(Free Funk, Free Jazz, Hard Bop, Fusion) [CD] Ronald Shannon Jackson - Shannon's House - 1996 (Japan Edition), FLAC (tracks+.cue), lossless

Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 22. March 2024, 21:21
Shannon Jackson / Shannon's House
Used drive  : HL-DT-STDVDRAM GH24NSD1   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
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        8  | 39:16.45 |  6:23.07 |    176745    |   205476
        9  | 45:39.52 |  4:56.10 |    205477    |   227686
       10  | 50:35.62 |  6:03.73 |    227687    |   254984
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Track  2
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Track  3
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Track  4
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Track  5
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Track  6
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Track  7
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Track  8
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Track  9
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Track 10
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All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.6
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  2   | (7/7) Accurately ripped
  3   | (7/7) Accurately ripped
  4   | (7/7) Accurately ripped
  5   | (7/7) Accurately ripped
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==== Log checksum C01C72EA234E80B342CFBFE8EDADD910A96D883D06D3C491345B1EDDE1C52C40 ====

REM GENRE Jazz
REM DATE 1996
REM DISCID 900D470A
REM COMMENT "ExactAudioCopy v1.6"
PERFORMER "Ronald Shannon Jackson"
TITLE "Shannon's House"
FILE "01 - Julius Is Gone (Psych).wav" WAVE
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    PERFORMER "Ronald Shannon Jackson"
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FILE "02 - Hymn for Mandela.wav" WAVE
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    INDEX 01 00:00:00
FILE "03 - Blackegg.wav" WAVE
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FILE "04 - Midnight Sermon.wav" WAVE
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FILE "05 - Sweet-Feet.wav" WAVE
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FILE "06 - Lift Ev'ry Voice and Sing.wav" WAVE
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FILE "07 - Supernatural.wav" WAVE
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FILE "08 - Occult Dance.wav" WAVE
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FILE "09 - Ashes.wav" WAVE
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FILE "10 - Rachella's Lament.wav" WAVE
  TRACK 10 AUDIO
    TITLE "Rachella's Lament"
    PERFORMER "Ronald Shannon Jackson"
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  3   | (8/8) Accurately ripped
  4   | (8/8) Accurately ripped
  5   | (8/8) Accurately ripped
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  7   | (8/8) Accurately ripped
  8   | (8/8) Accurately ripped
  9   | (8/8) Accurately ripped
 10   | (8/8) Accurately ripped
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In 1996, long after most of Ronald Shannon Jackson’s Decoding Society albums, he returned with Shannon’s House, under the shortened name of Shannon Jackson, still listing his band as the Decoding Society. Yet this is a very different album. With previous efforts, Jackson had meandered his way around the fuzzy boundaries of free jazz, funk and rock, drawing inspiration as much from Ornette Coleman, post-69 Miles, and the kinds of rock influences that worked their way into 80s collaborator, Vernon Reid’s many projects. Reid is not here, alas, but the band remains as accomplished as ever, and guitarist Jef Lee Johnson is no slouch, assisting Jackson in one of his harder rocking albums. Is this one even jazz? Who cares? Jackson also worked on occasion with James Blood Ulmer (another Reid collaborator), and if one looks at some of Ulmer’s better albums on the funk-rock side of fusion, such as his work with the Third Rail supergroup, it could hardly be called jazz. Here similarly, Jackson has no concern for whether or not a jazz purist will scoff because he never did anyway. Instead, he just lays down some propulsive drumwork that lets the band rip through a set of the hardest rocking fusion one hears this side of Mahavishnu. No nonsense, no tricks, no games, not even much harmolodic experimentation. This is straight to the point, and those who listen largely to jazz will almost hear it as rock given the aesthetic, while rock fans unaccustomed to jazz will think something is amiss. Neither fish nor fowl, one may hear, depending on the listener’s proclivities. Shannon’s House is not Jackson’s most innovative album, nor his most surprising, but this is the kind of recording that just gets the job done. Hard-rocking fusion. One would think it is more common than it is, but it takes someone like Ronald Shannon Jackson to do it right.
-- from amazon (Somebody of no consequence)

Ronald Shannon Jackson - drums, schalmei
Jef Lee Johnson - guitar
Rachella Parks - soprano saxophone, tenor saxophone
Thomas Reese - keyboards
Ramon Pooser - bass
Recorded at Future Audio, Dallas, TX on March 19-20, 1996.