Strelnikoff Vladimir I · 01-Ноя-25 10:07(2 месяца 10 дней назад, ред. 12-Ноя-25 19:55)
Läuten der Seele "Unterhaltungen mit Larven und Überresten" . •Christian Schoppik [birth name]: Germany (Würzburg, Bayern) •Жанры: Sound Collage, Ambient, Spoken Word •Издатель: World of Echo (UK) •Номер по каталогу: WOE024 •Дата релиза:24.10.2025 •Аудиокодек: FLAC (*flac) •Битрейт аудио: lossless •Тип рипа: tracks •Источник: Deezer •Формат: WEB | Album . •TRACK LISTING 01..Anklopfen.(01:20) 02..Wir Zwei Allein.(02:54) 03..Das Alles Dass.(03:31) 04..Keinen Mund.(02:41) 05..Schiffbruch.(03:30) 06..Komplette Fragmente.(01:44) 07..Letzte Lichter.(04:09) 08..Hinaustreten.(01:18) 09..Grüne Fassaden.(04:16) 10..Sal.(01:44) 11..Schein und Haben.(03:01) 12..Augen Auf!.(02:12) 13..Ondas.(04:10) 14..Ein Englisches Lied.(03:25)
total length [00:39:49]
Лог проверки качества:
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) ———————————————————————————————————————————————————————————————————————— --- / Unterhaltungen mit Larven und Überresten Folder: Läuten der Seele - 2025 - Unterhaltungen mit Larven und Überresten (web) Audio files: 01. Anklopfen.flac [01:19.483; FLAC • 668 kbps • 16 bit \ 44100 Hz • stereo; 6.34 MB (6 643 127 B)] 02. Wir Zwei Allein.flac [02:53.020; FLAC • 667 kbps • 16 bit \ 44100 Hz • stereo; 13.77 MB (14 436 147 B)] 03. Das Alles Dass.flac [03:30.910; FLAC • 785 kbps • 16 bit \ 44100 Hz • stereo; 19.75 MB (20 713 219 B)] 04. Keinen Mund.flac [02:40.611; FLAC • 816 kbps • 16 bit \ 44100 Hz • stereo; 15.64 MB (16 399 345 B)] 05. Schiffbruch.flac [03:29.501; FLAC • 759 kbps • 16 bit \ 44100 Hz • stereo; 18.96 MB (19 881 297 B)] 06. Komplette Fragmente.flac [01:43.893; FLAC • 776 kbps • 16 bit \ 44100 Hz • stereo; 9.61 MB (10 080 023 B)] 07. Letzte Lichter.flac [04:08.913; FLAC • 881 kbps • 16 bit \ 44100 Hz • stereo; 26.15 MB (27 422 588 B)] 08. Hinaustreten.flac [01:17.259; FLAC • 627 kbps • 16 bit \ 44100 Hz • stereo; 5.77 MB (6 055 370 B)] 09. Grüne Fassaden.flac [04:15.320; FLAC • 870 kbps • 16 bit \ 44100 Hz • stereo; 26.48 MB (27 770 469 B)] 10. Sal.flac [01:43.032; FLAC • 843 kbps • 16 bit \ 44100 Hz • stereo; 10.36 MB (10 859 245 B)] 11. Schein und Haben.flac [03:00.851; FLAC • 666 kbps • 16 bit \ 44100 Hz • stereo; 14.36 MB (15 059 455 B)] 12. Augen Auf!.flac [02:11.398; FLAC • 773 kbps • 16 bit \ 44100 Hz • stereo; 12.11 MB (12 702 541 B)] 13. Ondas.flac [04:10.000; FLAC • 671 kbps • 16 bit \ 44100 Hz • stereo; 20.00 MB (20 970 278 B)] 14. Ein Englisches Lied.flac [03:24.581; FLAC • 882 kbps • 16 bit \ 44100 Hz • stereo; 21.52 MB (22 568 243 B)] Accuracy: -m0 File 01. Anklopfen - 100% CDDA [01:19:36] File 02. Wir Zwei Allein - 99% CDDA [02:53:01] File 03. Das Alles Dass - 100% CDDA [03:30:68] File 04. Keinen Mund - 100% CDDA [02:40:46] File 05. Schiffbruch - 100% CDDA [03:29:38] File 06. Komplette Fragmente - 100% CDDA [01:43:67] File 07. Letzte Lichter - 100% CDDA [04:08:68] File 08. Hinaustreten - 100% CDDA [01:17:19] File 09. Grüne Fassaden - 100% CDDA [04:15:24] File 10. Sal - 100% CDDA [01:43:02] File 11. Schein und Haben - 100% CDDA [03:00:64] File 12. Augen Auf! - 100% CDDA [02:11:30] File 13. Ondas - 100% CDDA [04:10:00] File 14. Ein Englisches Lied - 100% CDDA [03:24:44] ————— Summary: ————— These tracks looks like CDDA with probability 100%. ———————————————————————————————————————————————————————————————————————— ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. Time elapsed: 1 m 14 s Log created at November 01, 2025 04:33:16 === B82D6BC1B93C91F44AE9322ED0CFECB82EF401F42B89A7EB329CC8831194D491 ===
Динамический отчет (DR):
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) log date: 2025-11-01 04:31:58 -------------------------------------------------------------------------------- Album : Unterhaltungen mit Larven und Überresten Year : 2025 -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR12 -4.55 dB -19.61 dB 1:19 01 - Anklopfen / Läuten der Seele DR10 -2.53 dB -15.39 dB 2:53 02 - Wir Zwei Allein / Läuten der Seele DR9 -0.43 dB -13.13 dB 3:31 03 - Das Alles Dass / Läuten der Seele DR11 -0.46 dB -14.95 dB 2:41 04 - Keinen Mund / Läuten der Seele DR9 -0.44 dB -11.29 dB 3:30 05 - Schiffbruch / Läuten der Seele DR13 -0.62 dB -17.18 dB 1:44 06 - Komplette Fragmente / Läuten der Seele DR10 -1.19 dB -13.89 dB 4:09 07 - Letzte Lichter / Läuten der Seele DR11 -4.27 dB -18.20 dB 1:17 08 - Hinaustreten / Läuten der Seele DR11 -0.45 dB -14.39 dB 4:15 09 - Grüne Fassaden / Läuten der Seele DR10 -1.05 dB -14.77 dB 1:43 10 - Sal / Läuten der Seele DR10 -1.97 dB -14.75 dB 3:01 11 - Schein und Haben / Läuten der Seele DR12 -2.09 dB -16.48 dB 2:11 12 - Augen Auf! / Läuten der Seele DR12 -4.50 dB -19.55 dB 4:10 13 - Ondas / Läuten der Seele DR9 -0.67 dB -12.83 dB 3:25 14 - Ein Englisches Lied / Läuten der Seele -------------------------------------------------------------------------------- Number of tracks : 14 Official DR Value: DR11 Samplerate : 44100 Hz Channels : 2 Bits per sample : 16 Average bitrate : 775 kbps Codec : FLAC ================================================================================
Скриншоты спектров частот:
об альбоме
Some time ago, a few steps down from the place where I lived back then, there was this unkempt garden belonging to a smallish, rather bland-looking 1920s-era mansion. The garden was surrounded by a stone wall and one side of that wall had a huge crack running right through it. I've passed that spot every day on my way to work. The crack itself was shaped like a lightning striking through the stone or resembled something that would imply seismic activity even if no such thing is known to occur in these part. But its energetic radiance was undeniable to me. Often when I passed it, a rush of electricity flooded my thoughts and I would wonder – what microcosm, what kind of infinitesimal life, would rest inside there? It felt as if that crack could contain a whole reality of its own, different from mine, highly sensitive and yet perfectly encapsulated by the stupor of our mundane wanderings. Listening to "Unterhaltungen mit Larven und Überresten" (trans: Conversations With Larvae and Fossil Remains) brought back the memories of that wall, that energy, that phantasmal presence of something beyond physical perception. In a way, this record feels like a live transmission from the inside of that crack – or better, every crack, every narrow gap and interstice gouging the thin layers of a reality we all seem to share. Notorious for dwelling in these in-between spaces, Christian Schoppik's Läuten der Seele project has long since stirred the anima within the hidden reverse of quotidian objects by looping and re-contextualising obscure and disparate sample sources. With the addition of Jota Solo, these often oneiric and impressionistic collages and story paintings now open up to a more expressive and direct colour scheme, quite literally as if Schoppik's sonic phantasmagorias have been ultimately given a real human voice to speak their mysteries. But whose voice is that? Jota has a long-running history traversing Austria's outsider art scene under a myriad of different pseudonyms, most notably in the group Nový Svět, a duo he shared with Frl. Tost, formed in the late 90s in Vienna's seminal post-industrial underground. Often mislabeled as "neo-cabaret" or "combat-folk" for a lack of understanding the duo's immense genre-blind creativity, Nový Svět always remained misfits in every scene they entered but garnered attention and cult following from a group of more open-minded listeners. For as long as he can remember, Schoppik's own work has been heavily influenced by the iridescent and protean microcosm of Nový Svět, not so much in sound, as in spirit. Such is the extent of that inspiration, he has also helped introduce their music to a new and younger audience with the release of their long-lost Desde Infiernos de Flores album on his own Quirlschlängle imprint. In part, the first long-form collaboration between Christian and Jota hence resembles the framework of the FRKWYS inter-generational series, but there is nothing clinical or conceptual about this work. Instead, we're eavesdropping on a chance meeting of the two in what feels like the fragment of a shared dream, sublimating each other's spectral antics through spirals of noise and song, most of which is sung in German with that snide Austrian accent. Jota's presence is that of a restless, troubled feu follet, guiding - - or, as it were, misguiding - the listener with his signature parlando through the nostalgic terrain vague of Schoppik's multi-layered spools. If you're already familiar with — Läuten der Seele's detailed kaleidoscopic sound topographies you might find yourself entering an even more adventurous zone of madness and bittersweet melancholy here. Be not mistaken by the turmoil though – buried deep inside these vivid granular textures there is a rhizome of harmonies of an almost folkloristic quality: ghostlike echoes of Rashad Becker's Notional Species, lost in reveries of what life forms they have left behind or will soon emerge from them. Infinitely small, infinitely meaningful.--- Margot Benetti, Whitsuntide 2025
