Caterina Sforza · 10-Май-17 21:16(8 лет 9 месяцев назад, ред. 16-Май-17 21:43)
Abel, J.S.Bach, Marais, Forqueray, Sainte-Colombe, Telemann, De Machy, Schenck, Playford, Hume, De Caix D'Hervelois - Les Voix Humaines Жанр: Classical viola da gamba Страна-производитель диска: Made in Austria Год издания диска: 1998 Издатель (лейбл): Alia Vox Номер по каталогу: AV9803 Дата записи: 1998 Аудиокодек: FLAC Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 78'45 Источник: релизер сайт-источник/ник/другое: dtromp Наличие сканов в содержимом раздачи: да
Треклист
I 1. Karl Friedrich Abel (1723-1787) - Prelude en re mineur (2:42) 2. JS Bach (1685-1750) - Allemande BWV 1011 en re mineur (5:08) 3. Johannes Schenck (1660-1712) - Aria Burlesca en re mineur (2:21) 4. John Playford (1623-1686) - La Cloche en fa majeur (0:44) 5. John Playford (1623-1686) - Sarabande en fa majeur (1:38) II 6. Mr. De Machy (1685-1692) - Prelude en re mineur (2:52) 7. Marin Marais (1656-1728) - Les Voix Humaines en re majeur (5:33) 8. Jean-Baptiste Antoine Forqueray (1699-1782) - La Du Vancel (4:09) 9. Georg Philipp Telemann (1681-1767) - Vivace (1:45) 10. Tobias Hume (1659-1645) - Harke, harke en sol mineur (2:00) III 11. Mr. De Caix D'Hervelois (~1670-1760) - Plainte en do majeur (5:20) 12. JS Bach (1685-1750) - Menuet I-II BWV 1007 en do majeur (5:07) 13. JS Bach (1685-1750) - Gigue BWV 1007 en do mineur (1:48) 14. Tobias Hume (1659-1645) - Good againe en sol majeur (5:02) IV 15. Mr. De Sainte-Colombe Le Fils (s. XVII) - Prelude en mi mineur (5:49) 16. Marin Marais (1656-1728) - Sarabande a l'Espagnol en mi mineur (3:04) 17. Anonyme (ca. 1660) - The Lancashire Pipes en mi majeur (5:53) V 18. Mr. De Sainte-Colombe Le Fils (s. XVII) - Fantaise en Rondeau en sol mineur (5:21) 19. JS Bach (1685-1750) - Sarabande-Double BWV 1002 en sol mineur - I. (5:39) 20. JS Bach (1685-1750) - Sarabande-Double BWV 1002 en sol mineur - II. (3:37) 21. JS Bach (1685-1750) - Bourree BWV 1010 en sol majeur (2:01)
Исполнители
композиторы: Karl Friedrich Abel (1723-1787) J.S. Bach (1685-1750) Johannes Schenck (1660-1712) John Playford (1623-1686) Mr. De Machy (1685-1692) Marin Marais (1656-1728) Jean-Baptiste Antoine Forqueray (1699-1782) Georg Philipp Telemann (1681-1767) Tobias Hume (1659-1645) Mr. De Caix D'Hervelois (~1670-1760) Mr. De Sainte-Colombe Le Fils (s. XVII) Les Voix humaines Jordi Savall (viola da gamba) (Lira-viol, Bass-viol) Instruments: Viola da Gamba (Lyra-Viol) with 6 strings by Pellegrino Zanetto, Venice 1550. Viola da Gamba (Bass-Viol) with 7 strings by Baarak Norman, London, 1697. Recorded January 1998 at 'la Collégiale du Château de Cardona' (Catalogne), March 1998 at 'l'église de Saint Lambert des Bois' (France) and April 1998 at 'Studio Foundation Tibor Varga' in Sion (Switzerland).
Лог создания рипа
Exact Audio Copy V1.1 from 23. June 2015 EAC extraction logfile from 9. May 2017, 21:56 Jordi Savall / Les Voix Humaines Used drive : TSSTcorpCDDVDW SE-208DB Adapter: 1 ID: 2 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\FLAC Frontend\tools\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source% TOC of the extracted CD Track | Start | Length | Start sector | End sector ––––––––––––––––––––––––––––- 1 | 0:00.32 | 2:43.70 | 32 | 12326 2 | 2:44.27 | 5:08.53 | 12327 | 35479 3 | 7:53.05 | 2:23.65 | 35480 | 46269 4 | 10:16.70 | 0:44.67 | 46270 | 49636 5 | 11:01.62 | 1:41.28 | 49637 | 57239 6 | 12:43.15 | 2:56.30 | 57240 | 70469 7 | 15:39.45 | 5:38.25 | 70470 | 95844 8 | 21:17.70 | 4:10.25 | 95845 | 114619 9 | 25:28.20 | 1:47.50 | 114620 | 122694 10 | 27:15.70 | 2:04.50 | 122695 | 132044 11 | 29:20.45 | 5:22.70 | 132045 | 156264 12 | 34:43.40 | 5:07.05 | 156265 | 179294 13 | 39:50.45 | 1:50.57 | 179295 | 187601 14 | 41:41.27 | 5:08.00 | 187602 | 210701 15 | 46:49.27 | 5:51.38 | 210702 | 237064 16 | 52:40.65 | 3:07.42 | 237065 | 251131 17 | 55:48.32 | 5:56.63 | 251132 | 277894 18 | 61:45.20 | 5:22.12 | 277895 | 302056 19 | 67:07.32 | 5:39.63 | 302057 | 327544 20 | 72:47.20 | 3:39.20 | 327545 | 343989 21 | 76:26.40 | 2:01.05 | 343990 | 353069 Track 1 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\01 - Karl Friedrich Abel (1723-1787) - Prelude en re mineur.wav Pre-gap length 0:00:02.32 Peak level 43.1 % Extraction speed 2.7 X Track quality 100.0 % Test CRC 1EEA6979 Copy CRC 1EEA6979 Accurately ripped (confidence 16) [D4B1FBB0] (AR v2) Copy OK Track 2 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\02 - Johann Sebastian Bach (1685-1750) - Allemande BWV 1011 en re mineur.wav Pre-gap length 0:00:01.27 Peak level 73.0 % Extraction speed 3.3 X Track quality 100.0 % Test CRC 39FAB7B3 Copy CRC 39FAB7B3 Accurately ripped (confidence 16) [A2A54005] (AR v2) Copy OK Track 3 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\03 - Johannes Schenck (1660-1712) - Aria Burlesca en re mineur.wav Peak level 96.6 % Extraction speed 3.1 X Track quality 100.0 % Test CRC CA06E7AF Copy CRC CA06E7AF Accurately ripped (confidence 15) [F0EF8822] (AR v2) Copy OK Track 4 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\04 - John Playford (1623-1686) - La Cloche en fa majeur.wav Pre-gap length 0:00:02.50 Peak level 35.5 % Extraction speed 2.1 X Track quality 100.0 % Test CRC 36EAF22D Copy CRC 36EAF22D Accurately ripped (confidence 15) [DB16D36F] (AR v2) Copy OK Track 5 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\05 - John Playford (1623-1686) - Sarabande en fa majeur.wav Peak level 37.1 % Extraction speed 2.9 X Track quality 100.0 % Test CRC FB93078A Copy CRC FB93078A Accurately ripped (confidence 17) [02E9E3E1] (AR v2) Copy OK Track 6 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\06 - Mr. De Machy (1685-1692) - Prelude en re mineur.wav Pre-gap length 0:00:02.60 Peak level 65.0 % Extraction speed 3.5 X Track quality 100.0 % Test CRC B7C350D3 Copy CRC B7C350D3 Accurately ripped (confidence 15) [30A7F3D4] (AR v2) Copy OK Track 7 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\07 - Marin Marais (1656-1728) - Les Voix Humaines en re majeur.wav Pre-gap length 0:00:03.38 Peak level 43.0 % Extraction speed 3.4 X Track quality 99.9 % Test CRC A286A4F0 Copy CRC A286A4F0 Accurately ripped (confidence 15) [AE723C90] (AR v2) Copy OK Track 8 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\08 - Jean-Baptiste Antoine Forqueray (1699-1782) - La Du Vancel.wav Pre-gap length 0:00:04.43 Peak level 47.8 % Extraction speed 3.4 X Track quality 99.9 % Test CRC AA9AA4F2 Copy CRC AA9AA4F2 Accurately ripped (confidence 17) [E6996EB2] (AR v2) Copy OK Track 9 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\09 - Georg Philipp Telemann (1681-1767) - Vivace.wav Pre-gap length 0:00:01.15 Peak level 98.1 % Extraction speed 3.6 X Track quality 100.0 % Test CRC F5AA0671 Copy CRC F5AA0671 Accurately ripped (confidence 17) [D5220E60] (AR v2) Copy OK Track 10 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\10 - Tobias Hume (1659-1645) - Harke, harke en sol mineur.wav Pre-gap length 0:00:02.03 Peak level 45.6 % Extraction speed 3.8 X Track quality 100.0 % Test CRC 29AE9DEC Copy CRC 29AE9DEC Accurately ripped (confidence 15) [394D7DA8] (AR v2) Copy OK Track 11 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\11 - Louis De Caix D'Hervelois (~1670-1760) - Plainte en do majeur.wav Pre-gap length 0:00:03.70 Peak level 35.7 % Extraction speed 4.7 X Track quality 100.0 % Test CRC 89099AC3 Copy CRC 89099AC3 Accurately ripped (confidence 16) [E5FD725F] (AR v2) Copy OK Track 12 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\12 - Johann Sebastian Bach (1685-1750) - Menuet I-II BWV 1007 en do majeur.wav Pre-gap length 0:00:02.48 Peak level 74.7 % Extraction speed 4.2 X Track quality 99.9 % Test CRC 7194B4AD Copy CRC 7194B4AD Accurately ripped (confidence 16) [4D58CC6E] (AR v2) Copy OK Track 13 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\13 - Johann Sebastian Bach (1685-1750) - Gigue BWV 1007 en do mineur.wav Peak level 53.2 % Extraction speed 4.2 X Track quality 100.0 % Test CRC F2D42984 Copy CRC F2D42984 Accurately ripped (confidence 15) [4EC765DD] (AR v2) Copy OK Track 14 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\14 - Tobias Hume (1659-1645) - Good againe en sol majeur.wav Pre-gap length 0:00:02.29 Peak level 88.8 % Extraction speed 5.1 X Track quality 100.0 % Test CRC 23CC8AA5 Copy CRC 23CC8AA5 Accurately ripped (confidence 15) [6E1EDACB] (AR v2) Copy OK Track 15 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\15 - Mr. De Sainte-Colombe Le Fils (s. XVII) - Prelude en mi mineur.wav Pre-gap length 0:00:05.37 Peak level 90.8 % Extraction speed 5.4 X Track quality 100.0 % Test CRC 235C6217 Copy CRC 235C6217 Accurately ripped (confidence 15) [DF6328AC] (AR v2) Copy OK Track 16 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\16 - Marin Marais (1656-1728) - Sarabande a l'Espagnol en mi mineur.wav Pre-gap length 0:00:02.10 Peak level 66.0 % Extraction speed 3.8 X Track quality 99.9 % Test CRC 19A44C2A Copy CRC 19A44C2A Accurately ripped (confidence 16) [577E774A] (AR v2) Copy OK Track 17 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\17 - Anonyme (ca. 1660) - The Lancashire Pipes en mi majeur.wav Pre-gap length 0:00:02.62 Peak level 98.1 % Extraction speed 5.7 X Track quality 100.0 % Test CRC 5415AE37 Copy CRC 5415AE37 Accurately ripped (confidence 15) [2B24A58F] (AR v2) Copy OK Track 18 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\18 - Mr. De Sainte-Colombe Le Fils (s. XVII) - Fantaise en Rondeauen sol mineur.wav Pre-gap length 0:00:03.13 Peak level 61.5 % Extraction speed 5.8 X Track quality 100.0 % Test CRC 00BCD40F Copy CRC 00BCD40F Accurately ripped (confidence 15) [F35F070D] (AR v2) Copy OK Track 19 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\19 - Johann Sebastian Bach (1685-1750) - Sarabande-Double BWV 1002 en sol mineur- I.wav Pre-gap length 0:00:01.05 Peak level 58.1 % Extraction speed 6.1 X Track quality 100.0 % Test CRC 5EE28D36 Copy CRC 5EE28D36 Accurately ripped (confidence 15) [13DD4936] (AR v2) Copy OK Track 20 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\20 - Johann Sebastian Bach (1685-1750) - Sarabande-Double BWV 1002 en sol mineur- II.wav Peak level 71.9 % Extraction speed 5.8 X Track quality 100.0 % Test CRC B8C01D6B Copy CRC B8C01D6B Accurately ripped (confidence 16) [C4A3E812] (AR v2) Copy OK Track 21 Filename D:\_EAC\Jordi Savall - Les Voix Humaines (1998) [FLAC] {Alia Vox AV9803}\21 - Johann Sebastian Bach (1685-1750) - Bourree BWV 1010 en sol majeur.wav Pre-gap length 0:00:02.13 Peak level 48.4 % Extraction speed 5.2 X Track quality 100.0 % Test CRC CF580427 Copy CRC CF580427 Accurately ripped (confidence 16) [6E410304] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum 0BD217BC86E9340A6A0C728B76AC5BF8AC0C5672E30B2A7F8D505EF8A8536037 ====
Содержание индексной карты (.CUE)
REM GENRE Classical REM DATE 1998 REM DISCID 36126315 REM COMMENT "ExactAudioCopy v1.1" PERFORMER "Jordi Savall" TITLE "Les Voix Humaines" FILE "01 - Karl Friedrich Abel (1723-1787) - Prelude en re mineur.wav" WAVE TRACK 01 AUDIO TITLE "Karl Friedrich Abel (1723-1787) / Prelude en re mineur" PERFORMER "Jordi Savall" PREGAP 00:00:32 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Johann Sebastian Bach (1685-1750) / Allemande BWV 1011 en re mineur" PERFORMER "Jordi Savall" INDEX 00 02:42:43 FILE "02 - Johann Sebastian Bach (1685-1750) - Allemande BWV 1011 en re mineur.wav" WAVE INDEX 01 00:00:00 FILE "03 - Johannes Schenck (1660-1712) - Aria Burlesca en re mineur.wav" WAVE TRACK 03 AUDIO TITLE "Johannes Schenck (1660-1712) / Aria Burlesca en re mineur" PERFORMER "Jordi Savall" INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "John Playford (1623-1686) / La Cloche en fa majeur" PERFORMER "Jordi Savall" INDEX 00 02:21:15 FILE "04 - John Playford (1623-1686) - La Cloche en fa majeur.wav" WAVE INDEX 01 00:00:00 FILE "05 - John Playford (1623-1686) - Sarabande en fa majeur.wav" WAVE TRACK 05 AUDIO TITLE "John Playford (1623-1686) / Sarabande en fa majeur" PERFORMER "Jordi Savall" INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Mr. De Machy (1685-1692) / Prelude en re mineur" PERFORMER "Jordi Savall" INDEX 00 01:38:43 FILE "06 - Mr. De Machy (1685-1692) - Prelude en re mineur.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Marin Marais (1656-1728) / Les Voix Humaines en re majeur" PERFORMER "Jordi Savall" INDEX 00 02:52:67 FILE "07 - Marin Marais (1656-1728) - Les Voix Humaines en re majeur.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Jean-Baptiste Antoine Forqueray (1699-1782) / La Du Vancel" PERFORMER "Jordi Savall" INDEX 00 05:33:57 FILE "08 - Jean-Baptiste Antoine Forqueray (1699-1782) - La Du Vancel.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Georg Philipp Telemann (1681-1767) / Vivace" PERFORMER "Jordi Savall" INDEX 00 04:09:10 FILE "09 - Georg Philipp Telemann (1681-1767) - Vivace.wav" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "Tobias Hume (1659-1645) / Harke, harke en sol mineur" PERFORMER "Jordi Savall" INDEX 00 01:45:47 FILE "10 - Tobias Hume (1659-1645) - Harke, harke en sol mineur.wav" WAVE INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "Louis De Caix D'Hervelois (~1670-1760) / Plainte en do majeur" PERFORMER "Jordi Savall" INDEX 00 02:00:55 FILE "11 - Louis De Caix D'Hervelois (~1670-1760) - Plainte en do majeur.wav" WAVE INDEX 01 00:00:00 TRACK 12 AUDIO TITLE "Johann Sebastian Bach (1685-1750) / Menuet I-II BWV 1007 en do majeur" PERFORMER "Jordi Savall" INDEX 00 05:20:22 FILE "12 - Johann Sebastian Bach (1685-1750) - Menuet I-II BWV 1007 en do majeur.wav" WAVE INDEX 01 00:00:00 FILE "13 - Johann Sebastian Bach (1685-1750) - Gigue BWV 1007 en do mineur.wav" WAVE TRACK 13 AUDIO TITLE "Johann Sebastian Bach (1685-1750) / Gigue BWV 1007 en do mineur" PERFORMER "Jordi Savall" INDEX 01 00:00:00 TRACK 14 AUDIO TITLE "Tobias Hume (1659-1645) / Good againe en sol majeur" PERFORMER "Jordi Savall" INDEX 00 01:48:28 FILE "14 - Tobias Hume (1659-1645) - Good againe en sol majeur.wav" WAVE INDEX 01 00:00:00 TRACK 15 AUDIO TITLE "Mr. De Sainte-Colombe Le Fils (s. XVII) / Prelude en mi mineur" PERFORMER "Jordi Savall" INDEX 00 05:02:38 FILE "15 - Mr. De Sainte-Colombe Le Fils (s. XVII) - Prelude en mi mineur.wav" WAVE INDEX 01 00:00:00 TRACK 16 AUDIO TITLE "Marin Marais (1656-1728) / Sarabande a l'Espagnol en mi mineur" PERFORMER "Jordi Savall" INDEX 00 05:49:28 FILE "16 - Marin Marais (1656-1728) - Sarabande a l'Espagnol en mi mineur.wav" WAVE INDEX 01 00:00:00 TRACK 17 AUDIO TITLE "Anonyme (ca. 1660) / The Lancashire Pipes en mi majeur" PERFORMER "Jordi Savall" INDEX 00 03:04:55 FILE "17 - Anonyme (ca. 1660) - The Lancashire Pipes en mi majeur.wav" WAVE INDEX 01 00:00:00 TRACK 18 AUDIO TITLE "Mr. De Sainte-Colombe Le Fils (s. XVII) / Fantaise en Rondeauen sol mineur" PERFORMER "Jordi Savall" INDEX 00 05:53:50 FILE "18 - Mr. De Sainte-Colombe Le Fils (s. XVII) - Fantaise en Rondeauen sol mineur.wav" WAVE INDEX 01 00:00:00 TRACK 19 AUDIO TITLE "Johann Sebastian Bach (1685-1750) / Sarabande-Double BWV 1002 en sol mineur- I" PERFORMER "Jordi Savall" INDEX 00 05:21:07 FILE "19 - Johann Sebastian Bach (1685-1750) - Sarabande-Double BWV 1002 en sol mineur- I.wav" WAVE INDEX 01 00:00:00 FILE "20 - Johann Sebastian Bach (1685-1750) - Sarabande-Double BWV 1002 en sol mineur- II.wav" WAVE TRACK 20 AUDIO TITLE "Johann Sebastian Bach (1685-1750) / Sarabande-Double BWV 1002 en sol mineur- II" PERFORMER "Jordi Savall" INDEX 01 00:00:00 TRACK 21 AUDIO TITLE "Johann Sebastian Bach (1685-1750) / Bourree BWV 1010 en sol majeur" PERFORMER "Jordi Savall" INDEX 00 03:37:07 FILE "21 - Johann Sebastian Bach (1685-1750) - Bourree BWV 1010 en sol majeur.wav" WAVE INDEX 01 00:00:00
Доп. информация
If he were so minded, Jordi Savall might hand copies of this CD out to new acquaintances as the musical equivalent of a calling-card. True, he appears here only in the guise of soloist, whereas a more complete portrait would need to include samples of his work as director and conductor; but as an illustration of the range of the viola da gamba, this generously filled disc is exemplary. And although the calling-card might not be handmade, it is the nearest thing to it, since Alia Vox is Savall’s own, newly established label. Jordi Savall - Les Voix Humaines - Abel, Bach, Marais, Sainte-Colombe (1998) {Alia Vox AV9803} Unsurprisingly for so thoughtful a musician, the recital is tightly structured, with the pieces grouped according to keys so as to form miniature suites (each group begins with a prelude). The lion’s share goes to excerpts from Bach’s suites, arranged for viol by Savall himself (with some unexpected but refreshing liberties, as in the Bouree from the Fourth). But the album’s central theme, hinted at in the title, hinges on one of the cruxes of the gamba repertory: is the instrument predominantly a melody or a harmony instrument? Savall’s lucid notes make plain just how heated that debate became, especially among the French; and one hears this very clearly in the mainly melodic import of Marais’s music, for instance; and certainly one learns much from listening to these different pieces in the light of that distinction. If there are, to my mind, a couple of weak links in the chain (most conspicuously Schenk’s Aria Burlesca), there are as many vivid discoveries: Playford’s La cloche, with its alternate use of pizzicato and bow in the same line, and the anonymous Lancashire Pipes which at least give Savall the opportunity of going mad for a bit. That brings me to the performances themselves, which have the sort of authority one expects from a musician of Savall’s stature. Not that one need agree with everything he does. I find some of the French pieces a trifle too languid and artful rhythmically, almost losing the wood of the metre for the trees of bon gout. Jean-Baptiste Forqueray’s La Du Vaucel strikes me as being too slow, and the Menuett I from Bach’s Suite No. 1 as overdone. Yet the following Gigue is spot on in character, tone and articulation. The point is that Savall always conveys the impression, not merely of being in control, but of a clear intention for each piece within the recital: those rubatos in the Bach minuets are a reminder that his music is the confluent of the many styles of his period, including the style chantant of the French.'