(World, Ethnic, classical middle-eastern) Solace - Дискография [2003-2009], MP3 (tracks), 320 kbps

01. Rebirth (9:30)
02. Kedar (4:49)
03. Cybele (3:09)
04. Two Gypsies (3:07)
05. Shawaza (9:13)
06. Ophelia's Hands (2:36)
07. Ceremony of the Skull (4:10)
08. Serpentine (8:17)
09. Ophelia's Dance (3:08)
10. Rebirth 2 (9:40)

01. Solitude (Khlas 6-8) (4:28)
02. Khatar (Dawr Hindi 7-8) (3:35)
03. Circle (5-8 6-8 7-8) (3:56)
04. Exiled (Nei Solo Chifti-telli) (4:10)
05. Kronos (8-4 Debke Wahda Tawila) (6:43)
06. Blessings (Adani 4-4) (3:34)
07. Redemption (12-8 8-4) (5:04)
08. Forsaken (Curcuna 10-8) (7:56)
09. Opaque (Drum Solo) (3:15)
10. Crimson (4-4) (4:16)
11. Kama (8-4) (5:25)

01. Paradise lost (4:33)
02. Huda (3:34)
03. Desert journey (7:01)
04. The Sultan's Dance (4:14)
05. Aenaem (6:25)
06. Qabil (3:30)
07. Eyes like cats (5:55)
08. Harvest moon (4:34)
09. Saaba (2:41)
10. Hujayni (4:11)
11. Sudan (4:40)
12. Journey's End (6:09)

01. Kushee Maanao-Aural Mix (8:21)
02. Desert Journey-Hard Ethnic Dance Mix (4:11)
03. Cybele-Neo-Tribal Mix (4:59)
04. Nataraja-Basaal Mix (4:35)
05. Khatar-Alex Mix (6:22)
06. Saptak-Samaya Mix (5:16)
07. Darban Jooth Na Boley-Omega Mix (5:36)
08. Exiled-Asylum Mix (7:12)

01. Saalik (2:07)
02. Iman (6:48)
03. Raghba (4:04)
04. Tafani (3:59)
05. The Calling (3:58)
06. Azure (4:24)
07. Akhawat (2:28)
08. Foreshadow (3:45)
09. Basharaat (4:59)
10. Saalik 2 (7:30)

01. Beledi 4:4 (5:07)
02. Chifte-Telli 8:4 (4:22)
03. Masmoudi 8:4 (4:55)
04. Beledi 2 4:4 (5:04)
05. Saidi 4:4 (3:20)
06. Kashlima 9:8 (4:25)
07. Zar Dance (Ayyub) 2:4 (4:34)
08. Sword Dance (Routine) (9:41)
09. Morroccan 6:8 (4:09)
10. Shoush 5:8 (3:49)
11. Laz 7:8 (4:09)

01. Darban Jooth Na Boley (The Mirror Never Lies) (5:11)
02. Khushee Maanao (Celebrate Happiness) (4:30)
03. The Shisha Room (5:23)
04. Bhaarat (India) (6:14)
05. Nataraja (Indian god of dance) (5:06)
06. 1000 Eyes (5:05)
07. Saptak (Seven Notes) (4:33)
08. Sair (Trip) (4:52)

01. Ping Heng (2:26)
02. Dragon and Sword (6:26)
03. Haiku (4:28)
04. Djinn (4:22)
05. Red Dragon vs. Phoenix (4:10)
06. Kimono Mojo (5:32)
07. Indigo Dragonfly (4:49)
08. Miss Anime (4:58)
09. Ashes to Phoenix (3:37)
10. Tiger Moon Dance (3:33)
11. Feitian (5:57)
12. Wither my Lotus Flower (4:57)

Solace, a.k.a. Jeremiah M. Soto, has earned renown as producer thtrough several best-selling ambient, world, and electronica album, including the Magnatune favorite Ahsas. This time Soto takes us deeper into his imagined east by fusing his dynamic Middle Eastern rhythms with exotic Far Eastern instrumentation and percussion. Few people could blend disparate cultures and eras so successfully, but Soto's impeccable studio craftsmanship and knowledge of multiple genres enable him to do just that . Taiko drums, guqin, and pan pipe meet with subtle trip hop and Middle Eastern beats to form a musical vision out of time and place—an entirely original and idyllic meeting of two worlds. Be sure to check out the stunning vocals by Kate St. Pierre on "Haiku" and "Kimono Mojo."

01. Mahtab 1:4 Moonlight Mix (60bpm) (3:28)
02. Mahtab 1:4 Moonlight Mix (60bpm) (3:19)
03. Mahtab 1:4 Moonlight Mix (60bpm) (2:01)
04. Mahtab 1:4 Moonlight Mix (60bpm) (3:35)
05. Crysalis 5:8 Cocoon Mix (90bpm) (3:41)
06. Crysalis 5:8 Cocoon Mix (90bpm) (3:47)
07. Crysalis 5:8 Cocoon Mix (90bpm) (3:01)
08. Crysalis 5:8 Cocoon Mix (90bpm) (5:01)
09. Avarice 9:12 Mammon Mix (120bpm) (3:04)
10. Avarice 9:12 Mammon Mix (120bpm) (4:20)
11. Avarice 9-12 Mammon Mix (120bpm) (3:24)
12. Avarice 9:12 Mammon Mix (120bpm) (4:19)
13. Jiva 13:17 Atma Mix (145bpm) (3:15)
14. Jiva 13:17 Atma Mix (145bpm) (2:42)
15. Jiva 13:17 Atma Mix (145bpm) (3:09)
16. Jiva 13:17 Atma Mix (145bpm) (1:29)
17. Jiva 13:17 Atma Mix (145bpm) (4:10)
18. Sleeping Sober 18:22 Narcotica Mix (60bpm) (3:40)
19. Sleeping Sober 18:22 Narcotica Mix (60bpm) (1:30)
20. Sleeping Sober 18:22 Narcotica Mix (60bpm) (2:06)
21. Sleeping Sober 18:22 Narcotica Mix (60bpm) (3:12)
22. Sleeping Sober 18:22 Narcotica Mix (60bpm) (3:59)

When artists get remixed this well, it's not only because there's a demand for more of their work--it's because their work inspires a multitude of approaches to the music. Bringing together everything that is mysterious and seductive in both electronic and Middle Eastern music, the Moon Moth Mixes are seriously great. Deep, dark, and very sexy, this is the kind of album you can only make when you have achieved fierce levels of expertise and fearlessness in your craft.

01. Judgemental Wound (1:05)
02. Nagari (5:21)
03. Jiva (4:08)
04. Coveting Bes (5:07)
05. Pharisees Prayer (4:53)
06. Bane of Desire (4:30)
07. Sorrow and Veil (5:06)
08. Serpents Kiss (2:03)
09. Strange Flesh (4:11)
10. Heretic (3:59)
11. Naga (3:41)
12. Death in Sin (3:14)
13. Condemnation (4:04)
14. End of Religion (5:07)

The most mysterious and complex album that Solace has released to date, Nagari is a seductive exploration of the darker side of Middle Eastern music. Featuring serpentine vocals of Kate St. Pierre, masterfully detailed percussion of Ruben Von Rompaey, and pristine instrumentation by Tim Rayborn and J.M. Soto, this album seems a particularly princely jewel in the already very bedecked Solace crown. The sound design and production are downright superlative. We particularly love the dynamic breaks of "Sorrow and Veil" as well as the modern seduction of the title track, "Nagari," but the best track on the album by far is the undulating "Condemnation," a track resplendent in sexiness and self-control. If you're a patient enough audiophile to snag the WAV files for this album, you're in for a treat when you listen to "Pharisees Prayer" on headphones. We could say this album features a blend of acoustic and electronic instrumentation, but the two are so seamlessly joined together, you'll hardly notice. Rather, you'll hear a kind of musical path beng laid out for you, one that takes you deep into forbidden, ancient places as well as strange new territories.

01. Opium Head (5:03)
02. Din (4:28)
03. Lost Children (4:27)
04. Bounce (3:14)
05. Bol Two (4:14)
06. Weeping Tree (4:43)
07. Sama (4:29)
08. Bol One (4:21)
09. Forfeit (5:03)
10. Sleeping Sober (6:28)
11. Innocent One (4:38)
12. Minerva Stone (4:16)

Lose yourself in the intoxicating sounds of OPIUM HEAD.
This aural narcotic is an experiment in structure and sound, designed without regard for genre. The songs contained herein are not compositions, but rather arrangements of various Indian Bhangra and Bollywood samples demodulated from their organic forms, modified, then arranged in a rhythmic/melodic mix. The parameter prescribed for this project was to create an organic mix laced with minimal electronica, as compared to an over-the-counter electronic mix dosed with minimal organic sounds.
Music is our drug, take a listen and join us in our addiction.

01. Delicate Fear (3:02)
02. Subtle Vice (4:23)
03. No Chromosome (3:23)
04. The Indiscriminate Low (4:06)
05. Ceremony of the Skull - The Bewitched Mix (4:59)

With the opening song resembling a beautiful nightmare, Solace's journey into the minds innermost secrets and insecurities, reveals a subtle musical edge borrowing on industrial and IDM genres. This prologue gives us a peek into the structural dynamic and experimental edge to Solace's forth coming CD, "Gorgon Days". Don't let the subtleties fool you. There is no way to describe Solace's latest release, just listen.

Jeremiah M. Soto describes his musical endeavors "Solace," meaning comfort. Born November 4th 1968, in Loma Linda California, to Ismael and Erlinda Soto; Jeremiah's first experience with music was sitting silently near his sisters bedroom door curiously listening to The Beatles' Sergeant Peppers... or David Bowies Low. Ever since that early experience, Jeremiah showed an interest in music - especially drums.
After teaching himself basic piano technique, Jeremiah started writing music at the age of 14. In 1990, he began formal studies in Music Theory and Piano at Crafton Hills College, and graduated with an Associate of Arts degree in 1992.
In 1992, he and lifetime musical partner Dann Torres formed the group Eventide. They recruited the talents of Laura Grissom on bass and Julie Blodgett on vocals. Influenced by bands like Dead Can Dance, Cocteau Twins, and various classical composers, Eventide experimented with fusing Medieval and Middle Eastern music. In the process, Jeremiah realized his fascination and talent for Middle Eastern drum rhythms. To better his knowledge, Jeremiah attended classes in Frame Drum, Conga, and African polyrhythms by world-renowned percussionist Ronnie Engle. Unfortunately, after several releases on various compilations and countless live performances, Eventide disbanded in February 1995.
In November of 1995, after attending countless Middle Eastern Dance conventions and parties, Jeremiah felt inspired and confident enough to release his debut recording Rhythm Of The Dance (eve 01) and Solace was born. At the same time, Jeremiah resurrected the old name Eventide to serve as a foundation name for his independent record label, now known as Eventide Music Productions.
In the early part of 1996, Jeremiah reunited with old pals Dann Torres and Laura Grissom to collaborate on a short lived side project, Still. Their efforts were directed to record a CD themed at combining minimal guitar with Middle Eastern rhythms. In mid 1996, Thinnerweb (eve 02) became the second release on Eventide Music Productions.
Soon after the release of Thinnerweb, Jeremiah started work on his second Solace release. In August of 1997 Sha'waza (eve 03) came in to the world; catapulting Jeremiah's music and popularity to the forefront of the Middle-Eastern Dance Music genre. In 1998, Sha'waza was nominated for a IAMED Award for best Belly Dancing music.
Hot on the heels of the Sha'waza nomination, Jeremiah began work on his next endeavor. The Gathering Season (eve 04) was released in late 1998. Soon after completion of The Gathering Season, Jeremiah was introduced to master dumbek player Souhail Kaspar. From that point on, Jeremiah's fascination and skill with Arabic drumming became more refined, as he embraced the Classical Arabic Style. In addition to accompanying Souhail at parties, Jeremiah has performed with the UCLA Mid East Ensemble, and as a back up percussionist for Souhail for Sinbad, a European released CGI movie.
In June 1999, Jeremiah returned to the studio to explore the vast new knowledge of rhythm arrangements taught to him by his new mentor and friend, Souhail Kaspar. With the help of Harry Saroyan, Alex Spurkel, Lydia Fortner, Jim Karagozian, Dann Torres, Steven Flynn, and the troup Yogini Kundalini; Jeremiah was able to produce one of his best works to date, Ahsas (eve 05). The project would not have been complete without the help of Ansuya's contribution to the CD cover, giving Ahsas its signature beauty. Released on March 24th, Ahsas' debut at Rakkasah 2000 and was an instant success that promised to out sell Sha'waza.
Jeremiah hopes to break the confines of typical Middle Eastern Dance Music & inspire others through his unique compositional style and love of Arabic rhythms and music. Solace music is not just great belly dancing music; it is a journey into the heart and mind, a journey where others fear to tread.