Caterina Sforza · 06-Фев-19 19:08(7 лет 5 месяцев назад, ред. 06-Фев-19 19:14)
Buxtehude - Membra Jesu Nostri (Les Voix Baroques) Жанр: Classical sacred Страна-производитель диска: Made in Canada Год издания диска: 2007 Издатель (лейбл): ATMA Classique Номер по каталогу: ACD2 2563 Дата записи: 2007 Аудиокодек: FLAC Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 00:54:02 Источник: релизер сайт-источник/ник/другое: basso profundo, подарок; Caterina Sforza - работа с cue, доп. сканы Наличие сканов в содержимом раздачи: да Треклист: 1 I. Ad pedes 7:27
2 II. Ad genua 7:15
3 III. Ad manus 8:58
4 IV. Ad latus 7:06
5 V. Ad pectus 9:00
6 VI. Ad cor 8:03
7 VII. Ad faciem 6:09
Исполнители
Dietrich Buxtehude (1637-1707) Membra Jesu nostri, BuxWV75 Membra Jesu nostri, BuxWV 75: I. Ad pedes Membra Jesu nostri, BuxWV 75: II. Ad genua Membra Jesu nostri, BuxWV 75: III. Ad manus Membra Jesu nostri, BuxWV 75: IV. Ad latus Membra Jesu nostri, BuxWV 75: V. Ad pectus Membra Jesu nostri, BuxWV 75: VI. Ad cor Membra Jesu nostri, BuxWV 75: VII. Ad faciem Les Voix Baroques Suzie LeBlanc (soprano I) Catherine Webster (soprano II) Matthew White (alto/contre-ténor) Pascal Charbonneau (ténor) Thomas Meglioranza (basse) Alexander Weimann (direction à partir de l’orgue positif) Église Saint-Augustin, Saint-Augustin de Mirabel (Québec), Canada Les 6, 7 et 8 janvier 2007 / January 6, 7, and 8, 2007
Лог создания рипа
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 4. January 2019, 17:37 Les Voix Baroques / Buxtehude - Membra Jesu Nostri Used drive : HL-DT-STDVDRAM GP65NW60 Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 7:32.67 | 0 | 33966 2 | 7:32.67 | 7:15.37 | 33967 | 66628 3 | 14:48.29 | 8:56.50 | 66629 | 106878 4 | 23:45.04 | 7:05.55 | 106879 | 138808 5 | 30:50.59 | 9:00.74 | 138809 | 179382 6 | 39:51.58 | 8:02.20 | 179383 | 215552 7 | 47:54.03 | 6:08.32 | 215553 | 243184 Range status and errors Selected range Filename C:\Users\Grant\Desktop\Les Voix Baroques - Buxtehude - Membra Jesu Nostri.wav Peak level 97.6 % Extraction speed 1.9 X Range quality 100.0 % Test CRC 36813D3A Copy CRC 36813D3A Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 2) [515E8280] (AR v2) Track 2 accurately ripped (confidence 2) [4CB44723] (AR v2) Track 3 accurately ripped (confidence 2) [700A2F27] (AR v2) Track 4 accurately ripped (confidence 2) [1070CB80] (AR v2) Track 5 accurately ripped (confidence 2) [F2B4AACF] (AR v2) Track 6 accurately ripped (confidence 2) [85B6B2D1] (AR v2) Track 7 accurately ripped (confidence 2) [E704156D] (AR v2) All tracks accurately ripped End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: dnk5gytIgcvyqTgnw6rpGucHYVM-] found Submit result: dnk5gytIgcvyqTgnw6rpGucHYVM- has been confirmed Track | CTDB Status 1 | (1/1) Accurately ripped 2 | (1/1) Accurately ripped 3 | (1/1) Accurately ripped 4 | (1/1) Accurately ripped 5 | (1/1) Accurately ripped 6 | (1/1) Accurately ripped 7 | (1/1) Accurately ripped ==== Log checksum 1B1E060988B40745A7556BF76A080F9E531B6EAFFCF7DB39C9E133CA37C00C7C ====
Содержание индексной карты (.CUE)
REM GENRE Baroque REM DATE 2007 REM DISCID 660CAA07 REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Les Voix Baroques: Suzie LeBlanc (soprano I), Catherine Webster (soprano II), Matthew White (alto/contre-ténor), Pascal Charbonneau (ténor), Thomas Meglioranza (basse), Alexander Weimann (direction à partir de l’orgue positif)" TITLE "Buxtehude: Membra Jesu nostri, BuxWV 75" REM COMPOSER "Dietrich Buxtehude (v.1637-1707)" FILE "Dietrich Buxtehude - Membra Jesu Nostri - Les Voix Baroques.flac" WAVE TRACK 01 AUDIO TITLE "Cantate I: Ad pedes, pour 2 sopranos, alto, ténor, basse, 2 violons et basse continue en do mineur (Sonata ; Concerto à 5 ; Air [Soprano I] ; Air [Soprano II] ; Air [Basse] ; Concerto da capo)" PERFORMER "Les Voix BaroquesAlexander Weimann & Suzie LeBlanc, Catherine Webster, Matthew White, Pascal Charbonneau, Thomas Meglioranza" REM COMPOSER "Dietrich Buxtehude" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Cantate II: Ad genua, pour 2 sopranos, alto, ténor, basse, 2 violons et basse continue en mi bémol majeur (Sonata in tremulo ; Concerto à 5 ; Air [Ténor] ; Air [Alto] ; Air [2 Sopranos et Basse] ; Concerto da capo)" PERFORMER "Les Voix BaroquesAlexander Weimann & Suzie LeBlanc, Catherine Webster, Matthew White, Pascal Charbonneau, Thomas Meglioranza" REM COMPOSER "Dietrich Buxtehude" INDEX 00 07:27:41 INDEX 01 07:32:67 TRACK 03 AUDIO TITLE "Cantate III: Ad manus, pour 2 sopranos, alto, ténor, basse, 2 violons et basse continue en sol mineur (Sonata ; Concerto à 5 ; Air [Soprano I] ; Air [Soprano II] ; Air [Alto, Ténor et Basse] ; Concerto da capo)" PERFORMER "Les Voix BaroquesAlexander Weimann & Suzie LeBlanc, Catherine Webster, Matthew White, Pascal Charbonneau, Thomas Meglioranza" REM COMPOSER "Dietrich Buxtehude" INDEX 01 14:48:29 TRACK 04 AUDIO TITLE "Cantate IV: Ad latus, pour 2 sopranos, alto, ténor, basse, 2 violons et basse continue en ré mineur (Sonata ; Concerto à 5 ; Air [Soprano I] ; Air [Alto, Ténor et Basse] ; Air [Soprano II] ; Concerto da capo)" PERFORMER "Les Voix BaroquesAlexander Weimann & Suzie LeBlanc, Catherine Webster, Matthew White, Pascal Charbonneau, Thomas Meglioranza" REM COMPOSER "Dietrich Buxtehude" INDEX 01 23:45:04 TRACK 05 AUDIO TITLE "Cantate V: Ad pectus, pour alto, ténor, basse, 2 violons et basse continue en la mineur (Sonata ; Concerto à 3 ; Air [Alto] ; Air [Ténor] ; Air [Basse] ; Concerto da capo)" PERFORMER "Les Voix BaroquesAlexander Weimann & Matthew White, Pascal Charbonneau, Thomas Meglioranza" REM COMPOSER "Dietrich Buxtehude" INDEX 01 30:50:59 TRACK 06 AUDIO TITLE "Cantate VI: Ad cor, pour 2 sopranos, basse, 4 violes de gambe et basse continue en mi mineur (Sonata ; Concerto à 3 ; Air [Soprano I] ; Air [Soprano II] ; Air [Basse] ; Concerto da capo)" PERFORMER "Les Voix BaroquesAlexander Weimann & Suzie LeBlanc, Catherine Webster, Thomas Meglioranza" REM COMPOSER "Dietrich Buxtehude" INDEX 01 39:51:58 TRACK 07 AUDIO TITLE "Cantate VII: Ad faciem, pour 2 sopranos, alto, ténor, basse, 2 violons et basse continue en do mineur (Sonata ; Concerto à 5 ; Air [Alto, Ténor et Basse] ; Air [Alto] ; Air [Concerto à 5] ; Amen)" PERFORMER "Les Voix BaroquesAlexander Weimann & Suzie LeBlanc, Catherine Webster, Matthew White, Pascal Charbonneau, Thomas Meglioranza" REM COMPOSER "Dietrich Buxtehude" INDEX 01 47:54:03
Review
AllMusic Review by Uncle Dave Lewis [-] Following on the heels of the practically definitive Cantus Cölln performance of Buxtehude's Membra Jesu Nostri, this Atma Classique disc featuring Les Voix Baroques -- a sort of all-star assemblage of early music vocalists -- has a tough row to hoe. The singing -- as one might expect from talents such as Suzie LeBlanc and Catherine Webster -- is indeed excellent throughout, but there remain two significant problems with this recording, the first being the thin and rather scrawny recording, not helped by what sounds like a rather bare-bones approach to continuo. The second issue is the pacing of the piece, which tends toward the foursquare and rather lacking in flexibility; while that is not the rule in every movement, it is so in spots where flexibility counts, such as the section marked "Ad genua." At times it seems as though this feeling of rigidity is keeping the singers in check, rather than the continuo flowing along with the singing as perhaps it should. Nevertheless, the singing is of such quality that one finds it hard to be altogether dismissive of this Atma Classique album; if you are already well disposed to these vocalists, then you will probably like this album. In any event, you owe it to yourself to hear Buxtehude's choral masterwork at least one time, and this recording is a good one; it's just that the competition on this work is stiff. Were the performance of Membra Jesu Nostri here a little less so, it would be more of a contender.
