Bill Nettles and His Dixie Blue Boys - Shake It And Take It
Жанр: Country Boogie / Western Swing / Honky Tonk
Год выпуска диска: 2004
Производитель диска: Germany
Аудио кодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 1:07:58
Трэклист:
01.OXFORD (MISS.) BLUES
02.I MISS THE GIRL (That Misses Me)
03.SHE'S SELLING WHAT SHE USED TO GIVE AWAY
04.SUGAR BABY BLUES
05.MASTER MINDED MAMA
06.YOU'RE BREAKING MY BROKEN HEART AGAIN
07.HUNGRY
08.TOO MANY BLUES
09.HIGH FALUTIN' MAMA
10.TEARS HAVE WASHED AWAY YOUR SMILE
11.TROUBLE'S ALL I'VE EVER KNOWN
12.WHY DO THE MEN LOVE THE WOMEN?
13.TURN ABOUT SWING
14.THE ANSWER TO WONDERING
15.ANSWER TO BLUE EYES
16.WHEN WE KISSED AND SAID GOODBYE
17.LOUISIANA MOON
18.SHAKE IT AND TAKE IT
19.MY CROSS EYED NANCY JANE
20.LAZY RIVER MOON
21.A HEART THAT IS BROKEN FOR YOU
22.FANNIN' STREET BLUES
23.DAN, THE BANANA MAN
24.TEAR DROPS (On The Moon Tonight)
25.SOMEBODY'S DARLING
Review
Bill Nettles put his name in the record books with "Hadacol Boogie," a celebration of the notorious patent medicine that was popular in Southern "dry" counties because of its 12-percent alcohol content. "Hadacol Boogie" reached the country Top Ten in 1949 and inspired a sequel, "Hadacol Bounce," that failed to repeat its predecessor's success. The anthology Hadacol Boogie collects two-dozen of Nettles' Mercury, Imperial, and Bullet sides from the late '40s and early '50s, most of which are novelty boogies and hokum blues numbers similar to the music of Leon Chappel (whose song "Do Right Daddy" Nettles covers.) Boogies were still commercially viable circa 1949, but Nettles' preoccupation with high-falutin' mamas and the like was a bit of a throwback. In pursuit of a follow-up hit to "Hadacol Boogie," Nettles not only issued an inferior competing version of Wayne Raney's "Why Don't You Haul Off and Love Me" in 1949, but composed the answer song "I Hauled Off and Loved Her." He never recaptured the momentum of his lone novelty hit, though, and retired in the late '50s. Hadacol Boogie also includes several recordings by Danny Dedman, the guitarist in Nettles' Dixie Blue Boys, on which Nettles and the band provide instrumental support. Jasmine Records often drains the life out of their vinyl transfers with CEDAR noise reduction tools, which is occasionally an issue with Hadacol Boogie. The disc's sound quality is more than acceptable overall, but the surface noise on some tracks was digitally scrubbed at the expense of high-end frequencies, resulting in a muffled, flat sound. Nevertheless, the appearance of a Bill Nettles anthology of any sort is to be applauded.
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