Jeff Parker - Mondays at the Enfield Tennis Academy
Жанр: Avant-Garde Jazz, Fusion
Носитель: CD
Страна-производитель диска (релиза): Бельгия
Год издания: 2022
Издатель (лейбл): Aguirre Records
Номер по каталогу: ZORN93CD
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Продолжительность: 01:23:48
Источник: redacted
Наличие сканов в содержимом раздачи: нет
CD1 {00:45:27}
01. 2019-07-08 I (21:49)
02. 2019-07-08 II (23:38)
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 25. February 2023, 7:18
Jeff Parker / Mondays At The Enfield Tennis Academy
Used drive : ATAPI iHAS124 E Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Users\a\Documents\flac-1.3.2-win\win64\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 21:48.57 | 0 | 98156
2 | 21:48.57 | 23:38.19 | 98157 | 204525
Track 1
Filename C:\Users\a\Documents\R\01 - 2019-07-08 I.wav
Pre-gap length 0:00:02.00
Peak level 100.0 %
Extraction speed 6.9 X
Track quality 100.0 %
Test CRC 9A24A08E
Copy CRC 9A24A08E
Accurately ripped (confidence 1) [7EDA24C0] (AR v2)
Copy OK
Track 2
Filename C:\Users\a\Documents\R\02 - 2019-07-08 II.wav
Pre-gap length 0:00:02.00
Peak level 100.0 %
Extraction speed 9.2 X
Track quality 100.0 %
Test CRC C26EFF62
Copy CRC C26EFF62
Accurately ripped (confidence 1) [A86E1B1F] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 5490E14D5A722841CA7DEC691DC261B4BB6EE896921AD52EAFEF295AD3B71630 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2022
REM DISCID 070AA702
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Jeff Parker"
TITLE "Mondays at the Enfield Tennis Academy CD1"
FILE "01 - 2019-07-08 I.wav" WAVE
TRACK 01 AUDIO
TITLE "2019-07-08 I"
PERFORMER "Jeff Parker"
ISRC US2392200190
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "2019-07-08 II"
PERFORMER "Jeff Parker"
ISRC US2392200191
INDEX 00 21:46:57
FILE "02 - 2019-07-08 II.wav" WAVE
INDEX 01 00:00:00
CD2 {00:38:21}
01. 2019-05-19 (18:03)
02. 2021-04-28 (20:18)
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 25. February 2023, 7:31
Jeff Parker / Mondays At The Enfield Tennis Academy
Used drive : ATAPI iHAS124 E Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Users\a\Documents\flac-1.3.2-win\win64\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 18:03.27 | 0 | 81251
2 | 18:03.27 | 20:18.25 | 81252 | 172626
Track 1
Filename C:\Users\a\Documents\R\01 - 2019-08-19.wav
Pre-gap length 0:00:02.00
Peak level 100.0 %
Extraction speed 6.3 X
Track quality 100.0 %
Test CRC 2BC19F79
Copy CRC 2BC19F79
Accurately ripped (confidence 1) [0B3815FF] (AR v2)
Copy OK
Track 2
Filename C:\Users\a\Documents\R\02 - 2021-04-28.wav
Pre-gap length 0:00:02.00
Peak level 97.4 %
Extraction speed 9.2 X
Track quality 100.0 %
Test CRC 321302B0
Copy CRC 321302B0
Accurately ripped (confidence 1) [78CC305E] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum A15A7B86451113F67E83B02487D5797329A7A8E7EB3EAE28EB11589CDE383897 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2022
REM DISCID 1008FD02
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Jeff Parker"
TITLE "Mondays at the Enfield Tennis Academy CD2"
FILE "01 - 2019-05-19.wav" WAVE
TRACK 01 AUDIO
TITLE "2019-05-19"
PERFORMER "Jeff Parker"
ISRC US2392200192
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "2021-04-28"
PERFORMER "Jeff Parker"
ISRC US2392200193
INDEX 00 18:01:27
FILE "02 - 2021-04-28.wav" WAVE
INDEX 01 00:00:00
Review by Thom Jurek
Mondays at The Enfield Tennis Academy is Jeff Parker's second album to appear in two months. The first, Eastside Romp, was a studio-recorded 2016 trio outing from 2016 on Rogue Art. This set was captured live too, during the guitarist's residency at a Los Angeles bar whose name is in reference in David Foster Wallace's novel Infinite Jest. Parker's quartet includes bassist Anna Butterss, drummer Jay Bellerose, and saxophonist Josh Johnson. Parker is almost ubiquitous; he has amassed hundreds of credits playing with everyone from Tortoise to Makaya McCraven in addition to his own albums.
This Eremite date includes four long, melodic, groove-based improvisations, titled for the dates they were recorded, between July 2019 and April 2021. They are drawn from more than ten hours of tape and reflect a seamless character in this band's creative process. Constantly evolving, albeit minimally, this is music with no beginning and no end. It could have been sequenced in any way.
The first two sides were captured on July 8, 2019; they total more than 45 minutes. Slow fingerpicking and a delay-pedaled, droning alto introduce it. Butterss and Bellerose enter with restraint working the two-note vamp. Johnson's delay pedals double his horn's sound as Bellerose adorns it with muted tom-toms, kick drum, and crash cymbal. The drone eventually opens up and the band starts to breathe, undulating and falling back individually and together. A bit over six minutes in, the vamp shifts. Parker begins soloing as the rhythm sections locks in. Rather than ratchet the dynamic, they remain loose, circular, and engaging without increasing the force. The second track begins with the rhythm section before Johnson adds a breezy melody and Parker underscores it with circular arpeggios. The groove pattern emerges as each player explores its nuances in varying tempos. Thirteen minutes in, the rhythm section gets deep and dubwise as Johnson begins circular breathing, using pedals to distort the saxophone's sound. Parker breaks it up with a measured solo with pedals coloring his lines. This third track was recorded in May 2019. Its sense of drift is initiated by a slow, hypnotic beat from Bellerose. Butterss' droning pattern outlines Johnson's minimal theme. These elements frame Parker's winding, intricate solo before sax and drums recenter it, transforming its flow; it distantly recalls the early music of Jon Hassell. The final section/side recorded in April 2021 is funkier, more fragmental, stranger. Scalar sax patterns meet a slowly cascading downbeat, a punchy, minimal bassline, and Parker's fingerpicked vamp. Johnson begins extrapolating a repetitive melody, soloing in the breaches. Parker employs an oscillating wah-wah pedal, effecting a textured ambient middle over skeletal rhythmic accompaniment. When Bellerose picks up the pace, Butterss, Parker, and Johnson join him, establishing a spacy, ethereal funk. Mondays at The Enfield Tennis Academy stands apart in Parker's catalog, it fits his oeuvre aesthetically, but sounds like none of it. This is deeply intuitive, subtly detailed, endlessly grooving, holistic jazz-trance music that was improvised at at an extremely high level.
Состав
Jeff Parker - electric guitar
Josh Johnson - alto saxophone
Anna Butterss - bass
Jay Bellerose - drums, percussion
