(Mainstream Jazz) [WEB] Michel Petrucciani - Best Of The Blue Note Years - 1993, FLAC (tracks), lossless

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FILE: 12. Michel Petrucciani - O Nana Oye.flac
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  Conclusion: CDDA 100%
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FILE: 11. Michel Petrucciani - Brazilian Suite.flac
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  Conclusion: CDDA 92%
  Signature: AB277D6597CF8D5F3A131E098155631DE39EEE72
FILE: 10. Michel Petrucciani - Bimini (Live At Montreux Jazz Festival 1986).flac
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FILE: 09. Michel Petrucciani - Our Tune.flac
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FILE: 08. Michel Petrucciani - She Did It Again.flac
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  Signature: A453118D86990FE30A90503871EAFD7EBA3A5F9F
FILE: 07. Michel Petrucciani - La Champagne.flac
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  Conclusion: CDDA 100%
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FILE: 06. Michel Petrucciani - Lullaby.flac
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  Conclusion: CDDA 100%
  Signature: 5EAD8265850D49E204EBE0449799E1AB73763CCB
FILE: 05. Michel Petrucciani - Home.flac
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FILE: 04. Michel Petrucciani - Play Me.flac
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FILE: 03. Michel Petrucciani - Miles Davis' Licks.flac
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FILE: 02. Michel Petrucciani - September Second.flac
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FILE: 01. Michel Petrucciani - Looking Up.flac
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foobar2000 2.0 / Dynamic Range Meter 1.1.1
log date: 2023-10-28 18:47:37
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Analyzed: Michel Petrucciani / Best Of The Blue Note Years
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DR         Peak         RMS     Duration Track
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DR12      -0.20 dB   -14.21 dB      5:46 01-Looking Up
DR8       -2.42 dB   -11.95 dB      4:44 02-September Second
DR10      -2.36 dB   -14.48 dB      4:29 03-Miles Davis' Licks
DR9       -1.71 dB   -14.46 dB      5:17 04-Play Me
DR9       -2.19 dB   -12.81 dB      5:27 05-Home
DR12      -0.86 dB   -16.76 dB      5:18 06-Lullaby
DR14      -1.88 dB   -22.35 dB      6:16 07-La Champagne
DR16      -0.62 dB   -18.78 dB      4:04 08-She Did It Again
DR16      -0.40 dB   -18.61 dB      7:05 09-Our Tune
DR16      -0.59 dB   -21.29 dB     10:10 10-Bimini (Live At Montreux Jazz Festival/1986)
DR16      -0.54 dB   -20.49 dB      6:25 11-Brazilian Suite
DR10      -4.41 dB   -16.94 dB      2:22 12-O Nana Oye
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Number of tracks:  12
Official DR value: DR12
Samplerate:        44100 Hz
Channels:          2
Bits per sample:   16
Bitrate:           813 kbps
Codec:             FLAC
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French pianist Michel Petrucciani's combination of rhythmic energy and inspired invention is heard here in several settings recorded between the mid 1980s and early 1990s. While Petrucciani can be an arresting interpreter of the standard repertoire, the emphasis here is on his original compositions, many making use of Latin rhythms and deceptively simple melodies. During this period, Petrucciani shifted his orientation from straight-ahead acoustic trios to use of electronic keyboards and additional percussion for a cooler, more layered approach. Listeners will likely make a rapid decision about which style they prefer, but what Petrucciani loses in drama with the expanded groups, he makes up in sustained and textured complexity. The highlight of the CD is the Caribbean-flavored "Bimini," heard in an extended performance from the 1986 Montreux festival with guitarist Jim Hall and Wayne Shorter on tenor. --Stuart Broomer
Review by Ron Wynn
The single-disc Best Of outing is a mixed blessing. The 12 performances include the wonderful "Bimini" from Power Of Three, as well as trio and quartet takes from arguably his best release, Pianism, and six cuts with him playing acoustic and electric keyboards on the same composition. But the disc gives a grab-bag feel for Petrucciani the composer and improviser; we can't tell how his approach evolved, nor chart his growth or stagnation. In addition, the company doesn't even provide complete recording information, omitting the dates for the tracks. A final insult are the ridiculously exaggerated, incomplete liner notes in which Petrucciani is placed in the company of Louis Armstrong, Duke Ellington and Count Basie, an absurd comparison. This isn't the way to celebrate or document a musician's contributions to a label.