(Classic Rock, Hard Rock) Ace Frehley (ex-KISS) & Frehley's Comet - Discography (50 releases + bonus) (1971-2024), MP3, 128-320 kbps

01 - Eugene (With Crazy Joe And The Variable Speed Band) (04:05)
02 - Freedom (Demo) (With Eric Singer And Voodooland) (03:55)
03 - Know Where You Go (With Anton Fig) (05:49)
04 - Bad Choice (With Kathy Valentine) (04:07)
05 - Too Far Gone (With Ritchie Scarlett) (03:04)
06 - The Ride (With Jam Pain Society) (05:01)

Paul Daniel "Ace" Frehley (/ˈfreɪli/; born April 27, 1951)[2] is an American musician who was the original lead guitarist, occasional lead vocalist and founding member of the rock band Kiss. He invented the persona of The Spaceman (a.k.a. Space Ace) and played with the group from its inception in 1973 until his departure in 1982. After leaving Kiss, Frehley formed his own band named Frehley's Comet and released two albums with the group. He subsequently embarked on a solo career, which was put on hold when he rejoined Kiss in 1996 for a highly successful reunion tour.
Frehley's second tenure with Kiss lasted until 2002, when he left at the conclusion of what was originally purported to be the band's farewell tour. His most recent solo album, 10,000 Volts, was released on February 23, 2024. Guitar World magazine ranked him as the 14th Greatest Metal Guitarist of All Time.
Outside Kiss, Frehley achieved further commercial success and popularity, with his debut solo album achieving platinum status. His first album with his Frehley's Comet band was also a big success. Frehley is noted for his aggressive, atmospheric and melodic guitar playing and is also known for the use of many "special effects" guitars, including a Gibson Les Paul guitar that emits smoke from the neck humbucker pickup and produces spinning pyrotechnics and a custom Les Paul that emits light based on song tempo. Frehley was inducted into the Rock and Roll Hall of Fame in 2014 as a member of Kiss.
Early life
Paul Daniel Frehley was born and raised in The Bronx, New York City, the youngest of three children of Esther Anna (Hecht) (1920–2006) and Carl Daniel Frehley (1903–2000).[3] His father, from Pennsylvania, was the son of Dutch immigrants, and his mother is originally from North Carolina and has a German descent.[4][5] He has a sister, Nancy, and a brother, Charles, a classical guitarist. The Frehleys were a musical family, and when Frehley received an electric guitar as a Christmas present in 1964, he immersed himself in learning the instrument. "I never went to music school; I never took a guitar lesson, but everybody in my family plays an instrument. My mother and father both played piano, his father was the church organist, and my brother and sister both played piano and acoustic guitar." Frehley was always surrounded by music, and started playing guitar at age 13. He lists Jimi Hendrix, Albert Lee, Buddy Guy, Jeff Beck, B.B. King, Led Zeppelin, the Rolling Stones, and the Who as his main influences.[6]
External videos
video icon KISS Legend Ace Frehley – Wikipedia: Fact or Fiction? (Part 1), Loudwire[7]
video icon KISS Legend Ace Frehley – Wikipedia: Fact or Fiction? (Part 2), Loudwire[8]
video icon KISS Legend Ace Frehley – Wikipedia: Fact or Fiction? (Part 3), Loudwire[9]
Growing up on the corner of Marion Avenue and 201st Street, off Bedford Park Boulevard (also known as 200th Street) and Webster Avenue in the Bedford Park section of the Bronx,[10] Frehley graduated from Grace Lutheran School at age 13. Two of the high schools he attended were DeWitt Clinton High School on Mosholu Parkway and Theodore Roosevelt High School on Fordham Road. He got the nickname "Ace" in high school from friends who said he was "a real ace" for his ability to get dates. Also in his high school years, a guidance counselor encouraged him to get into graphic arts. He later credited guitar playing for "saving his life" as a member of Kiss.[11]
Music career
Early career
Frehley's earliest bands included The Outrage, The Four Roses, King Kong, Honey, and The Magic People. When Frehley's later band, Cathedral, began getting paying gigs, he dropped out of high school. At the insistence of his family and girlfriend, Frehley eventually returned and earned a diploma. After graduation, Frehley held a string of short-term jobs, including mail carrier, furniture deliverer, messenger, taxi driver and liquor store delivery person.[12]
Kiss
Main article: Kiss (band)
Frehley (right) and Gene Simmons during the Alive II Tour in 1978
Frehley spent the early 1970s in a series of local bands including one called Molimo who recorded half an album for RCA Records in 1971.[13] In late 1972, his friend, Chris Cassone, spotted an advertisement for a lead guitarist in The Village Voice and showed the ad to Frehley.[14] Frehley went to 10 East 23rd Street above the Live Bait Bar and auditioned for Paul Stanley (rhythm guitar), Gene Simmons (bass guitar), and Peter Criss (drums). Frehley showed up wearing one red and one orange sneaker and was less than impressive visually, but the band liked what they heard from his playing. About three weeks later the band named Frehley as their lead guitarist. By January 1973 the band came up with the name Kiss. Frehley designed the band's double-lightning-bolt logo, which was polished up by Stanley. The band quickly decided to paint their faces for live performances and Frehley decided to start painting silver stars on his eyes. When the group eventually decided to adopt stage personas to match their makeup and costumes, Frehley became Space Ace. Later his stage persona was also known as The Spaceman. Frehley stated that this persona was inspired by his interest in science fiction and space travel.[15]
"The Spaceman" was the make-up design used by Frehley during his years with Kiss (1973–1982, 1996–2002)
While Kiss spent their early days rehearsing and playing in empty clubs, Frehley worked as a part-time cab driver to pay bills. In September 1973, Kiss members began to receive a $50 a week salary from new manager Bill Aucoin, and Frehley quit his cabbie job.[citation needed]
Kiss released their debut album, Kiss, in February 1974 – Frehley was credited for writing two songs, "Love Theme from KISS" (the only song co-written by the four original members) and a fan classic, "Cold Gin". Due to Frehley's lack of confidence in his own singing voice, however, Simmons performed the vocals. Frehley wrote or co-wrote several of the band's songs over the next few years but did not record vocals on a song until "Shock Me" (inspired by his near-electrocution during a concert in Lakeland, Florida), which appeared on 1977's Love Gun.[12]
As lead guitarist, Frehley was known for his frenetic, atmospheric playing, becoming one of the most popular guitarists in the 1970s and spawning a generation of new players. Frehley stated in the book Kiss: Behind the Mask that many guitarists have told him his playing on 1975's hit Alive! prompted them to pick up the instrument. Frehley is well-recognized for using Gibson Les Paul guitars, including his trademarked model conversion Les Paul Custom (that was designed and implemented by John Elder Robison, known as "Ampie", an audio engineer working with the band), which filled the stage full of smoke during his live guitar solo.[16]
Frehley in 1977 performing his signature smoke effect during the Love Gun Tour
Along with the three other Kiss members, Frehley released an eponymous solo album in 1978. His was the bestselling of the four, and the album's lone single—the Russ Ballard-written "New York Groove", originally recorded by Hello—reached the Top 20 in the United States.[17]
His songwriting presence within the group increased in 1979. He contributed three songs for 1979's Dynasty and three for 1980's Unmasked. While this was not the most commercially successful time for Kiss in the United States, the band was beginning to take off in other countries (mostly in Australia, where Dynasty and Unmasked are their biggest-selling albums). In 1981, a star was named after Frehley in the International Star Registry.[18] Even as his songwriting role within Kiss was increasing, Frehley found himself increasingly at odds with the musical direction of the band. After Peter Criss was voted out of Kiss in 1980, Frehley was often outvoted 2–1 in band decisions, as replacement drummer Eric Carr was not a partner in Kiss and had no vote. Frehley's participation in the recording of 1981's Music from "The Elder" was far more limited than with previous albums. This was in large part due to his unhappiness with the band's decision to create a concept album rather than a straightforward rock album,[19][20] and also, by Frehley's own admission, his "not relating all that well" to producer Bob Ezrin, who cut many of Frehley's solos from the recorded tracks.
Although Frehley appeared on the covers for 1982's greatest hits album Killers and studio album Creatures of the Night, he had no involvement with Killers, and minimal (no musical) input on Creatures of the Night. Frehley's last appearances with the band were the video for "I Love It Loud", a series of European promotional appearances in November 1982 and a band interview with MTV promoting their world tour.[citation needed]
Solo career/Frehley's Comet
In December 1982, Kiss began the Creatures of the Night tour without Frehley: he was replaced by Vinnie Vincent. Frehley retained a one-quarter share in the Kiss partnership until 1985, however. He received one-quarter of the profits for both Lick It Up and Animalize although he had no involvement with either record.[21]
In 1984, Frehley started his post-Kiss solo career by assembling a band that included, among others, drummer Anton Fig (who had performed on Frehley's 1978 solo album and on two Kiss albums). Bassist John Regan (who had worked with Peter Frampton), whom Frehley met in 1980, was also an original member of the band as was vocalist/guitarist Richie Scarlet and keyboardist Arthur Stead.[21] The group, whose name alternated between 'Ace Frehley' and Frehley's Comet, recorded a series of demos throughout 1984 and 1985.[22] The band performed their first ever live show at S.I.R. Studios in New York City on November 30, 1984, and played a handful of shows in the Northeast United States in March 1985.
After a few unsuccessful attempts at securing a recording contract, the group eventually signed to Megaforce Records and released their first album, Frehley's Comet, on July 7, 1987. The album was co-produced by Eddie Kramer, who had produced not only a number of Kiss albums, but Frehley's 1978 album and some of his 1984–85 demos. Fig, now being the in-studio drummer for David Letterman's late-night television show, performed on the album but was unable to maintain a permanent commitment to touring. He played on the 1987 tour in the United States when Frehley's band played a double bill with Y&T, and White Lion opening the shows. By the time the band began recording this album, Scarlet had left the group to pursue other projects and was replaced by Tod Howarth. In addition, at some point between the initial Frehley's Comet shows in 1984–85 and their signing to Megaforce, the band had become a four-piece, with Stead no longer playing with the group.[citation needed]
Frehley's Comet, a mixture of hard rock and pop metal, was a successful return to the music scene for Frehley. The album peaked at No. 43 on the Billboard 200 (selling nearly 500,000 copies[21]), and the single, a Russ Ballard cover "Into the Night", reached No. 27 on the Mainstream Rock Tracks chart.[23] "Rock Soldiers" was an autobiographic song, written partially about Frehley's April 1982 police chase in White Plains, NY while driving a DeLorean with his friend. The video for "Rock Soldiers" received moderate airplay on MTV, particularly on Headbangers Ball.[24][better source needed]
Despite the positive reviews and healthy album sales of Frehley's Comet, Frehley was unable to maintain much commercial momentum. Two 1988 Frehley's Comet albums—the live EP Live+1 and second studio album Second Sighting peaked at No. 84 and No. 81, respectively. A pair of tours in support of Alice Cooper and Iron Maiden ended prematurely, with the band claiming lack of payment in both cases.[25]
In order to reverse his band's declining commercial fortunes, Frehley dropped the Frehley's Comet moniker and issued 1989's Trouble Walkin' under his own name. Tod Howarth and Jamie Oldaker also decided to leave before recording started on the album, and were replaced by Scarlet and Sandy Slavin. Despite the return to a more traditional hard rock style, Trouble Walkin' continued the pattern of declining sales, and peaked at #102.[26] After the tour for Trouble Walkin' ended prematurely with John Regan resigning after an April 1990 show in Las Vegas, Frehley did not perform live for two years, until July 1992.[27]
One notable aspect of Trouble Walkin' was the guest appearance of Peter Criss, who provided backing vocals on several tracks, along with Sebastian Bach and other members of Skid Row. It was the first time Criss and Frehley had performed together on an album since Kiss' 1979 album, Dynasty, although Criss had shown up briefly at a Frehley's Comet show in Los Angeles in 1987, playing drums on a final encore of "Deuce". Frehley would return the favor by playing solos on Peter Criss' Cat #1 album on TNT Records, released in 1994. In contrast to the somewhat adversarial relationship Frehley had with Kiss (particularly Gene Simmons) throughout the 1980s, he and Criss had maintained good ties during the decade. In June 1995, Frehley's and Criss' bands embarked on the "Bad Boys Tour" with Scarlet on guitar, marking the end of Frehley's solo band for several years as Kiss shortly thereafter reunited and began touring together again.[28]
Reunion with Kiss and return to solo career (1996–present)
In 1996, Frehley rejoined Kiss for a successful reunion tour, on which all four original members of the band performed live for the first time since original drummer Peter Criss' departure in 1980. After the tour, they announced that the original lineup would return to the studio to record a new album. The resulting record, Psycho Circus, was promoted with a successful world tour, but it was revealed a couple of years later that Frehley's and Criss' involvement on it was minimal. "Into The Void", which was Frehley's lone contribution to the record, including vocals and lead guitar duties, is believed to be the only track that all four original members performed on; Frehley also performed the lead guitar solo on the song "You Wanted The Best". After completing the "Farewell Tour" with Kiss in late 2001, Frehley left the band and resumed his solo career.[29][30] After the end of the 2002 Winter Olympics, he performed one last time with Kiss.
In October 2018, Frehley and Bruce Kulick reunited with Kiss on the Kiss Kruise. The six musicians performed "2,000 Man", "New York Groove", "Nothin' to Lose", and "Rock and Roll All Nite". This was the first time Frehley and the band had performed together since 2002 for the closing ceremonies of the 2002 Winter Olympics and Kulick's first time performing with the band live since his departure in 1996.[31]
Frehley did not participate in Kiss' final tour, which began on January 31, 2019, in Vancouver, British Columbia, Canada.[32] Stanley and Simmons did not rule out the possibility of Frehley and Peter Criss making appearances during the final tour, with Stanley stating that he was "open to the idea".[33] Simmons later invited Frehley to perform encores with the band for their final tour,[34] but Frehley turned down the invitation,[35] also ruling out the possibility of performing at the band's final show and expressing doubt that the band would stop touring.[36][37] In June 2022, Simmons reportedly told the Finnish Chaoszine that he and Stanley had met with Frehley to try to convince him to make guest appearances with the band but that Frehley was making demands (regarding his makeup and having Thayer not play encores) that couldn't be satisfied.[38]
It was announced on December 15, 2020, that a Kiss biopic was in the works, with hopes to release it on time with the band's final concert.[39] Deadline reported that Netflix has nearly finalized a deal to produce the Kiss biopic titled Shout it Out Loud, which will be released in 2024.[40][41] The film will be made with close cooperation from both Simmons and Stanley, and will focus on the formative years of the band.[42][43]
Following the announcement of the biopic, a two-part documentary on the band titled Biography: Kisstory was also announced and aired on A&E on both June 27 and 28, 2021, with an exclusive live performance following after its debut at the Tribeca Film Festival on June 11, 2021.[44][45] Simmons claimed (in June 2022 when being interviewed by Chaoszine) that he and Stanley had invited Frehley and Criss to participate in the documentary but that Frehley and Criss told Simmons that "they might do it if they have complete control of the edit. I said, 'We can't do that, because even we don't have that. But I won't control what you say; you can say whatever you want.' The answer is no — both of them."[38]
In the June 2022 interview with Chaoszine, Simmons also discussed Frehley and Criss' health and a Kiss fan convention in May 2022, Nashville, Tennessee, called the "Creatures Fest". Frehley, Criss, Vinnie Vincent, and Bruce Kulick all performed at the event. Criss joined Frehley for part of Frehley's set, and both Kulick and Frehley joined Vincent for part of his set. Simmons was asked if he had seen fan footage from the event, to which he responded "Somebody showed me about 30 seconds, yeah. It was very sad. I felt sad for Peter [Criss]…" He further elaborated about Criss' health, claiming that "When I called to invite Peter to be in the documentary, his health isn't what it should be. I don't wanna get too specific because it's part of his private life. But no, physically, he wouldn't be able to do it. Neither would Ace." With regards to Frehley, Simmons stated that "[he cared] about Ace [Frehley], but he's not in shape — he can't play that way and doesn't have the physical stamina to do that…" and that Frehley and Criss' actions had resulted in their poor relationship with himself and Stanley.[38][46][47]
Shortly before Kiss' final two shows, and after the end of the tour, Frehley stated that he was not opposed to appearing at the final concerts in New York City. He also stated that he would have accepted such an offer, even if both he and Thayer were wearing his "Spaceman" makeup, for a $250,000 payment for each of the two final shows. Frehley also denied that he and Criss had been invited, claiming that "[Stanley and Simmons] just said that to sell tickets."[48][38][49]
In 2024, Frehley is releasing a new studio album, 10,000 Volts.[38]
Autobiography
Ace Frehley released his autobiography, No Regrets – A Rock 'N' Roll Memoir, on November 1, 2011. The autobiography was authored by Frehley, Joe Layden and John Ostrosky, and published through Gallery Books, a subdivision of Simon & Schuster.[50] The book entered The New York Times Best Seller list in the hardcover non-fiction category at #10.[51]
Technique
In a 2009 interview with Rock N Roll Experience Magazine, Frehley stated, "I'm an anomaly, I'm an un-schooled musician, I don't know how to read music, but I'm one of the most famous guitar players in the world, so go figure."[52]
"I play guitar in such an unorthodox way," he told Guitar World in 1996. "I've never taken a guitar lesson. One of our assistants brought it to my attention a few months ago that, sometimes, when I play chords, my thumb is on the fretted side of the neck. I have no idea why or how I do it, but I do." Paul Stanley added, "I remember a time early on when Ace and I would play, and I would do vibrato with my hand, and Ace would get vibrato by shaking his whole arm against the neck of the guitar [laughs].