petrash1978 · 18-Дек-11 20:55(14 лет 7 месяцев назад, ред. 19-Дек-11 16:06)
Maceo Parker (Dennis Chambers, Rodney "Skeet" Curtis) / Roots & Grooves Жанр: R&B, Funk, Fusion Страна-производитель диска: USA Год издания диска: 2008 Издатель (лейбл): Heads Up Номер по каталогу: HUCD 3134 Страна: USA Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 75:18 Источник (релизер): pertash1978 Наличие сканов в содержимом раздачи: да Треклист:
DISC 1: TRIBUTE TO RAY CHARLES
1.Hallelujah I Love Her
2.Busted
3.Them That's Got
4.Yo Don't Know Me
5.Hit The Road Jack
6.Margie
7.Georgia On My Mind
8. What's I Say DISC 2: BACK TO FUNK
1.Uptown Up
2.To Be Or Npot To Be
3.Off The Hook
4.Advanced Funkmusic
5.Shake Everything You got
6.Pass The Peas
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011 Отчёт EAC об извлечении, выполненном 18. декабря 2011, 18:48 Maceo Parker / Roots & Grooves CD 1 Дисковод: HL-DT-STDVDRAM GSA-T20N Adapter: 3 ID: 1 Режим чтения : Достоверность Использование точного потока : Да Отключение кэша аудио : Да Использование указателей C2 : Нет Коррекция смещения при чтении : 667 Способность читать области Lead-in и Lead-out : Нет Заполнение пропущенных сэмплов тишиной : Да Удаление блоков с тишиной в начале и конце : Нет При вычислениях CRC использовались нулевые сэмплы : Да Интерфейс : Встроенный Win32-интерфейс для Win NT/2000 Обработка зазоров : Добавлено к предыдущему треку Выходной формат : Пользовательский кодировщик Выбранный битрейт : 128 kBit/s Качество : Высокий Добавление ID3-тега : Нет Утилита сжатия : C:\Program Files\Exact Audio Copy\Flac\flac.exe Дополнительные параметры : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=EAC V1.0 beta 3, Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source% -o %dest% TOC извлечённого CD Трек | Старт | Длительность | Начальный сектор | Конечный сектор --------------------------------------------------------------------- 1 | 0:00.00 | 6:38.06 | 0 | 29855 2 | 6:38.06 | 3:53.72 | 29856 | 47402 3 | 10:32.03 | 6:12.74 | 47403 | 75376 4 | 16:45.02 | 6:24.21 | 75377 | 104197 5 | 23:09.23 | 5:09.20 | 104198 | 127392 6 | 28:18.43 | 6:01.57 | 127393 | 154524 7 | 34:20.25 | 6:17.10 | 154525 | 182809 8 | 40:37.35 | 9:36.24 | 182810 | 226033 Трек 1 Имя файла D:\Audio_Music\Maceo Parker - Roots & Grooves\01. Hallelujah I Love Her So.wav Длина предзазора 0:00:02.00 Пиковый уровень 100.0 % Скорость извлечения 2.4 X Качество трека 99.9 % CRC теста DE006902 CRC копии DE006902 Копирование... OK Трек 2 Имя файла D:\Audio_Music\Maceo Parker - Roots & Grooves\02. Busted.wav Пиковый уровень 100.0 % Скорость извлечения 2.7 X Качество трека 100.0 % CRC теста 1EBC100B CRC копии 1EBC100B Копирование... OK Трек 3 Имя файла D:\Audio_Music\Maceo Parker - Roots & Grooves\03. Them That's Got.wav Пиковый уровень 100.0 % Скорость извлечения 3.2 X Качество трека 100.0 % CRC теста 43AD1676 CRC копии 43AD1676 Копирование... OK Трек 4 Имя файла D:\Audio_Music\Maceo Parker - Roots & Grooves\04. You Don't Know Me.wav Пиковый уровень 100.0 % Скорость извлечения 3.5 X Качество трека 100.0 % CRC теста E389CA86 CRC копии E389CA86 Копирование... OK Трек 5 Имя файла D:\Audio_Music\Maceo Parker - Roots & Grooves\05. Hit The Road Jack.wav Пиковый уровень 100.0 % Скорость извлечения 3.6 X Качество трека 100.0 % CRC теста 8A154F23 CRC копии 8A154F23 Копирование... OK Трек 6 Имя файла D:\Audio_Music\Maceo Parker - Roots & Grooves\06. Margie.wav Пиковый уровень 100.0 % Скорость извлечения 3.9 X Качество трека 100.0 % CRC теста 10CEAD87 CRC копии 10CEAD87 Копирование... OK Трек 7 Имя файла D:\Audio_Music\Maceo Parker - Roots & Grooves\07. Georgia.wav Пиковый уровень 100.0 % Скорость извлечения 3.8 X Качество трека 99.9 % CRC теста C01C6F2F CRC копии C01C6F2F Копирование... OK Трек 8 Имя файла D:\Audio_Music\Maceo Parker - Roots & Grooves\08. What'd I Say.wav Пиковый уровень 100.0 % Скорость извлечения 4.6 X Качество трека 100.0 % CRC теста E316F22B CRC копии E316F22B Копирование... OK Ошибок не произошло Конец отчёта ==== Контрольная сумма отчёта DA88D2F245860FC8B90F5AC94F2E2211FA6D32E679628B288041C67415EB174C ==== Exact Audio Copy V1.0 beta 3 from 29. August 2011 Отчёт EAC об извлечении, выполненном 18. декабря 2011, 19:34 Maceo Parker / Roots & Grooves CD 2 Дисковод: HL-DT-STDVDRAM GSA-T20N Adapter: 3 ID: 1 Режим чтения : Достоверность Использование точного потока : Да Отключение кэша аудио : Да Использование указателей C2 : Нет Коррекция смещения при чтении : 667 Способность читать области Lead-in и Lead-out : Нет Заполнение пропущенных сэмплов тишиной : Да Удаление блоков с тишиной в начале и конце : Нет При вычислениях CRC использовались нулевые сэмплы : Да Интерфейс : Встроенный Win32-интерфейс для Win NT/2000 Обработка зазоров : Добавлено к предыдущему треку Выходной формат : Пользовательский кодировщик Выбранный битрейт : 128 kBit/s Качество : Высокий Добавление ID3-тега : Нет Утилита сжатия : C:\Program Files\Exact Audio Copy\Flac\flac.exe Дополнительные параметры : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=EAC V1.0 beta 3, Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source% -o %dest% TOC извлечённого CD Трек | Старт | Длительность | Начальный сектор | Конечный сектор --------------------------------------------------------------------- 1 | 0:00.00 | 5:57.42 | 0 | 26816 2 | 5:57.42 | 6:22.47 | 26817 | 55513 3 | 12:20.14 | 8:02.38 | 55514 | 91701 4 | 20:22.52 | 7:10.66 | 91702 | 124017 5 | 27:33.43 | 7:07.68 | 124018 | 156110 6 | 34:41.36 | 17:48.28 | 156111 | 236238 Трек 1 Имя файла D:\Audio_Music\Maceo Parker - Roots & Grooves\01. Uptown Up.wav Длина предзазора 0:00:02.00 Пиковый уровень 100.0 % Скорость извлечения 2.4 X Качество трека 99.9 % CRC теста 283E3A7B CRC копии 283E3A7B Копирование... OK Трек 2 Имя файла D:\Audio_Music\Maceo Parker - Roots & Grooves\02. To Be Or Not To Be.wav Пиковый уровень 100.0 % Скорость извлечения 3.0 X Качество трека 100.0 % CRC теста EA25EC9D CRC копии EA25EC9D Копирование... OK Трек 3 Имя файла D:\Audio_Music\Maceo Parker - Roots & Grooves\03. Off The Hook.wav Пиковый уровень 100.0 % Скорость извлечения 3.4 X Качество трека 100.0 % CRC теста 44EBD521 CRC копии 44EBD521 Копирование... OK Трек 4 Имя файла D:\Audio_Music\Maceo Parker - Roots & Grooves\04. Advanced Funk.wav Пиковый уровень 100.0 % Скорость извлечения 3.7 X Качество трека 100.0 % CRC теста ED8B66DC CRC копии ED8B66DC Копирование... OK Трек 5 Имя файла D:\Audio_Music\Maceo Parker - Roots & Grooves\05. Shake Everything You Got.wav Пиковый уровень 100.0 % Скорость извлечения 3.7 X Качество трека 99.9 % CRC теста 99740FAD CRC копии 99740FAD Копирование... OK Трек 6 Имя файла D:\Audio_Music\Maceo Parker - Roots & Grooves\06. Pass the Peas.wav Пиковый уровень 100.0 % Скорость извлечения 4.6 X Качество трека 99.9 % CRC теста 99EE9C0F CRC копии 99EE9C0F Копирование... OK Ошибок не произошло Конец отчёта ==== Контрольная сумма отчёта FB5211B4496EEC1FAE8E9A1531FD563872AEFB5D51742CCD1CE6D2966B70A781 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz REM DATE 2008 REM DISCID 4D0BC508 REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "Maceo Parker" TITLE "Roots & Grooves CD 1" FILE "01. Hallelujah I Love Her So.wav" WAVE TRACK 01 AUDIO TITLE "Hallelujah I Love Her So" PERFORMER "Maceo Parker" ISRC DEF300700354 INDEX 01 00:00:00 FILE "02. Busted.wav" WAVE TRACK 02 AUDIO TITLE "Busted" PERFORMER "Maceo Parker" ISRC DEF300700355 INDEX 01 00:00:00 FILE "03. Them That's Got.wav" WAVE TRACK 03 AUDIO TITLE "Them That's Got" PERFORMER "Maceo Parker" ISRC DEF300700356 INDEX 01 00:00:00 FILE "04. You Don't Know Me.wav" WAVE TRACK 04 AUDIO TITLE "You Don't Know Me" PERFORMER "Maceo Parker" ISRC DEF300700357 INDEX 01 00:00:00 FILE "05. Hit The Road Jack.wav" WAVE TRACK 05 AUDIO TITLE "Hit The Road Jack" PERFORMER "Maceo Parker" ISRC DEF300700358 INDEX 01 00:00:00 FILE "06. Margie.wav" WAVE TRACK 06 AUDIO TITLE "Margie" PERFORMER "Maceo Parker" ISRC DEF300700359 INDEX 01 00:00:00 FILE "07. Georgia.wav" WAVE TRACK 07 AUDIO TITLE "Georgia" PERFORMER "Maceo Parker" ISRC DEF300700360 INDEX 01 00:00:00 FILE "08. What'd I Say.wav" WAVE TRACK 08 AUDIO TITLE "What'd I Say" PERFORMER "Maceo Parker" ISRC DEF300700361 INDEX 01 00:00:00 REM GENRE Jazz REM DATE 2008 REM DISCID 470C4D06 REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "Maceo Parker" TITLE "Roots & Grooves CD 2" FILE "01. Uptown Up.wav" WAVE TRACK 01 AUDIO TITLE "Uptown Up" PERFORMER "Maceo Parker" ISRC DEF300700362 INDEX 01 00:00:00 FILE "02. To Be Or Not To Be.wav" WAVE TRACK 02 AUDIO TITLE "To Be Or Not To Be" PERFORMER "Maceo Parker" ISRC DEF300700363 INDEX 01 00:00:00 FILE "03. Off The Hook.wav" WAVE TRACK 03 AUDIO TITLE "Off The Hook" PERFORMER "Maceo Parker" ISRC DEF300700364 INDEX 01 00:00:00 FILE "04. Advanced Funk.wav" WAVE TRACK 04 AUDIO TITLE "Advanced Funk" PERFORMER "Maceo Parker" ISRC DEF300700365 INDEX 01 00:00:00 FILE "05. Shake Everything You Got.wav" WAVE TRACK 05 AUDIO TITLE "Shake Everything You Got" PERFORMER "Maceo Parker" ISRC DEF300700366 INDEX 01 00:00:00 FILE "06. Pass the Peas.wav" WAVE TRACK 06 AUDIO TITLE "Pass the Peas" PERFORMER "Maceo Parker" ISRC DEF300700367 INDEX 01 00:00:00
Доп. информация: Для любителей fusion, funk"а, 2-й кд интересней первого)
Об исполнителе (группе)
Maceo Parker: his name is synonymous with Funky Music, his pedigree impeccable; his band: the tightest little funk orchestra on earth. Everyone knows by now that he's played with each and every leader of funk, his start with James Brown, which Maceo describes as " like being at University "; jumping aboard the Mothership with George Clinton; stretching out with Bootsy's Rubber Band. He’s the living, breathing pulse which connects the history of Funk in one golden thread. The cipher which unravels dance music down to its core. "Everything's coming up Maceo," concluded DownBeat Magazine in a 1991 article at the beginning of Maceo Parker's solo career. At the time Maceo was a remembered by aficionados of funk music as sideman; appreciated mainly by those in the know. More than a decade and a half later Maceo Parker has been enjoying a blistering solo career. For the past sixteen years Maceo has been building a new funk empire, fresh and stylistically diverse. He navigates deftly between James Brown's 1960's soul and George Clinton's 1970's freaky funk while exploring mellower jazz and the grooves of hip-hop. His collaborations over the years performing or recording or both have included Ray Charles, Ani Difranco, James Taylor, De La Soul, Dave Matthews Band and the Red Hot Chilli Peppers. His timeless sound has garnered him a fresh young fan base. It is almost impossible to separate which came first, Maceo or the funk. The amazing P-funk Parker has been at it with his legendary alto horn for some time dating back to the 1960’s. That’s when Maceo and his drummer brother Melvin climbed on board the James Brown funky soul funk train. It wasn’t long before James coined the solo summoning signature, “ Maceo, I want you to Blow!” . To most musicologists it’s the muscially fertile group of men from this period of James Brown's band who are recognized as the early pioneers of the modern funk and hip-hop we still jump to today. In 1964, Maceo and his brother Melvin were in college in North Carolina studying music when a life-changing event took place. James Brown, the famous God Father of Soul happened on to an after hours club in which Melvin was drumming a gig. Mr Brown was in search of some late night food when he was knocked out by Melvin Parker’s bombastic beats. Brown offered the drumming Parker a future gig, telling him all he had to do was refresh the soul man’s memory and a job would be his. Cut to a year later when James Brown’s band was touring again in the North Carolina area. The Parker brothers looked to take JB up on his verbal job posting and cased the venue in search of James Brown’s limo. After a while they spotted the vehicle and waited for brother James to step out. Walking right up to the already legend of soul, Melvin works Mr. Brown’s memory to the year before. Soon, JB’s eyes light up and he resubmits the job to the drumming Parker, while Maceo stands by waiting his shot. Then Melvin blurts, “Oh, by the way Mr. Brown this is my brother Maceo, he plays saxophone, and he needs a job too.” James, asks Maceo if he owned the big horn. Maceo, spouts a big fib responding “Ahhhhh, yes Mr. Brown,” knowing full well he would have to go out and find the big brass Bari sax if he wanted to join his brother on the road. Maceo found a Baritone sax and recollects that he and his brother thought they’d play with JB for about six months and then head back to school. Maceo laughs, “ We stayed a lot longer than that.” Maceo grew to become the lynch-pin of the James Brown enclave for the best part of two decades. - his signature style helped define James' brand of funk, and the phrase: "Maceo, I want you to Blow!" passed into the language. He’s still the most sampled musician around simply because of the unique quality of his sound. There would be other projects and short hiatuses during his on-off time with The Godfather, including a brief spell overseas when he was drafted, and in 1970 when he left to form Maceo and All the Kings Men with some fellow James Brown band members (the two albums from this period are on a constant reissue cycle even some thirty years later.) It was Maceo's uncle front man for local band the Blue Notes, who was Maceo’s first musical mentor. The three Parker brothers (Maceo, Melvin and trombonist Kellis- later to become Professor of Entertainment law at Columbia University) who formed the “Junior Blue Notes. " . When Maceo reached the sixth grade, their uncle let the Junior Blue Notes perform in between sets at his nightclub engagements. It was Maceo's first experience of the stage that started his love affair with performing that has increased rather than diminished with time. Maceo grew up admiring saxophonists such as David "Fathead" Newman, Hank Crawford, Cannonball Adderley and King Curtis. "I was crazy about Ray Charles and all his band, and of course particularly the horn players" . By the age of 15, Maceo had forged his own style on the tenor sax. "I thought about ‘Maceo Parker plays Charlie Parker’, and then I thought how about ‘Maceo Parker plays Maceo Parker’, what would it be like to have young sax players listening to me and emulating my style of playing”. Thus the “Maceo sound” we know so well was born. In the mid '70's Maceo hooked up with Bootsy Collins, George Clinton, and the various incarnations of Funkadelic and Parliament. He now had worked with the figure heads of Funk music at the height of their success. From the breathtaking shows of James Brown to the landing of the Mothership, Maceo has been there - as close as it gets to some of the most exciting moments in musical history, contributing his sound as a constant point of reference. In 1990 the opportunity came for Maceo to concentrate on his own projects. He released two successful solo albums entitled Roots Revisited (which spent 10 weeks at the top of Billboard's Jazz Charts in 1990) and Mo' Roots (1991). But it was his third solo album, Maceo’s ground breaking CD Life on Planet Groove, recorded live in 1992 which soon became a funk fan favorite. Planet Groove also served as a calling card, boosting Maceo's contemporary career as a solo artist for a college aged audience, and bringing into being his catch phrase "2% Jazz, 98% Funky Stuff." Maceo began his relentless headlining touring, bringing his top notch, road-tight band and three hour plus shows to the people all over the world. "I feel it's my duty as an artist to go as many places as I can, especially if the people want it." The soft spoken North Carolina native doesn't come out on stage in a diaper or a velvet swirling cape, no giant spaceships or 50 person entourages, nothing except the core of his musical soul which he lays open every time he blows his horn. In 2003, after several years as Band Leader for the Rhythm and Blues Foundation Awards Maceo received a Pioneer Award from the Rhythm and Blues Foundation for his contribution as a sideman to the genre of R & B. He has also since 1999 participated in some of Prince's groundbreaking tours when not with his own group. Maceo's albums Funk Overload , Dial M-A-C-E-O and Made by Maceo entered the top 40 in the European charts upon release. Dial M-A-C-E-O features guest spots from the Mistress of folk music Ani DiFranco, Prince, and a quite different James from the one we have come to associate with Maceo: James Taylor, while School's In from 2005 is about as Funky as a studio album can be. At the beginning of 2007 Maceo had a chance to fulfill one of his dreams in working with a Big Band. Working with Grammy Award Winners the WDR Big Band, he broadcast and performed a live series of shows paying tribute to Ray Charles and putting Maceo’s own funky music to a Big Band setting. This has led to his latest release Roots and Grooves a live recording taken from these shows which also features Dennis Chambers and Rodney "Skeet" Curtis. " Given Parker's sense of groove invention and the evergreen emotional power of Charles' chestnuts like "Busted" and "Hit the Road Jack," anyone might have expected this to be a dream match. But it's more than that because Parker also sings with a gravelly, Charles- like perfection on these two songs, and even more poignantly on "You Don't Know Me," "Margie," and a magically moody "Georgia on My Mind." Charles may have been declared deceased in body in 2004, but he lives again through Parker in haunting yet wonderful ways"
Об альбоме (сборнике)
This appropriately titled two-disc set finds famed ex-James Brown horn man Maceo Parker cutting loose with Germany’s incredible WDR Big Band. The first disc features a swinging Ray Charles tribute and the second, subtitled "Back to Funk," has the alto saxophonist and vocalist taking it to the bridge on the music he is famous for. Although not known for his singing, Parker acquits himself well, especially on the Charles material, when he sounds like a gruffer version of Brother Ray. The band boasts 15 horns (five each of saxes, trumpets, and trombones) pushing hard and tight through nearly two hours of music. The opening "Hallelujah I Love Her So" and the closing, nine-minute "What’d I Say" from the first platter are standouts connecting with crisp, vibrant charts and a vigorous attack. But even ballads "Georgia on My Mind" and "You Don’t Know Me" register, due to Parker’s obvious glee in performing this material along with his group’s sheer talent and a wildly appreciative audience. The funk segment shoots the intensity up a few more notches with Parliament-Funkadelic alumni Dennis Chambers (drums) and Rodney "Skeet" Curtis (bass) driving the energy to uncommonly soulful and sweaty peaks. The concept of playing hard funk with a brassy big band in tow is somewhat unusual, but the results smash all preconceptions. Parker’s dueling alto battle with Karolina Strassmayer on "To Be or Not to Be" and a rousing 17-minute version of the J.B.’s classic "Pass the Peas" are just a few highlights of this rollicking, electrifying set. --Hal Horowitz http://www.amazon.com/Roots-Grooves-Maceo-Parker/dp/B00127I3V8/ref=sr_1_1?s=music...29487&sr=1-1
Состав
Maceo Parker, Michael abene, Frank Chastenier, Paul Shigihara, John Goldsby, Hank Dekker, Rodney "Skeet" Curtis, Dennis Chambers, Andy Haderer, Wim Booth, Rob Bruyen, Klaus Osterloh, John Marshal, Ludwig Nuss, Dave Horler, Brent Laukamp, Mattis Cederberg, Heiner Wiberny, Karolina Strassmayer, Oliver Peters, Paul Heller, Marcus Barthlet.
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