(Psychedelic Folk, Folk-Rock) Tony, Caro and John - All On The First Day (1972) - 2001, FLAC (tracks+.cue), lossless

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mcbreg

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mcbreg · 26-Окт-13 23:12 (12 лет 8 месяцев назад)

Tony, Caro and John / All On The First Day (1972)
Жанр: Psychedelic Folk, Folk-Rock
Страна-производитель диска: Germany
Год издания: 2001
Издатель (лейбл): Shadoks Music
Номер по каталогу: 021
Страна: UK
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 1:00:01
Источник (релизер): what.cd()
Наличие сканов в содержимом раздачи: да
Треклист:
01. Snowdon Song (3:04)
02. Eclipse of the Moon (2:59)
03. Meg II (2:28)
04. Snugglyug (2:47)
05. Apocalypso (2:48)
06. Sargasso Sea (5:13)
07. Swordsman of Samoa (2:47)
08. There Are No Greater Heroes (3:45)
09. Waltz For A Spaniel (2:12)
10. Hole In My Heart (2:24)
11. Morrison Heathcliff (2:49)
12. Don't Sing This Song (3:19)
13. Homecoming (0:47)
bonus tracks
14. All On The First Day (6:08)
15. Swirling Sphere (2:55)
16. Children of Plenty (2:21)
17. Forever and Ever (3:31)
18. Tons Tons Macoutes (7:43)
Лог создания рипа

X Lossless Decoder version 20130720 (144.0)
XLD extraction logfile from 2013-10-11 09:39:20 -0400
Tony Caro & John / All On The First Day
Used drive : HL-DT-ST DVDRW GX30N (revision RP09)
Media type : Pressed CD
Ripper mode : XLD Secure Ripper
Disable audio cache : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction : 6
Max retry count : 100
Gap status : Analyzed, Appended (except HTOA)
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
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2 | 03:04:09 | 02:59:11 | 13809 | 27244
3 | 06:03:20 | 02:28:07 | 27245 | 38351
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13 | 36:36:20 | 00:46:51 | 164720 | 168220
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15 | 43:30:74 | 02:55:04 | 195824 | 208952
16 | 46:26:03 | 02:20:50 | 208953 | 219502
17 | 48:46:53 | 03:31:18 | 219503 | 235345
18 | 52:17:71 | 07:43:23 | 235346 | 270093
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Track 02 : OK (v2, confidence 2/2)
Track 03 : OK (v2, confidence 2/2)
Track 04 : OK (v2, confidence 2/2)
Track 05 : OK (v2, confidence 2/2)
Track 06 : OK (v2, confidence 2/2)
Track 07 : OK (v2, confidence 2/2)
Track 08 : OK (v2, confidence 2/2)
Track 09 : OK (v2, confidence 2/2)
Track 10 : OK (v2, confidence 2/2)
Track 11 : OK (v2, confidence 2/2)
Track 12 : OK (v2, confidence 2/2)
Track 13 : OK (v2, confidence 2/2)
Track 14 : OK (v2, confidence 2/2)
Track 15 : OK (v2, confidence 2/2)
Track 16 : OK (v2, confidence 2/2)
Track 17 : OK (v2, confidence 2/2)
Track 18 : OK (v2, confidence 2/2)
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Содержание индексной карты (.CUE)

TITLE "All On The First Day"
PERFORMER "Tony Caro & John"
REM GENRE "Other"
REM DATE "1972"
REM DISCNUMBER 1
REM TOTALDISCS 1
REM DISCID 1C0E1112
REM REPLAYGAIN_ALBUM_GAIN -8.98 dB
REM REPLAYGAIN_ALBUM_PEAK 0.998901
FILE "01 Snowdon Song.flac" WAVE
TRACK 01 AUDIO
TITLE "Snowdon Song"
REM REPLAYGAIN_TRACK_GAIN -9.34 dB
REM REPLAYGAIN_TRACK_PEAK 0.997742
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Eclipse of the Moon"
REM REPLAYGAIN_TRACK_GAIN -8.87 dB
REM REPLAYGAIN_TRACK_PEAK 0.997742
INDEX 00 03:02:09
FILE "02 Eclipse of the Moon.flac" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Meg II"
REM REPLAYGAIN_TRACK_GAIN -7.90 dB
REM REPLAYGAIN_TRACK_PEAK 0.998901
INDEX 00 02:57:11
FILE "03 Meg II.flac" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Snugglyug"
REM REPLAYGAIN_TRACK_GAIN -7.87 dB
REM REPLAYGAIN_TRACK_PEAK 0.997833
INDEX 00 02:26:07
FILE "04 Snugglyug.flac" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "Apocalypso"
REM REPLAYGAIN_TRACK_GAIN -9.33 dB
REM REPLAYGAIN_TRACK_PEAK 0.997803
INDEX 00 02:45:09
FILE "05 Apocalypso.flac" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "Sargasso Sea"
REM REPLAYGAIN_TRACK_GAIN -8.70 dB
REM REPLAYGAIN_TRACK_PEAK 0.997742
INDEX 00 02:45:40
FILE "06 Sargasso Sea.flac" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Swordsman of Samoa"
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REM REPLAYGAIN_TRACK_PEAK 0.997742
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FILE "07 Swordsman of Samoa.flac" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "There Are No Greater Heroes"
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REM REPLAYGAIN_TRACK_PEAK 0.997772
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FILE "08 There Are No Greater Heroes.flac" WAVE
INDEX 01 00:00:00
TRACK 09 AUDIO
TITLE "Waltz For A Spaniel"
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REM REPLAYGAIN_TRACK_PEAK 0.997772
INDEX 00 03:43:29
FILE "09 Waltz For A Spaniel.flac" WAVE
INDEX 01 00:00:00
TRACK 10 AUDIO
TITLE "Hole In My Heart"
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REM REPLAYGAIN_TRACK_PEAK 0.997742
INDEX 00 02:09:51
FILE "10 Hole In My Heart.flac" WAVE
INDEX 01 00:00:00
TRACK 11 AUDIO
TITLE "Morrison Heathcliff"
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REM REPLAYGAIN_TRACK_PEAK 0.997742
INDEX 00 02:22:01
FILE "11 Morrison Heathcliff.flac" WAVE
INDEX 01 00:00:00
TRACK 12 AUDIO
TITLE "Don't Sing This Song"
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FILE "12 Don't Sing This Song.flac" WAVE
INDEX 01 00:00:00
TRACK 13 AUDIO
TITLE "Homecoming"
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FILE "13 Homecoming.flac" WAVE
INDEX 01 00:00:00
TRACK 14 AUDIO
TITLE "All On The First Day"
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FILE "14 All On The First Day.flac" WAVE
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TRACK 15 AUDIO
TITLE "Swirling Sphere"
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FILE "15 Swirling Sphere.flac" WAVE
INDEX 01 00:00:00
TRACK 16 AUDIO
TITLE "Children of Plenty"
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FILE "16 Children of Plenty.flac" WAVE
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TRACK 17 AUDIO
TITLE "Forever and Ever"
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FILE "17 Forever and Ever.flac" WAVE
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TRACK 18 AUDIO
TITLE "Tons Tons Macoutes"
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FILE "18 Tons Tons Macoutes.flac" WAVE
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Об исполнителе (группе)
A couple decades before the city of Derby in the rural midlands of England was awarded city status by Queen Elizabeth II (1977), residents Tony Doré and John Clark had become boon companions at the tender age of 11. In this gentle and eminently civil environment they quickly began to play music together in various rock bands or “beat groups” as they were then called, eventually stepping up to the folk club circuit in the surrounding boroughs of Derbyshire, Nottinghamshire and Yorkshire.
It is this same bucolic atmosphere of the mid-60′s folk scene in the UK with its competing elements of traditional folk and experimentation that gave rise to phenomena like the Incredible String Band, an admitted inspiration to friends, and in Doré and Clark’s own words “We were just ‘being there’”. After the summer of love the pair temporarily parted company to attend university, Doré in London and Clark in Sheffield. It is in London that Tony and Caro met and began gigging university folk clubs together. After graduation in ’70 John moved into Tony and Caro’s London flat turned sunny commune complete with Zinnias, Dahlias, homemade candles and herbal tea.
It was here that the three started recording the songs that Doré was writing onto an extremely low-tech Ferrograph tape recorder with track-to-track capabilities. The painful sounding process that required a person to play over a pre-recorded backing track with a simultaneous mixdown did not forgive any mistakes. However it is precisely this aspect that lends the recording of “All In One Day” its considerable home-spun appeal. The trio pressed 100 vinyl copies through Eden Studios of south London in ’72 that quickly sold at their shows. There are now a number of reissues available on Gaarden and Shadoks.
The music on “All In One Day” radiates a beguiling charm and simplicity throughout. The arrangements are unpretentious but not unadorned, boasting of delightful vocal harmonies, interesting instrumentation like mandolin and flageolet, and inventive musicianship for a folk album like the subtle use of bass-wah and low-key fuzz. Tony’s voice is clear and reminiscent of early acoustic Bowie, while his wife’s hazily glowing voice on sentimental numbers like “Waltz for a Spaniel” recalls Vashti Bunyan.
While there is definitely an unity of aesthetic on “All In One Day”, the album is eclectic in its musical style, ranging from the unabashedly romantic “Waltz for a Spaniel” to the personally fractured and sardonic “There Are No Greater Heroes” and on to the humorous and playful “Don’t Sing This Song” in total stride. “Sniggylug” is the cut that seems the most out of step with the rest of the album, though no less pleasant with its guitar work reminiscent of modern North African Tuareg and its tongue-in-cheek 6/8 time jazz sensibilities. “Eclipse of the Moon” is a psyche folk gem with its surreal dreamscape lyrics, chilly reverbed slide guitar, playful mouth harp, tasteful fuzz guitar and trippy delayed vocal decrescendo at the end. It is impressive that they were able to include relatively sophisticated studio tricks like the backwards guitar and the sounds of seabirds on tracks like “Sargasso Sea”, a dark metaphorical sea chantey with allusions to William Blake and Coleridge.
After the release of “All In One Day”, the trio added musicians here and there and started playing under the moniker “Forever and Ever”, an irony however in that they never released another album and were eventually swallowed by time. The overall feel of “All In One Day” is relaxed though at times bittersweet and poignant, almost as if Doré unconsciously realized that by the early 70s something precious had come and gone; the Zinnia’s and Dahlia’s are now dried and pressed into the volume of Shelly’s poems on the mantle, the candles are burnt, but the music of Tony, Caro and John speaks to us still in our comfy chairs by the hearth.
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Multi-instrumentalist Tony Doré and bassist John Clark were childhood friends in Derby, England, and played together on both the rock and folk circuit. After university they reunited in 1970, when John came to London to join Tony and Caroline (Caro), who had played university folk clubs together. All on the First Day was made in 1972 with almost no budget and primitive equipment, recorded on Clark's 2-track; they could overdub in mono only by re-recording the backing track at the same time. They self-pressed the LP in an edition of only 100 copies, with the home-grown nature of the product emphasized by individually spray-painted covers.
Expanding the band lineup with Simon Burrett on lead guitar, Jonny Owen on Harmonica and Rod Jones on keyboards, Tony, Caro and John continued on the college circuit for a little while under the name "Forever and Ever" but the gigging stopped in the late seventies, when families and careers took precedence. The band continued to jam together, and to record in Clark's by now, multi-track studio.
Then in 2001, Tony Doré was contacted by Shadoks Music in Germany, when it transpired that there was an underground following for the All on the First Day album, and copies were changing hands for substantial sums of money. The band agreed that Shadoks could produce a limited release of vinyl albums from the original master, and at the same time release the album on CD. The release included five bonus tracks recorded around the time of "All on the First Day". Almost simultaneously the band released some of the studio tracks recorded since "All on the First Day", as the limited edition CD-R album "Retrospect" under the "Forever and Ever" band name. This can be obtained from the "Forever and Ever" website (see below). Bassist John Clark died in 2005.
Following the wider release of the band's material, one of Doré’s compositions "The Snowdon Song" was covered by the successful indie duo Beach House, on their eponymous 2006 debut album. Although given a different title ("Lovelier Girl"), Beach House do not dispute authorship of the song.
Об альбоме (сборнике)
"All On The First Day by Tony, Caro and John was first issued in 1972, the result of a one year burst of creativity triggered by a lucky encounter between us -- three hippy folkie musicians and our first decent tape recorder... A lot has been written about the sixties and seventies as a social phenomenon, as a time of upheaval of values. However, at the time we had no idea that we were in some kind of historical transition. We were just being there. For all we knew, the eighties and nineties were going to be equally radical, or maybe there was not going to be any eighties and nineties at all. Vietnam was still raging, the Cold War was at its height, and nuclear destruction was just around the corner. But man, did we have a lot of fun. The only rule was anything goes, everything is equally valid. The songs were recorded by John on a Ferrograph tape recorder with track-to-track facility -- quite low tech even for the time, but the best we could do with almost no budget. The machine allowed us to overdub in mono but only by rerecording the backing track each time. That meant you had to play the part right and mix the backing track in at the right level all in one go -- tricky even on a good day. Luckily we didn't know the rules or we probably never would have started... After a while we figured enough people had told us they liked the tracks, and that we had enough outlets through friends, clubs etc., to put it out on a record, so we saved up our cash, chose our favorite tracks at the time and had them mastered at Eden Studios in South London. We pressed 100 copies, we sold them quite quickly, then moved on..." -- Tony Dorè.
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