The Jam - The Complete Jam Страна исполнителя: UK Жанр: Punk Rock Продолжительность: 00:59:30 + 02:30:16 Год выпуска: 2002 Лейбл: Universal THE BAND:
- Paul Weller: Guitar, Vocals
- Bruce Foxton: Bass
- Rick Buckler: Drums Описание:
The Complete Jam contains a number of British television performances and spreads them out over two discs. There is the BBC's popular The Old Grey Whistle Test, Marc (hosted by the flamboyant Marc Bolan of T-Rex fame), The Tube (which features an impromptu Peter Weller interview), and Something Else. There are 12 television spots with over 30 song performances. Also included are 16 videos of some of their most popular songs including Town Called Malice, That's Entertainment, Eton Rifles, and Start!. The set continues with contribution pieces Scene: The Fan Phenomenon and The Jam: A Time and a Place, which are insightful looks into the band and serve to augment the videos.
Disc 1
Треклист:
SO IT GOES - Granada TV:
01. In the City
02. Bricks & Mortar
03. Carnaby Street
04. Slow Down
05. All Around The World (MARC Granada TV)
06. David Watts (REVOLVER - Carlton TV)
07. Billy Hunt (THE OLD GREY WHISTLE TEST - BBC)
08. In The Street Today (THE OLD GREY WHISTLE TEST - BBC)
09. When You're Young (SOMETHING ELSE - BBC) Promo's:
10. In The City
11. Art School
12. News Of The World
13. Strange Town
14. Butterfly Collector
15. When You're Young Разбивка на главы по трекам: есть Качество: DVD5 Формат: DVD video Видео кодек: MPEG2 Аудио кодек: AC3 Видео: PAL 4:3 (704x576) VBR, 25.000 fps, 6505-6778 kbps
PAL 4:3 (720x576) VBR, 25.000 fps, 5873 kbps Аудио: Dolby AC3, 2 ch, 48.0 kHz, 256 kbps Аудио2: Dolby AC3, 6 ch, 48.0 kHz, 448 kbps
DVDinfo
Title: The Jam - The Complete Jam_D1 Size: 3.36 Gb ( 3 527 474,00 KBytes ) - DVD-5 Enabled regions: 1, 2, 3, 4, 5, 6, 7, 8 VTS_01 : Play Length: 00:00:18 Video: PAL 4:3 (720x576) VBR Audio: English (Dolby AC3, 2 ch) VTS_02 : Play Length: 00:17:58+{00:02:15}+{00:01:58}+{00:03:25}+{00:03:48}+{00:03:20}+{00:03:09}+00:09:05+00:02:40+00:02:40+00:04:42+00:03:16+{00:14:56}+{00:10:29}+{00:13:35}+00:02:32 Video: PAL 4:3 (704x576) VBR Audio: English (Dolby AC3, 6 ch) English (Dolby AC3, 2 ch) Subtitles: English VTS_03 : Play Length: 00:16:19 Video: PAL 4:3 (720x576) VBR Audio: Not specified (Dolby AC3, 6 ch) Not specified (Dolby AC3, 2 ch) * Menus Information * VIDEO_TS Menu Video: PAL 4:3 (720x576) VBR Auto Pan&Scan, Auto Letterboxed English Language Unit : Title Menu VTS_01 Menu Video: PAL 4:3 (720x576) VBR Auto Pan&Scan, Auto Letterboxed Language Unit : Subpicture Menu Angle menu Language Unit : Subpicture Menu Angle menu Language Unit : Subpicture Menu Angle menu Language Unit : Subpicture Menu Angle menu Language Unit : Subpicture Menu Angle menu VTS_02 Menu Video: PAL 4:3 (720x576) VBR Audio: Not specified (Dolby AC3, 6 ch) English Language Unit : Root Menu VTS_03 Menu Video: PAL 4:3 (720x576) VBR Auto Pan&Scan, Auto Letterboxed English Language Unit : Root Menu
MediaInfo
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Скриншоты меню
Скриншоты
Disc 2
Треклист:
NEWCASTLE CITY HALL GIG - Granada TV:
01. Going Underground
02. Pretty Green
03. Eton Rifles
04. To Be Someone
05. "A" Bomb In Wardour Street
06. David Watts
07. Boy About Town
08. Scrape Away (CHECK IT OUT - NEWCASTLE GIG - Granada TV)
09. Man In The Corner Shop (SOMETHING ELSE - INEQUALITY RULES - BBC)
10. Funeral Pyre (SOMETHING ELSE - JUST THE MUSIC - BBC)
MANDAGSBORSEN - SVT:
11. Absolute Beginners
12. Tales From The Riverbank
13. Paul Weller Interview
14. Funeral Pyre
15. Start! (POPKRANT - Vara, Netherlands)
THE TUBE - Granada TV:
16. Paul Weller Interview
17. Ghosts
18. In The Crowd
19. Town Called Malice
20. The Modern World
21. Move On Up
22. The Great Depression
23. Beat Surrender
24. Precious
25. War!
Promo's:
26. Going Underground
27. The Dreams of Children
28. Start!
29. That's Entertainment
30. Funeral Pyre
31. Absolute Beginners
32. Town Called Malice
33. Precious
34. Just Who Is The 5 O'Clock Hero?
35. The Bitterest Pill Features:
- Direct Scene Access
- Interactive Menu Extra:
- Multi Angle Scrapbooks.
- The Jam A Time And Place.
- Scene: The Fan Phenomenon
- Check Out The Jam Разбивка на главы по трекам: есть Качество: DVD9 Формат: DVD video Видео кодек: MPEG2 Аудио кодек: AC3 Видео: PAL 4:3 (704x576) VBR, 25.000 fps, 5872-7187 kbps Аудио: Dolby AC3, 2 ch, 48.0 kHz, 256 kbps Аудио2: Dolby AC3, 6 ch, 48.0 kHz, 448 kbps
DVDinfo
Title: The Jam - The Complete Jam_D2 Size: 7.13 Gb ( 7 473 354,00 KBytes ) - DVD-9 Enabled regions: 1, 2, 3, 4, 5, 6, 7, 8 VTS_01 : Play Length: 00:00:18 Video: PAL 4:3 (720x576) VBR Audio: English (Dolby AC3, 2 ch) VTS_02 : Play Length: 00:30:24+{00:03:02}+{00:03:01}+{00:02:14}+{00:03:29}+{00:03:39}+{00:02:54}+{00:02:57}+{00:03:33}+{00:02:05}+{00:03:26}+00:21:05+00:04:18+00:03:01+00:03:20+00:12:50+00:28:52+{00:33:06}+00:28:44+{00:38:08}+00:05:01+{00:02:24} Video: PAL 4:3 (704x576) VBR Audio: English (Dolby AC3, 6 ch) English (Dolby AC3, 2 ch) Subtitles: English VTS_03 : Play Length: 00:05:12 Video: PAL 4:3 (704x576) VBR Audio: English (Dolby AC3, 2 ch) VTS_04 : Play Length: 00:07:11 Video: PAL 4:3 (704x576) VBR Audio: English (Dolby AC3, 2 ch) * Menus Information * VIDEO_TS Menu Video: PAL 4:3 (720x576) VBR Auto Pan&Scan, Auto Letterboxed English Language Unit : Title Menu VTS_01 Menu Video: PAL 4:3 (720x576) VBR Auto Pan&Scan, Auto Letterboxed Language Unit : Subpicture Menu Angle menu Language Unit : Subpicture Menu Angle menu Language Unit : Subpicture Menu Angle menu Language Unit : Subpicture Menu Angle menu Language Unit : Subpicture Menu Angle menu VTS_02 Menu Video: PAL 4:3 (720x576) VBR Audio: Not specified (Dolby AC3, 6 ch) English Language Unit : Root Menu Subpicture Menu VTS_03 Menu Video: PAL 4:3 (720x576) VBR Auto Pan&Scan, Auto Letterboxed English Language Unit : Root Menu VTS_04 Menu Video: PAL 4:3 (720x576) VBR Auto Pan&Scan, Auto Letterboxed English Language Unit : Root Menu
MediaInfo
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О группе
The Jam were the most popular band to emerge from the initial wave of British punk rock in 1977; along with the Sex Pistols, the Clash, and the Buzzcocks, the Jam had the most impact on pop music. While they could barely get noticed in America, the trio became genuine superstars in Britain, with an impressive string of Top Ten singles in the late '70s and early '80s. The Jam could never have a hit in America because they were thoroughly and defiantly British. Under the direction of guitarist/vocalist/songwriter Paul Weller, the trio spearheaded a revival of mid-'60s mod groups, in the style of the Who and the Small Faces. Like the mod bands, the group dressed stylishly, worshipped American R&B, and played it loud and rough. By the time of the group's third album, Weller's songwriting had grown substantially, as he was beginning to write social commentaries and pop songs in the vein of the Kinks. Both his political songs and his romantic songs were steeped in British culture, filled with references and slang in the lyrics, as well as musical allusions. Furthermore, as the Jam grew more popular and musically accessible, Weller became more insistent and stubborn about his beliefs, supporting leftist causes and adhering to the pop aesthetics of '60s British rock without ever succumbing to hippie values. Paradoxically, that meant even when their music became more pop than punk, they never abandoned the punk values - if anything, Weller stuck to the strident independent ethics of 1977 more than any other punk band just by simply refusing to change. Weller formed the Jam with drummer Rick Buckler, bassist Bruce Foxton, and guitarist Steve Brookes while they were still in school in 1975; Brookes quickly left the band and they remained a trio for the rest of their career. For the next year, the band played gigs around London, building a local following. In February 1977, the group signed a record contract with Polydor Records; two months later, they released their debut single, "In the City," which reached the U.K. Top 40. The following month, the group released their debut album, also called In the City. Recorded in just 11 days, the album featured a combinations of R&B covers and Weller originals, all of which sounded a bit like faster, more ragged versions of the Who's early records. Their second single, "All Around the World," nearly broke into the British Top Ten and the group embarked on a successful British tour.
During the summer of 1977, they recorded their second album, This Is the Modern World, which was released toward the end of the year. "The Modern World" made it into the Top 40 in November, just as the Jam were beginning their first American tour. Although it was brief, the tour was not successful, leaving bitter memories of the U.S. in the minds of the band. This Is the Modern World peaked in the British charts at number 22, yet it received criticism for repeating the sound of the debut. The band began a headlining tour of the U.K., yet it was derailed shortly after it started when the group got into a nasty fight with a bunch of rugby players in a Leeds hotel. Weller broke several bones and was charged with assault, although the Leeds Crown Court would eventually acquit him. The Jam departed for another American tour in March of 1978 and it was yet another unsuccessful tour, as they opened for Blue Öyster Cult. It did nothing to win new American fans, yet their star continued to rise in Britain. Bands copying the group's mod look and sound popped up across Britain and the Jam itself performed at the Reading Festival in August. All Mod Cons, released late in 1978, marked a turning point in the Jam's career, illustrating that Weller's songwriting was becoming more melodic, complex, and lyrically incisive, resembling Ray Davies more than Pete Townshend. Even as their sound became more pop-oriented, the group lost none of their tightly controlled energy. All Mod Cons was a major success, peaking at number six on the U.K. charts, even if it didn't make a dent in the U.S. Every one of the band's singles were now charting in the Top 20, with the driving "Eton Rifles" becoming their first Top Ten in November 1979, charting at number three. Setting Sons, released at the end of 1979, climbed to number four in the U.K. and marked their first charting album in the U.S., hitting number 137 in spring of 1980. At that time, the Jam had become full-fledged rock stars in Britain, with their new "Going Underground" single entering the charts at number one. During the summer, the band recorded their fifth album, with the "Taxman"-inspired "Start" released as a teaser single in August; "Start" became their second straight number one. Its accompanying album, the ambitious Sound Affects, hit number two in the U.K. at the end of the year; it was also the band's high-water mark in the U.S., peaking at number 72. "That's Entertainment," one of the standout tracks from Sound Affects, charted at number 21 in the U.K. as an import single, confirming the band's enormous popularity. "Funeral Pyre," the band's summer 1981 single, showed signs that Weller was becoming fascinated with American soul and R&B, as did the punchy, horn-driven "Absolute Beginners," which hit number four in the fall of the year. As the Jam were recording their sixth album, Weller suffered a nervous breakdown, which prompted him to stop drinking. In February 1982, the first single from the new sessions - the double A-sided "Town Called Malice"/"Precious" - became their third number one single and the band became the first group since the Beatles to play two songs on BBC's Top of the Pops. The Gift, released in March of 1982, showcased the band's soul infatuation and became the group's first number one album in the U.K. "Just Who Is the 5 O'Clock Hero" hit number eight in July, becoming the group's second import single to make the U.K. charts.О группе
Вокалогитарист Paul Weller (настоящее имя John Welter, 25.05.1958) повстречал барабанщика Rick Buckler (Paul Richard Buckler, 6.12.1955) в институте в 1975 году, и практически сразу они начали проводить многие часы в музыкальном кабинете, играя все, что взбредало им в рок-н-ролльную голову. Так как такие никакие концерты принято звать джемами, то и свою группу они назвали аналогичным образом. Чуть позже они обнаружили своего басиста Bruce Foxton (1.09.1955) и второго гитариста Steve Brookes. После этого JAM принялись выступать в окрестных барах, исполняя в основном ковер-версии рок и ритм-энд-блюзовых коллективов 60-ых годов. После того, как Brookes ушел группа занялась активными выступлениями в музыкальных клубах и на одном из их концертов присутствовали деятели из EMI, которым однако JAM совсем не пришлись по вкусу и контракт не был подписан. JAM благодаря своей рок-н-ролльной ориентации и новомодному саунду начали вливаться в панк движение и в конце 1976 года они уже разогревали публику перед SEX PISTOLS.
Благодаря своему менеджеру (отцу Paul'a Weller'a) JAM в феврале 1977 подписали достойный контракт с Polydor Records, получив аванс в шесть тысяч фунтов. JAM не были традиционной панк-группой, хотя звучали соответствующе. Они проповедовали возврат к 60-ым годам, к движению модов (которое тогда олицетворяли THE WHO) - носили мохеровые свитера, пудовые ботинки и предпочитали мотороллеры мотоциклам.
Дебютный сингл In The City докатился до британского Тор-40, и обязательно надо отметить тот скабрезный факт, что SEX PISTOLS содрали заглавный рифф этой песни для своей композиции Holidays In The Sun. За одиннадцать дней записан динамичный, но монотонный лонгплей In The City, заслуженно попавший в Тор-20 Пластинка содержала двенадцать незамысловатых и заводных песен, весьма недвусмысленно навевающих воспоминания о лучших рок-н-ролльных деньках THE WHO, ROLLING STONES и THE KINKS. Второй диск This Is The Modern World выпущенный шесть месяцев спустя, оказался точной копией дебютника и поэтому пострадал от традиционной болезни - скороспелого и потому чуть менее примечательного материала. Впрочем, публика проглотила альбом с удовольствием, вознеся его на двадцать второе место в национальном параде.
С этого момента JAM начали невероятно прогрессировать, вызывая восхищения критиков и теряя связь с панк-роком напрочь. All Mod Cons презентовал более мелодичную и отягощенную интеллектом музыку, хотя местами взрывающуюся панковой энергией. В мажорных кругах альбом считается лучшим их произведением, а группа окончательно утвердила себя лидерами возрожденного движения модов, которому оставались верны до последнего дня. Шестое место досталось пластинке под восторженные аплодисменты критиков и крики истинных панков о ненависти к модам.
В 1979 году JAM упаковали чемоданчики и котомки, да отправились в свое первое мировое турне, потихоньку реабилитируясь после их первого плохого приема в США. Благодаря массе триумфальных синглов. JAM потихоньку стали одной из самых популярных рок-групп в Британии конца 70-ых, успешно конкурируя с BUZZCOCKS, CLASH и SHAM 69.
Самая мрачная пластинка JAM Setting Sons без проблем уселась на четвертой позиции в чертах и также оказалась первым альбомом группы, втиснувшимся в американский парад на 137 место. Несколько песен с пластинки составляли некое концептуальное целое, повествуя о трех друзьях которые повстречались после того, как Англию уничтожила ядерная воина. Сингл Going Undergound оказался самым первым британским синглом восьмидесятых, попавшим сразу на первое место. После этого Polydor Records сделали капитальный финт ушами (чтобы поправить капиталы) и переиздали все ранние синглы JAM, которые без проблем вдруг резко очутились в тех же хит-парадах. Следующий диск Sound Affects (второе место) оказался более танцевальной пластинкой, и Paul Welter настолько ошалел от зарабатываемых денег, что состряпал издательскую компанию, выпускающую политическую литературу. Чуть позже, в декабре 1981 года он представил публике свой журнал Jamming и собственный звуковой лейбл Respond Records. Но ему весьма мешала бутылка: два месяца спустя после того, как Welter испытал нервный срыв, он решил завязать с выпивкой.
Диск Gift наконец-то позволил JAM полюбоваться своим лонгплеем на первом месте в национальном параде. Однако желание Weller'a заняться музыкой соул привело его к выводу, что с JAM пора кончать, и 28 октября 1982 года JAM объявили о своем распаде, тем не менее, позволив себе завершить последнее турне. Paul Welter основал группу STYLE COUNCIL, Buckler присоединился к новой команде TIME, a Foxton не стал заниматься выпендрежем и попросту записал сольный альбом Touch Sensitive, а затем играл в RHYTHM SISTERS, а затем в 1991 году был включен в состав реформированных STIFF LITTLE FINGERS. Также Foxton вместе с Buckler создали проект SHARP.
Posted not 3 weeks ago but there are few seeders and a very low speed ? How is that possible ?! This is a seminal punk/mod band and would deserve better ! Plus I want it bad ! PLEASE SEED IT FELLAS !!!
Вот это да! Даже и не мечтал о таком! Как-то даже скучно становится жить на свете - всё превратилось в пассивное потребление, ради которого даже и напрягаться уже не нужно.
И всё же здорово! Спасибо за великую группу!
