(Free Jazz, Post-Bop, Soul-Jazz) [CD] Pharoah Sanders - Love in Us All - 1973 (2007 Japan Edition), FLAC (tracks+.cue), lossless

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fiks22

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fiks22 · 14-Июл-20 13:14 (6 лет назад)

Pharoah Sanders - Love in Us All
Жанр: Free Jazz, Post-Bop, Soul-Jazz
Носитель: CD
Страна-производитель диска (релиза): Япония
Год издания: 2007
Издатель (лейбл): Impulse!/Universal
Номер по каталогу: UCCI-9134
Страна исполнителя (группы): США
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Продолжительность: 00:40:37
Источник: MrMcSnuggles
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Love Is Everywhere (Sanders) - 19:55
02. To John (Sanders) - 20:42
Состав:
Pharoah Sanders - tenor saxophone, flute
Joe Bonner - piano
James Branch - flute
Cecil McBee - bass
Norman Connors - drums
Lawrence Killian, James Mtume, Badal Roy - percussion
Recorded on September 13-14, 1973.
Лог создания рипа

X Lossless Decoder version 20181001 (151.0)
XLD extraction logfile from 2018-10-13 14:16:04 -0700
Pharoah Sanders / Love in us all
Used drive : PIONEER BD-RW BDR-XD05 (revision 3.01)
Media type : Pressed CD
Ripper mode : XLD Secure Ripper
Disable audio cache : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction : 667
Max retry count : 20
Gap status : Analyzed, Appended (except HTOA)
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 00:00:00 | 19:55:32 | 0 | 89656
2 | 19:55:32 | 20:42:10 | 89657 | 182816
List of alternate offset correction values
# | Absolute | Relative | Confidence
------------------------------------------
1 | 649 | -18 | 5
2 | 507 | -160 | 2
AccurateRip Summary (DiscID: 0004285a-000b1ad6-14098502)
Track 01 : OK (v2, confidence 2/9)
Track 02 : OK (v2, confidence 2/9)
->All tracks accurately ripped.
All Tracks
Album gain : -0.65 dB
Peak : 0.902679
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 01
Filename : /Volumes/Metatron's Cube/CD Rips/Pharoah Sanders - Love in us all (1973) [FLAC]/01 Love is everywhere.flac
Pre-gap length : 00:02:00
Track gain : -0.21 dB
Peak : 0.827332
CRC32 hash (test run) : EE6DCC7E
CRC32 hash : EE6DCC7E
CRC32 hash (skip zero) : 119BA744
AccurateRip v1 signature : F5F8B6BD
AccurateRip v2 signature : E3D586F0
->Accurately ripped (v2, confidence 2/9)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 02
Filename : /Volumes/Metatron's Cube/CD Rips/Pharoah Sanders - Love in us all (1973) [FLAC]/02 To John.flac
Pre-gap length : 00:02:46
Track gain : -1.02 dB
Peak : 0.902679
CRC32 hash (test run) : 1AA954EF
CRC32 hash : 1AA954EF
CRC32 hash (skip zero) : D66E85B8
AccurateRip v1 signature : E169390D
AccurateRip v2 signature : C84D70D7
->Accurately ripped (v2, confidence 2/9)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
No errors occurred
End of status report
-----BEGIN XLD SIGNATURE-----
LcTDk17zRBk5Uy36D9lJ7Co_hK7dIiJfRcDTnGLdI.sY6XT2j5hqOBV04K8viZiJUS9KMTGboIhKYXfbqd7ZlhdtylA1KGPUwNERqoW
-----END XLD SIGNATURE-----
Содержание индексной карты (.CUE)

TITLE "Love in Us All"
PERFORMER "Pharoah Sanders"
CATALOG 4988005342744
REM GENRE "Jazz"
REM DATE "1973"
REM DISCID 14098502
REM REPLAYGAIN_ALBUM_GAIN -0.65 dB
REM REPLAYGAIN_ALBUM_PEAK 0.902679
FILE "01 - Love Is Everywhere.flac" WAVE
TRACK 01 AUDIO
TITLE "Love Is Everywhere"
REM REPLAYGAIN_TRACK_GAIN -0.21 dB
REM REPLAYGAIN_TRACK_PEAK 0.827332
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "To John"
REM REPLAYGAIN_TRACK_GAIN -1.02 dB
REM REPLAYGAIN_TRACK_PEAK 0.902679
INDEX 00 19:52:61
FILE "02 - To John.flac" WAVE
INDEX 01 00:00:00
Отчет CUETools

[CUETools log; Date: 14.07.2020 13:07:51; Version: 2.1.6]
[CTDB TOCID: Sat.XIAJ07tlITItSMmVVW3KHYs-] found.
Track | CTDB Status
1 | (33/35) Accurately ripped
2 | (34/35) Accurately ripped
[AccurateRip ID: 0004285a-000b1ad6-14098502] found.
Track [ CRC | V2 ] Status
01 [f5f8b6bd|e3d586f0] (0+2/9) Accurately ripped
02 [e169390d|c84d70d7] (0+2/9) Accurately ripped
Offsetted by -160:
01 [000710dd] (0/9) No match (V2 was not tested)
02 [b957d3ed] (0/9) No match (V2 was not tested)
Offsetted by -18:
01 [1a4d8747] (0/9) No match (V2 was not tested)
02 [4ce74413] (0/9) No match (V2 was not tested)
Track Peak [ CRC32 ] [W/O NULL]
-- 90,2 [B66E14D2] [0E91EAE3]
01 82,7 [EE6DCC7E] [119BA744]
02 90,2 [1AA954EF] [D66E85B8]
AllMusic Review by Nathan Bush
Recorded near the end of Pharoah Sanders' tenure at Impulse, Love in Us All consists of two extended compositions. Together, they serve as an aural representation of the way Sanders' music polarized the jazz world at the time. Like many of his "New Thing" peers, the saxophonist sought the sound world beyond the constraints of conventional harmony. This often translated into music played at the grating, far reaches of his instrument. "To John" finds Sanders in this territory. His solo begins with Coltrane-isms of short motive development before stretching out into a more personal sound. Finding himself engulfed by a rising musical tide, he plays like he's fighting desperately to stay above it. Soon his saxophone takes on a sorrowful tone as if admitting inevitable defeat. With little optimism apparent, it ultimately communicates a sense of emptiness. However, the often one-dimensional criticism of Sanders as an angry, confrontational musician fails to take in the ragged beauty of a work like "Love Is Everywhere." The song offers little explanation as to what the furor was all about. It begins with an exquisite bass vamp that the song builds from. "Love is everywhere" is repeatedly and passionately shouted as the music escalates into a disorienting swirl of sound. Sanders enters midway through with a surprisingly restrained and lyrical solo on soprano. These two songs hardly seem to belong on the same album and are best approached separately. Many of the players who took musical and philosophical inspiration from John Coltrane failed to translate it into resonant works of their own. Sanders' unsuccessful attempt on "To John" falls in this category. Yet, in a way, Coltrane himself never created a work as emotionally direct as "Love Is Everywhere."
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