Ryuichi Yoshida - Sakai
Жанр: Free Improvisation
Носитель: CD
Страна-производитель диска (релиза): Япония
Год издания: 2023
Издатель (лейбл): Doubtmusic
Номер по каталогу: DMS-175
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Продолжительность: 00:47:43
Источник: teenpicasso
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Ai-Sabi (4:25)
02. Improvisation 03 (2:21)
03. Improvisation 09 (4:14)
04. Shira-Ai (4:28)
05. Improvisation 02 (2:57)
06. Improvisation 11 (5:02)
07. Improvisation 12 (2:58)
08. Mizu-Hanada (5:00)
09. Improvisation 06 (3:35)
10. Improvisation 13 (1:28)
11. Improvisation 08 (6:33)
12. Shi-Kon (4:42)
Состав:
Ryuichi Yoshida - baritone saxophone solo
Recorded at Sakaiki Cliffside, Chino-City, Nagano, Japan on July 8, 2022.
Лог создания рипа
X Lossless Decoder version 20240511 (157.1)
XLD extraction logfile from 2024-10-14 18:02:10 -0400
Ryuichi Yoshida / SAKAI
Used drive : HL-DT-ST DVDRAM GT30N (revision NR03)
Media type : Pressed CD
Ripper mode : XLD Secure Ripper
Disable audio cache : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction : 103
Max retry count : 20
Gap status : Analyzed, Appended (except HTOA)
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 00:00:45 | 04:25:22 | 45 | 19941
2 | 04:25:67 | 02:21:06 | 19942 | 30522
3 | 06:46:73 | 04:13:44 | 30523 | 49541
4 | 11:00:42 | 04:27:69 | 49542 | 69635
5 | 15:28:36 | 02:56:69 | 69636 | 82904
6 | 18:25:30 | 05:01:55 | 82905 | 105534
7 | 23:27:10 | 02:58:21 | 105535 | 118905
8 | 26:25:31 | 05:00:18 | 118906 | 141423
9 | 31:25:49 | 03:35:05 | 141424 | 157553
10 | 35:00:54 | 01:28:14 | 157554 | 164167
11 | 36:28:68 | 06:32:63 | 164168 | 193630
12 | 43:01:56 | 04:41:68 | 193631 | 214773
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Track 01
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Содержание индексной карты (.CUE)
TITLE "Sakai"
PERFORMER "Ryuichi Yoshida"
REM GENRE "Jazz"
REM DATE "2023"
REM DISCID 9E0B2F0C
REM REPLAYGAIN_ALBUM_GAIN -5.25 dB
REM REPLAYGAIN_ALBUM_PEAK 0.959839
FILE "01 - Ai-Sabi.flac" WAVE
TRACK 01 AUDIO
TITLE "Ai-Sabi"
REM REPLAYGAIN_TRACK_GAIN -4.84 dB
REM REPLAYGAIN_TRACK_PEAK 0.957855
PREGAP 00:00:45
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Improvisation 03"
REM REPLAYGAIN_TRACK_GAIN -4.20 dB
REM REPLAYGAIN_TRACK_PEAK 0.956238
INDEX 00 04:24:22
FILE "02 - Improvisation 03.flac" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Improvisation 09"
REM REPLAYGAIN_TRACK_GAIN -5.78 dB
REM REPLAYGAIN_TRACK_PEAK 0.959015
INDEX 00 02:18:06
FILE "03 - Improvisation 09.flac" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Shira-Ai"
REM REPLAYGAIN_TRACK_GAIN -6.06 dB
REM REPLAYGAIN_TRACK_PEAK 0.953278
INDEX 00 04:10:44
FILE "04 - Shira-Ai.flac" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "Improvisation 02"
REM REPLAYGAIN_TRACK_GAIN -1.78 dB
REM REPLAYGAIN_TRACK_PEAK 0.953156
INDEX 00 04:24:69
FILE "05 - Improvisation 02.flac" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "Improvisation 11"
REM REPLAYGAIN_TRACK_GAIN -3.85 dB
REM REPLAYGAIN_TRACK_PEAK 0.956177
INDEX 00 02:53:69
FILE "06 - Improvisation 11.flac" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Improvisation 12"
REM REPLAYGAIN_TRACK_GAIN -8.01 dB
REM REPLAYGAIN_TRACK_PEAK 0.959839
INDEX 00 04:56:55
FILE "07 - Improvisation 12.flac" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "Mizu-Hanada"
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INDEX 00 02:55:21
FILE "08 - Mizu-Hanada.flac" WAVE
INDEX 01 00:00:00
TRACK 09 AUDIO
TITLE "Improvisation 06"
REM REPLAYGAIN_TRACK_GAIN -5.65 dB
REM REPLAYGAIN_TRACK_PEAK 0.951172
INDEX 00 04:57:18
FILE "09 - Improvisation 06.flac" WAVE
INDEX 01 00:00:00
TRACK 10 AUDIO
TITLE "Improvisation 13"
REM REPLAYGAIN_TRACK_GAIN 1.12 dB
REM REPLAYGAIN_TRACK_PEAK 0.610718
INDEX 00 03:32:05
FILE "10 - Improvisation 13.flac" WAVE
INDEX 01 00:00:00
TRACK 11 AUDIO
TITLE "Improvisation 08"
REM REPLAYGAIN_TRACK_GAIN -6.23 dB
REM REPLAYGAIN_TRACK_PEAK 0.953613
INDEX 00 01:25:14
FILE "11 - Improvisation 08.flac" WAVE
INDEX 01 00:00:00
TRACK 12 AUDIO
TITLE "Shi-Kon"
REM REPLAYGAIN_TRACK_GAIN -3.82 dB
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FILE "12 - Shi-Kon.flac" WAVE
INDEX 01 00:00:00
Динамический отчет (DR)
foobar2000 1.6.16 / Dynamic Range Meter 1.1.1
log date: 2024-10-15 14:35:26
--------------------------------------------------------------------------------
Analyzed: Ryuichi Yoshida / Sakai
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR11 -0.37 dB -15.84 dB 4:25 01-Ai-Sabi
DR12 -0.39 dB -14.85 dB 2:21 02-Improvisation 03
DR11 -0.36 dB -12.86 dB 4:14 03-Improvisation 09
DR10 -0.42 dB -13.29 dB 4:28 04-Shira-Ai
DR14 -0.42 dB -17.01 dB 2:57 05-Improvisation 02
DR12 -0.39 dB -15.05 dB 5:02 06-Improvisation 11
DR9 -0.36 dB -10.58 dB 2:58 07-Improvisation 12
DR13 -1.41 dB -18.94 dB 5:00 08-Mizu-Hanada
DR10 -0.43 dB -13.90 dB 3:35 09-Improvisation 06
DR12 -4.28 dB -21.61 dB 1:28 10-Improvisation 13
DR10 -0.41 dB -13.51 dB 6:33 11-Improvisation 08
DR11 -0.44 dB -16.72 dB 4:42 12-Shi-Kon
--------------------------------------------------------------------------------
Number of tracks: 12
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 638 kbps
Codec: FLAC
================================================================================
Об альбоме (сборнике)
In addition to Shibusa Shirazu, Goko Fujii Orchestra, Yasuhiro Yoshigaki MOGOTOYOYO, SXQ, Eiichi Hayashi GATOS Meeting, Fumio Itabashi Orchestra, psychedelic rock band The Silence, his own group Blacksheep, and many other sessions, and in recent years, Ryuichi Yoshida is very active, having had great success with plays Gato Barbieri, plays Carla Bley, and plays Charlie Haden at Shinjuku Pit Inn.
This is a long-awaited release of his baritone saxophone solo, which has been his life's work for many years! His unique freaky tone and frazio that can be heard in the above groups and sessions are slightly overshadowed, and you can hear the charm of the baritone saxophone directly. However, the powerful sound unique to multiphonics and baritone that explodes at critical moments is The Ryuichi Yoshida! It is inevitable that you will want to shout out Kaiya.
Of the 12 pieces, 4 are compositions (those with titles) and the other 8 are improvisations, but it is no longer clear where the "boundary" between composition and improvisation exists, or the difference between music and acoustics. If you approach this group of works while thinking about where the "boundary" is, etc., you will be able to "listen to sounds" that are truly interesting. However, I can guarantee that you can just listen to the sound and enjoy its splendor without thinking about such complicated things.
