(Renaissaince, Vocal, ECM New Series) Trio Mediaeval - Soir, dit-elle - 2004, FLAC (tracks+.cue), lossless

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 13. September 2009, 23:10
Trio Mediaeval / Soir, dit-elle (Trio Mediaeval)
Used drive  : SAMSUNG CDRW/DVD SM-308B   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : No
Make use of C2 pointers : No
Read offset correction                      : 120
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : No
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Not detected, thus appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  4:12.58 |         0    |    18957
        2  |  4:12.58 |  4:31.42 |     18958    |    39324
        3  |  8:44.25 |  3:10.60 |     39325    |    53634
        4  | 11:55.10 |  3:57.26 |     53635    |    71435
        5  | 15:52.36 |  6:25.70 |     71436    |   100380
        6  | 22:18.31 |  2:42.42 |    100381    |   112572
        7  | 25:00.73 |  2:29.69 |    112573    |   123816
        8  | 27:30.67 |  3:00.02 |    123817    |   137318
        9  | 30:30.69 |  4:59.42 |    137319    |   159785
       10  | 35:30.36 |  5:39.66 |    159786    |   185276
       11  | 41:10.27 |  3:32.09 |    185277    |   201185
       12  | 44:42.36 |  9:36.58 |    201186    |   244443
       13  | 54:19.19 |  6:04.69 |    244444    |   271812
       14  | 60:24.13 |  2:29.21 |    271813    |   283008
Track  1
     Filename F:\Classical\00. Various Artists\Soir, dit-elle (Trio Mediaeval - ecm)\01. Trio Mediaeval - Oleh Harkavyy , Kyrie.wav
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     Copy CRC 241BE982
     Accurately ripped (confidence 9)  [20BD3E6B]
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Track  2
     Filename F:\Classical\00. Various Artists\Soir, dit-elle (Trio Mediaeval - ecm)\02. Trio Mediaeval - Leonel Power , Gloria. Missa 'Alma redemptoris mater'.wav
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Track  3
     Filename F:\Classical\00. Various Artists\Soir, dit-elle (Trio Mediaeval - ecm)\03. Trio Mediaeval - Gavin Bryars , Laude novella (Lauda II).wav
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Track  4
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Track  5
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Track  6
     Filename F:\Classical\00. Various Artists\Soir, dit-elle (Trio Mediaeval - ecm)\06. Trio Mediaeval - Andrew Smith , Ave Maria.wav
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Track  7
     Filename F:\Classical\00. Various Artists\Soir, dit-elle (Trio Mediaeval - ecm)\07. Trio Mediaeval - Andrew Smith , Regina caeli.wav
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Track  8
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Track  9
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Track 10
     Filename F:\Classical\00. Various Artists\Soir, dit-elle (Trio Mediaeval - ecm)\10. Trio Mediaeval - Ivan Moody , The Troparion of Kassiani.wav
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Track 11
     Filename F:\Classical\00. Various Artists\Soir, dit-elle (Trio Mediaeval - ecm)\11. Trio Mediaeval - Gavin Bryars , Venite a laudare (Lauda I).wav
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Track 12
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Track 13
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Track 14
     Filename F:\Classical\00. Various Artists\Soir, dit-elle (Trio Mediaeval - ecm)\14. Trio Mediaeval - Gregorian Chant , Alma redemptoris mater.wav
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     Accurately ripped (confidence 9)  [24B844DD]
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All tracks accurately ripped
No errors occurred
End of status report

REM DATE 2004
REM GENRE "Classical"
PERFORMER "Trio Mediaeval"
TITLE "Soir, Dit-Elle"
FILE "01 - Kyrie.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Kyrie"
    PERFORMER "Trio Mediaeval"
    INDEX 01 00:00:00
FILE "02 - Gloria. Missa 'alma Redemptoris Mater'.flac" WAVE
  TRACK 02 AUDIO
    TITLE "Gloria. Missa 'alma Redemptoris Mater'"
    PERFORMER "Trio Mediaeval"
    INDEX 01 00:00:00
FILE "03 - Laude Novella (Lauda Ii).flac" WAVE
  TRACK 03 AUDIO
    TITLE "Laude Novella (Lauda Ii)"
    PERFORMER "Trio Mediaeval"
    INDEX 01 00:00:00
FILE "04 - Ave Regina Gloriosa (Lauda Vii).flac" WAVE
  TRACK 04 AUDIO
    TITLE "Ave Regina Gloriosa (Lauda Vii)"
    PERFORMER "Trio Mediaeval"
    INDEX 01 00:00:00
FILE "05 - Credo. Missa 'alma Redemptoris Mater'.flac" WAVE
  TRACK 05 AUDIO
    TITLE "Credo. Missa 'alma Redemptoris Mater'"
    PERFORMER "Trio Mediaeval"
    INDEX 01 00:00:00
FILE "06 - Ave Maria.flac" WAVE
  TRACK 06 AUDIO
    TITLE "Ave Maria"
    PERFORMER "Trio Mediaeval"
    INDEX 01 00:00:00
FILE "07 - Regina Caeli.flac" WAVE
  TRACK 07 AUDIO
    TITLE "Regina Caeli"
    PERFORMER "Trio Mediaeval"
    INDEX 01 00:00:00
FILE "08 - Ave Donna Santissima (Lauda Iii).flac" WAVE
  TRACK 08 AUDIO
    TITLE "Ave Donna Santissima (Lauda Iii)"
    PERFORMER "Trio Mediaeval"
    INDEX 01 00:00:00
FILE "09 - Sanctus. Missa 'alma Redemptoris Mater'.flac" WAVE
  TRACK 09 AUDIO
    TITLE "Sanctus. Missa 'alma Redemptoris Mater'"
    PERFORMER "Trio Mediaeval"
    INDEX 01 00:00:00
FILE "10 - The Troparion Of Kassiani.flac" WAVE
  TRACK 10 AUDIO
    TITLE "The Troparion Of Kassiani"
    PERFORMER "Trio Mediaeval"
    INDEX 01 00:00:00
FILE "11 - Venite A Laudare (Lauda I).flac" WAVE
  TRACK 11 AUDIO
    TITLE "Venite A Laudare (Lauda I)"
    PERFORMER "Trio Mediaeval"
    INDEX 01 00:00:00
FILE "12 - A Lion's Sleep.flac" WAVE
  TRACK 12 AUDIO
    TITLE "A Lion's Sleep"
    PERFORMER "Trio Mediaeval"
    INDEX 01 00:00:00
FILE "13 - Agnus Dei. Missa 'alma Redemptoris Mater'.flac" WAVE
  TRACK 13 AUDIO
    TITLE "Agnus Dei. Missa 'alma Redemptoris Mater'"
    PERFORMER "Trio Mediaeval"
    INDEX 01 00:00:00
FILE "14 - Alma Redemptoris Mater.flac" WAVE
  TRACK 14 AUDIO
    TITLE "Alma Redemptoris Mater"
    PERFORMER "Trio Mediaeval"
    INDEX 01 00:00:00

On their second album, this Norwegian trio once more moves forward and back across the time's expanse with an ease that is startling to the listener. On Soir, Dit-Elle, Trio Mediæval create a space for disappearance, transformation, and emergence in performing a mass by 15th century composer Leonel Power before coursing through the works of 20th century masters such as Ivan Moody, Gavin Bryars, Andrew Smith, and Ukrainian composer Oleh Harkavyy. Soir, Dit-Elle, is a mirror image of the trio's debut album, Words of the Angel. While the former recording engaged anonymous laudes from as early as the 12th century and combined them with a mass written by Ivan Moody, here, it is Harkavyy 's "Kyrie," which bleeds into Powell's "Gloria," and opens onto the field of history itself. Powell is the only early-music contributor here, though his work is woven throughout the new pieces as a touchstone, a place in the mystical nature of sacred music through polyphony and chant and informs th rough the vioes of the trio, newer works it is interspersed with: Gavin Bryars uses original Marian texts for his Laudes and "Ave Regina" --before reverting back to Powell for his "Credo." In the sequential pieces Bryars again, then Andrew Smith, Powell, and Moody begin to shapeshift into one another, referencing and paying homage the history of religious music with the trio as their interlocutors. Here monophony and Caelian chant give way to polyphony in the works of Smith and Bryars. Individual timbres become a seamless single chorus as the singers chart the sketchy texts of Powell's score and encounter the Marian songs where petitions to the Mother of God for redemption from hatred, doubt, and salvation from war, as well as meditation upon the nature of the crucifixion, makes for a ground that emanates from the very heart of prayer. The pieces of Moody, Smith, and Harkavyy were all composed for the Trio Mediæval; their works were guided and inspired by original texts. Indeed, under John Potter's direction, these works break down not only time, but the distance usually associated with sacred music recorded in our time. There are no fissures, no determinable spaces or blurs. Everything is in continuum, in cycle, and the elemental mechanics of performance are left out of any visible field, leaving only the music itself -- full of timbral mystery and astonishing harmonic control -- directly in the listener's path of encounter. Soir, Dit-Elle, is, if possible, even stronger than Words of the Angel. While inverting the content and looking through another present era into the past, Trio Mediaeval has not bridged a gap, but created a wondrous whole, inseparable, awe-inspiring, and most definitely memorable.