(Classical symphonies) [CD] Haydn - London Symphonies Nos. 101 'The Clock' & 102 (Sigiswald Kuijken, La Petite Bande) - 1995, FLAC (image+.cue) lossless

Joseph Haydn (1732-1809)
London Symphonies Nos. 101 & 102
Symphony No. 101 in D major, H. 1/101 "The Clock"
Symphony No. 102 in B flat major, H. 1/102
La Petite Bande
Sigiswald Kuijken, dir.

Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 15. May 2021, 23:36
Sigiswald Kuijken / Joseph Haydn: London Symphonies Nos. 101 & 102
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7 | 43:08.00 | 4:47.42 | 194100 | 215666
8 | 47:55.42 | 4:56.30 | 215667 | 237896
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Filename I:\Rips\Haydn J - London Symphonies Nos. 101 & 102 - Kuijken\Sigiswald Kuijken - Joseph Haydn- London Symphonies Nos. 101 & 102.wav
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Track 2 accurately ripped (confidence 4) [B6576B84] (AR v2)
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Track 8 accurately ripped (confidence 4) [69AFC33C] (AR v2)
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2 | (14/14) Accurately ripped
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4 | (14/14) Accurately ripped
5 | (14/14) Accurately ripped
6 | (14/14) Accurately ripped
7 | (12/14) Accurately ripped
8 | (12/14) Accurately ripped
==== Log checksum C758C81C6638CF70F561A39202FD8BEBA2C0385798DE7BBBFB7E24686F0BE85B ====

REM GENRE Symphonic
REM DATE 1995
REM DISCID 5E0C6308
REM COMMENT "ExactAudioCopy v1.6"
PERFORMER "La Petite Bande, Sigiswald Kuijken (dir.)"
TITLE "Joseph Haydn: London Symphonies Nos. 101 & 102"
REM COMPOSER "Joseph Haydn (1732-1809)"
FILE "Sigiswald Kuijken - Joseph Haydn - London Symphonies Nos. 101 & 102.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Symphony No. 101 in D major (-Clock-), Hob. 1:101 - 1. Adagio, Presto"
    PERFORMER "La Petite Bande, Sigiswald Kuijken"
    REM COMPOSER "Franz Joseph Haydn"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Symphony No. 101 in D major (-Clock-), Hob. 1:101 - 2. Andante"
    PERFORMER "La Petite Bande, Sigiswald Kuijken"
    REM COMPOSER "Franz Joseph Haydn"
    INDEX 00 08:17:52
    INDEX 01 08:23:35
  TRACK 03 AUDIO
    TITLE "Symphony No. 101 in D major (-Clock-), Hob. 1:101 - 3. Menuet. Allegretto & Trio"
    PERFORMER "La Petite Bande, Sigiswald Kuijken"
    REM COMPOSER "Franz Joseph Haydn"
    INDEX 00 16:49:17
    INDEX 01 16:53:50
  TRACK 04 AUDIO
    TITLE "Symphony No. 101 in D major (-Clock-), Hob. 1:101 - 4. Finale. Vivace"
    PERFORMER "La Petite Bande, Sigiswald Kuijken"
    REM COMPOSER "Franz Joseph Haydn"
    INDEX 00 23:51:55
    INDEX 01 23:53:07
  TRACK 05 AUDIO
    TITLE "Symphony No. 102 in B flat major, Hob. 1:102 - 1. Largo, Vivace"
    PERFORMER "La Petite Bande, Sigiswald Kuijken"
    REM COMPOSER "Franz Joseph Haydn"
    INDEX 00 28:29:52
    INDEX 01 28:38:52
  TRACK 06 AUDIO
    TITLE "Symphony No. 102 in B flat major, Hob. 1:102 - 2. Adagio"
    PERFORMER "La Petite Bande, Sigiswald Kuijken"
    REM COMPOSER "Franz Joseph Haydn"
    INDEX 00 37:09:07
    INDEX 01 37:13:37
  TRACK 07 AUDIO
    TITLE "Symphony No. 102 in B flat major, Hob. 1:102 - 3. Menuet. Allegro & Trio"
    PERFORMER "La Petite Bande, Sigiswald Kuijken"
    REM COMPOSER "Franz Joseph Haydn"
    INDEX 00 43:06:07
    INDEX 01 43:08:00
  TRACK 08 AUDIO
    TITLE "Symphony No. 102 in B flat major, Hob. 1:102 - 4. Finale. Presto"
    PERFORMER "La Petite Bande, Sigiswald Kuijken"
    REM COMPOSER "Franz Joseph Haydn"
    INDEX 00 47:54:47
    INDEX 01 47:55:42

These two symphonies were composed for Haydn's second visit to London, during the winter months of 1794-95. He knew the musicians for whom he was writing, and they were a virtuoso ensemble. Therefore these are among the largest scaled, most technically demanding among all his symphonies.
Kuijken's performances are very direct and fresh. His ensemble sounds on the small side for the music, which means that there are fewer strings than there might be. How this would affect a live performance would of course depend upon the size of the chosen venue. Kuijken's tempi and phrasing are eminently sane and deliver some exciting rhythmic purpose to proceedings. The fast sections develop tellingly out of the slow introductions, and the overall balancing of the movements is highly effective. In fact the music sounds best in the two finales, which reveal the composer's uniquely bubbling wit.
–Terry Barfoot