George Enescu - The Three Piano Suites (Luiza Borac) Жанр: Classical / Piano Страна-производитель диска: UK Год издания диска: 2003 Издатель (лейбл): AVIE Номер по каталогу: AV0013 Дата записи: 2003 Аудиокодек: FLAC Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 79:06 Источник: собственный рип Наличие сканов в содержимом раздачи: нет Треклист:
[01-04] Suite No. 1 in G minor, Dans le style ancien, Op. 3 (1897) (19:46)
[05-08] Suite No. 2 in D major, Op. 10 (1901/1903) (22:21)
[09-15] Suite No. 3, Pièces Impromptues, Op. 18 (1913 - 16) (36:54) Исполнители: Luiza Borac, piano
Лог создания рипа (EAC)
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009 EAC extraction logfile from 8. October 2010, 4:10 George Enescu / The Three Piano Suites (Luiza Borac) Used drive : HL-DT-STDVDRAM GSA-H10N Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 768 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=Encoded by EAC 0.99pb5 FLAC -8" %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:16.13 | 0 | 23712 2 | 5:16.13 | 3:14.34 | 23713 | 38296 3 | 8:30.47 | 7:16.25 | 38297 | 71021 4 | 15:46.72 | 4:10.41 | 71022 | 89812 5 | 19:57.38 | 4:12.70 | 89813 | 108782 6 | 24:10.33 | 6:36.54 | 108783 | 138536 7 | 30:47.12 | 5:46.59 | 138537 | 164545 8 | 36:33.71 | 5:43.52 | 164546 | 190322 9 | 42:17.48 | 2:42.73 | 190323 | 202545 10 | 45:00.46 | 3:27.54 | 202546 | 218124 11 | 48:28.25 | 6:44.55 | 218125 | 248479 12 | 55:13.05 | 5:31.23 | 248480 | 273327 13 | 60:44.28 | 4:04.04 | 273328 | 291631 14 | 64:48.32 | 7:43.28 | 291632 | 326384 15 | 72:31.60 | 6:34.64 | 326385 | 355998 Track 1 Filename E:\EAC\01. Suite No. 1 in G minor Op.3 - Prelude, Grave.wav Pre-gap length 0:00:02.00 Peak level 60.7 % Track quality 100.0 % Test CRC FCF97B7E Copy CRC FCF97B7E Accurately ripped (confidence 1) [EF1C1A0D] Copy OK Track 2 Filename E:\EAC\02. Suite No. 1 in G minor Op.3 - Fugue, Allegro moderato.wav Peak level 64.8 % Track quality 100.0 % Test CRC 9F267F0B Copy CRC 9F267F0B Accurately ripped (confidence 1) [F885465B] Copy OK Track 3 Filename E:\EAC\03. Suite No. 1 in G minor Op.3 - Adagio.wav Peak level 15.3 % Track quality 99.9 % Test CRC 930159B1 Copy CRC 930159B1 Accurately ripped (confidence 1) [BEC9C8E5] Copy OK Track 4 Filename E:\EAC\04. Suite No. 1 in G minor Op.3 - Finale, Presto.wav Peak level 70.4 % Track quality 100.0 % Test CRC 5DE326F6 Copy CRC 5DE326F6 Accurately ripped (confidence 1) [F7EB821F] Copy OK Track 5 Filename E:\EAC\05. Suite No. 2 in D major Op.10 - Toccata, Majestueusement, mais pas trop lent.wav Peak level 83.9 % Track quality 100.0 % Test CRC 47524726 Copy CRC 47524726 Accurately ripped (confidence 1) [C94548F3] Copy OK Track 6 Filename E:\EAC\06. Suite No. 2 in D major Op.10 - Sarabande, Noblement.wav Peak level 56.6 % Track quality 100.0 % Test CRC 4331458A Copy CRC 4331458A Accurately ripped (confidence 1) [E189704C] Copy OK Track 7 Filename E:\EAC\07. Suite No. 2 in D major Op.10 - Pavane, Lentement berce.wav Peak level 32.5 % Track quality 100.0 % Test CRC E90FCEED Copy CRC E90FCEED Accurately ripped (confidence 1) [487C7330] Copy OK Track 8 Filename E:\EAC\08. Suite No. 2 in D major Op.10 - Bourree, Vivement.wav Peak level 89.5 % Track quality 99.9 % Test CRC AEC1418E Copy CRC AEC1418E Accurately ripped (confidence 1) [C6A0FCEE] Copy OK Track 9 Filename E:\EAC\09. Suite No. 3 Op.18 - Melodie, Andantino.wav Peak level 32.7 % Track quality 100.0 % Test CRC 24EBB607 Copy CRC 24EBB607 Accurately ripped (confidence 1) [8ABA31DB] Copy OK Track 10 Filename E:\EAC\10. Suite No. 3 Op.18 - Voix de la steppe, Allegro moderato.wav Peak level 56.3 % Track quality 100.0 % Test CRC E09A9A91 Copy CRC E09A9A91 Accurately ripped (confidence 1) [EA632CD0] Copy OK Track 11 Filename E:\EAC\11. Suite No. 3 Op.18 - Mazurk melancolique, Moderato un poco allegretto.wav Peak level 31.4 % Track quality 100.0 % Test CRC 6184343E Copy CRC 6184343E Accurately ripped (confidence 1) [6402C1CF] Copy OK Track 12 Filename E:\EAC\12. Suite No. 3 Op.18 - Burlesque, Vivace ma non troppo.wav Peak level 73.4 % Track quality 100.0 % Test CRC A4643A19 Copy CRC A4643A19 Accurately ripped (confidence 1) [365EFFC6] Copy OK Track 13 Filename E:\EAC\13. Suite No. 3 Op.18 - Appassionato, Con slancio, ma ben sostenuto.wav Peak level 60.9 % Track quality 99.9 % Test CRC 1A787010 Copy CRC 1A787010 Accurately ripped (confidence 1) [FBC9A330] Copy OK Track 14 Filename E:\EAC\14. Suite No. 3 Op.18 - Choral, Moderato, non troppo lento.wav Peak level 52.4 % Track quality 100.0 % Test CRC C23FE3BF Copy CRC C23FE3BF Accurately ripped (confidence 1) [A6A1FAE0] Copy OK Track 15 Filename E:\EAC\15. Suite No. 3 Op.18 - Carillon nocturne, L'istesso tempo (moderato, non troppo lento).wav Peak level 28.8 % Track quality 99.9 % Test CRC 962F6830 Copy CRC 962F6830 Accurately ripped (confidence 1) [3A7B9518] Copy OK All tracks accurately ripped No errors occurred End of status report
Содержание индексной карты (.CUE)
REM GENRE Classical REM DATE 2003 REM DISCID DE128A0F REM COMMENT "ExactAudioCopy v0.99pb5" PERFORMER "George Enescu" TITLE "The Three Piano Suites (Luiza Borac)" FILE "01. Suite No. 1 in G minor Op.3 - Prelude, Grave.wav" WAVE TRACK 01 AUDIO TITLE "Suite No. 1 in G minor Op.3 - Prelude, Grave" PERFORMER "George Enescu" INDEX 01 00:00:00 FILE "02. Suite No. 1 in G minor Op.3 - Fugue, Allegro moderato.wav" WAVE TRACK 02 AUDIO TITLE "Suite No. 1 in G minor Op.3 - Fugue, Allegro moderato" PERFORMER "George Enescu" INDEX 01 00:00:00 FILE "03. Suite No. 1 in G minor Op.3 - Adagio.wav" WAVE TRACK 03 AUDIO TITLE "Suite No. 1 in G minor Op.3 - Adagio" PERFORMER "George Enescu" INDEX 01 00:00:00 FILE "04. Suite No. 1 in G minor Op.3 - Finale, Presto.wav" WAVE TRACK 04 AUDIO TITLE "Suite No. 1 in G minor Op.3 - Finale, Presto" PERFORMER "George Enescu" INDEX 01 00:00:00 FILE "05. Suite No. 2 in D major Op.10 - Toccata, Majestueusement, mais pas trop lent.wav" WAVE TRACK 05 AUDIO TITLE "Suite No. 2 in D major Op.10 - Toccata, Majestueusement, mais pas trop lent" PERFORMER "George Enescu" INDEX 01 00:00:00 FILE "06. Suite No. 2 in D major Op.10 - Sarabande, Noblement.wav" WAVE TRACK 06 AUDIO TITLE "Suite No. 2 in D major Op.10 - Sarabande, Noblement" PERFORMER "George Enescu" INDEX 01 00:00:00 FILE "07. Suite No. 2 in D major Op.10 - Pavane, Lentement berce.wav" WAVE TRACK 07 AUDIO TITLE "Suite No. 2 in D major Op.10 - Pavane, Lentement berce" PERFORMER "George Enescu" INDEX 01 00:00:00 FILE "08. Suite No. 2 in D major Op.10 - Bourree, Vivement.wav" WAVE TRACK 08 AUDIO TITLE "Suite No. 2 in D major Op.10 - Bourree, Vivement" PERFORMER "George Enescu" INDEX 01 00:00:00 FILE "09. Suite No. 3 Op.18 - Melodie, Andantino.wav" WAVE TRACK 09 AUDIO TITLE "Suite No. 3 Op.18 - Melodie, Andantino" PERFORMER "George Enescu" INDEX 01 00:00:00 FILE "10. Suite No. 3 Op.18 - Voix de la steppe, Allegro moderato.wav" WAVE TRACK 10 AUDIO TITLE "Suite No. 3 Op.18 - Voix de la steppe, Allegro moderato" PERFORMER "George Enescu" INDEX 01 00:00:00 FILE "11. Suite No. 3 Op.18 - Mazurk melancolique, Moderato un poco allegretto.wav" WAVE TRACK 11 AUDIO TITLE "Suite No. 3 Op.18 - Mazurk melancolique, Moderato un poco allegretto" PERFORMER "George Enescu" INDEX 01 00:00:00 FILE "12. Suite No. 3 Op.18 - Burlesque, Vivace ma non troppo.wav" WAVE TRACK 12 AUDIO TITLE "Suite No. 3 Op.18 - Burlesque, Vivace ma non troppo" PERFORMER "George Enescu" INDEX 01 00:00:00 FILE "13. Suite No. 3 Op.18 - Appassionato, Con slancio, ma ben sostenuto.wav" WAVE TRACK 13 AUDIO TITLE "Suite No. 3 Op.18 - Appassionato, Con slancio, ma ben sostenuto" PERFORMER "George Enescu" INDEX 01 00:00:00 FILE "14. Suite No. 3 Op.18 - Choral, Moderato, non troppo lento.wav" WAVE TRACK 14 AUDIO TITLE "Suite No. 3 Op.18 - Choral, Moderato, non troppo lento" PERFORMER "George Enescu" INDEX 01 00:00:00 FILE "15. Suite No. 3 Op.18 - Carillon nocturne, L'istesso tempo (moderato, non troppo lento).wav" WAVE TRACK 15 AUDIO TITLE "Suite No. 3 Op.18 - Carillon nocturne, L'istesso tempo (moderato, non troppo ..." PERFORMER "George Enescu" INDEX 01 00:00:00
Product Description
This release introduced the stunning young Romanian pianist Luiza Borac. Presenting a disc of works by her compatriot George Enescu, the combination of Luiza’s artistry and this little-known repertoire is a revelation. Luiza Borac has won more than a dozen prizes, including top prize at the Oslo International Piano Competition in 2002, and the 1991 International Festival and Competition in Bucharest. In 2001, she received a grant from the German Ministry of Culture to pursue her studies of Enescu’s music. She has been surrounded by Enescu’s sound world all her life, growing up listening to his own recordings and studying with musicians who had direct links to the composer. Her explorations of Enescu’s manuscript scores, documentary films and personal letters have sealed her interpretations with an absolute authority. Enescu’s Suites are a spellbinding array of Baroque dance forms, Romanian folk idioms and a style one critic has characterised as “French Brahms.” The Suites have never been presented on a single CD, making this release completely unique.
Review
George Enescu was a musical genius of Mozartean universality and range, and the only reason his music isn't better known is because it's terribly difficult to play, not just technically but emotionally and stylistically. Despite the neo-classical patterning of such works as the first two suites on offer here, there's really no such thing as a chaste, "classical" approach to these, or any other of his works. Either you're a full-blown Romantic virtuoso in the "golden age" sense of the term, or you'd better not waste your own (or the listener's) time. In particular, Enescu's subtle approach to tempo requires the most sensitive use of rubato and the ability to play whole phrases and paragraphs across the bar lines as if in a single breath. Add to this the composer's exquisite sensitivity to matters of tone color and his sheer love of rich textures--of writing music with "lots of notes" but in which every one of them matters--and the result requires a very special sort of artistry in performance. On evidence here, Romanian pianist Luiza Borac makes a very worthy exponent of her countryman's music. The First Suite, composed at the ripe old age of 15, is Bach on steroids, and Borac's playing perfectly conveys its gusto and enthusiasm. She projects the second-movement fugue with effortless insouciance and makes a thing of poetry of the Adagio, one of Enescu's first essays in the sort of endlessly flowing river of melody that later became so characteristic of his style. In the final Presto, Borac unleashes a torrent of sound and sustains it from the first bar to the last. The Second Suite, which dates from 1901/03, begins with a jubilant Toccata, played here with the necessary freedom of tempo and uninhibited sense of abandon. Listen to the way Borac caresses the gorgeous third-movement Pavane, her fingers scarcely seeming to touch the keyboard as she spins out its gentle trills and decorative filigree. Captivating! In the concluding Bourrée Enescu turns to Romanian folk music, and Borac captures both the music's rustic charm as well as its evident desire to break out of the simple rhythm of its initial accompaniment and become something altogether more sophisticated (an apt musical illustration of the composer's personality). Dating from 1913-16, the Third Suite consists of individual pieces later collected together in a single volume, and so it completely lacks the neo-classical formal outlines of the previous two. It also contains some of Enescu's most remarkable piano music now in his fully mature style. Voix de la steppe perfectly illustrates his "parlando-rubato" melodic style, as does Borac's presentation of it. Burlesque recalls many a similar moment in Bartók, with its nose-thumbing humor and deliberate grotesquerie. The most remarkable movements, though, are the finale pair, a chorale shot through with mysterious modal harmony, and a remarkable Carillon nocturne whose chiming dissonances and evocative use of piano resonance sound like some early work of Messiaen. It's very instructive to compare Borac's performances of these last two pieces to those of Aurora Ienei (last on Olympia). Borac takes a full three and half minutes longer over both movements but plays with such dynamic sensitivity and breadth of phrasing that Ienei sounds quite prosaic by comparison. Borac also is much better recorded; the silken tones she conjures from the keyboard are very naturally captured in a lively acoustic that coveys optimal warmth and clarity. Even were this not the only show in town in this repertoire, it's obvious that Borac has a special affinity for the composer's elusive idiom, and that makes this disc an outstanding contribution to the still far-too-small Enescu discography. [10/11/2003]--David Hurwitz
