(Free Jazz, Free Improvisation) Peter Kowald, Assif Tsahar, Hugh Ragin, Hamid Drake - Open Systems - 2001, MP3 (tracks), 320 kbps

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jazztrane · 01-Апр-10 14:53 (14 лет 3 месяца назад, ред. 02-Апр-10 23:48)

Peter Kowald, Assif Tsahar, Hugh Ragin, Hamid Drake - Open Systems
Жанр: Free Jazz, Free Improvisation
Год выпуска диска: 2001
Производитель диска: Marge Records
Аудио кодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Источник:СЕТъ
Продолжи тельность: 72:40
Трэклист:
01 Lonely Woman (Ornette Coleman) 16:10
02 The Lizards in the Maze (Tsahar) 12:09
03 Fathers and Mothers (for Albert Ayler) (Kowald) 06:04
04 Hearts Remembrance (Drake/Kowald/Tsahar) 05:53
05 Standing Motion (Tsahar) 09:45
06 Dream Weavers (for Laurence & Alexandre) (Tsahar) 11:16
07 The Call (Tsahar) 11:04
Assif Tsahar — tenor saxophone, bass clarinet
Hugh Ragin — trumpet
Peter Kowald — bass, voice
Hamid Drake — drums, frame drums, voice
Доп. информация:
Excerpt from the booklet
The poet (Octavio Paz) said: Meaning is the son of sound — to remind us that reality belongs to the sphere of meaning (...), to the sphere of the universe he inherits with language, with that part of language which is blessed with a life of its own, which covers all the ranges of communication and dwells in the sphere of sounds — the orchis-sphere of Soliman-sound. (…)
I wonder if the music that plays in a language is of the same nature as the one improvisers first hear, then convert into some sort of sonic species. But I do wish, speaking of a music like this and in times like ours, that people would to a greater extent get the two approaches to coincide, because the poetical instrument, harping together with the musical instruments, will always tell us more about the living presence of things. (…)
What a music like this reminds us is that form is not a mere prop or a loophole: form is a resource and a property which, with some people, evolves spontaneously. (…)
In this way, in such OPEN SYSTEMS, taking a form and a form?s depth, it is a force that runs through bodies and states, able to transform oneself. (…) — Alexandre Pierrepont
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