O'Connell & Love Will You Be There? • Жанр: Country • Носитель:WEB • Год издания: 2021 • Издатель: Mountmellick Music Ltd • Страна: USA • Аудиокодек: FLAC (*.flac) • Тип рипа: tracks • Продолжительность: 00:49:17 • Источник: • Наличие сканов: front Tracklist: ✧01 - Will You Be There-(00:04:56) ✧02 - Hurry Home(00:03:11) ✧03 - If Love is All You Got(00:04:11) ✧04 - I Got a Woman(00:03:42) ✧05 - The Belle of Clare(00:03:49) ✧06 - Don't Turn Me Away(00:05:31) ✧07 - Riddles In the Sand(00:03:15) ✧08 - You're Gonna Need Someone(00:04:15) ✧09 - When You Were the Moonlight(00:04:32) ✧10 - Let the Music Set You Free(00:03:55) ✧11 - If I Don't Get Lost(00:03:18) ✧12 - It's So Good To Be Alive(00:04:37)
• Лог Dynamic Range Meter •
foobar2000 1.5.2 / Замер динамического диапазона (DR) 1.1.1 Дата отчёта: 2021-12-02 08:35:57 -------------------------------------------------------------------------------- Анализ: O'connell & Love & Stephanie Clift / Will You Be There? (1-2) O'connell & Love / Will You Be There? (3-12) -------------------------------------------------------------------------------- DR Пики RMS Продолжительность трека -------------------------------------------------------------------------------- DR8 -0.74 дБ -11.56 дБ 5:32 06-Don't Turn Me Away DR7 -0.94 дБ -8.66 дБ 3:15 07-Riddles In the Sand DR7 -0.54 дБ -8.61 дБ 4:56 01-Will You Be There? DR7 -1.14 дБ -9.29 дБ 3:12 02-Hurry Home DR7 -0.74 дБ -9.42 дБ 4:11 03-If Love is All You Got DR6 -1.01 дБ -9.65 дБ 3:43 04-I Got a Woman DR8 -1.10 дБ -10.38 дБ 3:49 05-The Belle of Clare DR7 -0.69 дБ -8.69 дБ 4:15 08-You're Gonna Need Someone DR6 -1.20 дБ -9.37 дБ 4:33 09-When You Were the Moonlight DR8 -1.24 дБ -10.97 дБ 3:56 10-Let the Music Set You Free DR7 -1.24 дБ -8.73 дБ 3:18 11-If I Don't Get Lost DR7 -1.20 дБ -8.93 дБ 4:37 12-It's So Good To Be Alive -------------------------------------------------------------------------------- Количество треков: 12 Реальные значения DR: DR7 Частота: 44100 Гц Каналов: 2 Разрядность: 16 Битрейт: 951 кбит/с Кодек: FLAC ================================================================================
• Лог auCDtect Task Manager •
----------------------- DON'T MODIFY THIS FILE ----------------------- PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1 Copyright (c) 2008-2010 y-soft. All rights reserved http://y-soft.org ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. FILE: 12 - It's So Good To Be Alive.flac Size: 33111407 Hash: D89DC43A8C132CC1C8E04D77B3A665FC Accuracy: -m40 Conclusion: CDDA 100% Signature: F3354CC5C9CF7783330DC405CA51235F8CB4328C FILE: 11 - If I Don't Get Lost.flac Size: 22570530 Hash: D21EC9A03AA329C700EFA0E28229E268 Accuracy: -m40 Conclusion: CDDA 99% Signature: 2AF53F0A017A0C82B3005EA17198CCF9A47DE4C5 FILE: 10 - Let the Music Set You Free.flac Size: 27683258 Hash: 0C2ABDF4D4BD709B1E2CC95DE5F0768A Accuracy: -m40 Conclusion: CDDA 100% Signature: 0443D52115BDA752A31D959489145C4ADBDC4D1F FILE: 09 - When You Were the Moonlight.flac Size: 29962111 Hash: D60DAFB8E41B2E84789E9D51676A9BE4 Accuracy: -m40 Conclusion: CDDA 100% Signature: 43E47F856D06438BF9A9C8D15836A70C1D2DA8DB FILE: 08 - You're Gonna Need Someone.flac Size: 28888740 Hash: 1792AEBECED258861D7EA3B5BCAA8C06 Accuracy: -m40 Conclusion: CDDA 100% Signature: 331897FFCBD2C0FCD949E5BC6D8887BA9A60833A FILE: 07 - Riddles In the Sand.flac Size: 23023084 Hash: D6FA20564C9A05E419693D12A10A23A8 Accuracy: -m40 Conclusion: CDDA 100% Signature: A62F811BB98EA6A48053B74E9C52DD912F5B3604 FILE: 06 - Don't Turn Me Away.flac Size: 32291401 Hash: 20B40C564ED83931B6385DF56258EFFD Accuracy: -m40 Conclusion: CDDA 100% Signature: D1BEA620634475FF0D97EBA250F98FCD51D05DAC FILE: 05 - The Belle of Clare.flac Size: 26257611 Hash: 063FAF483DA1F0C615FA7D87EE74EF88 Accuracy: -m40 Conclusion: CDDA 100% Signature: A42C3CBCDB632077DED4E47D984937BA6FA0AD5E FILE: 04 - I Got a Woman.flac Size: 25677033 Hash: F9B7DB883B1891FA8961918876B96A44 Accuracy: -m40 Conclusion: CDDA 100% Signature: 0F40DC444E76EAA907EC69D45BED514BD6820D52 FILE: 03 - If Love is All You Got.flac Size: 30559644 Hash: E27D5066AE834916E94BAF95F1EFA49C Accuracy: -m40 Conclusion: CDDA 100% Signature: 4A0DEA483C3DBC9207A2F89BD3D8B1ABAF7038F7 FILE: 02 - Hurry Home.flac Size: 22520208 Hash: 6A159339D1F4D3ACADC9EDE4AE277BC8 Accuracy: -m40 Conclusion: CDDA 100% Signature: 1A4CE3728795F8FE2B37B537ED62271E12039805 FILE: 01 - Will You Be There-.flac Size: 36309277 Hash: 9BBB8ECFFF5197F48714F30CB9E32A50 Accuracy: -m40 Conclusion: CDDA 99% Signature: DA3FC6F65A6B157240A6FA6A00FA76932F2478E6
• Info •
Will You Be There is the second joint project by Alabama 3’s Larry Love and songwriting partner Brendan O’Connell, co-produced by dance maestro Wizard (a.k.a. Greg Fleming), is a musically variegated affair. O’Connell’s assorted musical influences complement Love’s familiar laid back whisky vocal delivery, the opening trumpet coloured title track swaying on a Latin-like rhythm that’s far more upbeat than the environmental apocalypse theme of the lyrics (“Will you be there in your automatic car talking about pollution?/Will you be there when they stare from their mausoleums?/Or will you breathe in the air and realise there’s nothing left – strange emissions?”), although doom does come with defiance rather than resigned acceptance (“ I’m gonna roll the wagons round tight/This circle will not be broken/They can launch their missiles/We’ll search the skies/We might be beaten but it ain’t over ‘til it’s over”). The scampering shuffle of Hurry Home keeps largely within similar musical parameters, again juxtaposing rhythmic bounce with such downbeat lyrics as “Please don’t hurry home baby/‘Cos loneliness is this empty town/Since you’ve been gone/No vacancies and the shutters are down” and, touching on refugee issues, “the river’s so unforgiving/ Even the smugglers get double crossed/You can pay the ferryman/But you’ll still get lost”. The loss and abandonment there echoes in the funky bluesy shuffle If Love Is All You’ve Got (“you beg for your Mamma/You beg for your Pa/But they left town in a stolen car”), where, with June Miles-Kingston’s gospel backing, love isn’t the familiar lifebelt when you’re drowning (“if love is all you got/Well baby that ain’t a lot/‘Cos what you got ain’t got you anywhere”), though the line “you try to forget about the plan/And the substances you’ve been smuggling from Moscow/Via London to Penang” is decidedly enigmatic in context. Taking more of a pub rock country path, the wryly playful I Got A Woman has the narrator nursing a whisky as he offloads his complicated romantic entanglements on the barmaid (“I got a woman promises me heaven/I got a woman giving me hell/I got a woman says I’m gonna get better/I got a woman says I’ll never get well”) and sports the inspired line “I got a woman dances like a dentist/Pulls my teeth then shows me the door”. There are a fair few numbers about matters of a bruised heart, two favourites being the wistful barroom-stoked memories of The Belle of St Clare (“With my dreams she went flying/In a silver jet plane /All my blue sky thinking /Won’t bring her back again”) which brings mandolin and strings to play for a folksy-country swayer that’s one part Gram and one part Ronnie Lane, and the sparser fingerpicked acoustic country Don’t Turn Me Away which offers another note of yearning (“Take a bet on me/Maybe I’ll gamble on you/Let’s risk it all /For a little bit of something more”) with Stephanie Clift on harmonies and a lyric that also manages to reference the nativity, gambling, booze, and a timely lonely at Christmas with an empty loving cup. Riding a driving beat that suggests Gentle On My Mind on uppers, Riddles In The Sand offers another busted relationship, this time with a retort to Dylan’s ‘Just Like a Woman’ in the line “You can ache just like a woman/I can break just like a man” alongside addiction (“I’ve been looking so long for some new kind of kick/Had enough of blunt needles and those dirty hits/You got so disappointed when I had to admit/I couldn’t resist I couldn’t help myself”), again neatly mixing metaphors, shaken not stirred. There are more needles to be found (“here comes your great, great, great grandfather /He went to war in 1839/For God for the Queen and for opium /You burn your silver spoon on the dark side tonight”) in the measured bluesy keyboards-backed stroll of You’re Gonna Need Someone, another possible Dylan nod compounded with traces of Cohen and Elvis swagger, and referencing the death in 2012 of the Tetrapak heiress, about how at some point or another, no matter how far up the social ladder you are, we’re all, well, gonna need someone. There’s another dose of regrets and reminiscences to be found, accompanied by shimmering strings, in the folksier When You Were The Moonlight with its retro echoes of crooning balladry that, as the years mount up, returns to the theme of being “more alone than alive” and looking to rekindle the old flames the narrator once threw cold water on. Then, as you might suspect, the jogging countrified, brushed snares and brass flourishes of Let The Music Set You Free is firmly upbeat and dancing, sounding a familiar note about love and music bringing a divided society together and the belief that even in a heart of darkness there can be found light. And so it is that it rides off on notes of hope, firstly with the country-pop Jim Webb-feel of If I Don’t Get Lost, which adopts the position that you have to get lost in order to be found with its tip to St Christopher, the patron saint of travellers, and, finally, returning to the image of dancing into the apocalypse (“let’s celebrate now because we’re going to nowhere, at least that’s somewhere…Hold my hand, ain’t no need to be lonely/On the last day of this wonderful, wonderful world”) on the self-explanatory titled It’s So Good To Be Alive. “Are you ready to be wonderful?” Love asks. With its calls to stand up and be counted and to live now and not regret later, this album clearly suggests the duo were most certainly well-prepared.
