(Classical Jazz, New Orleans Jazz, Mainstream Jazz) [WEB] Ellis Marsalis & Makoto Ozone - Pure Pleasure For The Piano (+Branford Marsalis) - 2012, FLAC (tracks), lossless

AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
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Path: ...\Ellis Marsalis - Pure Pleasure For The Piano - 2011 (WEB - FLAC)
1 -=- 01. Confusing Blues.flac -=- CDDA (54%)
2 -=- 02. Do You Know What It Means To Miss New Orleans.flac -=- CDDA (49%)
3 -=- 03. Sweet Georgia Brown.flac -=- CDDA (62%)
4 -=- 04. A Moment Alone.flac -=- CDDA (62%)
5 -=- 05. Emily.flac -=- CDDA (43%)
6 -=- 06. Longing For The Past.flac -=- MPEG (90%)
7 -=- 07. What Is This Thing Called Love.flac -=- MPEG (90%)
8 -=- 08. Struttin' With Some Barbecue.flac -=- CDDA (92%)
Summary 47,75% CDDA
253646836

It is a bit ironic that Ellis Marsalis had to wait for sons Wynton and Branford to get famous before he was able to record on a regular basis, but Ellis finally received his long-overdue recognition. The father of six sons (including Wynton, Branford, Delfeayo, and Jason), Ellis Marsalis' main importance to jazz may very well be as a jazz educator; his former pupils (in addition to his sons) include Terence Blanchard, Donald Harrison, Harry Connick, Jr., Nicholas Payton, and Kent and Marlon Jordan, among others. He started out as a tenor saxophonist, switching to piano while in high school. Marsalis was one of the few New Orleans musicians of the era who did not specialize in Dixieland or rhythm & blues. He played with fellow modernists (including Ed Blackwell) in the late '50s with AFO, recorded with Cannonball and Nat Adderley in the 1960s, played with Al Hirt (1967-1970), and was busy as a teacher. Marsalis freelanced in New Orleans during the 1970s and taught at the New Orleans Center for Creative Arts. He recorded with Wynton and Branford on Father and Sons in 1982, an album that they shared with Chico and Von Freeman. After that, Marsalis recorded for ELM, Spindletop (a duet session with Eddie Harris), Rounder, Blue Note, and Columbia, issuing Twelve's It on the latter in 1998. Duke in Blue followed a year later. Since that time, Marsalis has kept busy releasing Afternoon Session, An Open Letter to Thelonious, and Ruminations.

Pure Pleasure for the Piano is the collaborative effort of Ellis Marsalis & Makoto Ozone. This collection of well known jazz standards includes Sweet Georgia Brown, Struttin with Some Barbecue and What is This Thing Called Love. Recorded in New Orleans, proceeds from this release will be donated to organizations that support those devastated by the earthquake and tsunami in Japan and Hurricane Katrina in New Orleans.
http://www.amazon.com/Pure-Pleasure-Piano-Ozone/product-reviews/B008UTV5SE/
This is an excellent album, a merge of an old New Orleans jazz icon and a modern, technically outstanding, newcomer to our shores. Makoto has an extensive discography starting in 1984. Mr. Ozone has outstanding technique. I met a technician who sat in while the session was recorded. He said the two players, who had never played together before, would hear each for a few bars on a new song, then jump right in. Often the second take was final. I love this music. Buy the album and hear a great blending of old and modern.

Ellis Marsalis – piano
Makoto Ozone – piano
Branford Marsalis – alto saxophone (tracks: 8)

foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2015-04-05 22:32:12
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Analyzed: Ellis Marsalis, Makoto Ozone / Pure Pleasure For The Piano
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DR         Peak         RMS     Duration Track
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DR13      -2.21 dB   -18.44 dB      4:50 01-Confusing Blues
DR15      -1.30 dB   -19.69 dB      7:19 02-Do You Know What It Means To Miss New Orleans?
DR13      -0.13 dB   -17.61 dB      4:40 03-Sweet Georgia Brown
DR15      -2.96 dB   -21.72 dB      4:24 04-A Moment Alone
DR15      -2.03 dB   -19.29 dB      6:45 05-Emily
DR17      -0.06 dB   -24.75 dB      7:42 06-Longing For The Past
DR13      -0.01 dB   -16.52 dB      6:03 07-What Is This Thing Called Love
DR12      -0.20 dB   -15.23 dB      5:04 08-Struttin' With Some Barbecue
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Number of tracks:  8
Official DR value: DR14
Samplerate:        44100 Hz
Channels:          2
Bits per sample:   16
Bitrate:           551 kbps
Codec:             FLAC
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