(Classical, Opera, Vocal) [CD] G.B.Bononcini, Cavalli, Handel, A.Scarlatti, Hasse, Conti, Boretti, Matteis, Orlandini, Mattheson, Predieri - Facce d'Amore (Jakub Jozef Orlinski, Il Pomo d'Oro, Maxim Emelyanychev/Емельяничев) - 2019, FLAC (image+.cue) lossless

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Caterina Sforza · 03-Окт-21 20:24 (4 года 9 месяцев назад, ред. 03-Окт-21 20:29)

Facce d'Amore (Jakub Jozef Orlinski, Il Pomo d'Oro, Maxim Emelyanychev)
Жанр: Classical, Opera, Vocal
Носитель: CD
Страна-производитель диска: Made in the EU
Год издания диска: 2019
Издатель (лейбл): Erato
Номер по каталогу: 9029542338
Дата записи: 2019
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 01:16:26
Источник: релизер
сайт-источник/ник/другое: Bodtje, подарок; Caterina Sforza - тяжёлая работа с cue, доп. сканы
Наличие сканов в содержимом раздачи: да
Треклист:
01. Cavalli: La Calisto, Act 2: "Erme e solinghe cime ... Lucidissima face" (Endimione) 3:39
Boretti:
02. Eliogabalo, Act 3: "Chi scherza con Amor" (Eliogabalo) 2:57
Claudio Cesare, Act 2 2:21
03. Sinfonia 1:04
04. "Crudo amor, non hai pietà" (Claudio) 1:17
Bononcini:
05. La Nemica d'Amore fatta amante, Pt. 1: Sinfonia 3:14
06. La costanza non gradita nel doppio amore d'Aminta: "Infelice mia costanza" (Aminta) 5:17
07. A. Scarlatti: Il Pirro e Demetrio, Act 2: "Fra gl'assalti di Cupido" (Pirro) 2:04
Handel:
Agrippina, HWV 6, Act 2 5:54
08. "Otton qual portentoso fulmine" (Ottone) 1:03
09. "Voi che udite" (Ottone) 4:51
10. Orlandini / Mattheson: Nerone, Act 1: "Che m'ami ti prega" (Nerone) 4:32
Handel:
11. Amadigi di Gaula, HWV 11, Act 2: "Pena tiranna" (Dardano) 5:40
12. Muzio Scevola, HWV 13, Act 3: "Spera, che tra le care gioie" (Muzio) 3:58
13. Orlando, HWV 31, Act 2: "Ah stigie larve! ... Vaghe pupille" (Orlando) 7:20
14. Predieri: Scipione il giovane, Act 3: "Dovrian quest'occhi piangere" (Scipione) 4:37
15. Matteis: Ballo dei Bagatellieri 7:10
16. Conti: Don Chisciotte in Sierra Morena, Act 4: "Odio, vendetta, amore" (Fernando) 4:09
17. Predieri: Scipione il giovane, Act 1: "Finche salvo è l'amor suo" (Scipione) 6:20
18. Hasse: Orfeo: "Sempre a si vaghi rai" (Orfeo) 7:14
Исполнители:
Facce d'Amore
Jakub Józef Orliński (countertenor)
Il Pomo d'Oro
Maxim Emelyanychev, dir.
Recording Date: March 15, 2019 - March 21, 2019
Recording Location: Villa San Fermo, Lonigo, Italy
Date First Available: ‎October 11, 2019
Release Date: 8th Nov 2019
Лог создания рипа

Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 23. September 2021, 13:57
Jakub Józef Orliński / Facce d'amore (Disc 1)
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Содержание индексной карты (.CUE)

REM GENRE "Early Music"
REM DATE 2019
REM DISCID D611F312
REM COMMENT "ExactAudioCopy v1.6"
PERFORMER "Jakub Józef Orliński (countertenor), Il Pomo d'Oro, Maxim Emelyanychev (dir.)"
TITLE "Facce d'amore (Disc 1)"
REM COMPOSER "Francesco Cavalli (1602-1676), Giovanni Antonio Boretti (c1638-1672), Giovanni Bononcini (1670-1747), Alessandro Scarlatti (1660-1725), George Frideric Handel (1685-1759), Giuseppe Maria Orlandini (1676-1760), Johann Mattheson (1681-1764), Luca Antonio Predieri (1688-1767), Nicola Matteis (c1677-1737), Francesco Bartolomeo Conti (1681/2-1732), Johann Adolf Hasse (1699-1783)"
FILE "Jakub Józef Orliński, Il Pomo d'Oro, Maxim Emelyanychev - Facce d'amore.flac" WAVE
TRACK 01 AUDIO
TITLE "Francesco Cavalli - La Calisto, Act 2, Scene 1; Recitative and aria: 'Erme e solinghe cime' ... 'Lucidissima face' (Endimione)"
PERFORMER "Jakub Józef Orliński, Il Pomo d'Oro, Maxim Emelyanychev"
REM COMPOSER "Francesco Cavalli"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Giovanni Antonio Boretti - Eliogabalo, Act 3, Scene 5; Aria: 'Chi scherza con Amor' (Eliogabalo)"
PERFORMER "Jakub Józef Orliński, Il Pomo d'Oro, Maxim Emelyanychev"
REM COMPOSER "Giovanni Antonio Boretti"
INDEX 01 03:39:01
TRACK 03 AUDIO
TITLE "Giovanni Antonio Boretti - Claudio Cesare, Act 2, Scene 1: Sinfonia"
PERFORMER "Il Pomo d'Oro, Maxim Emelyanychev"
REM COMPOSER "Giovanni Antonio Boretti"
INDEX 01 06:36:55
TRACK 04 AUDIO
TITLE "Giovanni Antonio Boretti - Claudio Cesare, Act 2, Scene 1; Aria: 'Crudo amor, non hai pietà' (Claudio)"
PERFORMER "Jakub Józef Orliński, Il Pomo d'Oro, Maxim Emelyanychev"
REM COMPOSER "Giovanni Antonio Boretti"
INDEX 01 07:41:00
TRACK 05 AUDIO
TITLE "Giovanni Bononcini - La Nemica d'Amore fatta amante, Pt. 1: Sinfonia"
PERFORMER "Il Pomo d'Oro, Maxim Emelyanychev"
REM COMPOSER "Giovanni Bononcini"
INDEX 01 08:58:29
TRACK 06 AUDIO
TITLE "Giovanni Bononcini - La costanza non gradita nel doppio amore d'Aminta; Aria: 'Infelice mia costanza' (Aminta)"
PERFORMER "Jakub Józef Orliński, Il Pomo d'Oro, Maxim Emelyanychev"
REM COMPOSER "Giovanni Bononcini"
INDEX 01 12:13:06
TRACK 07 AUDIO
TITLE "Alessandro Scarlatti - Il Pirro e Demetrio, Act 2, Scene 10; Aria: 'Fra gl'assalti di Cupido' (Pirro)"
PERFORMER "Jakub Józef Orliński, Il Pomo d'Oro, Maxim Emelyanychev"
REM COMPOSER "Alessandro Scarlatti"
INDEX 01 17:30:27
TRACK 08 AUDIO
TITLE "George Frideric Handel - Agrippina, HWV 6, Act 2, Scene 5; Accompanied recitative: 'Otton qual portentoso fulmine' (Ottone)"
PERFORMER "Jakub Józef Orliński, Il Pomo d'Oro, Maxim Emelyanychev"
REM COMPOSER "George Frideric Handel"
INDEX 01 19:35:19
TRACK 09 AUDIO
TITLE "George Frideric Handel - Agrippina, HWV 6, Act 2, Scene 5; Aria: 'Voi che udite' (Ottone)"
PERFORMER "Jakub Józef Orliński, Il Pomo d'Oro, Maxim Emelyanychev"
REM COMPOSER "George Frideric Handel"
INDEX 01 20:38:24
TRACK 10 AUDIO
TITLE "Giuseppe Maria Orlandini / Johann Mattheson - Nerone, Act 1, Scene 3; Aria: 'Che m'ami ti prega' (Nerone)"
PERFORMER "Jakub Józef Orliński, Il Pomo d'Oro, Maxim Emelyanychev"
REM COMPOSER "Giuseppe Maria Orlandini / Johann Mattheson"
INDEX 01 25:29:69
TRACK 11 AUDIO
TITLE "George Frideric Handel - Amadigi di Gaula, HWV 11, Act 2, Scene 5; Aria: 'Pena tiranna' (Dardano)"
PERFORMER "Jakub Józef Orliński, Il Pomo d'Oro, Maxim Emelyanychev"
REM COMPOSER "George Frideric Handel"
INDEX 01 30:02:51
TRACK 12 AUDIO
TITLE "George Frideric Handel - Muzio Scevola, HWV 13, Act 3, Scene 7; Aria: 'Spera, che tra le care gioie' (Muzio)"
PERFORMER "Jakub Józef Orliński, Il Pomo d'Oro, Maxim Emelyanychev"
REM COMPOSER "George Frideric Handel"
INDEX 01 35:43:46
TRACK 13 AUDIO
TITLE "George Frideric Handel - Orlando, HWV 31, Act 2, Scene 11; Accompanied recitative and aria: 'Ah stigie larve!' ... 'Vaghe pupille' (Orlando)"
PERFORMER "Jakub Józef Orliński, Il Pomo d'Oro, Maxim Emelyanychev"
REM COMPOSER "George Frideric Handel"
INDEX 01 39:41:59
TRACK 14 AUDIO
TITLE "Luca Antonio Predieri - Scipione il giovane, Act 3, Scene 4; Aria: 'Dovrian quest'occhi piangere' (Scipione)"
PERFORMER "Jakub Józef Orliński, Il Pomo d'Oro, Maxim Emelyanychev"
REM COMPOSER "Luca Antonio Predieri"
INDEX 01 47:02:47
TRACK 15 AUDIO
TITLE "Nicola Matteis - Ballo dei Bagatellieri"
PERFORMER "Il Pomo d'Oro, Maxim Emelyanychev"
REM COMPOSER "Nicola Matteis"
INDEX 01 51:40:00
TRACK 16 AUDIO
TITLE "Francesco Bartolomeo Conti - Don Chisciotte in Sierra Morena, Act 4, Scene 6; Aria: 'Odio, vendetta, amore' (Fernando)"
PERFORMER "Jakub Józef Orliński, Il Pomo d'Oro, Maxim Emelyanychev"
REM COMPOSER "Francesco Bartolomeo Conti"
INDEX 01 58:50:37
TRACK 17 AUDIO
TITLE "Luca Antonio Predieri - Scipione il giovane, Act 1, Scene 12; Aria: 'Finche salvo è l'amor suo' (Scipione)"
PERFORMER "Jakub Józef Orliński, Il Pomo d'Oro, Maxim Emelyanychev"
REM COMPOSER "Luca Antonio Predieri"
INDEX 01 63:00:33
TRACK 18 AUDIO
TITLE "Johann Adolf Hasse - Orfeo; Aria: 'Sempre a si vaghi rai' (Orfeo)"
PERFORMER "Jakub Józef Orliński, Il Pomo d'Oro, Maxim Emelyanychev"
REM COMPOSER "Johann Adolf Hasse"
INDEX 01 69:20:50
Review

Facce d’amore, ‘Faces of love’ follows Jakub Józef Orliński’s first solo album, Anima Sacra, which moved Gramophone magazine to announce that “This is a voice with a big future.” It brings a switch from the sacred to the personal and passionate. As the Polish-born, New York-trained countertenor says, the programme – which includes eight world premiere recordings – comprises “operatic arias that tell a story, showing a musical picture of a male lover in the baroque era – not only the positive side, like joyful or reciprocated love, but also anger or even madness.” Spanning some 85 years of the baroque period, the arias on Facce d’amore are by Handel, Cavalli, Alessandro Scarlatti, Bononcini, Conti, Hasse, Orlandini, Predieri and Matteis. Orliński is again partnered by the instrumentalists of Il Pomo d’Oro and their Principal Conductor Maxim Emelyanychev.
Facce d’amore, ‘Faces of love’, is the second solo album from countertenor Jakub Józef Orliński. It follows Anima Sacra, released in 2018, an Erato debut which moved Gramophone magazine to announce that “This is a voice with a big future,” and The Sunday Times, having extolled the “the unearthly beauty of Orliński’s tone, his pearly coloratura and fabulous breath control,” to say, “He’s only 28, but this is a special voice to look out for.”
The new album brings a switch from the sacred to the personal and passionate. As the Polish-born, New York-trained singer explains: “On Anima Sacra I wanted to take listeners on a spiritual journey through an entire programme based on sacred music of the 18th century. The idea behind Facce d’amore is a bit different.”
The programme – which includes an impressive eight world premiere recordings – comprises “operatic arias that tell a story, showing a musical picture of a male lover in the baroque era. They focus on totally different aspects of love – not only the positive side, like joyful or reciprocated love, but also the side where the characters are possessed by anger or even madness.”
The album, which spans some 85 years of the baroque period, includes arias by major figures like Handel, Cavalli and Alessandro Scarlatti, by composers whose names have regained currency over recent decades, like Bononcini, Conti and Hasse (who wrote the virtuosic ‘Sempre a si vaghi rai’ – one of the album’s world premieres – for the legendary castrato Farinelli), and by relatively obscure names like Orlandini, Predieri and Matteis. As for Anima Sacra, the bass-baritone Yannis François advised on the conception and compilation of the programme for Facce d’amore, while Orliński’s performance partners are again the instrumentalists of Il Pomo d’Oro and their Principal Conductor Maxim Emelyanychev.
A great deal has happened in Jakub Józef Orliński’s career since the release of Anima Sacra, which has taken his name around the world. The New Yorker magazine has summed him up with the headline “A millennial countertenor’s pop-star appeal”, while his assumption of the title role in Handel’s Rinaldo at Glyndebourne Festival Opera in August 2019 led the Financial Times to write that: “Jakub Józef Orliński is the new countertenor on the block. In the short time that he was been singing at the top level he has matured at speed and his Rinaldo is the number one reason for catching this run of performances.”
Review 2

Facce d'Amore Review by James Manheim [-]
Countertenor Jakub Józef Orliński made a splash with his 2018 solo debut, Anima Sacra, consisting of sacred music. His much-awaited return moves to the secular field, which might seem to be less suited to his talents: he needs soaring melodies where beauty of tone is the thing, but the lower part of his range is at this time a bit underpowered. He makes the best of what he has, however. Orliński delves into the large remaining trove of unrecorded Baroque opera and comes up with Facce d'Amore (Faces of Love), that fit his voice. Several pieces here are world premiere recordings, and they're terrific; Baroque opera fans will want the album for the pieces by Luca Antonio Predieri alone. Giovanni Antonio Boretti's "Chi scherza con amor," from an opera called Eliogabalo, is great fun with its castanets, and Orliński also excels in more melancholy stuff. His Handel, on its own, will not yet win any prizes, but "Sempre a si vaghi rai" from the opera Orfeo of Johann Adolf Hasse, another world premiere, hits Orliński's sweet spot and suggests a strong ability to sustain a mood over a long aria. Orliński gets subtly restrained support from the historical-instrument group Il Pomo d'Oro under Maxim Emelyanychev on a program that shows an immensely talented singer setting himself new challenges.
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