(Free Jazz, Avant-Garde Jazz, AUM Fidelity) [CD] Mike Pride's From Bacteria To Boys (w/ Darius Jones, Peter Bitenc, Alex Marcelo) - Betweenwhile - 2010, FLAC (tracks+.cue), lossless

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 16. October 2011, 13:46
Mike Pride's From Bacteria To Boys / Betweenwhile
Used drive  : hp      DVD-RAM GH40L   Adapter: 0  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=iv" %s
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  4:13.55 |         0    |    19029
        2  |  4:13.55 |  9:39.30 |     19030    |    62484
        3  | 13:53.10 |  2:00.22 |     62485    |    71506
        4  | 15:53.32 |  7:07.45 |     71507    |   103576
        5  | 23:01.02 |  6:18.10 |    103577    |   131936
        6  | 29:19.12 |  8:59.25 |    131937    |   172386
        7  | 38:18.37 |  4:13.00 |    172387    |   191361
        8  | 42:31.37 |  5:02.20 |    191362    |   214031
        9  | 47:33.57 |  6:28.28 |    214032    |   243159
       10  | 54:02.10 |  4:25.11 |    243160    |   263045
Track  1
     Filename G:\01 - Kancamagus.wav
     Pre-gap length  0:00:02.00
     Peak level 97.7 %
     Track quality 100.0 %
     Test CRC 329D815C
     Copy CRC 329D815C
     Track not present in AccurateRip database
     Copy OK
Track  2
     Filename G:\02 - Reese Witherspoon.wav
     Peak level 97.7 %
     Track quality 100.0 %
     Test CRC BDE2C410
     Copy CRC BDE2C410
     Track not present in AccurateRip database
     Copy OK
Track  3
     Filename G:\03 - Rose.wav
     Peak level 97.7 %
     Track quality 100.0 %
     Test CRC B210BC37
     Copy CRC B210BC37
     Track not present in AccurateRip database
     Copy OK
Track  4
     Filename G:\04 - It Doesn't Stop.wav
     Peak level 100.0 %
     Track quality 100.0 %
     Test CRC 1BF3D664
     Copy CRC 1BF3D664
     Track not present in AccurateRip database
     Copy OK
Track  5
     Filename G:\05 - Emo Hope.wav
     Peak level 97.7 %
     Track quality 100.0 %
     Test CRC ED9983AB
     Copy CRC ED9983AB
     Track not present in AccurateRip database
     Copy OK
Track  6
     Filename G:\06 - Bole the Mouth of What.wav
     Peak level 97.7 %
     Track quality 100.0 %
     Test CRC 48985CCD
     Copy CRC 48985CCD
     Track not present in AccurateRip database
     Copy OK
Track  7
     Filename G:\07 - Inbetweenwhile.wav
     Peak level 97.7 %
     Track quality 99.9 %
     Test CRC C73EFF69
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     Track not present in AccurateRip database
     Copy OK
Track  8
     Filename G:\08 - Surcharge.wav
     Peak level 97.7 %
     Track quality 100.0 %
     Test CRC AA21B053
     Copy CRC AA21B053
     Track not present in AccurateRip database
     Copy OK
Track  9
     Filename G:\09 - 12 Lines for Build.wav
     Peak level 97.7 %
     Track quality 100.0 %
     Test CRC BE4A23CA
     Copy CRC BE4A23CA
     Track not present in AccurateRip database
     Copy OK
Track 10
     Filename G:\10 - Kancamagus.wav
     Peak level 97.7 %
     Track quality 100.0 %
     Test CRC 8E9F20AB
     Copy CRC 8E9F20AB
     Track not present in AccurateRip database
     Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report

REM GENRE "AUM Fidelity 065"
REM DATE 2010
REM DISCID 840DB30A
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Mike Pride's From Bacteria To Boys"
TITLE "Betweenwhile"
FILE "01 - Kancamagus.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Kancamagus"
    PERFORMER "Mike Pride's From Bacteria To Boys"
    INDEX 01 00:00:00
FILE "02 - Reese Witherspoon.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Reese Witherspoon"
    PERFORMER "Mike Pride's From Bacteria To Boys"
    INDEX 01 00:00:00
FILE "03 - Rose.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Rose"
    PERFORMER "Mike Pride's From Bacteria To Boys"
    INDEX 01 00:00:00
FILE "04 - It Doesn't Stop.wav" WAVE
  TRACK 04 AUDIO
    TITLE "It Doesn't Stop"
    PERFORMER "Mike Pride's From Bacteria To Boys"
    INDEX 01 00:00:00
FILE "05 - Emo Hope.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Emo Hope"
    PERFORMER "Mike Pride's From Bacteria To Boys"
    INDEX 01 00:00:00
FILE "06 - Bole the Mouth of What.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Bole: the Mouth of What?"
    PERFORMER "Mike Pride's From Bacteria To Boys"
    INDEX 01 00:00:00
FILE "07 - Inbetweenwhile.wav" WAVE
  TRACK 07 AUDIO
    TITLE "Inbetweenwhile"
    PERFORMER "Mike Pride's From Bacteria To Boys"
    INDEX 01 00:00:00
FILE "08 - Surcharge.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Surcharge"
    PERFORMER "Mike Pride's From Bacteria To Boys"
    INDEX 01 00:00:00
FILE "09 - 12 Lines for Build.wav" WAVE
  TRACK 09 AUDIO
    TITLE "12 Lines for Build"
    PERFORMER "Mike Pride's From Bacteria To Boys"
    INDEX 01 00:00:00
FILE "10 - Kancamagus.wav" WAVE
  TRACK 10 AUDIO
    TITLE "Kancamagus"
    PERFORMER "Mike Pride's From Bacteria To Boys"
    INDEX 01 00:00:00

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. Kancamagus.wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. Reese Witherspoon.wav]
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This track looks like CDDA with probability 100%
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Processing file: [03. Rose.wav]
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This track looks like CDDA with probability 100%
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Processing file: [04. It Doesn't Stop.wav]
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This track looks like CDDA with probability 100%
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Processing file: [05. Emo Hope.wav]
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This track looks like CDDA with probability 100%
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Processing file: [06. Bole- the Mouth of What.wav]
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This track looks like CDDA with probability 100%
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Processing file: [07. Inbetweenwhile.wav]
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This track looks like CDDA with probability 100%
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Processing file: [08. Surcharge.wav]
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This track looks like CDDA with probability 100%
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Processing file: [09. 12 Lines for Build.wav]
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This track looks like CDDA with probability 100%
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Processing file: [10. Kancamagus.wav]
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This track looks like CDDA with probability 100%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%

Certainly, any attempt to pigeonhole this drummer is a lesson in failure; priding himself in his diverse interests, whether recording a duet album of free improvisation with Jon Irabagon, on I Don''t Hear Nothin' But The Blues (Loyal Label, 2009), or playing with punk band Millions Of Dead Cops, Mike Pride he has also distinguished himself as a dynamic and responsive sideman to the likes of Andrew D'Angelo, Jason Stein, and Jack Wright. He leads—or is a contributing partner to—the noise duo Bunda Love, Whoopie Pie (with McHenry and Jamie Saft), and Big F**king Sellout, a quintet that expands into a big band.
Bacteria To Boys is probably the closest Pride has ever come to recording an album that could be filed in the jazz section, having penned nine of its ten tracks. Two versions of "Kancamagus" bookend that album: performed first in piano trio, with Alexis Marcelo} (Yusef Lateef); and then as a saxophone trio with Darius Jones. The tenderhearted ballad, infused with the blues, touches upon sentiment, as well as the mystery of players such as Paul Bley and Paul Desmond.
Like Pride, saxophonist Darius Jones (Little Women, Cooper-Moore, William Hooker) can hold court on the outside edges of jazz. Coming inside here, he expresses Pride's bebop themed "Rose" with swift dispatch, following bassist Peter Bitenc's 4/4 pulse. The band plays the two-minute piece almost straight. Almost. It's speed and off-kilter tilt is a reminder that these players have absorbed Charlie Parker in equal measures with hip-hop and the teachings of Anthony Braxton.
That perspective might be best exemplified in the cut-up collage of "It Doesn't Stop," beginning with Philip Glass-meets-Robert Fripp repetitions that morph into a slurry freedom, driven like a stolen car by the Pride. Listeners are asked to follow, no chase the band's diagrammed maelstrom. It is great fun following—no, chasing—the band's diagrammed maelstrom, as is the complex "Bole: the Mouth of What?," where Pride mixes a brooding opening piano with a footslog into R&B territory and a joyous ending.
Highlights include the cool, early 1960s Miles Davis-like swing of the title track; the impish "Emo Hope," with its post-bop exuberance, and "12 Lines for Build," a jazz piece built upon the pop cues. - Mark Corroto, All About Jazz

Alto Saxophone – Darius Jones
Bass – Peter Bitenc
Drums, Composed By – Mike Pride
Piano – Alexis Marcelo