Martin Helmchen / Bach: Six Partitas, BWV 825-830 Формат записи/Источник записи: [TR24][OF] Наличие водяных знаков: Нет Год издания/переиздания диска: 2024 Жанр: Classical • Tangent piano Издатель (лейбл): Alpha Classics Продолжительность: 02:23:43 Наличие сканов в содержимом раздачи: Только обложка альбома Треклист:
скрытый текст
01. Partita No. 1 in B-Flat Major, BWV 825: I. Prelude (02:08)
02. Partita No. 1 in B-Flat Major, BWV 825: II. Allemande (04:02)
03. Partita No. 1 in B-Flat Major, BWV 825: III. Courante (02:43)
04. Partita No. 1 in B-Flat Major, BWV 825: IV. Sarabande (05:05)
05. Partita No. 1 in B-Flat Major, BWV 825: V. Menuett I & II (02:59)
06. Partita No. 1 in B-Flat Major, BWV 825: VI. Gigue (02:19)
07. Partita No. 3 in A Minor, BWV 827: I. Fantasia (02:54)
08. Partita No. 3 in A Minor, BWV 827: II. Allemande (03:13)
09. Partita No. 3 in A Minor, BWV 827: III. Courante (03:02)
10. Partita No. 3 in A Minor, BWV 827: IV. Sarabande (03:56)
11. Partita No. 3 in A Minor, BWV 827: V. Burlesca (02:26)
12. Partita No. 3 in A Minor, BWV 827: VI. Scherzo (01:01)
13. Partita No. 3 in A Minor, BWV 827: VII. Gigue (03:22)
14. Partita No. 4 in D Major, BWV 828: I. Ouverture (05:46)
15. Partita No. 4 in D Major, BWV 828: II. Allemande (08:57)
16. Partita No. 4 in D Major, BWV 828: III. Courante (03:28)
17. Partita No. 4 in D Major, BWV 828: IV. Aria (02:32)
18. Partita No. 4 in D Major, BWV 828: V. Sarabande (05:55)
19. Partita No. 4 in D Major, BWV 828: VI. Menuett (01:26)
20. Partita No. 4 in D Major, BWV 828: VII. Gigue (03:50)
21. Partita No. 2 in C Minor, BWV 826: I. Sinfonia (04:36)
22. Partita No. 2 in C Minor, BWV 826: II. Allemande (04:47)
23. Partita No. 2 in C Minor, BWV 826: III. Courante (02:16)
24. Partita No. 2 in C Minor, BWV 826: IV. Sarabande (03:35)
25. Partita No. 2 in C Minor, BWV 826: V. Rondeau (01:34)
26. Partita No. 2 in C Minor, BWV 826: VI. Capriccio (03:33)
27. Partita No. 5 in G Major, BWV 829: I. Preambulum (02:22)
28. Partita No. 5 in G Major, BWV 829: II. Allemande (04:43)
29. Partita No. 5 in G Major, BWV 829: III. Corrente (01:48)
30. Partita No. 5 in G Major, BWV 829: IV. Sarabande (04:41)
31. Partita No. 5 in G Major, BWV 829: V. Tempo di Minuetto (02:04)
32. Partita No. 5 in G Major, BWV 829: VI. Passepied (01:44)
33. Partita No. 5 in G Major, BWV 829: VII. Gigue (03:55)
34. Partita No. 6 in E Minor, BWV 830: I. Toccata (07:30)
35. Partita No. 6 in E Minor, BWV 830: II. Allemande (03:33)
36. Partita No. 6 in E Minor, BWV 830: III. Corrente (04:26)
37. Partita No. 6 in E Minor, BWV 830: IV. Air (01:39)
38. Partita No. 6 in E Minor, BWV 830: V. Sarabande (06:30)
39. Partita No. 6 in E Minor, BWV 830: VI. Tempo di Gavotta (02:13)
40. Partita No. 6 in E Minor, BWV 830: VII. Gigue (05:10)
Контейнер: FLAC (*.flac) Тип рипа: tracks Разрядность: 24/48 Формат: PCM Количество каналов: 2.0
Лог проверки качества
foobar2000 2.1 / Dynamic Range Meter 1.1.1 log date: 2024-05-05 17:38:05 -------------------------------------------------------------------------------- Analyzed: Martin Helmchen / Bach: Six Partitas -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR13 -6.47 dB -22.77 dB 2:09 01-Partita No. 1 in B-Flat Major, BWV 825: I. Prelude DR13 -5.11 dB -20.41 dB 4:03 02-Partita No. 1 in B-Flat Major, BWV 825: II. Allemande DR12 -3.00 dB -17.68 dB 2:43 03-Partita No. 1 in B-Flat Major, BWV 825: III. Courante DR14 -7.05 dB -23.89 dB 5:05 04-Partita No. 1 in B-Flat Major, BWV 825: IV. Sarabande DR13 -4.11 dB -21.33 dB 2:59 05-Partita No. 1 in B-Flat Major, BWV 825: V. Menuett I & II DR12 -5.62 dB -19.73 dB 2:19 06-Partita No. 1 in B-Flat Major, BWV 825: VI. Gigue DR11 -6.92 dB -21.49 dB 2:55 07-Partita No. 3 in A Minor, BWV 827: I. Fantasia DR12 -6.23 dB -21.06 dB 3:13 08-Partita No. 3 in A Minor, BWV 827: II. Allemande DR12 -3.08 dB -16.62 dB 3:02 09-Partita No. 3 in A Minor, BWV 827: III. Courante DR14 -6.43 dB -22.78 dB 3:57 10-Partita No. 3 in A Minor, BWV 827: IV. Sarabande DR12 -3.74 dB -18.28 dB 2:27 11-Partita No. 3 in A Minor, BWV 827: V. Burlesca DR13 -1.21 dB -16.71 dB 1:02 12-Partita No. 3 in A Minor, BWV 827: VI. Scherzo DR13 -1.47 dB -16.97 dB 3:22 13-Partita No. 3 in A Minor, BWV 827: VII. Gigue DR13 -1.85 dB -17.96 dB 5:47 14-Partita No. 4 in D Major, BWV 828: I. Ouverture DR13 -6.05 dB -22.39 dB 8:58 15-Partita No. 4 in D Major, BWV 828: II. Allemande DR12 -3.36 dB -18.04 dB 3:28 16-Partita No. 4 in D Major, BWV 828: III. Courante DR13 -2.52 dB -19.19 dB 2:32 17-Partita No. 4 in D Major, BWV 828: IV. Aria DR13 -6.69 dB -23.73 dB 5:55 18-Partita No. 4 in D Major, BWV 828: V. Sarabande DR12 -5.77 dB -20.14 dB 1:26 19-Partita No. 4 in D Major, BWV 828: VI. Menuett DR12 -3.46 dB -17.47 dB 3:51 20-Partita No. 4 in D Major, BWV 828: VII. Gigue -------------------------------------------------------------------------------- Number of tracks: 20 Official DR value: DR13 Samplerate: 48000 Hz Channels: 2 Bits per sample: 24 Bitrate: 1652 kbps Codec: FLAC ================================================================================ foobar2000 2.1 / Dynamic Range Meter 1.1.1 log date: 2024-05-05 17:38:54 -------------------------------------------------------------------------------- Analyzed: Martin Helmchen / Bach: Six Partitas -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR13 -3.08 dB -19.58 dB 4:37 01-Partita No. 2 in C Minor, BWV 826: I. Sinfonia DR13 -6.68 dB -22.48 dB 4:48 02-Partita No. 2 in C Minor, BWV 826: II. Allemande DR13 -4.75 dB -18.95 dB 2:16 03-Partita No. 2 in C Minor, BWV 826: III. Courante DR13 -10.51 dB -26.15 dB 3:35 04-Partita No. 2 in C Minor, BWV 826: IV. Sarabande DR13 -4.32 dB -19.48 dB 1:34 05-Partita No. 2 in C Minor, BWV 826: V. Rondeau DR13 -2.44 dB -17.72 dB 3:33 06-Partita No. 2 in C Minor, BWV 826: VI. Capriccio DR12 -1.73 dB -17.87 dB 2:22 07-Partita No. 5 in G Major, BWV 829: I. Preambulum DR12 -7.56 dB -22.05 dB 4:43 08-Partita No. 5 in G Major, BWV 829: II. Allemande DR12 -2.88 dB -18.67 dB 1:48 09-Partita No. 5 in G Major, BWV 829: III. Corrente DR15 -5.67 dB -24.83 dB 4:42 10-Partita No. 5 in G Major, BWV 829: IV. Sarabande DR13 -5.31 dB -21.71 dB 2:05 11-Partita No. 5 in G Major, BWV 829: V. Tempo di Minuetto DR13 -2.84 dB -19.01 dB 1:44 12-Partita No. 5 in G Major, BWV 829: VI. Passepied DR13 -2.39 dB -17.90 dB 3:55 13-Partita No. 5 in G Major, BWV 829: VII. Gigue DR15 -1.59 dB -20.75 dB 7:31 14-Partita No. 6 in E Minor, BWV 830: I. Toccata DR13 -6.15 dB -22.05 dB 3:33 15-Partita No. 6 in E Minor, BWV 830: II. Allemande DR13 -3.18 dB -19.07 dB 4:26 16-Partita No. 6 in E Minor, BWV 830: III. Corrente DR12 -5.33 dB -20.13 dB 1:40 17-Partita No. 6 in E Minor, BWV 830: IV. Air DR15 -3.83 dB -22.52 dB 6:30 18-Partita No. 6 in E Minor, BWV 830: V. Sarabande DR12 -6.45 dB -20.04 dB 2:13 19-Partita No. 6 in E Minor, BWV 830: VI. Tempo di Gavotta DR12 -3.72 dB -18.36 dB 5:11 20-Partita No. 6 in E Minor, BWV 830: VII. Gigue -------------------------------------------------------------------------------- Number of tracks: 20 Official DR value: DR13 Samplerate: 48000 Hz Channels: 2 Bits per sample: 24 Bitrate: 1625 kbps Codec: FLAC ================================================================================
Источник (релизер): Qobuz Композитор: Johann Sebastian Bach (1685–1750) Исполнитель: Martin Helmchen, tangent piano
Об исполнителе (группе)
Martin Helmchen
Unusually active as a chamber musician, pianist Martin Helmchen is also widely heard as a concerto soloist and recitalist. He is a noted educator. Helmchen was born in West Berlin, Germany, in 1982. He took up the piano at age six and attended the Carl Philipp Emanuel Bach Musikgymnasium in the former East Berlin, where he was the first West Berliner admitted. Helmchen attended the Hochschule für Musik Hanns Eisler, studying with Galina Iwanzowa, and went on for further work with Arie Vardi at the Hochschule für Musik, Theater und Medien in Hannover. He also had lessons and mentorship from Alfred Brendel, among others. Wins at the 2001 Clara Haskil International Piano Competition and the 2003 International Kissinger Klavierolymp competition helped launch his career, as did a 2006 ECHO Klassik nod as Young Artist of the Year. His recording career had begun in 2002 on the Claves label with the album Martin Helmchen, Piano, and then kicked into high gear with a series of chamber music and concerto recordings on the PentaTone label, beginning with a Mozart piano concerto album with the Netherlands Chamber Orchestra. Helmchen has appeared as a soloist with many of the world's major orchestras, including the Vienna Philharmonic, Chicago Symphony, and NHK Symphony. He made his U.S. debut in 2011 with the Boston Symphony at the Tanglewood festival. His recital credits include frequent appearances at Wigmore Hall in London. His chamber music partners are a varied group of A-listers, including violinists Gidon Kremer and Christian Tetzlaff, and cellist Marie-Elisabeth Hecker, to whom he is married. Helmchen has served as accompanist to various singers, including Matthias Goerne. In the late 2010s, he embarked on a cycle of Beethoven's violin sonatas with violinist Frank Peter Zimmermann; the pair performed across Europe and recorded the cycle for the BIS label. He also recorded for the Alpha label during this period, and he was heard on that label in 2021 in a recording of Schubert's String Quintet in C major, D. 958, with Tetzlaff and other players. Since 2010, Helmchen has been on the chamber music faculty at Germany's Kronberg Academy.
Об альбоме (сборнике)
Martin Helmchen belongs to the category of great piano virtuosos who are also interested in early instruments: 'One of the most thrilling moments of my life as a pianist was when I encountered the intact, original Spat & Schmahl tangent piano from 1790. My initial doubts about a pianist of today being able to master such an instrument rapidly gave way to the swelling conviction that here one could make certain things in Bach's music sound in a way that is impossible on both the harpsichord and the modern piano. Everything here subjugated me: the colours, the symbiosis of the characteristics of the harpsichord, clavichord and early piano, the buff stop, the opening up of polyphonic textures.' It is true that this instrument was built forty years after Bach's death, but, Helmchen continues, 'the greatest composers, including Beethoven, complained about the limitations of their instrument, and it's fascinating to play keyboard instruments that were ultimately an extension and improvement of the ones those composers knew'.
