zhconst · 24-Май-11 00:43(13 лет 7 месяцев назад, ред. 09-Авг-18 22:30)
Al Miller - Complete Recorded Works in Chronological Order (1927-1936) [Document Records] Жанр: blues Страна-производитель диска: Austria Год издания диска: 1994 Издатель (лейбл): Document Records Номер по каталогу: DOCD-5306 Аудио кодек: FLAC (*.flac) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 72:16 Источник (релизер): чуланчик, релизер - zhconst Наличие сканов в содержимом раздачи: а как же?! Треклист:
01. I Found A Four Leaf Clover 02. Someday Sweetheart 03. Saturday Night Hymn 04. I Would If I Could (21061) 05. Mister Mary Blues 06. Somebody's Been Using That Thing (14799) 07. On An Island All By Myself 08. No Fish For Me 09. Somebody's Been Using That Thing (C-3080) 10. I Would If I Could (C-3083) 11. It Ain't Killed Nobody Yet 12. Mabe You'd Feel That Way Too 13. Don't Be A Fool 14. I Found You'r Key-Hole 15. Thirty First And State 16. It Must Be Good 17. Let Me Put My Shoes Under Your Bed 18. That Stuff Ain't No Good 19. Gimme A Li'l Taste 20. Somebody's Been Using That Thing Part 2 21. That Stuff You Sell 22. Bone Blues 23. It's Got To Be Done 24. Juicy Mouth Shorty 25. Truckin' Old Fool 26. Ain't That A Mess
EAC extraction logfile
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 EAC extraction logfile from 14. September 2011, 19:25 Al Miller / Complete Recorded Works In Chronological Order 1927-1936 Used drive : PIONEER DVD-RW DVR-110D Adapter: 1 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\FLAC\flac.exe Additional command line options : -8 -V %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 2:30.41 | 0 | 11290 2 | 2:30.41 | 2:20.49 | 11291 | 21839 3 | 4:51.15 | 2:51.07 | 21840 | 34671 4 | 7:42.22 | 2:33.18 | 34672 | 46164 5 | 10:15.40 | 2:48.26 | 46165 | 58790 6 | 13:03.66 | 2:37.53 | 58791 | 70618 7 | 15:41.44 | 2:47.14 | 70619 | 83157 8 | 18:28.58 | 2:43.73 | 83158 | 95455 9 | 21:12.56 | 2:47.53 | 95456 | 108033 10 | 24:00.34 | 3:02.49 | 108034 | 121732 11 | 27:03.08 | 2:50.20 | 121733 | 134502 12 | 29:53.28 | 2:46.65 | 134503 | 147017 13 | 32:40.18 | 2:59.72 | 147018 | 160514 14 | 35:40.15 | 3:07.58 | 160515 | 174597 15 | 38:47.73 | 3:18.02 | 174598 | 189449 16 | 42:06.00 | 2:54.19 | 189450 | 202518 17 | 45:00.19 | 2:58.60 | 202519 | 215928 18 | 47:59.04 | 2:57.32 | 215929 | 229235 19 | 50:56.36 | 3:04.36 | 229236 | 243071 20 | 54:00.72 | 2:54.13 | 243072 | 256134 21 | 56:55.10 | 2:33.29 | 256135 | 267638 22 | 59:28.39 | 2:42.24 | 267639 | 279812 23 | 62:10.63 | 2:25.68 | 279813 | 290755 24 | 64:36.56 | 2:23.69 | 290756 | 301549 25 | 67:00.50 | 2:32.24 | 301550 | 312973 26 | 69:32.74 | 2:43.36 | 312974 | 325234 Range status and errors Selected range Filename L:\Our Music\BLUES\Document\5306 - Al Miller - Complete Recorded Works (1927-1936)\Al Miller - Complete Recorded Works In Chronological Order 1927-1936.wav Peak level 81.7 % Range quality 100.0 % Test CRC E55FBD60 Copy CRC E55FBD60 Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 1) [9134B049] Track 2 accurately ripped (confidence 1) [44DE5127] Track 3 accurately ripped (confidence 1) [4E97E86C] Track 4 accurately ripped (confidence 1) [15EE852C] Track 5 accurately ripped (confidence 1) [A091C43C] Track 6 accurately ripped (confidence 1) [D77C5480] Track 7 accurately ripped (confidence 1) [FA82BF7E] Track 8 accurately ripped (confidence 1) [CDEB2841] Track 9 accurately ripped (confidence 1) [8DDF0C23] Track 10 accurately ripped (confidence 1) [E84D709F] Track 11 accurately ripped (confidence 1) [D0166AB0] Track 12 accurately ripped (confidence 1) [7CB08C54] Track 13 accurately ripped (confidence 1) [1C12B854] Track 14 accurately ripped (confidence 1) [B4103EAA] Track 15 accurately ripped (confidence 1) [D50BE5A5] Track 16 accurately ripped (confidence 1) [864B4D73] Track 17 accurately ripped (confidence 1) [507F264E] Track 18 not present in database Track 19 not present in database Track 20 not present in database Track 21 not present in database Track 22 not present in database Track 23 not present in database Track 24 not present in database Track 25 not present in database Track 26 not present in database 17 track(s) accurately ripped 9 track(s) not present in the AccurateRip database Some tracks could not be verified as accurate End of status report
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Biography from allmusic
Mandolinist Al Miller played and sang in a style that combined elements of country, blues and jazz in a blend that was more common back in the day than many record collectors, critics and pigeon-holing historians seem ever to have found acceptable, although he certainly did his part to pave the way for a genre-blending development known as western swing. During the years 1927-1936 Miller cut more than two dozen titles under his own name, and sat in with pianist Cripple Clarence Lofton and singers Red Nelson Wilborn, Luella Miller and Mozelle Alderson. After cutting his first sides for Black Patti records, Miller was invited by producer J. Mayo Williams to cross over to Paramount and Brunswick. He also recorded for Gennett with King Mutt and his Tennessee Thumpers. Miller's most famous composition, "Somebody's Been Using That Thing," was popularized by Hudson Whittaker, known professionally as Tampa Red. Miller belonged to a special stratum of rural blues mandolinists that included R.W. Durden (a member of the Three Stripped Gears), Vol Stevens, Coley Jones, Lonnie Coleman, Will Weldon and Charles Johnson, who recorded with Furry Lewis in that late 1920s. There is a regional feel to Miller's music that places him in league with black string bands in Louisville, Memphis and Dallas. His overall sound invites comparison with Charlie McCoy, Yank Rachell, Charlie Burse and Peg Leg Howell. To some extent his earliest recordings have a country feel that would segue fairly seamlessly with white fiddle bands like Earl Johnson's Clodhoppers or Gid Tanner's Skillet Lickers. Beginning in 1929 Miller began crossing over to hokum, that bawdy, party-oriented genre so favored by musicians in south side Chicago during the late 1920s. Miller's main collaborators were a guitarist with the surname Rodgers and Kansas City pianist Frank Melrose. Four titles cut for Decca/Champion in 1936 involved pianist Cripple Clarence Lofton and back alley clarinetist Odell Rand, best remembered for his work with the Chicago-based Harlem Hamfats. Information regarding Miller's origins and eventual fate has yet to come to light; after the 1936 Decca recordings the trail abruptly grows cold. Fortunately for posterity, 26 Al Miller sides were reissued by Document in 1995 as his complete works in chronological order by arwulf arwulf
Review from allmusic
Even though mandolinist Al Miller should really be counted among the pioneers of Western swing, his blend of country dance and hokum blues seems to have pushed him to the periphery of historic music appreciation circles. Indeed, were it not for Document's handsome complete edition of 1995, Miller's recorded legacy would have receded to a position even further off of most peoples' cultural radar. His earliest-known records were cut in Chicago on July 15, 1927 and issued on the now-legendary Black Patti label. "I Found a Four-Leaf Clover" sounds like a precedent for Emmett Miller & His Georgia Crackers, largely because Al's voice was similarly pitched. The main difference is that Emmett Miller liked to yodel -- his direct descendant appears to have been Hank Williams. The instrumental "Saturday Night Hymn" is a fine example of a whimsical blues played on mandolin, and was originally pressed with a title by Kid Brown & His Blue Band on the flip side. A little over 80 years after it was released, one of the few copies of this platter known to exist was being offered on the rare record circuit for more than $4,400.00. Although in many ways "Saturday Night Hymn" might be the very best recording this artist ever made, the CD is considerably more affordable and provides an additional 25 songs. One of the few individuals even tentatively identified in the discography is a guitarist with the surname Rodgers, and "I Would If I Could" was released on Paramount as by Miller and Rodgers. In February 1929 Miller began making records in a style that aimed to please the growing audience for Chicago's increasingly popular hokum blues. Miller's lasting achievement as a composer was a raunchy number with the attention-getting title "Somebody's Been Using That Thing." He recorded it five times, and the three issued takes are sprinkled throughout this album. In June 1934 Tampa Red cut a rowdy cover version for Bluebird that worked well for Tampa without, it seems, doing very much for Miller, who had frankly based much of his acquired hokum technique on records by Tampa Red, Georgia Tom, and a group specifically billed as the Hokum Boys.
The hokum formula demanded a full range of smutty lyrics laid over simple bluesy melodies that anybody could sing along with. One of hokum's major exponents was Tampa's cohort Lovin' Sam Theard. In March 1929 the second version of "Somebody's Been Using That Thing" was waxed by Al Miller & His Market Street Boys, which was nothing more than Miller and Rodgers with pianist Frank Melrose sitting in. There are 13 additional recordings from 1929 that use the same instrumentation with no one except Miller identified. Much of the material was directed at a Prohibition-era audience looking for naughty good-time music to listen to while partying with friends. Titles like "I Found Your Key-Hole," "It Ain't Killed Nobody Yet," "Gimme a Li'l Taste," and "That Stuff Ain't No Good" are typical of this mini-genre's hedonistic fixations. "Thirty First and State," with open references to prostitution, is one of several tunes inspired by the fast life on Chicago's South Side. "Let Me Put My Shoes Under Your Bed," on the other hand, is a nicely phrased love song, similar to what mild-mannered Ollie Shepard like to sing during the late '30s and early ‘40s. This collection and Al Miller's primary discography close with four sides cut for Decca in February 1936. Billed as Al Miller & His Swing Stompers, the group consisted of Miller, now apparently handling a guitar; an unidentified string bassist; pianist Cripple Clarence Lofton; and a frowsy clarinetist named Odell Rand, who did most of his recording with the Chicago-based Harlem Hamfats. Further instances of Al Miller's artistry may be found among the discographies of Lofton and vocalists Mozelle Alderson, Luella Miller, and Red Nelson Wilborn, as well as King Mutt & His Tennessee Thumpers. by arwulf arwulf
Продолжаем работу над ошибками... Рип с собственного диска, коврики в png, 300 dpi.
Раньше я слышал этого очень необычного и интересного парня только на первом томе Cripple Clarence Lofton (смотрите мои раздачи)...
Итак - замечательный музыкант и вокалист Эл Миллер и двадцать шесть треков прекрасного блюза под мандолину (!!!)...
Allmusic дал альбому 4,5 звезды.Торрент перезалит 14.09.2011 в 19:55 - это новый рип с родного диска!Приятного прослушивания! МОИ РАЗДАЧИ Каталог "Document Records" (ссылки на альбомы)
blues_man
Один мой приятель говорит "Это нонсенс - дешёвое хобби... Хобби обязано быть дорогим, особенно коллекционирование... Какой смысл - за полгода собрать ВСЁ?! Нужно собирать годами и не достигать результата..."
47593144blues_man
Один мой приятель говорит "Это нонсенс - дешёвое хобби... Хобби обязано быть дорогим, особенно коллекционирование... Какой смысл - за полгода собрать ВСЁ?! Нужно собирать годами и не достигать результата..."
главное это недоедать, недосыпать и недолюбить ради хобби, ну и не бриться тоже добавляет общей радости коллекционирования
Пара из них уже выложена с приавильным рипом (мной, кстати 
