Willy · 25-Фев-10 20:18(14 лет 9 месяцев назад, ред. 15-Авг-15 23:27)
Dmitri Shostakovich - 24 Preludes And Fugues Op.87
Дмитрий Шостакович - 24 Прелюдии и Фуги Соч.87
Keith JarrettЖанр: Classical / Piano Дата выпуска: 1992 Производитель диска: ECM New Series 1469/70 Аудио кодек: FLAC Тип рипа: tracks+.cue Битрейт: lossless Обложки: jpg, 300 dpi + PDF booklet Продолжительность: 01:00:38 & 1:14:43 Источник: (с)еть Треклист: CD 1 01. Prelude and Fugue No 1 in C major (8:11)
02. Prelude and Fugue No 2 in A minor (2:11)
03. Prelude and Fugue No 3 in G major (3:29)
04. Prelude and Fugue No 4 in E Minor (7:24)
05. Prelude and Fugue No 5 in D major (4:05)
06. Prelude and Fugue No 6 in B minor (5:23)
07. Prelude and Fugue No 7 in A major (3:12)
08. Prelude and Fugue No 8 in F sharp minor (6:22)
09. Prelude and Fugue No 9 in E major (3:48)
10. Prelude and Fugue No 10 in C sharp minor (6:20)
11. Prelude and Fugue No 11 in B major (3:22)
12. Prelude and Fugue No 12 in G sharp minor (6:53) CD 2 01. Prelude and Fugue No 13 in F sharp major (7:04)
02. Prelude and Fugue No 14 in E flat minor (7:03)
03. Prelude and Fugue No 15 in D flat major (4:20)
04. Prelude and Fugue No 16 in B flat minor (8:59)
05. Prelude and Fugue No 17 in A flat major (5:14)
06. Prelude and Fugue No 18 in F Minor (4:36)
07. Prelude and Fugue No 19 in E flat major (4:17)
08. Prelude and Fugue No 20 in C minor (8:06)
09. Prelude and Fugue No 21 in B flat major (4:01)
10. Prelude and Fugue No 22 in G minor (5:10)
11. Prelude and Fugue No 23 in F Major (5:29)
12. Prelude and Fugue No 24 in D minor (10:24) Состав: Keith Jarrett - Piano Аудио сэмплы:
[*] Amazon.com
Информация об альбоме (англ.)
Цитата:
______Dmitri Shostakovich's epic series of preludes and fugues for solo piano was inspired by the very composer whom you would immediately suspect -- Johann Sebastian Bach. Indeed, the Russian composer was motivated to write this huge work after a visit to Bach's home city Leipzig in 1950; and, in fact, it resurrects the premise behind Bach's "The Well-Tempered Clavier," providing one prelude and fugue for every major and minor key. So having conquered the Bach work on recordings, Keith Jarrett decided to tackle its 20th century sequel in this two-CD set. Looking at it from one angle, this is Jarrett's most impressive technical achievement in the classical repertoire so far. Generally speaking, the Shostakovich is more difficult to play than the other classical works that he had recorded previously, and he is clearly up to all of its sometimes fearsome demands. From an interpretive angle, though, Jarrett doesn't get as much out of this music as, say, the late Russian pianist Tatiana Nikolaeva, who gave the first performances of the work. With Nikolaeva, each note is captured and spotlighted in ever-changing lights. Jarrett is on the hunt for detail, too -- the "No. 11," "15," and "17" fugues are particularly invigorating in that respect -- yet much of the time, he tends to color things in one way. Part of this impression may be due to the sound of his piano, which is treated with ECM's usual soft-focused cloud of reverb. For Jarrett fans who are following his classical adventures, this could be a most intriguing left turn, but those seeking the definitive recording of the pieces would find Nikolaeva more stimulating.Richard S. Ginell, www.allmusic.com
Отчёт XLD
CD 1
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CD 2
X Lossless Decoder version 20090930 (110.0) XLD extraction logfile from 2009-10-16 16:58:37 -0400 Dmitri Shostakovich / Dmitri Shostakovich 24 Preludes and Fugues Opus 87 Used drive : MATSHITA DVD-R UJ-875 (revision DB09) Use cdparanoia mode : YES (CDParanoia III 10.2 engine) Disable audio cache : OK for the drive with cache less than 2750KB Make use of C2 pointers : NO Read offset correction : 102 Max retry count : 100 TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:33 | 07:03:17 | 33 | 31774 2 | 07:03:50 | 07:03:03 | 31775 | 63502 3 | 14:06:53 | 04:20:02 | 63503 | 83004 4 | 18:26:55 | 08:59:28 | 83005 | 123457 5 | 27:26:08 | 05:14:00 | 123458 | 147007 6 | 32:40:08 | 04:35:62 | 147008 | 167694 7 | 37:15:70 | 04:17:03 | 167695 | 186972 8 | 41:32:73 | 08:05:72 | 186973 | 223419 9 | 49:38:70 | 04:01:13 | 223420 | 241507 10 | 53:40:08 | 05:09:65 | 241508 | 264747 11 | 58:49:73 | 05:28:72 | 264748 | 289419 12 | 64:18:70 | 10:24:10 | 289420 | 336229 List of alternate offset correction values # | Absolute | Relative | Confidence ------------------------------------------ 1 | -1075 | -1177 | 11 All Tracks Album gain : 2.27 dB Peak : 0.977203 Track 01 Filename : /Volumes/Mercury 5/Lossless/Classical/Keith Jarrett - Dmitri Shostakovich 24 Preludes and Fugues Opus 87 (1992) [FLAC]/Disc2/01 - Prelude and Fugue No 13 in F sharp major.flac Track gain : 5.16 dB Peak : 0.530182 CRC32 hash (test run) : 2D6D8B85 CRC32 hash : 2D6D8B85 CRC32 hash (skip zero) : 87160B51 AccurateRip signature : EE39D2CE ->Accurately ripped! 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(confidence 5) Statistics Read error : 0 Skipped (treated as error) : 0 Edge jitter error (maybe fixed) : 0 Atom jitter error (maybe fixed) : 0 Drift error (maybe fixed) : 0 Dropped bytes error (maybe fixed) : 0 Duplicated bytes error (maybe fixed) : 0 Inconsistency in error sectors : 0 Track 10 Filename : /Volumes/Mercury 5/Lossless/Classical/Keith Jarrett - Dmitri Shostakovich 24 Preludes and Fugues Opus 87 (1992) [FLAC]/Disc2/10 - Prelude and Fugue No 22 in G minor.flac Track gain : 5.77 dB Peak : 0.419464 CRC32 hash (test run) : 47459B1C CRC32 hash : 47459B1C CRC32 hash (skip zero) : 256A8950 AccurateRip signature : 7FFE7994 ->Accurately ripped! 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(confidence 5) Statistics Read error : 0 Skipped (treated as error) : 0 Edge jitter error (maybe fixed) : 0 Atom jitter error (maybe fixed) : 0 Drift error (maybe fixed) : 0 Dropped bytes error (maybe fixed) : 0 Duplicated bytes error (maybe fixed) : 0 Inconsistency in error sectors : 0 Track 12 Filename : /Volumes/Mercury 5/Lossless/Classical/Keith Jarrett - Dmitri Shostakovich 24 Preludes and Fugues Opus 87 (1992) [FLAC]/Disc2/12 - Prelude and Fugue No 24 in D minor.flac Track gain : -1.75 dB Peak : 0.977203 CRC32 hash (test run) : 8991EB4E CRC32 hash : 8991EB4E CRC32 hash (skip zero) : 00724A76 AccurateRip signature : DD58C380 ->Accurately ripped! (confidence 5) Statistics Read error : 0 Skipped (treated as error) : 0 Edge jitter error (maybe fixed) : 0 Atom jitter error (maybe fixed) : 0 Drift error (maybe fixed) : 0 Dropped bytes error (maybe fixed) : 0 Duplicated bytes error (maybe fixed) : 0 Inconsistency in error sectors : 0 No errors occurred End of status report
CUE
CD 1
TITLE "Dmitri Shostakovich 24 Preludes and Fugues Opus 87" PERFORMER "Keith Jarrett" CATALOG 0028943719025 REM GENRE "Classical" REM DATE 1991 FILE "01 - Prelude and Fugue No 1 in C major.wav" WAVE TRACK 01 AUDIO TITLE "Prelude and Fugue No 1 in C major" INDEX 01 00:00:00 FILE "02 - Prelude and Fugue No 2 in A minor.wav" WAVE TRACK 02 AUDIO TITLE "Prelude and Fugue No 2 in A minor" INDEX 01 00:00:00 FILE "03 - Prelude and Fugue No 3 in G major.wav" WAVE TRACK 03 AUDIO TITLE "Prelude and Fugue No 3 in G major" INDEX 01 00:00:00 FILE "04 - Prelude and Fugue No 4 in E Minor.wav" WAVE TRACK 04 AUDIO TITLE "Prelude and Fugue No 4 in E Minor" INDEX 01 00:00:00 FILE "05 - Prelude and Fugue No 5 in D major.wav" WAVE TRACK 05 AUDIO TITLE "Prelude and Fugue No 5 in D major" INDEX 01 00:00:00 FILE "06 - Prelude and Fugue No 6 in B minor.wav" WAVE TRACK 06 AUDIO TITLE "Prelude and Fugue No 6 in B minor" INDEX 01 00:00:00 FILE "07 - Prelude and Fugue No 7 in A major.wav" WAVE TRACK 07 AUDIO TITLE "Prelude and Fugue No 7 in A major" INDEX 01 00:00:00 FILE "08 - Prelude and Fugue No 8 in F sharp minor.wav" WAVE TRACK 08 AUDIO TITLE "Prelude and Fugue No 8 in F sharp minor" INDEX 01 00:00:00 FILE "09 - Prelude and Fugue No 9 in E major.wav" WAVE TRACK 09 AUDIO TITLE "Prelude and Fugue No 9 in E major" INDEX 01 00:00:00 FILE "10 - Prelude and Fugue No 10 in C sharp minor.wav" WAVE TRACK 10 AUDIO TITLE "Prelude and Fugue No 10 in C sharp minor" INDEX 01 00:00:00 FILE "11 - Prelude and Fugue No 11 in B major.wav" WAVE TRACK 11 AUDIO TITLE "Prelude and Fugue No 11 in B major" INDEX 01 00:00:00 FILE "12 - Prelude and Fugue No 12 in G sharp minor.wav" WAVE TRACK 12 AUDIO TITLE "Prelude and Fugue No 12 in G sharp minor" INDEX 01 00:00:00
CD 2
TITLE "Dmitri Shostakovich 24 Preludes and Fugues Opus 87" PERFORMER "Dmitri Shostakovich" CATALOG 0028943719124 REM GENRE "Classical" REM DATE 1992 FILE "01 - Prelude and Fugue No 13 in F sharp major.wav" WAVE TRACK 01 AUDIO TITLE "Prelude and Fugue No 13 in F sharp major" PERFORMER "Keith Jarrett" INDEX 00 00:00:00 INDEX 01 00:00:33 FILE "02 - Prelude and Fugue No 14 in E flat minor.wav" WAVE TRACK 02 AUDIO TITLE "Prelude and Fugue No 14 in E flat minor" PERFORMER "Keith Jarrett" INDEX 01 00:00:00 FILE "03 - Prelude and Fugue No 15 in D flat major.wav" WAVE TRACK 03 AUDIO TITLE "Prelude and Fugue No 15 in D flat major" PERFORMER "Keith Jarrett" INDEX 01 00:00:00 FILE "04 - Prelude and Fugue No 16 in B flat minor.wav" WAVE TRACK 04 AUDIO TITLE "Prelude and Fugue No 16 in B flat minor" PERFORMER "Keith Jarrett" INDEX 01 00:00:00 FILE "05 - Prelude and Fugue No 17 in A flat major.wav" WAVE TRACK 05 AUDIO TITLE "Prelude and Fugue No 17 in A flat major" PERFORMER "Keith Jarrett" INDEX 01 00:00:00 FILE "06 - Prelude and Fugue No 18 in F Minor.wav" WAVE TRACK 06 AUDIO TITLE "Prelude and Fugue No 18 in F Minor" PERFORMER "Keith Jarrett" INDEX 01 00:00:00 FILE "07 - Prelude and Fugue No 19 in E flat major.wav" WAVE TRACK 07 AUDIO TITLE "Prelude and Fugue No 19 in E flat major" PERFORMER "Keith Jarrett" INDEX 01 00:00:00 FILE "08 - Prelude and Fugue No 20 in C minor.wav" WAVE TRACK 08 AUDIO TITLE "Prelude and Fugue No 20 in C minor" PERFORMER "Keith Jarrett" INDEX 01 00:00:00 FILE "09 - Prelude and Fugue No 21 in B flat major.wav" WAVE TRACK 09 AUDIO TITLE "Prelude and Fugue No 21 in B flat major" PERFORMER "Keith Jarrett" INDEX 01 00:00:00 FILE "10 - Prelude and Fugue No 22 in G minor.wav" WAVE TRACK 10 AUDIO TITLE "Prelude and Fugue No 22 in G minor" PERFORMER "Keith Jarrett" INDEX 01 00:00:00 FILE "11 - Prelude and Fugue No 23 in F Major.wav" WAVE TRACK 11 AUDIO TITLE "Prelude and Fugue No 23 in F Major" PERFORMER "Keith Jarrett" INDEX 01 00:00:00 FILE "12 - Prelude and Fugue No 24 in D minor.wav" WAVE TRACK 12 AUDIO TITLE "Prelude and Fugue No 24 in D minor" PERFORMER "Keith Jarrett" INDEX 01 00:00:00
Спасибо! Кейт, как всегда, прекрасно жарит... И еще. Файл cue для второго диска битый.
Я кинул его в foobar и он открыв трек-лист, не захотел воспроизводить треки сославшись на ошибку "Object not found".
Он не битый, с ним всё в порядке. В потрековых рипах CUE не предназначен для воспроизведения, он служит исключительно для записи или для каких-то операций над рипом в разных программах. В плейер надо загружать плейлист - Playlist.m3u
Он не битый, с ним всё в порядке. В потрековых рипах CUE не предназначен для воспроизведения, он служит исключительно для записи или для каких-то операций над рипом в разных программах. В плейер надо загружать плейлист - Playlist.m3u
Безусловно, исполнение Николаевой по смыслу гораздо ближе тому, что хотел выразить Шостакович. ОДНАКО!!! В этой музыке столько безнадежной тоски и депрессии, что с ней стоит познакомиться, но слушать - для меня было выше моих сил... Когда же я услышал Джаретта, я поразился сколько жизни внес он в эти ноты. Лично я только в его исполнении и могу слушать эти прелюдии, тот для меня редкий случай, когда я горячий сторонник ухода от истинного духа произведения в сторону просто необычного, но очень наполненного исполнения. Не стоит погружаться добровольно в адские глубины отчаяния, ибо там нет уже никакой музыки, но надо знать что они есть - наверное так сейчас я понимаю значимость этого произведения. А Джаретту - спасибо!!!
P.S. Слушать надо, конечно же, все выдающиеся исполнения - и Николаеву, и Ашкенази, и Джаретта. Лично у меня исполнение Джаретта остается любимым!
Решил сравнить "в лоб" Джарретта и Николаеву. Результат, прямо скажем, не в пользу последней. Осмысление Джарретта тоньше и убедительнее. Некоторые фрагменты в исполнении Николаевой мне показались и вовсе не прочувствованными. Да и записан Джарретт гораздо лучше.
Спасибо за представленный диск!
53779952Безусловно, исполнение Николаевой по смыслу гораздо ближе тому, что хотел выразить Шостакович. ОДНАКО!!! В этой музыке столько безнадежной тоски и депрессии, что с ней стоит познакомиться, но слушать - для меня было выше моих сил... Когда же я услышал Джаретта, я поразился сколько жизни внес он в эти ноты. Лично я только в его исполнении и могу слушать эти прелюдии, тот для меня редкий случай, когда я горячий сторонник ухода от истинного духа произведения в сторону просто необычного, но очень наполненного исполнения. Не стоит погружаться добровольно в адские глубины отчаяния, ибо там нет уже никакой музыки, но надо знать что они есть - наверное так сейчас я понимаю значимость этого произведения. А Джаретту - спасибо!!!
P.S. Слушать надо, конечно же, все выдающиеся исполнения - и Николаеву, и Ашкенази, и Джаретта. Лично у меня исполнение Джаретта остается любимым!
Николаева могла интересно, возможно, играть, когда впервые исполняла цикл в 1950-е годы. Запись же 1980-х годов весьма Николаевская, если можно так выразиться: и по звуку и по трактовке. Вообще, на мой взгляд, её исполнение далеко не лучшее, а, скорее, наоборот. Forte грубое, тембровой тонкости нет, много мути. Полагаю, что и посвящено сие творение композитора ей было идеологическим, по крайней мере, косвенно это известно по словам некоторых профессоров Санкт-Петербургской консерватории. Письменно об этом, практически, не говорится, ибо музыкальная среда вообще рутинна и не любит, что называется, выносить сор из избы. Это особенно было заметно после выхода книги Гордона о Гилельсе, который, хоьть и не много, но Шостаковича исполнял, как никто. Джаррет - гениален, и, как раз, в духе Шостаковича, и, что удивительно, никакого джазирования.
Одно из любимых произведений Шостаковича. Но в каких бы исполнениях не слушал, всё время не слышал чего-то "того самого". Не знаю, повлияло ли как-то, что с исполнения Джаррета я это сочинение слушать и начал, но хочу сказать, что он великолепно прочувствовал материал. Сколько у него романтики в мажорных прелюдиях и фугах! А ре-минорная фуга так вообще исполнена безупречно. Спасибо большое за раздачу в хорошем качестве.