[TR24][OF] Beverly Glenn-Copeland - The Ones Ahead - 2023 (Jazz | New Age)

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ЯОR · 07-Авг-23 09:50 (2 года 11 месяцев назад)



Beverly Glenn-Copeland

The Ones Ahead



Формат записи | Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания релиза: 2023
Жанр: Jazz | New Age
Лейбл: Transgressive
Продолжительность: 00:42:14
Источник:
WEB релиз: ссылка
Контейнер: FLAC (*.flac) • Тип рипа: tracks
Разрядность: 24/44,1 • Количество каналов: 2.0 • Формат: PCM
Наличие сканов: front
• Треклист •


01 - Africa Calling (00:05:40)
02 - Harbour (Song For Elizabeth) (00:04:38)
03 - Love Takes All (00:04:39)
04 - People Of The Loon (00:04:56)
05 - Stand Anthem (00:05:58)
06 - The Ones Ahead (00:04:56)
07 - Prince Caspian's Dream (00:04:10)
08 - Lakeland Angel (00:03:04)
09 - No Other (00:04:09)

• Лог DRM •

foobar2000 1.6.11 / Dynamic Range Meter 1.1.1
log date: 2023-08-07 09:19:47
--------------------------------------------------------------------------------
Analyzed: Beverly Glenn-Copeland / The Ones Ahead
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR9 -0.19 dB -11.28 dB 5:40 01-Africa Calling
DR11 -1.89 dB -15.97 dB 4:39 02-Harbour (Song For Elizabeth)
DR10 -0.20 dB -13.64 dB 4:39 03-Love Takes All
DR9 -0.43 dB -10.30 dB 4:57 04-People Of The Loon
DR9 -0.20 dB -11.18 dB 5:58 05-Stand Anthem
DR9 -0.51 dB -12.44 dB 4:57 06-The Ones Ahead
DR10 -1.77 dB -14.24 dB 4:10 07-Prince Caspian's Dream
DR9 -0.62 dB -12.17 dB 3:04 08-Lakeland Angel
DR9 -0.18 dB -11.96 dB 4:10 09-No Other
--------------------------------------------------------------------------------
Number of tracks: 9
Official DR value: DR9
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1405 kbps
Codec: FLAC
================================================================================

• Beverly Glenn-Copeland •
In the tumult of this world, there are constants. People need each other. Every motion brushes against others, moving. None of us are siloed and none of us are still. The music of Beverly Glenn-Copeland drinks deeply from these truths. For decades, the Philadelphia-born, Canada-based singer, songwriter, and composer has drawn myriad musical practices toward a single, luminous conviction: that music can shake us loose from what closes us off from each other. His multifaceted body of work surrenders to the beauty, pain, and great capacity for healing that courses through life; in its unguarded sincerity, it invites you to share in its courage. Glenn-Copeland's new album, The Ones Ahead -- his first collection of new music in nearly two decades -- deepens these explorations, casting searching light into how all of us must dissolve the harms of this world and carry each other forward into the next. Glenn-Copeland recorded The Ones Ahead in collaboration with producer John Herbermann and Indigo Rising, the band who accompanied him on his inaugural European tour, whose playing lends a cinematic richness to these intricately textured electroacoustic arrangements. After watching a live performance from Glenn-Copeland and Indigo Rising, Herbermann chose to record the album live from the floor, capturing the dynamic interplay among the group. The bond the musicians share and their deep trust in one another shine through these songs. Kurt Inder's elegiac slide guitar glows against Nick Dourado's delicate piano on "Love Takes All," while on "Harbour (Song for Elizabeth)," Glenn-Copeland trades verses with singer Jeremy Costello, who echoes the love ballad's lyrics with warm affection over drummer Bianca Palmer's softly brushed cymbals.

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