(Classical, Trio Sonatas) [CD] Erlebach - Complete Trio Sonatas (L'Acheron, Francois Joubert-Caillet) - 2019, FLAC (image+.cue) lossless

Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 20. February 2022, 12:40
François Joubert-Caillet: L'Achéron / Erlebach: Complete Trio Sonatas
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     Filename I:\Rips\Erlebach - Complete Trio Sonatas - Joubert-Caillet\François Joubert-Caillet- L'Achéron - Erlebach- Complete Trio Sonatas.wav
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==== Log checksum C57E4B35F521C7BA28AAEE902CD95F49431BDA00FCA9E7512D853F24E6F36869 ====

REM GENRE Miscellaneous
REM DATE 2019
REM DISCID AA102C1E
REM COMMENT "ExactAudioCopy v1.6"
PERFORMER "L'Achéron: Marie Rouquié (violin, piccolo violin), Yoann Moulin (harpsichord, organ), Miguel Henry (archlute), Sarah Van Oudenhove (bass viol), François Joubert-Caillet (bass viol, dir.)"
TITLE "Erlebach: Complete Trio Sonatas"
REM COMPOSER "Philipp Heinrich Erlebach (1657-1714)"
FILE "L'Achéron, François Joubert-Caillet - Erlebach - Complete Trio Sonatas.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Sonata quarta in C Major; violin (scordatura: c g c e), viola da gamba, basso continuo (archlute, harpsichord, bass viol): I. Sonata (Grave - Vivace - Adagio)"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Sonata quarta in C Major: II. Allemande (Grave)"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 03:14:31
  TRACK 03 AUDIO
    TITLE "Sonata quarta in C Major: III. Courante"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 05:19:63
  TRACK 04 AUDIO
    TITLE "Sonata quarta in C Major: IV. Sarabande & variatio"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 06:54:35
  TRACK 05 AUDIO
    TITLE "Sonata quarta in C Major: V. Gique (Prestт)"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 09:37:57
  TRACK 06 AUDIO
    TITLE "Sonata sesta in F Major; piccolo violin, viola da gamba, basso continuo (archlute, organ, bass viol): I. Sonata (Affetuoso - Allegro - Grave)"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 11:02:44
  TRACK 07 AUDIO
    TITLE "Sonata sesta in F Major: II. Allemande"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 15:03:12
  TRACK 08 AUDIO
    TITLE "Sonata sesta in F Major: III. Courante"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 17:16:44
  TRACK 09 AUDIO
    TITLE "Sonata sesta in F Major: IV. Sarabande & variatio"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 18:20:15
  TRACK 10 AUDIO
    TITLE "Sonata sesta in F Major: V. Gique (Vivace & prestò)"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 19:40:33
  TRACK 11 AUDIO
    TITLE "Sonata quinta in B-Flat Major; violin, viola da gamba, basso continuo (archlute, harpsichord): I. Sonata ([Grave] - Allegro - Adagio)"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 21:25:66
  TRACK 12 AUDIO
    TITLE "Sonata quinta in B-Flat Major: II. Allemande"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 23:10:57
  TRACK 13 AUDIO
    TITLE "Sonata quinta in B-Flat Major: III. Courante"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 25:55:28
  TRACK 14 AUDIO
    TITLE "Sonata quinta in B-Flat Major: IV. Sarabande & variatio"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 27:02:10
  TRACK 15 AUDIO
    TITLE "Sonata quinta in B-Flat Major: V. Gique"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 30:14:43
  TRACK 16 AUDIO
    TITLE "Sonata prima in D Major; violin, viola da gamba, basso continuo (archlute, harpsichord, bass viol): I. Sonata (Adagio - Allegro - Affettuoso)"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 31:27:44
  TRACK 17 AUDIO
    TITLE "Sonata prima in D Major: II. Allemande"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 36:10:55
  TRACK 18 AUDIO
    TITLE "Sonata prima in D Major: III. Courante"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 38:18:62
  TRACK 19 AUDIO
    TITLE "Sonata prima in D Major: IV. Sarabande & variatio"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 39:33:20
  TRACK 20 AUDIO
    TITLE "Sonata prima in D Major: V. Gique"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 42:33:54
  TRACK 21 AUDIO
    TITLE "Sonata seconda in E Minor; violin, viola da gamba, basso continuo (archlute, organ): I. Sonata (Adagio - Allegro - Adagio)"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 43:52:65
  TRACK 22 AUDIO
    TITLE "Sonata seconda in E Minor: II. Allemande"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 48:00:00
  TRACK 23 AUDIO
    TITLE "Sonata seconda in E Minor: III. Courante"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 49:40:72
  TRACK 24 AUDIO
    TITLE "Sonata seconda in E Minor: IV. Sarabande"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 50:50:31
  TRACK 25 AUDIO
    TITLE "Sonata seconda in E Minor: V. Gique (Prestò)"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 53:35:26
  TRACK 26 AUDIO
    TITLE "Sonata III in A Major; violin (scordatura: a e a e), viola da gamba, basso continuo (archlute, harpsichord): I. Sonata (Adagio - Allegro - Lento)"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 55:07:36
  TRACK 27 AUDIO
    TITLE "Sonata III in A Major: II. Allemande"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 57:18:24
  TRACK 28 AUDIO
    TITLE "Sonata III in A Major: III. Courante"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 60:16:35
  TRACK 29 AUDIO
    TITLE "Sonata III in A Major: IV. Sarabande"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 61:49:47
  TRACK 30 AUDIO
    TITLE "Sonata III in A Major: V. Ciaconna - Final (Lento - Tremolo adagissimo)"
    PERFORMER "L'Achéron, François Joubert-Caillet"
    REM COMPOSER "Philipp Heinrich Erlebach"
    INDEX 01 63:35:16

Product Description
In 1694 Philipp Heinrich Erlebach, kapellmeister at the court of Count Schwarzburg-Rudolstadt, published a collection of trio sonatas for a typical German ensemble of the period: violin, viola da gamba, and bass continuo. Pairing the violin with the viola da gamba seems to exemplify the fusion of Italian and French musical traditions, and this same fusion is found in the forms of these compositions, with an Italianate sonata followed by a suite of French dances a model that Johann Sebastian Bach would later recall. These sonata-suites are endowed with undeniable charm and an infectious liveliness, and François Joubert-Caillet, with his ensemble L Achéron, give us a particularly seductive interpretation of them.
Review
What a warmly serene introduction to the music of Philipp Heinrich Erlebach (1657-1714) we've been given here by François Joubert-Caillet and his ensemble L Achéron. While this is down in part to the repertoire itself repertoire in which tenderness is blended with luminous majesty , as Joubert-Cailletaptly puts it in his booklet notes there's no question that a good 70 per cent of the effect is down to what L Achéron themselves have done with it.
Erlebach was Kapellmeister at the court of Schwarzburg-Rudolstadt from 1681. Not much of his music survives, thanks to a fire at the castle in 1735 which claimed all his manuscripts. However, an exception is this volume of trio sonatas he published in 1694 for violin, viola da gamba and continuo, which melds the Italian taste for virtuoso violin-writing with the French love of the viol and the dance suite, all wrapped up in Germanic architecture that prefaces each dance sequence with a sonata. Erlebach also tweaks the upper-line forces for effect, with two of the sonatas requiring the violinist to use scordatura (alternative tuning of its strings), and one requiring a violino piccolo.
The opening of the album is particularly serene, thanks to L Achéron's decision to start not with No 1 but with No 4. While No 1 in D is certainly very lovely, No 4's more luxurious and expansive C major beauty makes a more compelling entry into Erlebach's tender and luminous world. The ordering continues equally intelligently Nos 6, 5, 1, 2 and 3 so the programme climaxes with the one sonata where Erlebach replaces the standard short, final gigue with a larger-scale and more noble Chaconne. L Achéron's playing style cements the impression: majestic and amorous of tone, with a soft-edged, ample yet transparent textured sound that's humanised further through little tugs and pushes of metre and hairpin dynamic bulges. As such, it offers a very distinct alternative to the lighter and more twangy sound to be heard from El Arte Musico's attractive recording (Verso) or the less sustained notes to be heard on Rodolfo Richter's courtly readings for Linn.In other words, these readings constitute an austerity-free zone; and, coupled with the thoughtful ordering, I'm very taken by them indeed. --Charlotte Gardner - Gramophone