Mariel Buckley
Everywhere I Used to Be
• Формат записи | Источник записи: [TR24][OF]
• Наличие водяных знаков: Нет
• Год издания релиза: 2022
• Жанр: Country | Singer-Songwriter
• Лейбл: Birthday Cake
• Продолжительность:00:36:25
• Источник: internet
• WEB релиз: ссылка
• Контейнер: FLAC (*.flac)
• Тип рипа: tracks
• Разрядность: 24/96
• Формат: PCM
• Количество каналов: 2.0
• Наличие сканов: front
Tracklist:
✧ 01 - Neon Blue (00:04:19)
✧ 02 - Whatever Helps You (00:03:10)
✧ 03 - Going Nowhere (00:03:35)
✧ 04 - Driving Around (00:03:48)
✧ 05 - Hate This Town (00:03:43)
✧ 06 - Love Ain't Enough (00:04:08)
✧ 07 - Everywhere I Used to Be (00:03:34)
✧ 08 - Shooting at the Moon (00:03:19)
✧ 09 - Horse Named Nothing (00:03:36)
✧ 10 - Let You Down (00:03:09)
• Лог DRM •
foobar2000 1.4.2 / Dynamic Range Meter 1.1.1
log date: 2022-08-15 14:27:45
--------------------------------------------------------------------------------
Analyzed: Mariel Buckley / Everywhere I Used to Be
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR5 -0.11 dB -7.09 dB 4:20 01-Neon Blue
DR8 -0.11 dB -9.96 dB 3:10 02-Whatever Helps You
DR5 -0.11 dB -8.04 dB 3:35 03-Going Nowhere
DR5 -0.12 dB -8.12 dB 3:48 04-Driving Around
DR6 -0.11 dB -9.34 dB 3:44 05-Hate This Town
DR7 -0.12 dB -9.50 dB 4:09 06-Love Ain't Enough
DR5 -0.11 dB -6.96 dB 3:34 07-Everywhere I Used to Be
DR5 -0.11 dB -6.67 dB 3:19 08-Shooting at the Moon
DR8 -0.12 dB -11.70 dB 3:37 09-Horse Named Nothing
DR5 -0.11 dB -6.15 dB 3:09 10-Let You Down
--------------------------------------------------------------------------------
Number of tracks: 10
Official DR value: DR6
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2896 kbps
Codec: FLAC
================================================================================
• Information •
With her debut album and thousands of miles under her belt, Buckley looks to turn country/folk music on its head, with her follow-up album, Everywhere I Used To Be [2022]. Anchored by the haunting whine of the pedal steel, rounded out by heavy synth pads and produced by Marcus Paquin (The Weather Station, The Barr Brothers, Arcade Fire, The National), the resulting collection is a driving, swooning, toe-tapping catharsis; sealed and delivered by Buckley’s signature crooning brand of angst-ridden alt-folk.
Buckley and Paquin made an intentional move towards decidedly pop/contemporary production, and quickly found themselves in a daily rhythm of deconstructing and rebuilding each song to find its full potential. Backed by some of Canada’s finest session musicians, their collective efforts are showcased with abundant heart, and skillful flourishes while respecting the space necessary for the songs to speak.