(Harsh Noise) [WEB] Painjerk / Pain Jerk - Neurotten - 2021 (1996), FLAC (tracks), lossless

-----------------------
DON'T MODIFY THIS FILE
-----------------------
PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 03 Disembowel.flac
  Size: 231493255 Hash: 2D0D0AA2370819FB6DD0A9478D15307F Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 09D22E13E0EC8EBB41456CF26AFDF1B8F62FE0CE
FILE: 02 Teen-Wreckage.flac
  Size: 80748651 Hash: 601CE029548B601B33E0D06CEB6D5878 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 822C708403758542FDBF4EEC5610210828219A2D
FILE: 01 Gushcore.flac
  Size: 125875337 Hash: 0EF0D69D18FC3146E6B9713FA58B53B5 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: B6E30F665E80A130B2541A253FB2B7CFDCB9FCF6

Kohei Gomi began experimenting with home recording in the 1980s and got so lost in extreme sonics under the Pain Jerk moniker that his output inevitably spilled out into the wider world. By the mid-90s, he was one of the most prolific and influential noise units operating out of Japan, hurling maelstroms of chaotic chunder and deranged grime at anyone who could handle the extremes. Pain Jerk became one of the leading figures in the "dynamic" style of Japanese noise or Japanoise and is also the owner of the noise tape label AMP that during the 90s releases about fifty cassettes of his amazing noise project.
Among his works released in his most prolific period, Neurotten stands out without a doubt, reaching cult status and instantly becoming a classic of the genre. Recorded in 1996 and published the same year on the legendary Slaughter Productions by Marco Corbelli aka Atrax Morgue, in only 80 hand numbered copies in a special A5 tin-foil sleeve with translucent insert and instead some using a red cardboard insert accompanied by a small curved iron rod, similar to a dentist's tool and now it has become a worship object for the most avid collectors.
The assault here is very high-end heavy: relentlessly aggressive. The sound severs and bleeds more than it beats and bludgeons. Side A is divided into two tracks, Gushcore and Teen-Wreckage, of incredible beauty. Nothing compares to the sounds emitted by vinyl grooves composed with a mysterious configuration of constantly flowing noise - always recorded live without overdubs. Devastating, unfriendly harsh noise: the hardest rock that is pierced by the sharpest diamond! With only one track on side B, which takes 23 minutes, we encounter one of most iconic compositions from his wide discography: Disembowel. Hearing impaired volumes that duel, bouncing sound structures displacing the ego and generating many difficulties in brain processing. There’re a lot of rips and chaos, pulsating pulses of recycled transient sounds and some loops, muffled high tones that twist into spastic shapes capable of breaking the faint speaker cones.
Please support the artist through his Bandcamp page, where you can find digital versions of many out of print essential title, as well as tons of great new stuff: painjerkwrackedandruined.bandcamp.com
released March 31, 2021