(Fusion, Jazz-Funk) [LP] [24/192] Medeski Martin & Wood - Note Bleu: Best of the Blue Note Years 1998-2005 (2 LP) - 2006, FLAC (tracks)

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fiks22

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fiks22 · 09-Июл-24 14:16 (1 год 4 месяца назад, ред. 09-Июл-24 14:29)

Medeski Martin & Wood - Note Bleu: Best of the Blue Note Years 1998-2005
Жанр: Fusion, Jazz-Funk
Носитель: LP
Год выпуска: 2006
Лейбл: Blue Note (0946 3 50672 1 7, BTE50672)
Страна-производитель: США
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/192
Формат раздачи: 24/192
Продолжительность: 01:15:09
Треклист:
01. The Dropper (3:32)
02. Sugar Craft (3:21)
03. I Wanna Ride You (3:27)
04. Nocturne (4:01)
05. Partido Alto (5:43)
06. Hey-Hee-Hi-Ho (illyB Remix) (3:56)
07. Note Bleu (3:04)
08. Pappy Check (2:44)
09. Mami Gato (4:09)
10. Off the Table (4:16)
11. Queen Bee (4:56)
12. Hypnotized (5:04)
13. Hey Joe (5:03)
14. End of the World Party (Just in Case) (5:09)
15. Uninvisible (3:37)
16. Whiney Bitches (3:05)
17. The Builder (3:28)
18. Toy Dancing (6:34)
Источник оцифровки: thezabs
Устройство воспроизведения: Rega P10 Turntable with Rega P10 PSU
Головка звукоснимателя: Rega Apheta 3 Cartridge
Предварительный усилитель: PS Audio NuWave Phono Converter ADC
Программа-оцифровщик: Audition CC 2019
Обработка: Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +5 DB > Remove DC Bias
Условия оцифровки
Lineage:
Degritter RCM > Rega P10 Turntable with Rega P10 PSU > Rega Apheta 3 Cartridge > PS Audio NuWave Phono Converter ADC > AudioQuest Carbon USB Cable > USB-IN > Audition CC 2019 @ 24bit float, 192kHz capture.
Processing:
24bit wav > Run through Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +5 DB > Remove DC Bias > Saved as 24bit,192kHz WAV > FLAC > Tagged with Discogs tagger through Foobar.
Scans:
Epson Expression 11000XL -> 16bit 600 DPI with Unsharp Mask -> Color Correction in Photoshop CC 2021 x64 -> 8bit 600DPI PNG.
Спектры
Замер динамического диапазона
foobar2000 1.6.16 / Dynamic Range Meter 1.1.1
log date: 2024-07-09 14:10:51
--------------------------------------------------------------------------------
Analyzed: Medeski Martin & Wood / Note Bleu
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR13 -1.24 dB -16.57 dB 3:32 01-The Dropper
DR12 -0.90 dB -14.70 dB 3:21 02-Sugar Craft
DR12 -2.25 dB -17.40 dB 3:27 03-I Wanna Ride You
DR13 -3.60 dB -19.57 dB 4:01 04-Nocturne
DR12 -1.24 dB -16.77 dB 5:43 05-Partido Alto
DR11 -2.28 dB -14.80 dB 3:56 06-Hey-Hee-Hi-Ho (illyB Remix)
DR12 -0.91 dB -15.84 dB 3:04 07-Note Bleu
DR11 -0.84 dB -13.81 dB 2:44 08-Pappy Check
DR13 -1.30 dB -17.16 dB 4:09 09-Mami Gato
DR11 -2.92 dB -17.46 dB 4:16 10-Off the Table
DR12 -0.91 dB -15.39 dB 4:56 11-Queen Bee
DR12 -1.38 dB -15.83 dB 5:04 12-Hypnotized
DR16 -3.72 dB -26.36 dB 5:03 13-Hey Joe
DR11 -0.89 dB -14.81 dB 5:09 14-End of the World Party (Just in Case)
DR12 -1.45 dB -14.86 dB 3:37 15-Uninvisible
DR13 -0.82 dB -14.61 dB 3:05 16-Whiney Bitches
DR11 -1.84 dB -15.57 dB 3:28 17-The Builder
DR12 -1.49 dB -16.94 dB 6:34 18-Toy Dancing
--------------------------------------------------------------------------------
Number of tracks: 18
Official DR value: DR12
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5114 kbps
Codec: FLAC
================================================================================
Review by Sean Westergaard
Medeski, Martin & Wood had already created a series of fine albums and a fervent following before they were signed to Blue Note, one of the most prestigious labels in jazz history. But rather than taking it easy after having made it in the jazz world, MM&W actually pushed the envelope even further during the Blue Note years, continually challenging their listeners as well as themselves. Note Bleu: The Best of the Blue Note Years: 1998-2005 compiles tracks from all five Blue Note albums, and does an excellent job of summarizing their label tenure. The Tonic recording was something of an anomaly. Self-produced and entirely acoustic, it's represented by only one track: a beautiful, slow interpretation of "Hey Joe." As nice as it is, it just doesn't fit with the rest of the material and breaks the flow just a bit. As for the rest of the album, fans may quibble about this omission or that, but the track selection is excellent and they've sequenced it well, wisely throwing chronology out the window. One of the things that becomes apparent, and something that probably contributes to their consistently fresh approach, is the role collaboration has always played. It goes beyond invited musicians and regular contributors like Marc Ribot and the unofficial fourth member of the band, DJ Logic, whose sound was key to Combustication. Scotty Hard's production was a major factor on both The Dropper and Uninvisible, as was John King's on End of the World Party (Just in Case); careful listening reveals all kinds of interesting sonic tricks and details. Of course, at the center of it all are the three incredibly talented players who make up the band. Not only have they turned in a body of work that's sure to stand the test of time, but they've helped broaden the concept of what jazz is and can be, and opened that world up to a whole group of people who may have never thought they'd be interested in jazz. Note Bleu is an excellent overview of their Blue Note years, and would be the perfect starting place for those who haven't yet entered the world of Medeski, Martin & Wood.
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