Beispiel
Muster
• Жанр: Electronic | Experimental
• Носитель: WEB
• Год издания: 2022
• Издатель: Faitiche
• Аудиокодек: FLAC (*.flac)
• Тип рипа: tracks
• Продолжительность: 00:36:48
• Источник:
• Наличие сканов: front
Tracklist:
✧ 01 - 2 (00:04:03)
✧ 02 - J&F-2A (00:02:46)
✧ 03 - FB&JJ2017-1 (00:06:12)
✧ 04 - J&F-1C (00:02:16)
✧ 05 - 1(1.Teil) (00:02:50)
✧ 06 - Version1 (00:07:06)
✧ 07 - 18-6-28-FB&JJ-E (00:01:40)
✧ 08 - 3(Kurz) (00:05:17)
✧ 09 - 1(2.Teil)&FBJJ(2.Teil) (00:04:38)
• Лог Dynamic Range Meter •
foobar2000 1.4.2 / Dynamic Range Meter 1.1.1
log date: 2022-03-29 08:37:16
--------------------------------------------------------------------------------
Analyzed: Beispiel / Muster
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DR Peak RMS Duration Track
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DR11 -0.85 dB -17.65 dB 4:03 01-2
DR17 -0.88 dB -21.60 dB 2:46 02-J&F-2A
DR11 -1.04 dB -14.87 dB 6:12 03-FB&JJ2017-1
DR11 -1.00 dB -15.24 dB 2:16 04-J&F-1C
DR19 -0.50 dB -23.60 dB 2:50 05-1(1.Teil)
DR9 -0.65 dB -11.28 dB 7:06 06-Version1
DR12 -0.96 dB -18.51 dB 1:40 07-18-6-28-FB&JJ-E
DR15 -1.00 dB -20.37 dB 5:17 08-3(Kurz)
DR10 -0.93 dB -13.99 dB 4:38 09-1(2.Teil)&FBJJ(2.Teil)
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Number of tracks: 9
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 670 kbps
Codec: FLAC
================================================================================
• Лог auCDtect Task Manager •
-----------------------
DON'T MODIFY THIS FILE
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PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 09 - 1(2.Teil)&FBJJ(2.Teil).flac
Size: 23490624 Hash: 7BCACA4332313059FF9FE777965560FF Accuracy: -m40
Conclusion: CDDA 92%
Signature: 5B54A5978BD39227DC6D4D32FB56F674A7A2242D
FILE: 08 - 3(Kurz).flac
Size: 20940937 Hash: C020D2E4BE2DFAB08B49B3E09FBC0058 Accuracy: -m40
Conclusion: CDDA 100%
Signature: F6A2CAEA7122915EF5C2E436D6706313B113FC08
FILE: 07 - 18-6-28-FB&JJ-E.flac
Size: 8719953 Hash: 4190F0E93E6B04FE6DC143AC13636AE3 Accuracy: -m40
Conclusion: CDDA 100%
Signature: C737E4499E397BAC1163A528C28B2D62972E912F
FILE: 06 - Version1.flac
Size: 34615496 Hash: 56497F9FB32FE1CD96252A22AC639546 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 94377A57B7B26BFBF14895FD16CBD636CC0676C5
FILE: 05 - 1(1.Teil).flac
Size: 14690337 Hash: EFD805DF2AF3445AAE3972C264F725F1 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 1A110FA7A0530F3B75F5182EF38773A5B6FC50D8
FILE: 04 - J&F-1C.flac
Size: 10212740 Hash: 3675D4D18F5B557911B553F1372AFD66 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 29DA89FFE1050B4CE1C012487E9F766E11396F82
FILE: 03 - FB&JJ2017-1.flac
Size: 30715431 Hash: FDC86B6050669A8D54A0355FE6DA5579 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 35838396091F0E8DF1D48E6B93FB5EBEED9BF786
FILE: 02 - J&F-2A.flac
Size: 13019898 Hash: FB73F47F2D8C373FED6A8465E1570948 Accuracy: -m40
Conclusion: CDDA 99%
Signature: 1C424EF8416557305A6C384115A2BA05C2CEC6C5
FILE: 01 - 2.flac
Size: 17697572 Hash: 993D2A0F9BEF7FEDBCBFF263A7933693 Accuracy: -m40
Conclusion: CDDA 99%
Signature: 6BAD16CCBB0AFF455D67BD94BF38E5B3DBEFC7CE
• i •
“Meaning” is a concept that is overused in connection with music. Muster does not call for the same kind of air quotes. With its title, German for patterns/exemplars, Beispiel’s album frees itself from the ballast of teleological semantics. There is no overarching theme, no preparation, no reading list, no reason for this music. Just two facts: Frank Bretschneider and Jan Jelinek have known each other a long time and appreciate each other’s work; and they share a love of modular synthesizers and of experimental set-ups designed to capture surprise.
Bretschneider and Jelinek got together for their first joint session in 2016 and the years that followed brought more such meetings at Jelinek’s studio for open-ended musical dialog – at irregular intervals and with no clear objective. The improvisations were recorded in two stereo tracks: one track for Bretschneider’s audio, one for Jelinek’s. After each session, the recordings were processed separately, the options essentially limited to cutting and altering the frequency range. The nine pieces for Muster were selected from the resulting material.
This approach reflects an ideal: music is when you play your first note without knowing what the third or fourth will sound like. When your 290th note still sees you leaving the beaten track, and when curiosity grows as the piece unfolds. Duping is part of Beispiel’s practice. Improvisation is about disagreement. It’s a matter of addressing the right issues. What’s happening here? What’s mine, what’s yours? Are “why” and “where next” legitimate questions?
Muster is an exemplary work. Nine suggestions for what can be. Nine ideas for possibilities of listening.
