Nick Storring – Mirante . Nick Storring [currently]: Canada (Toronto / ON) Жанры: Electroacoustic, Tribal Ambient Лэйбл: We Are Busy Bodies (Canada) Номер по каталогу: WABB-198 Дата релиза: 21.03.2025 Аудиокодек: FLAC (*.flac) Тип рипа: tracks Носитель: web Источник: Deezer . Треклист[00:45:05] 01. Roxa I(07:36)
02. Roxa II(05:50)
03. Mirante(09:07)
04. Falta de ar(04:30)
05. Parque tingui(03:43)
06. Terra da garoa(04:35)
07. Roxa III(09:46)
Лог проверки качества:
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) ———————————————————————————————————————————————————————————————————————— --- / Mirante Folder: Nick Storring - 2025 - Mirante (web) Audio files: 01. Roxa I.flac [07:35.413; FLAC • 605 kbps • 16 bit \ 44100 Hz • stereo; 32.89 MB (34 487 480 B)] 02. Roxa II.flac [05:49.893; FLAC • 578 kbps • 16 bit \ 44100 Hz • stereo; 24.12 MB (25 292 948 B)] 03. Mirante.flac [09:06.693; FLAC • 780 kbps • 16 bit \ 44100 Hz • stereo; 50.87 MB (53 338 994 B)] 04. Falta de ar.flac [04:29.747; FLAC • 785 kbps • 16 bit \ 44100 Hz • stereo; 25.26 MB (26 485 470 B)] 05. Parque tingui.flac [03:42.507; FLAC • 516 kbps • 16 bit \ 44100 Hz • stereo; 13.70 MB (14 363 541 B)] 06. Terra da garoa.flac [04:34.587; FLAC • 738 kbps • 16 bit \ 44100 Hz • stereo; 24.19 MB (25 361 814 B)] 07. Roxa III.flac [09:45.171; FLAC • 683 kbps • 16 bit \ 44100 Hz • stereo; 47.69 MB (50 011 666 B)] Accuracy: -m0 File 01. Roxa I - 100% CDDA [07:35:31] File 02. Roxa II - 100% CDDA [05:49:67] File 03. Mirante - 100% CDDA [09:06:52] File 04. Falta de ar - 100% CDDA [04:29:56] File 05. Parque tingui - 100% CDDA [03:42:38] File 06. Terra da garoa - 100% CDDA [04:34:44] File 07. Roxa III - 99% CDDA [09:45:13] ————— Summary: ————— These tracks looks like CDDA with probability 100%. ———————————————————————————————————————————————————————————————————————— ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. Time elapsed: 1 m 21 s Log created at October 24, 2025 23:31:35 === E76521CAC36FAB54DC9E6C5D60EFBAB2DA8A79C6882D268F0057C368D026AD17 ===
Динамический отчет (DR):
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) log date: 2025-10-24 23:30:09 -------------------------------------------------------------------------------- Album : Mirante Year : 2025 -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR9 0.00 dB -13.02 dB 7:35 01 - Roxa I / Nick Storring DR11 0.00 dB -14.55 dB 5:50 02 - Roxa II / Nick Storring DR7 0.00 dB -12.54 dB 9:07 03 - Mirante / Nick Storring DR8 0.00 dB -11.43 dB 4:30 04 - Falta de ar / Nick Storring DR9 -0.03 dB -13.78 dB 3:43 05 - Parque tingui / Nick Storring DR10 0.00 dB -12.56 dB 4:35 06 - Terra da garoa / Nick Storring DR8 0.00 dB -13.61 dB 9:45 07 - Roxa III / Nick Storring -------------------------------------------------------------------------------- Number of tracks : 7 Official DR Value: DR9 Samplerate : 44100 Hz Channels : 2 Bits per sample : 16 Average bitrate : 678 kbps Codec : FLAC ================================================================================
Скриншоты спектров частот:
Об альбоме
Acclaimed Toronto-based composer Nick Storring today announces his ninth full-length recording "Mirante", and releases the first track taken from it, 'Roxa I', a lush mass of percolating melodic and percussive figures. "Mirante", which will be released on March 21st 2025 on We Are Busy Bodies, can be regarded as an homage to Brazil, albeit an oblique one, especially given that two of the tracks were composed well before Storring even visited the country for the first time. Storring's output is decidedly abstract in its general orientation, and this sensibility extends to his evocation of style, and as a result the album does not intentionally strive to sound like any particular Brazilian music, even if some audible influences and elements float to the surface. Instead, the music endeavours to convey broader impressions of the country—its beauty and its contrasts, the sounds of its urban and natural environments. And of course, music is a considerable part of Brazil's identity. Mirante is easily Storring's most rhythmic record to date. Percussion plays a major role throughout, and at times is one of the key features that connects these pieces to the Brazilian canon. Yet even the more ambient sections carry an underlying sense of pulse, making the transitions between the album's various sonic environments supple and fluid. Nick Storring — Fender Rhodes, Hohner Pianet-T, Hohner Clavinet D6, Yamaha CP60M Stage Piano, electric mandola, electric mandocello, acoustic cello, electric cello, electric bass, cavaquinho, Harpsicle, glockenspiel, toy piano, thumb pianos, handbells, bar chimes, Orff Xylophone, ornamental gamelan instrument, toy balafon, tongue drums, harmonicas, melodicas, Suzuki Andes 25-F, ocarina, clarinet, bawu, hulusi, bamboo saxophone, xaphoon, assorted flutes, slide whistles, whirly tubes, bird calls, Acme siren whistle, dog whistle, voice, cuíca, khamak, Boomwhackers, drums and percussion, singing bowl, hand claps, streetsweeper bristles, spring reverb, talkbox, transducer speakers. Contains field recordings captured in São Paulo, Guarujá, and Curitiba, Brazil Composed, performed, recorded, produced and mixed by Nick Storring, (2020-2023)
