[TR24][OF] Gregorio Zanon - Works for Solo Piano - Cedric Pescia, Gregorio Zanon - 2019 (Classical)

Sonata B
1. I. Rubato - Souple mais précis (4:58)
2. II. Sérieux (2:59)
3. III. Elégiaque (4:30)
4. IV. Allegro con gioia (4:26)
Jours de janvier
5. I. Souvenir (1:51)
6. I. Fugue (3:19)
7. II. Carillon (1:45)
8. II. Ricercar (3:24)
9. III. Délire (1:50)
10. III. Toccata (2:57)
11. IV. Carrousel (2:12)
12. IV. Epilogue (4:06)
13. Dans les bois éternels (16:00)
3 Etudes Goldberg
14. I. Hommage (3:28)
15. II. Rêve de Keyserling (4:08)
16. III. Jeux d'Oiseau (3:24)
17. Hyperion (4:29)
Recollected Pieces, Pt. 1
18. I. Light Prayer (1:48)
19. II. Wrath (1:42)
20. III. Earth Prayer (1:31)
21. IV. Ecstasy (1:53)
22. V. Peace Prayer (2:23)
Recollected Pieces, Pt. 2
23. I. Slow Dance (0:42)
24. II. Old Tune (0:45)
25. III. Blue Canon (1:19)
26. IV. Lullaby (1:24)
Recollected Pieces, Pt. 3
27. I. Bird Dance (1:09)
28. II. Candle Fugue (1:46)
29. III. Impetus (1:45)
30. IV. Star (1:30)
Anima
31. I. Toccata (7:28)
32. II. Variations sur un choral automnal (7:24)
33. III. Molto rubato (5:43)

foobar2000 1.4.8 / Dynamic Range Meter 1.1.1
log date: 2019-12-18 20:51:08
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Analyzed: Cédric Pescia & Gregorio Zanon / Gregorio Zanon: Works for Solo Piano
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DR         Peak         RMS     Duration Track
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DR13      -3.95 dB   -22.04 dB      4:58 01-Sonata B: I. Rubato - Souple mais précis
DR12      -1.88 dB   -21.18 dB      2:59 02-Sonata B: II. Sérieux
DR16       0.00 dB   -22.71 dB      4:30 03-Sonata B: III. Elégiaque
DR14      -0.03 dB   -19.85 dB      4:26 04-Sonata B: IV. Allegro con gioia
DR14      -6.95 dB   -28.30 dB      1:51 05-Jours de janvier: I. Souvenir
DR11      -3.86 dB   -22.38 dB      3:19 06-Jours de janvier: I. Fugue
DR12      -5.62 dB   -24.09 dB      1:45 07-Jours de janvier: II. Carillon
DR13      -5.93 dB   -24.16 dB      3:24 08-Jours de janvier: II. Ricercar
DR12      -2.02 dB   -19.43 dB      1:50 09-Jours de janvier: III. Délire
DR14      -3.20 dB   -22.18 dB      2:57 10-Jours de janvier: III. Toccata
DR12      -2.92 dB   -23.61 dB      2:12 11-Jours de janvier: IV. Carrousel
DR13      -4.18 dB   -24.60 dB      4:06 12-Jours de janvier: IV. Epilogue
DR16      -0.30 dB   -22.79 dB     16:00 13-Jours de janvier:
DR13      -1.23 dB   -19.45 dB      3:28 14-3 Etudes Goldberg: I. Hommage
DR13      -1.36 dB   -22.13 dB      4:08 15-3 Etudes Goldberg: II. Rêve de Keyserling
DR14      -1.59 dB   -21.50 dB      3:24 16-3 Etudes Goldberg: III. Jeux d'Oiseau
DR15      -0.32 dB   -20.11 dB      4:29 17-Hyperion
DR14     -11.02 dB   -32.93 dB      1:48 18-Recollected Pieces, Pt. 1: I. Light Prayer
DR12      -3.28 dB   -19.86 dB      1:42 19-Recollected Pieces, Pt. 1: II. Wrath
DR16      -5.31 dB   -28.77 dB      1:31 20-Recollected Pieces, Pt. 1: III. Earth Prayer
DR13      -2.60 dB   -17.99 dB      1:53 21-Recollected Pieces, Pt. 1: IV. Ecstasy
DR16      -2.99 dB   -27.46 dB      2:23 22-Recollected Pieces, Pt. 1: V. Peace Prayer
DR11      -7.64 dB   -25.93 dB      0:42 23-Recollected Pieces, Pt. 2: I. Slow Dance
DR11     -17.37 dB   -31.71 dB      0:45 24-Recollected Pieces, Pt. 2: II. Old Tune
DR11      -8.39 dB   -27.07 dB      1:19 25-Recollected Pieces, Pt. 2: III. Blue Canon
DR14     -10.74 dB   -31.75 dB      1:24 26-Recollected Pieces, Pt. 2: IV. Lullaby
DR14      -1.52 dB   -21.47 dB      1:09 27-Recollected Pieces, Pt. 3: I. Bird Dance
DR14     -13.54 dB   -34.43 dB      1:46 28-Recollected Pieces, Pt. 3: II. Candle Fugue
DR13      -4.25 dB   -21.56 dB      1:45 29-Recollected Pieces, Pt. 3: III. Impetus
DR15      -7.43 dB   -29.13 dB      1:30 30-Recollected Pieces, Pt. 3: IV. Star
DR14      -2.45 dB   -23.22 dB      7:28 31-Anima: I. Toccata
DR16      -0.57 dB   -22.08 dB      7:24 32-Anima: II. Variations sur un choral automnal
DR13      -1.04 dB   -19.48 dB      5:43 33-Anima: III. Molto rubato
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Number of tracks:  33
Official DR value: DR13
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2178 kbps
Codec:             FLAC
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It’s been twenty years since the first public performance of Gregorio Zanon’s music. It was in 1999, in Geneva. The pianist Xavier Dami, who had encouraged Zanon’s early attempts at composition and helped him understand the expressive resources of the instrument, was at the piano performing Prayer Suite.
Seven years later, a first album was released by Claves. This snapshot of an initial creative period brought together musicians who were essential in helping the composer develop his artistic personality: the Quatuor Terpsycordes and cellist Mark Drobinsky.
This new recording traces the history of the composer’s piano works through his meetings with the Swiss pianist Cédric Pescia. They share this double album, which bears witness to the impression of time on a free spirit who, instead of advancing along the ruts in the road of tradition, takes inspired risks to reveal himself to his interpreters and listeners. ...
“Even if the dance is simple and honest, the dancers’ personalities remain subtle.” (Gregorio Zanon)
“Hearing Gregorio play - live! - his music was an extraordinary discovery.” (Cédric Pescia)