(Chamber, Baroque) [CD] Charles Avison - Concerti Grossi After Scarlatti (Concerto Koln) - 2015, FLAC (tracks+.cue) lossless

Charles Avison
Concerto Nr.3 d-Moll
01. 1. Largo andante (1:28)
02. 2. Allegro spirituoso (3:26)
03. 3. Vivace (2:14)
04. 4. Più allegro (2:19)
Concerto Nr.6 D-Dur
05. 1. Largo (2:52)
06. 2. Con furia (4:33)
07. 3. Adagio (2:12)
08. 4. Vivacemente (3:23)
Concerto Nr.4 a-Moll
09. 1. Andante (5:36)
10. 2. Allegro (1:48)
11. 3. Largo (4:28)
12. 4. Vivace (3:02)
Concerto Nr.5 d-Moll
13. 1. Largo (2:19)
14. 2. Allegro (1:37)
15. 3. Andante moderato (2:25)
16. 4. Allegro (2:23)
Concerto Nr.9 C-Dur
17. 1. Largo (1:51)
18. 2. Con spirito (3:50)
19. 3. Siciliana (3:18)
20. 4. Allegro (4:22)
Concerto Nr.11 G-Dur
21. 1. Con affetto (4:06)
22. 2. Allegro (3:28)
23. 3. Andante moderato (6:32)
24. 4. Vivacemente (2:39)
Domenico Scarlatti
25. Cembalo Sonate D-Dur K.29 - Presto (6:01)

Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 22. August 2016, 19:38
Concerto Koln / Charles Avison - Concerti Grossi After Scarlatti
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Null samples used in CRC calculations       : Yes
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        1  |  0:00.00 |  1:27.65 |         0    |     6589
        2  |  1:27.65 |  3:26.19 |      6590    |    22058
        3  |  4:54.09 |  2:14.36 |     22059    |    32144
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        6  | 12:19.02 |  4:33.30 |     55427    |    75931
        7  | 16:52.32 |  2:11.54 |     75932    |    85810
        8  | 19:04.11 |  3:22.74 |     85811    |   101034
        9  | 22:27.10 |  5:35.47 |    101035    |   126206
       10  | 28:02.57 |  1:48.26 |    126207    |   134332
       11  | 29:51.08 |  4:28.27 |    134333    |   154459
       12  | 34:19.35 |  3:01.72 |    154460    |   168106
       13  | 37:21.32 |  2:19.30 |    168107    |   178561
       14  | 39:40.62 |  1:36.44 |    178562    |   185805
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       17  | 46:05.28 |  1:51.19 |    207403    |   215746
       18  | 47:56.47 |  3:49.57 |    215747    |   232978
       19  | 51:46.29 |  3:18.07 |    232979    |   247835
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       21  | 59:25.74 |  4:05.66 |    267449    |   285889
       22  | 63:31.65 |  3:27.73 |    285890    |   301487
       23  | 66:59.63 |  6:32.37 |    301488    |   330924
       24  | 73:32.25 |  2:38.39 |    330925    |   342813
       25  | 76:10.64 |  6:00.40 |    342814    |   369853
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Track 12
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Track 13
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Track 21
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Track 25
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==== Log checksum E8267F2313EF1291AE1E3A428FF6AA493A24FDBEC67986585E442EF79077BFEC ====
 

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For their new album, Concerto Köln have tracked down yet another gem of the Baroque era. Their journey takes us to England, to the composer Charles Avison and his arrangements of Domenico Scarlatti’s harpsichord sonatas, which represents a milestone in British music history – beautifully interpreted here by one of the leading ensembles in the field of historical performance practice. Charles Avison is not exactly that what one would call a “popular composer”. He hardly plays any role whatsoever in the musical scene, the Bielefelder Katalog has documented only a handful of performances of his works and he surfaces rather sporadically within the expanse of musicology. It is basically due to historical performance practice that attention is once again being drawn to his works. And indeed: it is worth it!