Ernstalbrecht Stiebler - ...IM KLANG... {Teodoro Anzellotti, Marianne Schroeder, Huub ten Hacken}
Жанр: Contemporary, Accordion, Piano
Страна-производитель диска: Switzerland
Год издания диска: 1998
Издатель (лейбл): HAT HUT Records Ltd.
Номер по каталогу: hat [now] ART 109
Дата записи: 1994, 1997
Аудиокодек: FLAC
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 1:10:50
Источник: собственный рип
Наличие сканов в содержимом раздачи: да
Треклист:
01 - ...Im Klang..., for accordion
02 - Klavierstück '87
03 - ...Im Klang II...
Исполнители:
01 Teodoro Anzellotti - accordion
02 Marianne Schroeder - piano
03 Huub Ten Hacken - organ
Recording:
01 - June 13, 1997
02 - February 12, 1994
03- August 20, 1997
The volume in the beginning of ...im Klang... has to be set very low: the sound of the accordion has to begin really pianissimo.
This volume-position can be kept for the other pieces.
Лог создания рипа
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 2. January 2011, 16:20
Ernstalbrecht Stiebler / Im Klang
Used drive : TSSTcorpCDDVDW SH-S222A Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Tool\Compress\FLAC\flac.exe
Additional command line options : -V -8 -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "TRACKNUMBER=%n" -T "GENRE=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 19:56.62 | 0 | 89761
2 | 19:56.62 | 25:45.00 | 89762 | 205636
3 | 45:41.62 | 25:09.13 | 205637 | 318824
Track 1
Filename C:\! RUTRACKER\ru up\Stiebler - im Klang\01 - Im Klang I.wav
Pre-gap length 0:00:02.00
Peak level 29.8 %
Track quality 100.0 %
Test CRC 35F0EBD1
Copy CRC 35F0EBD1
Track not present in AccurateRip database
Copy OK
Track 2
Filename C:\! RUTRACKER\ru up\Stiebler - im Klang\02 - Klavierstuck 87.wav
Pre-gap length 0:00:08.62
Peak level 69.9 %
Track quality 100.0 %
Test CRC F07CB270
Copy CRC F07CB270
Track not present in AccurateRip database
Copy OK
Track 3
Filename C:\! RUTRACKER\ru up\Stiebler - im Klang\03 - Im Klang II.wav
Pre-gap length 0:00:11.62
Peak level 53.5 %
Track quality 100.0 %
Test CRC AEEC55BA
Copy CRC AEEC55BA
Track not present in AccurateRip database
Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
Содержание индексной карты (.CUE)
REM GENRE Contemporary
REM DATE 1998
REM DISCID 25109B03
REM COMMENT "ExactAudioCopy v0.99pb5"
CATALOG 0000000000000
PERFORMER "Ernstalbrecht Stiebler"
TITLE "Im Klang"
FILE "01 - Im Klang I.wav" WAVE
TRACK 01 AUDIO
TITLE "Im Klang I"
PERFORMER "Ernstalbrecht Stiebler"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Klavierstuck 87"
PERFORMER "Ernstalbrecht Stiebler"
INDEX 00 19:48:00
FILE "02 - Klavierstuck 87.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Im Klang II"
PERFORMER "Ernstalbrecht Stiebler"
INDEX 00 25:33:13
FILE "03 - Im Klang II.wav" WAVE
INDEX 01 00:00:00
Доп. информация:
"...Im Klang...," the composition originally written for accordion, makes its recorded debut here in two versions. They are separated by "Klavierstuck '87," performed by the truly gifted Marianne Schroeder. The reason for the two performances is a mechanical one: When Stiebler was going over the score with Teodoro Anzellotti, Anzellotti noted that the accordion (though certainly capable of playing everything) was not capable of making all of it audible -- hence the work for organ as well. The original purpose of this composition was to create a piece for accordion where "notes within notes" would be played because of the detached, remote sound of the accordion as the air is pushed through its bellows over long sustained periods. In order to create this, one note must be sustained while also being simultaneously attacked, in order to create a microtonal universe whose sonic possibilities could not be predicted or even imaged by the composer or performer until the moment of performance. The way Stiebler dealt with the problem -- besides leaving the original work to be played on the organ -- was to write a score shortening the held sounds so that the played ones would then be audible. The result is hypnotically stunning. Anzellotti's control over the manual air flow is nothing short of heroic, and as each new phrase is introduced that control becomes more and more complete until there is a seamlessness of action and result. The organ work is a vision of what Stiebler wanted to realize and the tonal possibilities abound; however, the airflow that comes through the accordion is cancelled out in favor of a subtler, more droning sense of polytonality. It too is very beautiful, but the pieces are so different from one another that they are impossible to compare. "Klavierstuck '87" is comprised of 19 lines played isorhythmically, so that the slight changes in tempo and pitch -- as introduced by the performer -- alter the overall rhythmic structure of the performance in listeners' ears, whose hearing and perception make them active participants. It's a Cageian notion, but one that is all too didactic in approach. Nonetheless, Schroeder puts her all into the performance of the work and makes for an emotional reading of an otherwise academic score. It's a fine piece, but it is a score, not an interactive event.
Another important Schroeder recording:
