Caterina Sforza · 30-Авг-19 04:04(5 лет 2 месяца назад, ред. 30-Авг-19 04:09)
Mendelssohn - Violin Concerto in E minor, Op. 64; Symphony No. 5 in D major, Op. 107 'Reformation'; Hebrides Overture, Op. 26 Жанр: Classical concerto / simphony Страна-производитель диска: Made in the EU Год издания диска: 2017 Издатель (лейбл): Harmonia Mundi Номер по каталогу: HMM 902325 Дата записи: 2017 Аудиокодек: FLAC Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 01:01:35 Источник: релизер сайт-источник/ник/другое: carbozie, подарок; Caterina Sforza - работа с cue, доп. сканы Наличие сканов в содержимом раздачи: да, полный авторский буклет pdf, 31 страница + web pdf буклет Треклист: Violin Concerto in E minor, Op. 64 25:07
01. I. Allegro molto appassionnato 11:21
02. II. Andante - Allegretto non troppo 8:09
03. III. Allegro molto vivace 5:37 04. Hebrides Overture, Op. 26 9:48 Symphony No. 5 in D major, Op. 107 'Reformation' 26:40
05. I. Andante. Allegro con fuoco 10:32
06. II. Allegro vivace 4:53
07. III. Andante 3:24
08. IV. Choral. "Ein fest Burg" - Andante con moto - Allegro vivace - Allegro maestoso 7:51
Исполнители
Felix Mendelssohn-Bartholdy (1809-1847) Violin Concerto in E minor, Op. 64* The Hebrides - Concert Overture, Op. 26 Symphony No. 5 in D major, Op. 107 'Reformation' *Isabelle Faust (violin) Freiburger Barockorchester Pablo Heras-Casado (conductor) Enregistrment 19-22 mars 2017, Sala 1, Paul Casals, l'Auditori de Barcelona, Espagne Release Date: 25th Aug 2017
Лог создания рипа
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Содержание индексной карты (.CUE)
REM GENRE Classical REM DATE 2017 REM DISCID 620E7108 REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Isabelle Faust (violin in 01-03), Freiburger Barockorchester, Pablo Heras-Casado (conductor)" TITLE "Mendelssohn - Violin Concerto, Symphony no. 5" REM COMPOSER "Felix Mendelssohn-Bartholdy (1809-1847)" FILE "Mendelssohn - Violin Concerto, Symphony no. 5 - Isabelle Faust.flac" WAVE TRACK 01 AUDIO TITLE "Violin Concerto op. 64 in E minor - I. Allegro molto appassionato" PERFORMER "Freiburger Barockorchester, Isabelle Faust, Pablo Heras-Casado" REM COMPOSER "Felix Mendelssohn-Bartholdy" ISRC FR7JM1705010 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Violin Concerto op. 64 in E minor - II. Andante - Allegretto non troppo" PERFORMER "Freiburger Barockorchester, Isabelle Faust, Pablo Heras-Casado" REM COMPOSER "Felix Mendelssohn-Bartholdy" ISRC FR7JM1705020 INDEX 01 11:21:20 TRACK 03 AUDIO TITLE "Violin Concerto op. 64 in E minor - III. Allegro molto vivace" PERFORMER "Freiburger Barockorchester, Isabelle Faust, Pablo Heras-Casado" REM COMPOSER "Felix Mendelssohn-Bartholdy" ISRC FR7JM1705030 INDEX 01 19:30:50 TRACK 04 AUDIO TITLE "The Hebrides, Concert Ouverture op. 26 in B minor" PERFORMER "Freiburger Barockorchester, Pablo Heras-Casado" REM COMPOSER "Felix Mendelssohn-Bartholdy" ISRC FR7JM1705040 INDEX 01 25:07:54 TRACK 05 AUDIO TITLE "Symphony no.5 “Reformation” op. 107 in D minor - I. Andante - Allegro con fuoco" PERFORMER "Freiburger Barockorchester, Pablo Heras-Casado" REM COMPOSER "Felix Mendelssohn-Bartholdy" ISRC FR7JM1705050 INDEX 01 34:55:65 TRACK 06 AUDIO TITLE "Symphony no.5 “Reformation” op. 107 in D minor - II. Allegro vivace" PERFORMER "Freiburger Barockorchester, Pablo Heras-Casado" REM COMPOSER "Felix Mendelssohn-Bartholdy" ISRC FR7JM1705060 INDEX 01 45:28:00 TRACK 07 AUDIO TITLE "Symphony no.5 “Reformation” op. 107 in D minor - III. Andante" PERFORMER "Freiburger Barockorchester, Pablo Heras-Casado" REM COMPOSER "Felix Mendelssohn-Bartholdy" ISRC FR7JM1705070 INDEX 01 50:21:63 TRACK 08 AUDIO TITLE "Symphony no.5 “Reformation” op. 107 in D minor - IV. Choral “Ein feste Burg ist unser Gott”. Andante con moto - Allegro vivace - Allegro maestoso" PERFORMER "Freiburger Barockorchester, Pablo Heras-Casado" REM COMPOSER "Felix Mendelssohn-Bartholdy" ISRC FR7JM1705080 INDEX 01 53:46:07
About
After the mystical 'Hebrides' Overture and the masterly ‘Reformation’ Symphony, Mendelssohn embarked on his second violin concerto. After a long gestation in which he polished the orchestration and meticulously revised the solo part, the work was finally premiered in Leipzig in 1845. From David to Joachim, virtuosos honed the violin part with the composer over successive revivals, leaving to posterity traces of their playing style: fingering, bowing and score markings. This precious heritage has been scrutinised by Isabelle, as she did for her Brahms Violin Concerto recording, as a previously unexploited expressive resource. Isabelle Faust, accompanied by the Freiburger Barockorchester, in top form, under the direction of Pablo Heras-Casado, offers us a miracle of purity and lyricism in a freshly-minted interpretation that fulfils Mendelssohn’s promise of ‘a concerto to make the angels rejoice in heaven’!
Review
AllMusic Review by James Manheim [-] If what the classical scene needed in late 2017 was a controversial recording, here is one to fill the bill. This is historical-performance Mendelssohn, with period instruments from the Freiburg Barockorchester under Pablo Heras-Casado and a fairly radical reinterpretation of the solo part in the Violin Concerto in E minor, Op. 64, from violinist Isabelle Faust. This is manifestly not the usual English Mendelssohn, with a rich solo violin sound over a large mass of perfectly coordinated sprite-like strings, and listener reactions are going to be (and indeed have been) all over the map. In the violin concerto Faust, in the trenchant words of writer Jon Sobel, "embroiders the collective sound as if with silver thread." Her interpretation is agile and brilliant at many individual junctures, such as the unexpected mid-movement cadenza in the opening Allegro molto appassionato, but to some ears the melody with which the movement begins may not receive adequate weight from Faust's reedy, vibratoless playing, and in the finale the balance is illogically shifted in the orchestra's favor. The Hebrides, Op. 26, and especially the Symphony No. 5 in D minor, Op. 107 ("Reformation"), fare much better, with Heras-Casado's period brasses adding color as well as historical reference to Mendelssohn's quotations of the Lutheran chorale Ein feste Burg ist unser Gott. Sample the opening movement, where the Andante introduction and the main Allegro con fuoco section embody a very lively contrast. Harmonia Mundi also contributes exquisitely realized sound from the Casals Room I at the Barcelona Auditorium. Your reactions may be quite different from those outlined here, and this is a novel Mendelssohn recording that demands to be heard.