glissando · 28-Фев-16 16:41(9 лет 6 месяцев назад, ред. 28-Фев-16 16:42)
200 Ejercicios para guitarra flamenca / 200 Exercises for Flamenco Guitar / 200 упражнений для гитары фламенко Автор: Juan Lorenzo / Хуан Лоренцо Инструментальная принадлежность: Гитара (стандартная нотация и табулатура) Жанр/Тематика/Направление: Аудио-школа / Фламенко Год выпуска: 2009 Издательство: Acordes Concert ISBN: 8493626015 Серия: Flamenco: Didactica Язык: Испанский, Английский Формат: PDF Качество: Отсканированные страницы Количество страниц: 101 Аудиокодек: mp3 Битрейт аудио: 128 kbps Источник сканов: найдено в сети и немного подправлено Описание: Серия упражнений, специально разработанных для практики и развития техники фламенко на гитаре. Характерный звук гитары фламенко является результатом конкретной методики. Эта книга содержит широкий выбор прогрессивных упражнений для постепенного и эффективного изучения стиля игры фламенко. К книге прилагается аудио-диск с записью всех упражнений.
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A new and complete series of exercises especially designed for practicing and developing flamenco guitar technique: rasgueados, alzapúa, tremolo, picado, finger tapping, etc. Essential for the flamenco guitarist's training. The characteristic sound of flamenco guitar music is the result of its particular technique. This book contains a wide selection of progressive exercises to help the student advance gradually and effectively along the road to becoming a skilled, successful flamenco guitar player. The book comes with a CD so the student can hear all the exercises played at slow speed.
Содержание
1) Uso del pulgar / Using the thumbI) Estudio de tresillos, semicorcheas, cinquillos y dobles tresillos o seisillos / Studies of triplets, sixteenths, quintuplets and sextuplets
II) Estudio del arpegio con el pulgar / Arpeggio studies with the thumb
III) Técnica del pulgar repetido / Repeating thumb stroke
IV) Técnica del pulgar/índice / Thumb-index technique
V) Técnica del alzapúa / Alzapua technique
VI) Estudio del alzapúa / Alzapua Studies
2) Arpegios / ArpeggiosI) Acordes / Chords
II) Fórmulas de arpegios fundamentales de la guitarra flamenca / Basic arpeggio patterns for flamenco guitar
III) Arpegios con apertura del índice / medio y medio / anular / Arpeggios with opening index-middle fingers and middle-ring fingers
3) Trémolo / Tremolo
I) Estudio del trémolo con p i a m i sobre una cuerda / Tremolo exercises with p i a m i on one string
II) Trémolo con pi am i sobre cuerdas cercanas / Tremolo exercises with p i a m i on adjacent strings
III) Otros ejercicios de trémolo / More tremolo exercises
IV) Ejercicios con digitaciones para desarrollar el trémolo / Fingering exercises to improve tremolo
4) Picado / PicadoI) Ejercicio cromático en lodo el diapasón / Chromatic exercise over the entire neck
II) Picado en tresillos, semicorcheas y cinquillos / Picado in triplets, sixteenths and quintuplets
III) Ejercicios de picado a 2 y 3 dedos / Picado exercises with 2 and 3 fingers
Otras variantes I / More variations I
Otras variantes 2 / More variations 2
IV) Picado con digitación a m i, i m a con el toque apoyado / Picado using a m i, i m a fingering with rest stroke
V) Arpegio de picado / Picado arpeggios
Más estudios de arpegios de picado útiles para la mano izquierda / More picado arpeggio exercises for the left hand
VI) Fórmulas de ejercicios para el picado y para la mano izquierda / Exercise patterns for picado and left hand
VII) Ejercicio cromático / Chromatic exercise
Pulgar - picado / Thumb - picado
VIII) Combinación de pulgar - picado / Thumb-picado combination
IX) Técnica del arpegio / picado / Arpeggio-picado technique
5) Rasgueados / Rasgueados (Flamenco strumming)I) Tipos de rasgueados / Types of rasgueados
II) Estudio básico / Basic study
III) Ejercicios con semicorcheas, cinquillos y tresillos / Exercises with sixteenths, quintuplets and triplets
IV) Ejercicios en compás de 12/4 con distintas digitaciones / Exercises in 12/4 time with different fingerings
V) Ejercicios varios / Miscellaneous exercises
6) Golpe / Finger tapsEjercicios con el golpe / Exercises with finger taps
Ligados con abertura de los dedos de la mano izquierda / Slurs with the fingers of the left hand opening
7) Estudios / StudiesEl martillo
Paseo
Virtuoso
Picando
Ritmo en doce
About the Author
Born in Italy of Spanish parents. A flamenco guitarist who by his own merits has earned a privileged place on the European flamenco scene. He studied music in Seville under Mario Escudero and Miguel Pérez and played in the city's most select tablaos. In twenty years of performing he has given over 2000 concerts, collaborating with some of the most prestigious international flamenco artists, such as guitarists José Luis Postigo, Víctor Monge 'Serranito', Manitas de Plata, Merengue de Córdoba and Oscar Herrero; singers José de la Tomasa, Carmen Sánchez, Felix de Lola and Javier Hidalgo; dancers José Greco, Antonio Márquez, Joaquín Grilo, El Junco, Juan Ortega, Joaquín Ruiz, Miguel Ángel Espino and Carmen Reina; and pop artists Andrea Bocelli, Mario Reyes of the Gipsy Kings, Jethro Tull, Tony Esposito, Gianni Morandi, Al di Meola and Pino Daniele. In 1996, Juan Lorenzo founded his own flamenco company, called Flamenco Libre, and performed in tours in Italy, Spain, France, England, Germany, Switzerland, the former Yugoslavia and Tunisia. He also performed as a soloist, in duos with classical guitarist Flavio Sala and with orchestras in Europe, the United States and Russia. The following year, he took part in recording a video entitled La Feria de Abril, promoted by one of the most famous flamenco institutions, the Cristina Heeren Foundation of Seville, and performed in a European tour. His interest in teaching flamenco has led him to write numerous essays, books and flamenco methods and made several recordings distributed in Europe, the United States and Japan, which has made him one of the most sought-after flamenco teachers in Italy and elsewhere. Juan Lorenzo plays guitars made by Conde Hermanos (Spain) and Camillo Perrella (Italy).
