01.01. Pixinguinha – O urubu e o gavião (03:12)
01.02. Custódio Mesquita e Orestes Barbosa – Flauta cavaquinho e violão (02:59)
01.03. Pixinguinha – Urubu (03:03)
01.04. Pixinguinha e Benedito Lacerda – 1 X 0 (02:15)
01.05. Pixinguinha – Naquelle tempo (03:04)
01.06. Luperce Miranda – Risonha (03:11)
01.07. José Augusto Gil – Fala bandolim (02:28)
01.08. Chiquinha Gonzaga – Sultana (03:31)
01.09. Ernesto Nazareth – Apanhei-te cavaquinho (02:13)
01.10. José Barbosa da Silva "Sinhô" – "Chékéré" (02:57)
01.11. Pixinguinha e João de Barro – Carinhoso (02:49)
01.12. José Barbosa da Silva "Sinhô" – Não quero saber mais dêla (02:41)
01.13. Ari Barroso – Na baixa do sapateiro (03:19)
01.14. Dorival Caymmi – A preta do aracajé (03:14)
01.15. João Pernambuco – Sonho de magia (02:51)
01.16. Ari Barroso e Lamartine Babo – No rancho fundo (03:23)
01.17. Luiz Gonzaga – Vira e mexe (02:57)
01.18. José Gonçalves "Zumba" – Murilo no frevo (03:16)
CD2
02.01. Assis Valente – Deixá comigo (03:13)
02.02. Marino Pinto e Wilson Batista – Preconceito (03:11)
02.03. Ernesto dos Santos "Dongo" e Mauro de Almeida – Pelo telefone (03:15)
02.04. Wilson Batista – Lenço no pescoço (03:02)
02.05. Noel Rosa – Rapaz folgado (03:32)
02.06. Francisco Alves, Ismael Silva e Nilton Bastos – O que sera de mim ? (02:40)
02.07. Alcebiades Barcellos "Bide" e Armando Marçal – A primeira vez (03:24)
02.08. Kid Pepe, Germano Augusto e JS Gaspar – Implorar (02:58)
02.09. Herivelto Martins e Grande Otelo – Praça xi (03:09)
02.10. Ciro de Sousa e Valdemiro Rocha "Babaú" – Tenha pena de mim (03:21)
02.11. Noel Rosa – Vôce vai se quizer (02:37)
02.12. Noel Rosa e Osvaldo Gogliano "Vadico" – Conversa de botequim (02:50)
02.13. Noel Rosa – Palpite infeliz (03:09)
02.14. Angenor de Oliveira "Cartola" e Francisco Alves – Divina dama (03:08)
02.15. Alberto Simöens "Bororó" – Curare (03:27)
02.16. Dorival Caymmi – O que é que a baiana tem (03:16)
02.17. Geraldo Pereira – Falsa baiana (02:51)
02.18. Assis Valente – Recenseamento (02:49)
02.19. Ari Barroso – Aquarela do Brasil (03:11)
total / 01:52:11
• CD1 [00:53:15]
auCDtect
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) ———————————————————————————————————————————————————————————————————————— Verschiedene Interpreten / Brésil: Choro - Samba - Frevo (1914-1945) Folder: CD1 Audio files: 01. Pixinguinha - O urubu e o gavião.flac [03:11.360; FLAC • 282 kbps • 16 bit \ 44100 Hz • stereo; 6.44 MB (6 749 022 B)] 02. Custódio Mesquita e Orestes Barbosa - Flauta cavaquinho e violão.flac [02:58.507; FLAC • 261 kbps • 16 bit \ 44100 Hz • stereo; 5.57 MB (5 835 701 B)] 03. Pixinguinha - Urubu.flac [03:02.627; FLAC • 270 kbps • 16 bit \ 44100 Hz • stereo; 5.90 MB (6 183 423 B)] 04. Pixinguinha e Benedito Lacerda - 1 X 0.flac [02:14.400; FLAC • 311 kbps • 16 bit \ 44100 Hz • stereo; 4.98 MB (5 226 925 B)] 05. Pixinguinha - Naquelle tempo.flac [03:03.067; FLAC • 262 kbps • 16 bit \ 44100 Hz • stereo; 5.74 MB (6 015 922 B)] 06. Luperce Miranda - Risonha.flac [03:10.973; FLAC • 302 kbps • 16 bit \ 44100 Hz • stereo; 6.89 MB (7 220 526 B)] 07. José Augusto Gil - Fala bandolim.flac [02:27.893; FLAC • 272 kbps • 16 bit \ 44100 Hz • stereo; 4.81 MB (5 038 691 B)] 08. Chiquinha Gonzaga - Sultana.flac [03:30.773; FLAC • 259 kbps • 16 bit \ 44100 Hz • stereo; 6.53 MB (6 849 853 B)] 09. Ernesto Nazareth - Apanhei-te cavaquinho.flac [02:12.933; FLAC • 267 kbps • 16 bit \ 44100 Hz • stereo; 4.24 MB (4 445 088 B)] 10. José Barbosa da Silva 'Sinhô' - 'Chékéré'.flac [02:56.960; FLAC • 237 kbps • 16 bit \ 44100 Hz • stereo; 5.01 MB (5 249 625 B)] 11. Pixinguinha e João de Barro - Carinhoso.flac [02:48.200; FLAC • 268 kbps • 16 bit \ 44100 Hz • stereo; 5.38 MB (5 643 149 B)] 12. José Barbosa da Silva 'Sinhô' - Não quero saber mais dêla.flac [02:40.267; FLAC • 273 kbps • 16 bit \ 44100 Hz • stereo; 5.22 MB (5 471 217 B)] 13. Ari Barroso - Na baixa do sapateiro.flac [03:18.107; FLAC • 306 kbps • 16 bit \ 44100 Hz • stereo; 7.23 MB (7 583 273 B)] 14. Dorival Caymmi - A preta do aracajé.flac [03:13.933; FLAC • 270 kbps • 16 bit \ 44100 Hz • stereo; 6.26 MB (6 565 853 B)] 15. João Pernambuco - Sonho de magia.flac [02:50.667; FLAC • 280 kbps • 16 bit \ 44100 Hz • stereo; 5.70 MB (5 973 952 B)] 16. Ari Barroso e Lamartine Babo - No rancho fundo.flac [03:22.333; FLAC • 301 kbps • 16 bit \ 44100 Hz • stereo; 7.27 MB (7 625 743 B)] 17. Luiz Gonzaga - Vira e mexe.flac [02:56.360; FLAC • 268 kbps • 16 bit \ 44100 Hz • stereo; 5.64 MB (5 912 703 B)] 18. José Gonçalves 'Zumba' - Murilo no frevo.flac [03:15.533; FLAC • 292 kbps • 16 bit \ 44100 Hz • stereo; 6.81 MB (7 138 015 B)] Accuracy: -m0 File 01. Pixinguinha - O urubu e o gavião - 100% MPEG [03:11:27] File 02. Custódio Mesquita e Orestes Barbosa - Flauta cavaquinho e violão - 100% MPEG [02:58:38] File 03. Pixinguinha - Urubu - 100% MPEG [03:02:47] File 04. Pixinguinha e Benedito Lacerda - 1 X 0 - 99% MPEG [02:14:30] File 05. Pixinguinha - Naquelle tempo - 43% CDDA [03:03:05] File 06. Luperce Miranda - Risonha - 100% MPEG [03:10:73] File 07. José Augusto Gil - Fala bandolim - 100% MPEG [02:27:67] File 08. Chiquinha Gonzaga - Sultana - 100% MPEG [03:30:58] File 09. Ernesto Nazareth - Apanhei-te cavaquinho - 100% MPEG [02:12:70] File 10. José Barbosa da Silva 'Sinhô' - 'Chékéré' - 100% MPEG [02:56:72] File 11. Pixinguinha e João de Barro - Carinhoso - 100% MPEG [02:48:15] File 12. José Barbosa da Silva 'Sinhô' - Não quero saber mais dêla - 100% MPEG [02:40:20] File 13. Ari Barroso - Na baixa do sapateiro - 90% MPEG [03:18:08] File 14. Dorival Caymmi - A preta do aracajé - 100% MPEG [03:13:70] File 15. João Pernambuco - Sonho de magia - 99% MPEG [02:50:50] File 16. Ari Barroso e Lamartine Babo - No rancho fundo - 100% MPEG [03:22:25] File 17. Luiz Gonzaga - Vira e mexe - 90% MPEG [02:56:27] File 18. José Gonçalves 'Zumba' - Murilo no frevo - 100% MPEG [03:15:40] ————— Summary: ————— These tracks looks like MPEGs with probability 100%. ———————————————————————————————————————————————————————————————————————— ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. Time elapsed: 1 m 32 s Log created at April 13, 2024 18:21:59 === B918416A8FFD8A2186A1B8CD178CFC61AC9D61AD9D322AD6C093A6D15468FE4B ===
dynamic range
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) log date: 2024-04-13 18:20:23 -------------------------------------------------------------------------------- Album : Brésil: Choro - Samba - Frevo (1914-1945) Artist : Verschiedene Interpreten Year : 1998 -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR11 -1.66 dB -14.25 dB 3:11 01 - O urubu e o gavião / Pixinguinha DR13 -0.60 dB -16.79 dB 2:59 02 - Flauta cavaquinho e violão / Custódio Mesquita e Orestes Barbosa DR11 -0.60 dB -15.94 dB 3:03 03 - Urubu / Pixinguinha DR11 -0.60 dB -14.89 dB 2:14 04 - 1 X 0 / Pixinguinha e Benedito Lacerda DR14 -0.60 dB -16.83 dB 3:03 05 - Naquelle tempo / Pixinguinha DR9 -2.60 dB -13.53 dB 3:11 06 - Risonha / Luperce Miranda DR11 -1.60 dB -14.02 dB 2:28 07 - Fala bandolim / José Augusto Gil DR9 -2.60 dB -13.16 dB 3:31 08 - Sultana / Chiquinha Gonzaga DR12 -0.60 dB -15.24 dB 2:13 09 - Apanhei-te cavaquinho / Ernesto Nazareth DR13 -0.60 dB -17.13 dB 2:57 10 - "Chékéré" / José Barbosa da Silva "Sinhô" DR14 -0.60 dB -16.97 dB 2:48 11 - Carinhoso / Pixinguinha e João de Barro DR9 -0.60 dB -12.46 dB 2:40 12 - Não quero saber mais dêla / José Barbosa da Silva "Sinhô" DR12 -0.60 dB -17.17 dB 3:18 13 - Na baixa do sapateiro / Ari Barroso DR15 -0.60 dB -19.83 dB 3:14 14 - A preta do aracajé / Dorival Caymmi DR13 -4.84 dB -20.73 dB 2:51 15 - Sonho de magia / João Pernambuco DR12 -2.78 dB -17.29 dB 3:22 16 - No rancho fundo / Ari Barroso e Lamartine Babo DR14 -0.60 dB -17.76 dB 2:56 17 - Vira e mexe / Luiz Gonzaga DR12 -3.33 dB -17.98 dB 3:16 18 - Murilo no frevo / José Gonçalves "Zumba" -------------------------------------------------------------------------------- Number of tracks : 18 Official DR Value: DR12 Samplerate : 44100 Hz Channels : 2 Bits per sample : 16 Average bitrate : 277 kbps Codec : FLAC ================================================================================
spectrogram
• CD2 [00:58:56]
auCDtect
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) ———————————————————————————————————————————————————————————————————————— Verschiedene Interpreten / Brésil: Choro - Samba - Frevo (1914-1945) Folder: CD2 Audio files: 01. Assis Valente - Deixá comigo.flac [03:12.133; FLAC • 281 kbps • 16 bit \ 44100 Hz • stereo; 6.45 MB (6 762 298 B)] 02. Marino Pinto e Wilson Batista - Preconceito.flac [03:10.960; FLAC • 247 kbps • 16 bit \ 44100 Hz • stereo; 5.63 MB (5 899 373 B)] 03. Ernesto dos Santos 'Dongo' e Mauro de Almeida - Pelo telefone.flac [03:14.907; FLAC • 270 kbps • 16 bit \ 44100 Hz • stereo; 6.28 MB (6 585 235 B)] 04. Wilson Batista - Lenço no pescoço.flac [03:01.333; FLAC • 244 kbps • 16 bit \ 44100 Hz • stereo; 5.28 MB (5 534 896 B)] 05. Noel Rosa - Rapaz folgado.flac [03:31.693; FLAC • 266 kbps • 16 bit \ 44100 Hz • stereo; 6.73 MB (7 058 167 B)] 06. Francisco Alves, Ismael Silva e Nilton Bastos - O que sera de mim.flac [02:39.440; FLAC • 249 kbps • 16 bit \ 44100 Hz • stereo; 4.74 MB (4 970 265 B)] 07. Alcebiades Barcellos 'Bide' e Armando Marçal - A primeira vez.flac [03:23.733; FLAC • 258 kbps • 16 bit \ 44100 Hz • stereo; 6.29 MB (6 594 830 B)] 08. Kid Pepe, Germano Augusto e JS Gaspar - Implorar.flac [02:57.933; FLAC • 297 kbps • 16 bit \ 44100 Hz • stereo; 6.30 MB (6 608 304 B)] 09. Herivelto Martins e Grande Otelo - Praça xi.flac [03:08.027; FLAC • 288 kbps • 16 bit \ 44100 Hz • stereo; 6.47 MB (6 779 613 B)] 10. Ciro de Sousa e Valdemiro Rocha 'Babaú' - Tenha pena de mim.flac [03:20.707; FLAC • 273 kbps • 16 bit \ 44100 Hz • stereo; 6.55 MB (6 871 458 B)] 11. Noel Rosa - Vôce vai se quizer.flac [02:36.027; FLAC • 285 kbps • 16 bit \ 44100 Hz • stereo; 5.31 MB (5 566 832 B)] 12. Noel Rosa e Osvaldo Gogliano 'Vadico' - Conversa de botequim.flac [02:49.800; FLAC • 268 kbps • 16 bit \ 44100 Hz • stereo; 5.44 MB (5 704 568 B)] 13. Noel Rosa - Palpite infeliz.flac [03:08.507; FLAC • 274 kbps • 16 bit \ 44100 Hz • stereo; 6.18 MB (6 475 011 B)] 14. Angenor de Oliveira 'Cartola' e Francisco Alves - Divina dama.flac [03:07.533; FLAC • 261 kbps • 16 bit \ 44100 Hz • stereo; 5.85 MB (6 136 433 B)] 15. Alberto Simöens 'Bororó' - Curare.flac [03:26.333; FLAC • 253 kbps • 16 bit \ 44100 Hz • stereo; 6.23 MB (6 535 718 B)] 16. Dorival Caymmi - O que é que a baiana tem.flac [03:15.827; FLAC • 266 kbps • 16 bit \ 44100 Hz • stereo; 6.21 MB (6 512 610 B)] 17. Geraldo Pereira - Falsa baiana.flac [02:50.973; FLAC • 265 kbps • 16 bit \ 44100 Hz • stereo; 5.40 MB (5 663 561 B)] 18. Assis Valente - Recenseamento.flac [02:49.000; FLAC • 252 kbps • 16 bit \ 44100 Hz • stereo; 5.09 MB (5 332 940 B)] 19. Ari Barroso - Aquarela do Brasil.flac [03:10.360; FLAC • 280 kbps • 16 bit \ 44100 Hz • stereo; 6.37 MB (6 682 404 B)] Accuracy: -m0 File 01. Assis Valente - Deixá comigo - 100% MPEG [03:12:10] File 02. Marino Pinto e Wilson Batista - Preconceito - 100% MPEG [03:10:72] File 03. Ernesto dos Santos 'Dongo' e Mauro de Almeida - Pelo telefone - 99% MPEG [03:14:68] File 04. Wilson Batista - Lenço no pescoço - 97% MPEG [03:01:25] File 05. Noel Rosa - Rapaz folgado - 99% MPEG [03:31:52] File 06. Francisco Alves, Ismael Silva e Nilton Bastos - O que sera de mim - 100% MPEG [02:39:33] File 07. Alcebiades Barcellos 'Bide' e Armando Marçal - A primeira vez - 100% MPEG [03:23:55] File 08. Kid Pepe, Germano Augusto e JS Gaspar - Implorar - 100% MPEG [02:57:70] File 09. Herivelto Martins e Grande Otelo - Praça xi - 86% CDDA [03:08:02] File 10. Ciro de Sousa e Valdemiro Rocha 'Babaú' - Tenha pena de mim - 100% MPEG [03:20:53] File 11. Noel Rosa - Vôce vai se quizer - 92% MPEG [02:36:02] File 12. Noel Rosa e Osvaldo Gogliano 'Vadico' - Conversa de botequim - 100% MPEG [02:49:60] File 13. Noel Rosa - Palpite infeliz - 100% MPEG [03:08:38] File 14. Angenor de Oliveira 'Cartola' e Francisco Alves - Divina dama - 100% MPEG [03:07:40] File 15. Alberto Simöens 'Bororó' - Curare - 99% MPEG [03:26:25] File 16. Dorival Caymmi - O que é que a baiana tem - 99% MPEG [03:15:62] File 17. Geraldo Pereira - Falsa baiana - 100% MPEG [02:50:73] File 18. Assis Valente - Recenseamento - 100% MPEG [02:49:00] File 19. Ari Barroso - Aquarela do Brasil - 100% MPEG [03:10:27] ————— Summary: ————— These tracks looks like MPEGs with probability 100%. ———————————————————————————————————————————————————————————————————————— ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. Time elapsed: 1 m 42 s Log created at April 13, 2024 18:32:13 === EDC859C280542C971468DB5622FD00A40020DC5532F7F373F0E711AA69ABFEFF ===
dynamic range
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) log date: 2024-04-13 18:30:26 -------------------------------------------------------------------------------- Album : Brésil: Choro - Samba - Frevo (1914-1945) Artist : Verschiedene Interpreten Year : 1998 -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR16 -0.60 dB -20.19 dB 3:12 01 - Deixá comigo / Assis Valente DR10 -4.59 dB -17.42 dB 3:11 02 - Preconceito / Marino Pinto e Wilson Batista DR10 -1.60 dB -13.85 dB 3:15 03 - Pelo telefone / Ernesto dos Santos "Dongo" e Mauro de Almeida DR11 -4.60 dB -17.68 dB 3:01 04 - Lenço no pescoço / Wilson Batista DR11 -1.41 dB -16.83 dB 3:32 05 - Rapaz folgado / Noel Rosa DR12 -3.81 dB -18.44 dB 2:39 06 - O que sera de mim ? / Francisco Alves, Ismael Silva e Nilton Bastos DR11 -7.27 dB -19.91 dB 3:24 07 - A primeira vez / Alcebiades Barcellos "Bide" e Armando Marçal DR13 -2.11 dB -17.57 dB 2:58 08 - Implorar / Kid Pepe, Germano Augusto e JS Gaspar DR11 -2.85 dB -16.30 dB 3:08 09 - Praça xi / Herivelto Martins e Grande Otelo DR10 -6.60 dB -18.97 dB 3:21 10 - Tenha pena de mim / Ciro de Sousa e Valdemiro Rocha "Babaú" DR12 -3.60 dB -17.60 dB 2:36 11 - Vôce vai se quizer / Noel Rosa DR11 -2.60 dB -15.24 dB 2:50 12 - Conversa de botequim / Noel Rosa e Osvaldo Gogliano "Vadico" DR10 -1.60 dB -14.30 dB 3:09 13 - Palpite infeliz / Noel Rosa DR12 -4.62 dB -18.28 dB 3:08 14 - Divina dama / Angenor de Oliveira "Cartola" e Francisco Alves DR12 -2.13 dB -17.57 dB 3:26 15 - Curare / Alberto Simöens "Bororó" DR14 -2.60 dB -19.94 dB 3:16 16 - O que é que a baiana tem / Dorival Caymmi DR12 -2.60 dB -16.76 dB 2:51 17 - Falsa baiana / Geraldo Pereira DR15 -2.16 dB -21.20 dB 2:49 18 - Recenseamento / Assis Valente DR11 -2.41 dB -17.28 dB 3:10 19 - Aquarela do Brasil / Ari Barroso -------------------------------------------------------------------------------- Number of tracks : 19 Official DR Value: DR12 Samplerate : 44100 Hz Channels : 2 Bits per sample : 16 Average bitrate : 267 kbps Codec : FLAC ================================================================================
spectrogram
Choro
Choro (aka Chorinho) Choro (cry / lament) or chorinho (little lament), as the genre is commonly referred to by Brazilians, was developed in the late 19th century in Rio de Janeiro and is considered to be the first urban music from Brazil. It was named after the crying-like harmony generated by the very particular group of instruments used to play it: seven-string acoustic guitar, mandolin, flute, cavaquinho and pandeiro. Nowadays choro is not as popular in Brazil as it used to be in the first half of the 20th century. On the other hand, it never boasted so much recognition as it does today. The song "Carinhoso" by Pixinguinha and Braguinha (lyrics), for example, is considered by several Brazilian professional critics the best Brazilian song of all times.
Samba
Samba Samba originated in the 19th century from a blend of various styles of African rhythm music, forming a new sound and musical structure as well as the dance created along with it. Today it is considered one of the most important manifestations of Brazilian culture. The originating samba form is based on small circles of performers and singers (Samba de roda) which is directly influenced by Capoeira Music, exemplifying the African roots of the genre. This movement began in the Northeastern Brazilian state of Bahia, soon spread all across the coast and especially to Rio de Janeiro (considered the location of samba's inception as a distinct musical genre). There it was developed into a more modern sound compared to samba de roda, with influences from other genres such as Polka, Maxixe, lundu and Xote. In the 1930s, despite the existence of other regional samba styles, the urban samba of Rio de Janeiro became the most prominent through carnival ceremonies incorporating its sound and dance which vastly increased its exposure and popularity. Its adoption into carnival culture raised samba from a variable coastal phenomena to a genera of national identity, eventually leading to global renown. The other minor regional styles of samba changed towards a sound more similar to Rio's, but still contributed over the decades to the samba sound as it's known world-wide today. Samba is structured on a beat, most often in 2/4 time signature, performed either by claps or percussion instruments like surdos, tantãs, pandeiros, tambourines and cuícas. String instruments, most commonly cavaquinho and other types of acoustic guitar, serve as an accompaniment. Starting in the 1940s and 1950s, wind instruments like flutes, trumpets and trombones were added to the sound due to the influence of North American orchestras. Keyboards and other electronic instruments were introduced in early 2000s, creating a form of samba very distinct from the traditional sound, falling under the umbrella of samba derived genres like Pagode and Pagodão. Traditional samba remains influential and famous both in Brazil and abroad, despite its comparably small presence in today's popular music scene. Some of the most notable performers and songwriters of samba and its derived genres include Cartola, Adoniran Barbosa, Paulinho da Viola, Jorge Ben, Elza Soares, Chico Buarque, Dorival Caymmi and Carmen Miranda.
Frevo
Frevo With its origin dating back to 1910 on the streets of the Northeastern Brazilian city of Recife, frevo is a Marchinha derivative played in a very fast, binary tempo, with small influence of Maxixe. Different from other styles of Brazilian carnival music, frevo music rarely contains lyrics (with the particular lyrical sub-style named frevo-canção), with musical performances very often accompanied by the characteristic, improvised and complex dance, which is very frenetic and energetic. Its live performance names the genre, from the Portuguese word ferver (or "boil" in English), given that the dance leaves the impression of being performed on a boiling water surface. The roots of the dance structure come from the dance being performed along with Capoeira Music. Colorful parasols are carried by frevo dancers representing defense weapons, having a historical importance of intimidation between rival carnaval groups. In its early days it was considered a derivation of martial Polka, and used to be called "northeastern martial music" or "martial music from Pernambuco", when Capoeira dancers led their groups on parades. Frevo has three primary sub-styles: frevo-de-rua, frevo-canção and frevo-de-bloco, each one with their own distinct characteristics.
