Edu BH · 11-Ноя-20 00:31(4 года 1 месяц назад, ред. 11-Ноя-20 03:01)
Tears for Fears / The Seeds of Love Формат записи/Источник записи: [BR][OF] Наличие водяных знаков: Нет Издание: Deluxe edition Год издания/переиздания диска: 2020 Жанр: Pop Rock Издатель (лейбл): Universal Music Продолжительность: 00:49:39 Наличие сканов в содержимом раздачи: Нет Треклист:
1. Woman In Chains (feat. Oleta Adams) (6:31)
2. Bad Man's Song (8:33)
3. Sowing The Seeds Of Love (6:19)
4. Advice For The Young At Heart (4:51)
5. Standing On The Corner Of The Third World (5:34)
6. Swords And Knives (6:13)
7. Year Of The Knife (7:08)
8. Famous Last Words (4:28) Тип рипа: folder Разрядность: 24/48 Формат: DTS-HD MA Количество каналов: Steven Wilson Mix DTS-HD MA 5.1 Steven Wilson Mix LPCM 24/48 5.1
2015 Andrew Walters remaster LPCM 16/48 2.0
Original 1989 Bob Ludwig master LPCM 16/48 2.0
I see. I was on DTS HD Master. Will try to check 5.1 LPCM and let you know. I cannot hear any strange noises in 5.1 pcm. It could be due to my ears or the gear I use. I can hear some new sounds which I could not hear before in 2.0 but I think this is thanks to new multichannel mix and maybe higher resolution.
А что-то я не скажу, что прям в восторге от микса 5.1. Да, есть некая объёмность звучания, но так и мой ресивер Сони может искусственно из стерео сделать. Ожидал чего-то большего, волшебного... Вот переслушал "Songs from the Big Chair", вот там да - красота!
80383692Anyone noticing artifecting of sound on the title track, there seems to be a lot of sound speckling like distortion or crackle
This hapend to me when I reproduce it with powerdvd, but with vlc works fine, dont know the reason.
Yes I'm using Powerdvd as well, and it's distorted...may need to play with settings
Have tried putting this to disc and every time at the 1:29 area the disc will freeze but play files on computer it plays fine but shows bad sections. Wonder if this could be from download or from original disc itself
80400030так и мой ресивер Сони может искусственно из стерео сделать
Да ладно преувеличивать. Конечно, это не Парсонс - тот мог и басуху целиком назад засунуть. Но вполне в стиле Гатри - воздушно и в то же время аккуратно без напряга разложено, всё на своём месте. Реверов всяких тут конечно поболе, чем в других работах Уилсона, но ведь так и на альбоме - не зря все они столько с ним возились.
из интервью Уилсона
Steven talks to MINT magazine about collecting vinyl LPs, on vinyl vs. CD (the magazine explicitly caters to vinyl lovers) and remixing classic albums.
The interesting part is the actual interview where they ask him about the differences between remastering and remixing, the Loudness Wars and certain albums he’s been working on. It starts with King Crimson, then it’s about Jethro Tull and finally about Yes’ Tales from Topographic Oceans. And then… (All translation from the German magazine done by me, I'm sure there are inaccuracies) […]
It took me one and a half years to sort out this chaos. But not all in one go? Heaven forbid! With interruptions. Otherwise I’d have gone crazy. So it can’t be worse than Tales From Topographic Oceans? Yes, it does! The Seeds of Love by Tears For Fears, that’s the pinnacle of craziness. The album was recorded across a time period of three years, and there are countless takes for every song. It was recorded with three different 24-tracks that they had synchronised. That makes 72 channels in total, and most tracks were indeed used. Additionally, the final master wasn’t in the hands of one person in charge – it was created by various engineers in various studios from recordings of various sessions. When I became aware of this dimension, I nearly capitulated. I already had the receiver in my hand to call the label and say: “Sorry folks, I can’t do this.” Amazing how such a patchwork can still sound so good and cohesive. A miracle! I'd even go so far to say that Seeds of Love, besides Pink Floyd’s Dark Side of the Moon, is the best-sounding album of all times. Even so, you’re at first looking at the black side when you are presented with a song like Year Of The Knife: 72 tracks full of sound, and once you’ve actually sorted and correctly placed all that, when you have untangled this endless jumble, you’ve only done the first part of the work. After all, there are no effects on the tracks yet, nothing is faded in or out, and the levels of the instruments aren’t adjusted to each other yet. Everything has to be reconstructed.[…]
