Hip-Hop) [LP] [24/192] A Tribe Called Quest - The Low End Theory (2 LP) - 1991/1996, FLAC (tracks)

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fiks22

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fiks22 · 19-Апр-24 15:07 (6 месяцев назад)

A Tribe Called Quest - The Low End Theory
Жанр: Jazzy Hip-Hop
Носитель: LP
Год выпуска: 1991/1996
Лейбл: Jive (01241-41418-1)
Страна-производитель: США
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/192
Формат раздачи: 24/192
Продолжительность: 00:48:02
Треклист:
01. Excursions (3:54)
02. Buggin' Out (3:38)
03. Rap Promoter (2:13)
04. Butter (3:39)
05. Verses from the Abstract (3:59)
06. Show Business (3:53)
07. Vibes and Stuff (4:18)
08. The Infamous Date Rape (2:54)
09. Check the Rhime (3:36)
10. Everything Is Fair (2:58)
11. Jazz (We've Got) (4:11)
12. Skypager (2:12)
13. What? (2:28)
14. Scenario (4:09)
Источник оцифровки: thezabs
Устройство воспроизведения: Rega P10 Turntable with Rega P10 PSU
Головка звукоснимателя: Rega Apheta 3 Cartridge
Предварительный усилитель: PS Audio NuWave Phono Converter ADC
Программа-оцифровщик: Audition CC 2019
Обработка: Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +2 DB > Remove DC Bias
Условия оцифровки
Lineage:
Degritter RCM > Rega P10 Turntable with Rega P10 PSU > Rega Apheta 3 Cartridge > PS Audio NuWave Phono Converter ADC > AudioQuest Carbon USB Cable > USB-IN > Audition CC 2019 @ 24bit float, 192kHz capture.
Processing:
24bit wav > Run through Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +2 DB > Remove DC Bias > Saved as 24bit,192kHz WAV > FLAC > Tagged with Discogs tagger through Foobar.
Scans:
Epson Expression 11000XL -> 16bit 600 DPI with Unsharp Mask -> Color Correction in Photoshop CC 2021 x64 -> 8bit 600DPI PNG.
Спектры
Замер динамического диапазона
foobar2000 1.6.16 / Dynamic Range Meter 1.1.1
log date: 2024-04-19 15:00:28
--------------------------------------------------------------------------------
Analyzed: A Tribe Called Quest / The Low End Theory
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -0.50 dB -15.70 dB 3:54 01-Excursions
DR13 -0.46 dB -15.25 dB 3:38 02-Buggin' Out
DR13 -2.04 dB -16.71 dB 2:13 03-Rap Promoter
DR10 -4.41 dB -15.81 dB 3:39 04-Butter
DR15 -0.49 dB -16.16 dB 3:59 05-Verses from the Abstract
DR12 -1.12 dB -14.67 dB 3:53 06-Show Business
DR11 -0.58 dB -13.69 dB 4:18 07-Vibes and Stuff
DR13 -0.33 dB -14.54 dB 2:54 08-The Infamous Date Rape
DR15 -0.46 dB -17.22 dB 3:36 09-Check the Rhime
DR13 -1.17 dB -16.70 dB 2:58 10-Everything Is Fair
DR11 -1.09 dB -14.00 dB 4:11 11-Jazz (We've Got)
DR13 -0.50 dB -15.23 dB 2:12 12-Skypager
DR12 -1.93 dB -16.89 dB 2:28 13-What?
DR11 -0.42 dB -13.62 dB 4:09 14-Scenario
--------------------------------------------------------------------------------
Number of tracks: 14
Official DR value: DR13
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5289 kbps
Codec: FLAC
================================================================================
Review by John Bush
While most of the players in the jazz-rap movement never quite escaped the pasted-on qualities of their vintage samples, with The Low End Theory, A Tribe Called Quest created one of the closest and most brilliant fusions of jazz atmosphere and hip-hop attitude ever recorded. The rapping by Q-Tip and Phife Dawg could be the smoothest of any rap record ever heard; the pair are so in tune with each other, they sound like flip sides of the same personality, fluidly trading off on rhymes, with the former earning his nickname (the Abstract) and Phife concerning himself with the more concrete issues of being young, gifted, and black. The trio also takes on the rap game with a pair of hard-hitting tracks: "Rap Promoter" and "Show Business," the latter a lyrical soundclash with Q-Tip and Phife plus Brand Nubian's Diamond D, Lord Jamar, and Sadat X. The woman problem gets investigated as well, on two realistic yet sensitive tracks, "Butter" and "The Infamous Date Rape." The productions behind these tracks aren't quite skeletal, but they're certainly not complex. Instead, Tribe weaves little more than a stand-up bass (sampled or, on one track, jazz luminary Ron Carter) and crisp, live-sounding drum programs with a few deftly placed samples or electric keyboards. It's a tribute to their unerring production sense that, with just those few tools, Tribe produced one of the best hip-hop albums in history, a record that sounds better with each listen. The Low End Theory is an unqualified success, the perfect marriage of intelligent, flowing raps to nuanced, groove-centered productions.
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